7 Movies Like The Wedding Banquet (1993)

Thirty years after its release, the first ever Chinese language Palme d’Or winner has finally been made more accessible through Criterion Channel through its uncut 4K restoration. Farewell My Concubine is one of those classical epics that is considered essential viewing, but even with its near 3 hour runtime, the film still holds up all these decades later with its startlingly heartrending love story and depiction of the tumultuous shifts of 20th century China. Director Chen Kaige masterfully balances both sides, tapping into the pain Dieyi (Leslie Chung) chooses as he clings to the classical opera, the very art form that allows him a sliver of his unrequited love to be realized, but that is also limited depending on whichever government is in charge at the moment. It’s possibly one of the most beautiful and most miserable films ever made.

Genre: Drama

Actor: Dan Li, David Wu, Fei Zhenxiang, Ge You, Gong Li, Huang Lei, Jiang Wenli, Lei Han, Leslie Cheung, Li Dan, Lu Qi, Shen Huifen, Yang Lixin, Yin Zhi, Ying Da, Zhang Fengyi, Zhi Yitong

Director: Chen Kaige

Rating: R

There are connections we make in this lifetime that we expect to be ephemeral, especially in a new city, but sometimes these connections end up being the most meaningful relationship to us. For Jun in Comrades, Almost a Love Story, street smart Qiao is that connection. As she teaches Xiao Jun in Hong Kong city life, they both edge closer to being lovers and Hongkongers, but not quite enough to receive the title. And as fate separates them and fate (and Teresa Teng) brings them together, Comrades, Almost a Love Story crafts quite a memorable romance that stems from a shared dream of finally moving up in the world.

Genre: Drama, Romance

Actor: Adrian Kwan, Baat Leung-Gam, Christopher Doyle, Crystal Suen Ah-Lei, Ding Yue, Eric Tsang, Irene Tsu, Joe Cheung Tung-Cho, Kristy Yang, Leon Lai, Maggie Cheung

Director: Peter Chan, Peter Ho-Sun Chan

Eat Drink Man Woman takes place in Taipei, Taiwan in the mid-1990s. It tells the story of an aging father and his three daughters, all of whom are navigating different phases of adulthood while embracing new relationships. The family uses cooking and eating together as a way to communicate their love.

Food as a love language wasn’t a new concept in 1994, when the film was released, however it is impeccably explored in Eat Drink Man Woman. 

Genre: Comedy, Drama, Romance

Actor: Chen Chao-jung, Chi-Der Hong, Chin-Cheng Lu, Gin-Ming Hsu, Gua Ah-leh, Huel-Yi Lin, Jui Wang, Kuei-Mei Yang, Lester Chan, Lester Chit-Man Chan, Lung Hsiung, Lung Sihung, Shih-Jay Lin, Sihung Lung, Sylvia Chang, Wang Yu-wen, Winston Chao, Wu Chien-Lien, Ya-lei Kuei, Yang Kuei-Mei, Yu Chen, Yu-Wen Wang, 张艾嘉

Director: Ang Lee

Rating: Not Rated

Aggressive, grungy, and rebellious, writer-director Fruit Chan’s debut film captures teen nihilism amidst abandonment in uncertain times. Immediately, the first look of this film is reminiscent of Wong Kar Wai with its use of character narration, hazy green scenes, and over-exposed film. However, Chan pairs these aesthetic techniques with the storyline of a revenge film mixed with an us-against-the-world mentality. While the protagonists Autumn Moon (Sam Lee), Ping (Neiky Yim Hui-Chi), and Sylvester (Wenders Li) start the film with teenage concerns like dealing with wet dreams, dating, and bullying, it’s clear that they go through them aimlessly, without the guidance of their fathers, almost as if with no hope at all due to their specific circumstances. In Chan’s hands, how every kid reacts to each change feels like an outburst against the adults in their life, and of the life outside of the film. It’s as if the words “fuck you” were made into a movie.

Genre: Comedy, Crime, Drama, Romance

Actor: Doris Chow, Sam Lee, Wenders Li Tung-Chuen

Director: Fruit Chan

Rating: Not Rated

With the powerful duo of queer aesthetics and rock n roll, Hedwig and the Angry Inch questions the duality between genders, lovers, and everything in between. Like the 1998 stage musical, the film follows the titular Hedwig and her band as they navigate the music scene for fame and love. The adaptation gives justice to their performances, giving the vibe of 70s glam rock music videos. The film is not without its flaws. Hedwig’s relationship with the younger Tommy Gnosis remains controversial. However, while Hedwig may not be a perfect representation of the trans experience– after all, she only chooses gender reassignment purely to leave East Germany– this cult film still remains a landmark for queer representation.

Genre: Comedy, Drama, Music

Actor: Alan Mandell, Alberta Watson, Andrea Martin, Ben Mayer-Goodman, Ermes Blarasin, Gene Pyrz, John Cameron Mitchell, Karen Hines, Maggie Moore, Mary Krohnert, Maurice Dean Wint, Michael Aronov, Michael Pitt, Michael Stevens, Miriam Shor, Rob Campbell, Rosie O'Donnell, Sook-Yin Lee, Stephen Trask, Taylor Abrahamse, Thérèse DePrez

Director: John Cameron Mitchell

Xavier Dolan’s emotionally charged directorial debut centers on the complex relationship between 16-year-old Hubert and his mother, brought to life by Dolan himself and Anne Dorval, respectively. The film paints an authentic and all-too-familiar picture of two people who love each other yet clash in similarly self-centered and stubborn ways.

The mother-and-son duo vacillate between love and hate in a screenplay full of drama. The cinematography, relying much on negative space, perfectly evokes a sense of disconnect and animosity. However, there is little subtlety to be found here, much like Hubert’s sexuality being embodied by a poster of River Phoenix displayed in his bedroom. The rawness and heightened telling of events indicate that this story is as fresh and unpolished as then 19-year-old Dolan’s own feelings about family dysfunction, particularly mommy issues. The heavy-handedness and moments of exaggeration in his quasi-autobiography are obvious, a fault of execution that one can attribute to lack of experience.

Still, the powerful visuals and dialogue hint at a vision of what more to expect in Dolan’s now-celebrated career. I Killed My Mother, by all accounts, fulfills its role as his promising directorial debut.

Genre: Drama

Actor: Anne Dorval, Benoît Gouin, Émile Mailhiot, Francis Ducharme, François Arnaud, Hugolin Chevrette, Johanne-Marie Tremblay, Laurent-Christophe De Ruelle, Manuel Tadros, Marianne Verville, Monique Spaziani, Niels Schneider, Patricia Tulasne, Pierre Chagnon, Suzanne Clément, Xavier Dolan

Director: Xavier Dolan

With an ensemble cast featuring a young Natalie Portman and a less murderous Uma Thurman, Ted Demme's "Beautiful Girls" recreates the worries and woes that thrive in the minds of a tight knit group of working class friends stuck in their own small town Massachusetts world. Warm, quirky and filled with champagne diamonds, both metaphorical and tangible, for anybody who's ever walked the thirty something walk, it's a film that'll make you want to remember all the friends you wish you still had and actually still do.

Genre: Comedy, Drama, Romance

Actor: Adam LeFevre, Annabeth Gish, Anne Bobby, David Arquette, Frank Anello, John Carroll Lynch, John Scurti, Lauren Holly, Martha Plimpton, Matt Dillon, Max Perlich, Michael Rapaport, Mira Sorvino, Natalie Portman, Noah Emmerich, Oliver Osterberg, Pruitt Taylor Vince, Rachel Oliva, Richard Bright, Rosie O'Donnell, Sam Robards, Timothy Hutton, Tom Gibis, Tomas Settell, Uma Thurman

Director: Ted Demme

Rating: R