28 Movies Like The Whale (2022) On Microsoft Canada (Page 2)

Told in a playful mockumentary format, Pinball: The Man Who Saved the Game delivers precisely what the title promises and a bit more. Apart from imparting interesting information about pinball's complicated past (it was only declared legal in New York as recently as 1976), the film doubles as a touching family drama and a fun experiment on genre. As Robert Sharpe, the real-life games expert who helped decriminalize pinball, Mike Faist is winsome, compelling, and maybe the best thing about the film.

While Pinball could've leaned into its silliness more instead of just dipping its toes in avant-garde territory, the film is pleasant enough with plenty of fun and tender moments to enjoy. 

Genre: Comedy, Drama, History, Romance

Actor: Bryan Batt, Christopher Convery, Connor Ratliff, Crystal Reed, Damian Young, Dennis Boutsikaris, Donna Del Bueno, Eric William Morris, Hope Blackstock, Jake Regal, Kenneth Tigar, Michael Kostroff, Mike Doyle, Mike Faist, Rosa Arredondo, Supriya Ganesh, Toby Regbo, Zac Jaffee

Director: Austin Bragg, Meredith Bragg

This Canadian drama produced by Clint Eastwood is based on the true story of Saul Indian Horse, a famous indigenous hockey player who survived Canada’s residential school system. As recently as 1996, indigenous children were taken away from their families to attend brutal assimilation boarding schools.

Indian Horse, by virtue of being based on true events, is not an against-all-odds story. The main character goes through a series of ups and downs between the 70s and 90s, when the movie is set, which reflect the recent history of abuse that Indigenous communities suffered in Canada.

Genre: Drama

Actor: Ajuawak Kapashesit, Anders Yates, Edna Manitowabi, Emily Klassen, Forrest Goodluck, Irene Poole, Jill Frappier, Johnny Issaluk, Martin Donovan, Melanie McLaren, Michael Murphy, Michiel Huisman, Skye Pelletier, Sladen Peltier, Will Strongheart

Director: Stephen S. Campanelli

Rating: Not Rated

The tired stereotype is that in horror films, it’s always the Black characters who are the first to die. The Blackening turns that on its head and gives us an interesting premise by asking, what if all the characters are Black? While it’s not the first film to do this (in fact, a lot of Black creatives are reclaiming horror and dominating the genre), it just might be the first to tackle the issue in a smart and funny way. This is a ridiculous parody filled with outsized performances and observational jokes, but it’s equally meta and socially aware as it literally (and thankfully) beats the stereotype to its final death. 

 

Genre: Comedy, Horror

Actor: Antoinette Robertson, Dewayne Perkins, Diedrich Bader, George Fisher, Grace Byers, James Preston Rogers, Jay Pharoah, Jermaine Fowler, Melvin Gregg, Sinqua Walls, X Mayo, Yvonne Orji

Director: Tim Story

Rating: R

After the devastating Happy Old Year, we were excited to see the next of what Nawapol Thamrongrattanarit has to offer. Fast & Feel Love is a surprising one, purely because of how silly and unserious the entire film is. The satirical film follows a sport stacker whose passion to be the fastest blinds him to all the day-to-day tasks and life goals that have been pushed towards his girlfriend, and the film plays this basic conflict as dramatically as other action films would, with dynamic cinematography, an over-the-top soundtrack, and dramatic voice overs. The joke does get stretched a tad too long, but it humorously pokes fun at the infantile ways men in action films act, while still recognizing how this mindset is the way we cope in adulthood.

Genre: Action, Comedy, Drama, Romance

Actor: Anusara Korsamphan, Keetapat Pongruea, Napak Traicharoendetch, Nat Kitcharit, Urassaya Sperbund, Wipawee Patnasiri

Director: Nawapol Thamrongrattanarit

Weird: The Al Yankovic Story is a parody of a parody, a multilayered confection of silliness that befits the musician it celebrates. It's the origin story of Weird Al Yankovic (Daniel Radcliffe) but with the surreal and satirical levels cranked up to a hundred. It's easy to get lost then, in the movie's freewheeling giddiness, but Radcliffe has a way of grounding the ultra-heightened comedy with his conviction and charm. The movie also doubles as a who's who in the 1980s music and comedy scene, and the unlikely pairings it brings together keep you entertained and nostalgic for a simpler, weirder time. 

Genre: Comedy, Crime, Drama, Music

Actor: 'Weird Al' Yankovic, Akiva Schaffer, Andrew Steven Hernandez, Anthony N., Anthony Nanakornpanom, Arturo Castro, Chad Guerrero, Conan O'Brien, Constantine Rousouli, Daniel Radcliffe, David Bloom, David Dastmalchian, Dean Sharpe, Demetri Martin, Diedrich Bader, Dot-Marie Jones, Emo Philips, Eric Appel, Evan Rachel Wood, Gordon Tarpley, Jack Black, Jack Lancaster, James Brown III, James Preston Rogers, Jimmy Walker Jr., Johnny Pemberton, Jonah Ray, Jonah Ray Rodrigues, Jorma Taccone, Josh Groban, Julianne Nicholson, Julie Chang, Keanush Tafreshi, Lin-Manuel Miranda, Michael McKean, Mike Escamilla, Nina West, Paloma Esparza Rabinov, Panuvat Anthony Nanakornpanom, Patton Oswalt, Paul F. Tompkins, Paul Riley Fox, Quinta Brunson, Rainn Wilson, Richard Aaron Anderson, Rocky Abou-Sakher, Scott Aukerman, Seth Green, Spencer Treat Clark, Thomas Lennon, Toby Huss, Tommy O'Brien, Trenyce, Will Forte, William Guirola

Director: Eric Appel

Rating: TV-14

Even if it follows nearly every trick in the playbook, American Underdog positions itself on a big enough scale that makes it work like a charm anyway. Following the story of legendary undrafted NFL quarterback Kurt Warner (Zahcary Levi), the film elevates its familiar beats through stunning, wide-angle football sequences that make the sport feel as thrilling as ever, and a particularly solid performance from Anna Paquin, as Warner's long-suffering partner. But what ultimately becomes American Underdog's real secret weapon is the fact that this isn't a sports movie about skill, strategy, or success; Warner becomes an inspiring figure because of how long he had to persevere with his dream just barely out of reach.

Genre: Drama, Family

Actor: Aaron J. Brooks, Adam Baldwin, Anna Paquin, Beau Hart, Bruce McGill, Chance Kelly, Cindy Hogan, Collin Taylor, Dennis Quaid, Jason Allen Wear, SerDarius Blain, Steven Chester Prince, Trisha Zarate, Zachary Levi

Director: Andrew Erwin, Jon Erwin

Big George Foreman ticks all the boxes of what a biopic should be. It shows us his troubled childhood, his bumpy rise to the top, and his eventual reconciliation with fame and boxing. It’s also nicely shot and polished, an accurately dressed period piece that looks and feels the part. But nothing about the film hits you as particularly new or exciting. Prickly topics like faith and infidelity aren’t so much explored as they are simply covered, and the dialogue sounds like something you’ve heard a thousand times. There’s also a sense that the filmmakers noticed this problem because halfway through, the movie switches into a more lighthearted tone, as if it were suddenly bored of itself. Sure, Big George Foreman is easy to follow and nice to look at, but its formulaic structure fails to distinguish itself from a long and ever-growing line of sports biopics.

Genre: Drama, History

Actor: Al Bernstein, Al Sapienza, Anthony Marble, Austin David Jones, Azaria Carter, Barry Hanley, Bill Martin Williams, Billy Slaughter, Brian Ibsen, Deion Smith, Deneen Tyler, Dwayne L. Barnes, Eric Hanson, Erica Tazel, Forest Whitaker, Greg Wattkis, Jasmine Mathews, John Magaro, Jonathan Mercedes, Joshua Wade, Judd Lormand, Julia Lashae, K. Steele, Kei, Khris Davis, Lara Grice, Lawrence Gilliard Jr., Madison Dirks, Martin Bats Bradford, Matthew Glave, Matthew Rimmer, Michael Harrity, Michael Papajohn, Philip Fornah, Raion Hill, Robert Cicchini, Robert Larriviere, Sam Trammell, Samantha Beaulieu, Shein Mompremier, Sonja Sohn, Sullivan Jones, T.C. Matherne, Tom Virtue

Director: George Tillman Jr.

Rating: PG-13

What seems like The Good Mother's biggest asset is actually its downfall. Yes, the three main actors (Swank, Cooke, and Jack Reynor as the civil servant son, Toby) are all good at what they do, but they're incapable of resuscitating a script that's never truly come to life. These casting choices, obviously made to give some clout to a very mediocre project, feel even more disappointing because the disconnect between actor and character is way too big. For example, Swank is not the alcoholic, fed-up mother we need her to be in this case, and its hard to see this as something else than a derogatory take on her previous more tender and glam roles. Director Miles Joris-Peyrafitte's Sundance-winning As You Are carried a whiff of fresh air, The Good Mother is drained out of all its energy, avoiding reflective depth at all costs, not to mention skirting around the ambivalences of motherhood. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Dilone, Hilary Swank, Hopper Penn, Jack Reynor, Karen Aldridge, Larry Fessenden, Laurent Rejto, Norm Lewis, Olivia Cooke

Director: Miles Joris-Peyrafitte

Rating: R

Playing the lead in an addiction drama has long been shorthand for “I’m a serious actor,” but that’s not something Florence Pugh needs to convince us of, especially not when the drama is as contrived as A Good Person is. Though it has a solid foundation from which to explore worthy subjects — Pugh’s character Allison begins abusing painkillers after accidentally causing the death of two people in a car accident —  writer-director Zach Braff overstuffs the film with too many distractingly histrionic happenings for a compelling reflection on guilt and forgiveness to really emerge.

What’s more, any potential A Good Person has is squandered by the film’s frequent and bizarre tonal swerves from tearjerking sincerity to generational comedy, a jarring effect mimicked by the soundtrack’s wild veering from moody melodies to bright piano music in a single cut. Though Pugh does her customary excellent work here, she’s ultimately undermined by all the overlong, transparently manufactured, and downright whiplash-inducing melodrama around her.

Genre: Comedy, Drama

Actor: Alex Wolff, Brian Rojas, Celeste O'Connor, Chinaza Uche, Drew Gehling, Florence Pugh, Ignacio Diaz-Silverio, Jackie Hoffman, Jessie Mueller, Lauren Yaffe, Molly Shannon, Morgan Freeman, Nichelle Hines, Oli Green, Ryann Redmond, Sydney Morton, Toby Onwumere, Victor Cruz, Zoe Lister-Jones

Director: Zach Braff

The opening titles of this French procedural drama explicitly tell us that the crime it chronicles will go unsolved, confessing that it’s about one of the approximately 160 murder cases that police don’t crack each year. An ambitious and intriguing opener — suggesting that, in the absence of a clean resolution, the film will nonetheless offer us something equally compelling, as Zodiac does. 

In following the investigation of the brutal murder of 21-year-old Clara (Lula Cotton-Frapier) — for which the police interrogate various of her exes, all misogynistic potential murderers in their own ways — the film seeks to explore the society-wide “problem between men and women” that has given the police its surplus of suspects. Alas, it’s much more interested in the psychological impact cold cases have on policemen like frustrated captain Yohan (Bastien Bouillon). There’s something deeply ironic about making a movie about the systemic dehumanization of women just to center male perspectives, especially when their only insight into the epidemic of toxic masculinity is Yohan’s clunky “We can’t find the murderer because all men killed Clara.” The film’s treatment of the victim herself — incurious and downright gratuitous in the depiction of her murder — cements it as a shallow, un-self-aware, and failed attempt to reckon with a subject that deserved its full focus.

Genre: Crime, Drama, Mystery, Thriller

Actor: Anouk Grinberg, Bastien Bouillon, Bouli Lanners, Camille Rutherford, Charline Paul, Johann Dionnet, Jules Porier, Julien Frison, Lula Cotton-Frapier, Marc Bodnar, Matthieu Rozé, Mouna Soualem, Nicolas Jouhet, Paul Jeanson, Pauline Serieys, Pierre Lottin, Théo Cholbi, Thibaut Évrard

Director: Dominik Moll