3 Movies Like The Time to Live and the Time to Die (1985)

Staff & contributors

Chasing the feel of watching The Time to Live and the Time to Die ? Here are the movies we recommend you watch right after.

A City of Sadness is a film set in 1945, after Japan is defeated in the war and Taiwan is subject to uncertainties of a changing sociopolitical landscape. It follows the four Lin brothers, who each struggle in this tumultuous period — from Wen-heung, the eldest who gets on the bad side of a local gang, to Wen-ching, who chooses to stand against the Chinese Kuomintang government despite being deaf-mute. 

Instead of turning to the usual machinations of a historical family drama, director Hou Hsiao-hsien shows the vast expanse of Taiwanese countryside through steady, beautiful cinematography. In urban areas, the camera moves in scenes of sudden violence, which it pans toward until it exits frame for us to only hear the screams of people offscreen. There are also quiet interludes that barely last a minute, where dynamics between characters depict the anxiety of the times. Tony Leung, who plays the deaf-mute brother, hasn't refined the craft of subtle acting with his eyes yet, but traces of brilliance are already there. 

The trauma of rapidly changing times, as a nation is exploited from one war to the next, is depicted so clearly. The authoritarian state erodes families, and Hou paints a picture of a society on the brink, a representation of 1940s Taiwan that feels more like a tragic poem than a film.

Genre: Drama, History

Actor: Chan Chung-Yung, Grace Chen Shu-Fang, Hsin Shu-Fen, Jack Kao, Kelly Ko, King Shih-Chieh, Li Tian-Lu, Mei Fang, Su-Yun Ko, Tai Bo, Tony Leung Chiu-Wai, Tsai Chen-Nan, Wu Nien-Jen, 吴念真

Director: Hou Hsiao-hsien

Murdering your spouse is bad, so it’s slightly bizarre how Drowning by Numbers has an unbothered, even amused, attitude towards its murders. Moments seem randomly placed, like the first scene of a girl jumping rope while listing the stars by name, and the film can be hard to follow, even if the production design and cinematography keep you drawn in. But as the film progresses, and Madgett’s son Smut enumerates the fictional games as if he was a historian of sorts, writer-director Peter Greenaway meticulously crafts a quirky, twisty crime comedy, where, like children’s games and the men in their lives, the murdering wives do what they do because they can get away with it. Drowning by Numbers cleverly plays with the way we treat folklore, structure, and rules, even down to the very medium Greenaway works with.

Genre: Comedy, Crime

Actor: Arthur Spreckley, Bernard Hill, Bryan Pringle, David Morrissey, Edward Tudor-Pole, Ian Talbot, Jane Gurnett, Janine Duvitski, Jason Edwards, Joan Plowright, Joanna Dickens, Joely Richardson, John Rogan, Juliet Stevenson, Kenny Ireland, Michael Fitzgerald, Michael Percival, Natalie Morse, Paul Mooney, Roderic Leigh, Trevor Cooper, Vanni Corbellini

Director: Peter Greenaway

Rating: R

, 2022

Dhuin is evidently influenced by the Iranian filmmaker whose work its characters discuss: Abbas Kiarostami. Featuring non-professional actors and full of long observational takes that center everyday conversations in the life of an aspiring actor in a small Northern Indian city, it’s guided by the same social realist impulses that shaped Kiarostami’s work. What’s more, it even ends on an explicit reference to Close-Up. 

But what elevates Dhuin above homage is the acute internal struggle it depicts. Set during COVID lockdown, the film follows Pankaj (Abhinav Jha) as he works on his acting in a bedroom adorned with images of Hollywood stars, chafing against the much less glamorous reality of the home he shares with his financially struggling parents. He's on the cusp of having enough money to fulfill his dream and move to Mumbai (where he hopes to advance his career), but several meetings with puffed-up filmmakers who are visiting from Mumbai give Pankaj a new perspective on the world he’s desperate to join. A testament to the torment of difficult choices, Dhuin also gently offers an alternative to the trope of abandoning home for the big city, suggesting that there might be greater beauty in the reality of where you’ve always been than the places you dream of.

Genre: Drama

Actor: Abhinav Jha, Prashant Rana

Director: Achal Mishra