4 Movies Like The Summit of the Gods (2021)

Co-produced by the legendary Studio Ghibli and directed by Dutch animator Michaël Dudok de Wit, The Red Turtle is a tale about a man shipwrecked on a desert island whose fate is changed upon meeting a giant turtle. Beautiful images are pulled together and combined with the film’s delicate symbolism about humanity and nature, in a story told with remarkable restraint. The only sound in the movie is that of nature and the film’s beautifully relaxing score. Using only simple ingredients, The Red Turtle is an enigmatic, captivating, and highly-recommended gem that, after all, encompasses life itself.

Genre: Animation, Drama, Family, Fantasy

Actor: Barbara Beretta, Emmanuel Garijo, Tom Hudson

Director: Michael Dudok de Wit

This Oscar-nominated drama tells the story of the events leading up to the Srebrenica massacre, in which 8372 Bosnian Muslims were killed. It focuses on one U.N. worker who was caught between trying to protect her family, herself, and helping people in need.

The film is as horrific as it is relevant: up until the actual killing starts, people are constantly being assured that everything is under control and that there is no reason to panic. This gives an eerie feeling of resemblance to the tone many minorities in distress receive nowadays.

Still, Quo Vadis, Aida? stops at depicting any of the acts that were committed that day. Instead, it focuses on Aida’s unrelenting race against the clock to save whatever she can.

Genre: Drama, History, War

Actor: Alban Ukaj, Boris Isaković, Boris Ler, Dino Bajrović, Dražen Pavlović, Emina Muftić, Emir Hadžihafizbegović, Ermin Bravo, Ermin Sijamija, Izudin Bajrović, Jasna Đuričić, Job Raaijmakers, Joes Brauers, Johan Heldenbergh, Juda Goslinga, Micha Hulshof, Raymond Thiry, Reinout Bussemaker, Rijad Gvozden, Sanne den Hartogh, Sol Vinken, Teun Luijkx

Director: Jasmila Žbanić

Before Games of Thrones delivered court intrigues, shocking murders, and adulterous affairs, Queen Margot delivered all these nearly two decades earlier, depicting the dramatized, real life events of the French Wars of Religion. While it doesn’t have dragons, it has style, with some of the most stunning scenes intercut with some of the most gruesome, pushing the envelope with a freedom only possible due to none of their descendants still holding the French throne. It’s also one of the most expensive French films ever made, but every franc was put to good use, with luxurious sound, sets, costumes, and camerawork excellently supporting the cast’s performances. Initially released to mixed reception in America with 20 minutes cut from the runtime, La Reine Margot has thankfully been restored and re-released in full for its 20th anniversary in 2014.

Genre: Drama, History, Romance

Actor: Asia Argento, Barbet Schroeder, Bernard Nissile, Bernard Verley, Bruno Todeschini, Charlie Nelson, Claudio Amendola, Daniel Auteuil, Daniel Breton, Dominique Blanc, Dörte Lyssewski, Emmanuel Salinger, Grégoire Colin, Isabelle Adjani, Jean Douchet, Jean-Claude Brialy, Jean-Hugues Anglade, Jean-Marc Stehlé, Jean-Philippe Écoffey, Johan Leysen, Julie-Anne Roth, Julien Rassam, Laure Marsac, Luís Gaspar, Marc Citti, Marina Golovine, Miguel Bosé, Nicolas Vaude, Orazio Massaro, Otto Tausig, Pascal Greggory, Philippe Duclos, Thomas Kretschmann, Tolsty, Ulrich Wildgruber, Valeria Bruni Tedeschi, Vincent Perez, Virna Lisi

Director: Patrice Chéreau

The poetic title of this debut feature from Chilean filmmaker Francisca Alegría does not tell a lie: a cow does indeed sing. More than one, in fact, because the film uses an entire herd — plus a flock of birds and a school of fish — as a kind of Greek chorus to comment on human mistreatment of animals and the wider environment. The Cow Who Sang never approaches sanctimonious territory, gently weaving from these ideas an expansive and evenly empathetic worldview. The magical realism that allows the animals to speak is the same device that brings the long-dead Magdalena (Mia Maestro) back to life — and, as her family’s fraught history is gradually revealed, it’s movingly suggested that the objectification that the cows and the local polluted river are subjected to is part of the same culture of devaluation that marred the lives of Magdalena and her female descendants. If there’s one complaint to be had, it’s that the relatively short runtime limits the film's ability to really expound on its many threads — the bond Magdalena instinctively forges with her trans granddaughter, for example. Ultimately, though, its symbolic storytelling and emotionally articulate cast allow The Cow Who Sang to communicate much of its sweeping philosophy to profound effect.

Genre: Drama

Actor: Alfredo Castro, Camilo Arancibia, Enzo Ferrada, Fernanda Urrejola, Leonor Varela, Luis Dubó, Marcial Tagle, Mía Maestro

Director: Francisca Alegría