185 Movies Like The Whale (2022) (Page 7)

Staff & contributors

Chasing the feel of watching The Whale ? Here are the movies we recommend you watch right after.

At one point in The Whale, Brendan Fraser’s Charlie —  a morbidly obese, reclusive teacher — describes an act of abject cruelty as “not evil” but “honesty.” Darren Aronofsky seems to believe the same about his movie, but alas, he's gravely misled, because The Whale is flooringly glib. From the outset, the film actively and incessantly tries to choreograph audience disgust for Charlie, all so that it can pull off a manipulative “he’s human, actually” swing later on — a “twist” that won’t work if you, you know, already accept people’s humanity irrespective of their appearance. Cinematography, makeup, and score all conspire to paint Charlie as grotesque: the camera laboriously over-emphasizes his size and mobility issues, while histrionic music chimes in to frame trivial moments (like Charlie reaching to pick something up from the floor) as grand, tragic dramas. Even if you ignore all its needless cruelty, The Whale — which is adapted from a play — can never shed its stagy origins: the writing frequently reaches for transcendence, but its efforts are as subtle as its evidently retroactively-shoehorned-in-title. If it’s as sincere as it purports to be, this is one of the worst movies of recent years, and if it’s not — which is almost preferable — then it’s a landmark exercise in trolling.

Directed by Japanese filmmaker Hirokazu Koreeda, the Korean film Broker is a simple but tender story about chosen family. It follows Moon So-young (IU), a young mother who decides to drop her baby off at a church, seemingly for good. But when So-young decides to return for the child, she discovers that he’s been stolen by two brokers who’ve put the baby up for adoption on the black market. She joins them in the hopes of meeting her child’s prospective new parents (and staking a claim at the payment) but the more they spend time with each other, acting like a real family on the road as they do, the more it becomes real for her, and the more she feels conflicted about the decision she’s about to make.

As with any Hirokazu Koreeda film, Broker is an affecting, empathetic story that succeeds at humanizing its misunderstood cast of characters. Admittedly, it’s not the best Koreeda movie out there, even when the category is narrowed down to stories about found families (the best in that regard would be his 2018 film Shoplifters). And Koreeda fans will find Broker somewhat scrubbed and Disney-fied for a larger crowd, lacking the edge that his previous Japanese films had. But it is undeniably heartwarming and beautiful. The road trip setup allows the characters to build their rapport naturally, and the warm crisp tones capture the seabreeze ease of the film. Regardless of your view on Koreeda, Broker is well worth a watch.

Genre: Comedy, Crime, Drama

Actor: Bae Doona, Baek Hyun-jin, Bek Hyun-jin, Choi Hee-jin, Choi Hui-jin, Gang Dong-won, IU, Jeong Jong-yeol, Jong Ho, Jung Ji-woo, Kang Gil-woo, Kim Do-yeon, Kim Keum-soon, Kim Sae-byuk, Kim Soo-hyeon, Kim Sun-young, Kim Yae-eun, Lee Dong-hwi, Lee Doo-seok, Lee Ga-kyung, Lee Joo-young, Lee Moo-saeng, Lee Mu-saeng, Lim Seung-soo, Oh Hee-joon, Oh Hee-jun, Park Hae-jun, Park Kang-seop, Park Kang-sup, Ryu Kyung-soo, Seong Yu-bin, Song Kang-ho, Song Sae-byuk, Yun Seul

Director: Hirokazu Kore-eda

, 2023

In 1984, Michael Jordan was a rising star and Nike had yet to make its mark in the basketball industry. With nothing to lose, Nike had to make a choice: settle behind the far more successful Adidas and Converse or shoot its shot and bet everything they have to win Jordan? 

You don’t have to be an NBA fanatic to know what Nike went with. The real-life story of how Air Jordans came to be is compelling in itself, but the dramatized version of it in Air is told with extra verve and charm, with director Ben Affleck and writer Alex Convery successfully turning a business pitch into something funny, moving, and highly watchable, predictable beats and all. 

Air covers the big hits and misses of business (which it buoys with lighthearted jokes and tender backstories), provides an addictive 80s soundtrack (without caricaturing the era), and gives us likable, rootable characters (an impressive feat given that this is, essentially, a Nike ad campaign). Matt Damon and Viola Davis, especially, turn in performances that elevate Air into something quite special. And while this film may be more about the Air than the Jordans, it is still a champion's story—familiar and cheesy at times, sure, but feel good, inspiring, and truly winning. 

Genre: Comedy, Drama, History

Actor: Al Madrigal, Albert Stroth, Andy Hirsch, Ari Davis, Asanté Deshon, Barack Obama, Barbara Sukowa, Ben Affleck, Billy Smith, Chris Messina, Chris Tucker, Damian Young, Dan Bucatinsky, Deloris Jordan, Dempsey Gibson, Gabrielle Bourne, Geoffrey Gould, Gustaf Skarsgård, Jackson Damon, Jason Bateman, Jay Mohr, Jerry Plummer, Jessica Green, Joel Gretsch, Joshua Funk, Julius Tennon, Mackenzie Rayne, Marlon Wayans, Matt Damon, Matthew Maher, Michael Jordan, Michael O'Neill, Richard Allan Jones, Tami Jordan, Tom Papa, Ure Egbuho, Viola Davis

Director: Ben Affleck

Rating: R

, 2022

Before anything else, Utama will knock you off your feet with its breathtaking beauty. Set in the Bolivian highlands, it captures the arid landscape both in gorgeous wide shots and in unique detail. Then, after you take it all in and remember the vastness of the world and the smallness of humanity, the film ushers you into the lives of Virginio and Sisa, an elderly couple who get by with llama grazing. 

Theirs is a small but peaceful life, but it is endangered when a drought in the area makes it harder for everyone—especially a sickly Virginio—to live. Underlying conflicts start to emerge, such as old vs. new and country vs. city, when everyone but Virginio considers leaving the mountains. It's a simple story told at a purposefully slow pace, but it's one worth viewing for the tender performances, the urgent themes, and of course, the stunning cinematography.

Genre: Drama

Director: Alejandro Loayza Grisi

There is no shortage of resources—be it books, films, articles, or interviews—about the atrocities Ferdinand Marcos unleashed on the Philippines. And yet, in the years since his exile and eventual death, his family has returned to power in the country, winning the hearts and (manipulated) minds of the masses.

In The Kingmaker, director Lauren Greenfield (who earlier directed the equally revealing The Queen of Versailles) exposes how this came to be, with a focus on the titular kingmaker herself, Imelda Marcos. It’s chilling how much of Imelda’s stated goals in this documentary, which spans five years, have come true. History repeats itself, and Greenfield skillfully and delicately captures the delusion, irony, and blatant corruption of a family dead set on owning a country, as if it were another luxury to purchase (or in the case of the Marcoses, pocket). 

Genre: Crime, Documentary, Drama

Actor: Andres D. Bautista, Benigno Aquino III, Bongbong Marcos, Etta Rosales, Imee Marcos, Imelda Marcos, Leni Robredo, Mary Yturria

Director: Lauren Greenfield

Rating: R

Silver Dollar Road isn’t a new story– it’s one of many that comes as a consequence of systematic Black land loss that continues to happen to this day. Director Raoul Peck tells it in a new way, completely focusing on the Reels family and hearing their story entirely, from the initial confusion to two of the homeowners’ incarceration, and remembering the good old days when they used to enjoy the land. The land dispute has escalated to years of harassment, imprisonment, and being taken advantage of from opportunistic legal counsel. While it could have benefitted from from detailed legal proceedings, Silver Dollar Road still powerfully depicts an intimate family story that outlines the systemic racism enabling Black land loss today.

Genre: Documentary

Actor: Kim Renee Duhon, Mamie Reels Ellison

Director: Raoul Peck

Rating: PG

In the words of the journalist Christo Grozev, Alexei Navalny isn’t just a politician; he’s also an internet personality, reporter, investigator, lawyer, and opposition leader who’s up against one of the biggest regimes in the world. He’s a dangerous man, a top Kremlin target, and the documentary gives us incredible access into the ins and outs of his daily operations. 

It’s always astonishing to see a hero humanized, especially since the documentary makes sure to balance newsworthy events with quiet moments of rest and reflection. But more than just a profile, Navalny is a valiant work of investigative journalism, as well as a timely reminder of the importance of activism. It's relevant, revelatory, and rousing; a must-watch in our ever-heating political climate. 

Genre: Documentary, Drama, Thriller

Actor: Alexei Navalny, Alexey Navalny, Angela Merkel, Christo Grozev, Dasha Navalnaya, Georgy Alburov, Kira Yarmysh, Leonid Volkov, Maria Pevchikh, Vladimir Putin, Yulia Navalnaya, Zakhar Navalny

Director: Daniel Roher

Rating: R

We’re familiar with dick jokes from stand-up comedians, especially male stand-up, but Jacqueline Novak’s 90-minute show about the blow job feels completely new. Get on Your Knees feels like casual storytelling from someone experienced yet distant enough to be a cool authority on it (say, your best friend’s older sister’s best friend), but funnier. It’s like a gossip session about a first experience, except the breathless, dizzying stream of thought is peppered with philosophical thought and points out the absurdity around the language and common attitudes about sex. And as she does so, and as she talks about self-conscious fumbling and unanswered questions, she strides back and forth, in an easy, self-assured way, the way we’d like to feel going into the act.

Genre: Comedy

Actor: Jacqueline Novak

Director: Natasha Lyonne

Rating: R

Surreal, off-putting, and extremely disturbing, Infinity Pool plays with the concepts of cloning and the death penalty to craft an examination on colonial tourism. It’s a thematically rich horror film, with hazy neon-lit sex scenes and absolutely terrible behavior, enabled by their wealth and advanced technology that could have been put to better use. Mia Goth, in particular, is strikingly unhinged, as Gabi taunts and lures James into bigger and more terrible crimes, crimes that he can only pay off with the wealth of his father-in-law. And Alexander Skarsgård as James believably gets sucked into this extremely libertine lifestyle, fuelled by the nepotistic anxiety of not living up to his own potential. The film presents a scary notion that pushed by wealth and playground tactics, one will willingly kill their own conscience, again and again, to belong to their cohort.

Genre: Horror, Science Fiction, Thriller

Actor: Alexander Skarsgård, Amanda Brugel, Amar Bukvić, Caroline Boulton, Cleopatra Coleman, Géza Kovács, Jalil Lespert, Jeff Ricketts, John Ralston, Mia Goth, Roderick Hill, Romina Tonković, Thomas Kretschmann

Director: Brandon Cronenberg

Rating: R

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Great Freedom is not an easy watch. Apart from the quiet stretches of time and the claustrophobic confines of its prison setting, it also has its lead, Hans Hoffman (played with delicate force by Franz Rogowski) imprisoned again and again and again, unjustly treated like dirt by both his warden and fellow inmates.

But as a Jewish gay man who has lived through the war, Hans is no stranger to these trappings. As such, he takes each day as it comes, open to love, pleasure, and friendship, or at least the potential of these, despite the circumstances. And so Great Freedom is also hopeful and romantic, glimmering with the human tendency to not just survive but to live. Slow but compelling, subdued but powerful, Great Freedom is an affecting balancing act that's well worth watching. 

Genre: Crime, Drama, Romance, War

Actor: Andreas Patton, Anton von Lucke, Fabian Stumm, Franz Rogowski, Georg Friedrich, Thomas Prenn, Thomas Stecher

Director: Sebastian Meise

Less a documentary on Johannes Vermeer himself and more about the art scholar's mission to study ideas of beauty and aesthetics from various perspectives, this documentary successfully takes an admittedly very esoteric subject and makes it compelling. Director Suzanne Raes easily gets to the essence of the complex questions and insights that these Vermeer experts have, but without dumbing them down or reducing them into generic academic talking points. In fact, the thing that really comes through in the film's discussions is the emotion that these people feel in figuring out how Vermeer managed to paint such stunning images, and what the man was drawn to in human beings. It's oddly persuasive; whether or not you're a fan of 17th-century artists, watching Close to Vermeer feels like finally solving a puzzle.

Genre: Documentary, History

Actor: Abbie Vandivere, Anna Krekeler, Gregor J. M. Weber, Jonathan Janson, Pieter Roelofs

Director: Suzanne Raes

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This stirring peek into the final days of a shuttering Las Vegas dive might be one of the finest odes to American bar culture yet. It also serves as a powerful portrait of a particular moment deep into the disastrous Trump years, yet right before the pandemic struck.

Directors Bill and Turner Ross capture the good, bad, and ugly, allowing conversations to unfold naturally. The colorful hues of the bar create a cinematic canvas for the patrons, who awash with booze and nostalgia, uncertainty, fear, and love, spend their last day together. If there was ever a film for those who miss the rough and tumble nightlife of the pre-Covid world, this is it. 

Genre: Documentary, Drama

Actor: Shay Walker

Director: Bill Ross IV, Turner Ross

That this film, an adaptation of a beloved classic and girlhood staple for 50 years and counting, is able to retain the same power, charm, and wisdom as the source material by Judy Blume is impressive in and of itself. 

Director Kelly Fremon Craig (Edge of Seventeen) turns the must-read novel into a must-see film, as urgent and relevant as ever in its frank portrayal of feminine woes and joys. Buying your first bra, getting your first period, losing a friend, doubting your faith, seeing—really seeing—your family for the first time, and knowing in your heart what you stand for...these are some of the thorny requisites of womanhood, and Craig navigates them with a bittersweet ease that never feels pandering nor patronizing. Like the book, the film honors this young person's big feelings by centering them in a sprawling story that involves other characters, who are just as fleshed-out as the lead. Rachel McAdams deserves special mention for turning in a sweetly nuanced performance as Margaret's mother Barbara, an artist attempting to balance her domestic role with her career goals. 

The film may be 50 years in the making, but it tells a timeless tale that will continue to hold the hands of teenage girls for generations to come.

Genre: Comedy, Drama

Actor: Abby Ryder Fortson, Aidan Wojtak-Hissong, Benny Safdie, Echo Kellum, Eden Lee, Elle Graham, Ethan McDowell, Gary Houston, George Cooper, Holli Saperstein, JeCobi Swain, Jim France, Johnny Land, Judy Blume, Kate MacCluggage, Kathy Bates, Mia Dillon, Rachel McAdams, Sloane Warren, Wilbur Fitzgerald

Director: Kelly Fremon Craig

Rating: PG-13

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Jenna is a young woman living a rather unhappy life in a town in the American South. The highlight of her days is inventing and baking pies at the diner where she works, giving them names like the “I Hate My Husband Pie”. Her life, however, seems to have hit an unpleasant dead-end: as her pie suggests, she no longer loves her chauvinistic pig of a husband and, as if that wasn’t enough, she’s pregnant with his child.

Waitress is about one woman’s determination to dig through the sourness of life in the hopes of finding a layer of sweetness underneath. Premiering only months after lead actress Adrienne Shelly’s tragic death at the age of 40, Waitress features wonderful performances that make for a delicious film, with the right ingredients to hold everything together.

Genre: Comedy, Drama, Romance

Actor: Adrienne Shelly, Andy Griffith, Andy Ostroy, Caroline Fogarty, Cheryl Hines, Christy Taylor, Cindy Drummond, Darby Stanchfield, Eddie Jemison, Heidi Sulzman, Jeremy Sisto, Keri Russell, Lauri Johnson, Lew Temple, Mackenzie King, Nathan Dean, Nathan Fillion, Sarah Hunley

Director: Adrienne Shelly

Thunder Road is both a single-shot 13 minute short and a 91-minute feature-film expanding the story. Both are excellent and award-winning, but I really recommend the full experience!

Jim Cummings (above) is the director, writer, and main actor of this dark comedy. He plays a police officer having the worst day of his life as he tries to sing Bruce Springsteen’s Thunder Road at his mother’s funeral.

This sight is funny, and so is most of the story. But it’s also cringe-inducing, and because the main character is so sincere in his decline, will make you feel guilty about laughing so much. 

Genre: Comedy, Drama

Actor: Ammie Masterson, Bill Wise, Chelsea Edmundson, Chris Doubek, Frank Mosley, István Mihály, Jacqueline Doke, Jim Cummings, Jocelyn DeBoer, Jordan Ray Fox, Kendal Farr, Macon Blair, Marshall Allman, Nican Robinson, Tristan Riggs

Director: Jim Cummings

Rating: N/A

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Featuring cannily edited filmography excerpts and interviews with friends and ex-lovers of Rock Hudson — the Golden Age matinee idol who became the first major celebrity to die of AIDS — this documentary lifts the lid on the closeted gay star’s double life. Though its first third draws chiefly on biographers to paint a serviceable picture of the homophobic context Hudson rose to fame in, it’s in later interviews with members of his inner circle that the film comes to life. These contributors give us a more closely informed picture of Hudson, who seemed to accept Hollywood’s compromise: he could live out his professional dreams so long as he didn’t rock the boat.

Some aspects of the film’s approach do raise an eyebrow, such as a risqué conversation that seems to have been surreptitiously recorded. These inclusions lend the film a tabloid scoop’s salaciousness in places, but, thanks to its final third, it’s largely a touching testament to Hudson. As it movingly argues, however reluctant he was to disclose his diagnosis (and, in doing so, his sexuality), he played a pivotal role in changing the tide of public attitudes towards AIDS, and thus to fundraising efforts — making him an unwitting LGBTQ+ hero.

Genre: Documentary

Actor: Allison Anders, Armistead Maupin, Bea Arthur, Burt Lancaster, Doris Day, Douglas Sirk, Elizabeth Taylor, Esther Shapiro, Howard McGillin, Illeana Douglas, James Dean, Joan Rivers, Kathleen Hughes, Lee Garlington, Linda Evans, Lucille Ball, Peter Kevoian, Piper Laurie, Richard Hodge, Rock Hudson, Tim Turner

Director: Stephen Kijak

Rating: PG-13