84 Movies Like The Whale (2022) On Itunes (Page 5)

Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R

There's an elephant lurking in the room from the outset of Biosphere, in which two men are the last survivors of an apocalypse: how will humanity live on? Best friends Billy (Mark Duplass) and Ray (Sterling K. Brown) have only survived thanks to the ingenuity of Ray, who built the glass dome in which they live, insulated from whatever it is that’s keeping the sky perpetually black outside. But the dome’s protective glass increasingly needs patching up, and their last female fish (responsible for the continuation of their food supplies) has just died, setting their clocks ticking.

What happens next — to the remaining male fish and humans — is an astonishing evolution that speaks to the strangeness of nature, which will break its most rigid laws in pursuit of its ultimate goal: furthering the species. Biosphere undergoes a similar metamorphosis: while its zany twist (which we won’t spoil) seems to direct it towards gross-out bro-comedy territory, it transforms, surprisingly, into something more profoundly philosophical. Like the dome, Biosphere’s structure isn’t as solid as it could be — it often meanders — but, with its thoughtful meditations on gender, sexuality, and evolution in all its forms, it’s easy to forgive this quirky indie gem that flaw.

Genre: Comedy, Drama, Fantasy, Science Fiction

Actor: Mark Duplass, Sterling K. Brown

Director: Mel Eslyn

Chile 76 takes place three years after the dictator Augusto Pinochet took over the country and cracked down on dissenting groups and rebels. There was political strife and unnecessary violence, but almost none of this plays out explicitly in the film. Instead, we mostly follow Carmen, who seems to be going through a crisis of her own, albeit an internal one. She lives a well-to-do life as she decorates a new house and volunteers at the church, but there is a deep-seated melancholia about her, which is maybe why she’s so drawn to Elias (Nicolás Sepúlveda). She exits her comfort zone and aids in his covert exchanges across town, perhaps because she’s genuinely interested in Elias’ cause, but possibly because she sees it as a way out from the humdrum of her privileged life. The beauty of the film is that it melds the personal with the political in subtle and interesting ways, allowing us viewers to draw our own conclusions to the matter.

Genre: Drama

Actor: Alejandro Goic, Aline Kuppenheim, Amalia Kassai, Antonia Zegers, Elvis Fuentes, Ernesto Meléndez, Gabriel Urzúa, Germán de Silva, Graciela Tenenbaum, Julián Marras, Marcial Tagle, Mauricio Pesutic, Mora Recalde, Vilma Verdejo

Director: Manuela Martelli

One wouldn't expect to see Count Dracula's youthful-looking helper at your local 12-step self-help group for people in codependent relationships, but Renfield holds more than one surprise up its sleeve. By translating the working relationship (or master-slave, since the latter doesn't get any pay) into the vocabulary of common relationship counselling parlance, the film actually elevates its symbolic status. Even more, I'd dare call it a hoot. Not that many vampire films have managed to make a proper comedy out of the figure in question, and Renfield with its simplistic appeal puts to shame even the artsy Netflix production El Conde, which also came out earlier this year. With Awkwafina in the mix and iconic lines such as "I don't want your murder cookies", how can you resist?

Genre: Comedy, Fantasy, Horror

Actor: Adrian Martinez, Anil Bajaj, Awkwafina, Ben Schwartz, Bess Rous, Betsy Borrego, Brandon Scott Jones, Brian Egland, Camille Chen, Caroline Williams, Chloe Adona, Christopher Winchester, Derek Russo, Gabriel 'G-Rod' Rodriguez, James Moses Black, Jenna Kanell, Joshua Mikel, Keith Brooks, Lacey Dover, Lena Clark, Lucy Faust, Marcus Lewis |, Marvin Ross, Mike Harkins, Nicholas Hoult, Nicolas Cage, Rhonda Johnson Dents, Shohreh Aghdashloo, Stephen Louis Grush, Susan McPhail, T.C. Matherne, William Ragsdale

Director: Chris McKay

Rating: R

Irish director Lorcan Finnegan's follow-up to the social dystopia Vivarium, too, centers around the trials and tribulations of a nuclear family. Overwhelmed by work and struck by an inexplicable disease, Christine (played by Eva Green) seems to have forgotten she employed a caretaker for her daughter Bobs. The plot thickens when a Filipino woman named Diana rings the door bell: what kind of mother forgets something like that? What follows is as nightmarish as it sounds, the film's visual potency summoning one's deepest fears and anxieties about reality slipping away. Green and Chai Fonacier (Diana) play an exquisite game of cat and mouse, but even the psychological thrill of that chase is not significant enough to overthrow the dubious racial politics at play. By the end, Nocebo makes an effort to position itself on the right side of history, but the power of its political critique wanes and wanes.

Genre: Horror, Mystery, Thriller

Actor: Anthony Falcon, Billie Gadsdon, Cathy Belton, Chai Fonacier, Eva Green, Mark Strong

Director: Lorcan Finnegan

If you like movies without plot, you'll love Korean master Hong Sang-soo's work in Grass. Sang-soo likes to write the script for his characters and not the other way around: he hires actors, then writes a script that would fit them every morning of the shoot.

The result is a personal movie that feels improvised and experimental, despite being quite simple: it's about a small café and a woman who observes the interactions of the guests.

Genre: Drama

Actor: Ahn Jae-hong, B-Real, Damian Marley, Gi Ju-bong, Gong Min-jeung, Han Jae-yi, Han Jai, Jin-young Jung, Ju-bong Gi, Jung Jin-young, Kang Tae-u, Kang Tae-woo, Ki Joo-bong, Kim Min-hee, Kim Myeong-su, Kim Myung-soo, Kim Sae-byuk, Lee Yoo-young, Lee You-young, Seo Young-hua, Seo Young-hwa, Shin Seok-ho, Snoop Dogg, Steven Hager

Director: Fab 5 Freddy, Hong Sang-soo

Rating: N/A

From early footage of country-folk threshing their crops to blissed-out clubbers at a rave, there is a mesmerizing, insistent sense of rhythm and motion to Arcadia. Director Paul Wright has curated an astonishing array of archive material for this feature-length video montage examining the British and their sometimes uneasy relationship with the land.

Cut together in loosely chronological order, the footage is enigmatic, seductive, and disturbing, set to a haunting soundtrack from Adrian Utley of Portishead and Will Gregory of Goldfrapp. Watching Arcadia is hypnotic, like wading into the uncertain waters of time with a head full of shrooms. And that’s definitely a good thing.

Genre: Documentary

Actor: Ian Sexon

Director: Paul Wright