85 Movies Like The Suicide Squad (2021) (Page 2)

Forlorn longing envelops Days of Being Wild, where the act of dreaming is as valuable as its actual fulfillment. “You’ll see me tonight in your dreams,” Yuddy tells Su Li-zhen on their first meeting, and indeed, this line of dialogue sets the film’s main contradiction: would you rather trap yourself in the trance-like beauty of dreams or face the unpleasant possibilities of reality? Wong Kar-wai’s characters each have their own answers, with varying subplots intersecting through the consequences of their decisions. In the end, happiness comes in unexpected ways, granted only to those brave enough to wake up and dream again.

Genre: Crime, Drama, Romance

Actor: Alicia Alonzo, Andy Lau, Anita Mui, Carina Lau, Hung Ling-Ling, Jacky Cheung, Leslie Cheung, Maggie Cheung, Maritoni Fernandez, Rebecca Pan, Tony Leung Chiu-Wai

Director: Kar-Wai Wong, Wong Kar-wai

Rating: Not Rated

Striking, epic, and occasionally gruesome, Sword of the Stranger is an excellent film about ronin redemption. From the title alone, the film promises and delivers thrilling sword-fighting sequences from the titular stranger Nanashi (or “no name” in Japanese). His bouts with Ming Chinese warriors, as well as the Caucasian Luo-Lang, are so graceful, yet at times, so brutal that it ends with wrecked buildings, copious bleeding, and (on occasion) amputated limbs. However, the gore isn’t what makes these fight scenes work. Nanashi’s will to preserve his honor and self-determination drives the film. It’s the reason why his fight against these invaders feels so compelling. It’s the reason why he reluctantly guards the orphan Kotaro and his cute shiba inu. And when the film finally reveals the cause of that will, rooting for him is inevitable.

Genre: Action, Animation, Drama, History

Actor: Ai Orikasa, Akio Otsuka, Atsushi Ii, Cho, Fumie Mizusawa, Hirofumi Nojima, Hiroshi Shirokuma, Jun Hazumi, Junko Minagawa, Katsuhisa Hôki, Katsuhisa Houki, Kenichi Mochizuki, Kohei Fukuhara, Koichi Yamadera, Maaya Sakamoto, Makoto Yasumura, Mamoru Miyano, Masaki Aizawa, Miyu Matsuki, Naoto Takenaka, Noboru Yamaguchi, Shinya Fukumatsu, Takurou Kitagawa, Tomoya Nagase, Tomoyuki Shimura, Unsho Ishizuka, Yasuhiko Kawazu, Yuki Masuda, Yuri Chinen

Director: Masahiro Ando

Rating: TV-MA

Imagine a fanboy makes a film about his hero—you’d expect something mawkish and fawning, a tribute that praises the icon but sidesteps the flaws. Maybe in less expert hands, that could be the case. But despite being a longtime admirer of writer Kurt Vonnegut, Robert B. Weide’s documentary isn’t any of those things. Sure, it’s lovingly made, but it’s balanced and objective as it sketches a profile of Vonnegut not a lot of us have seen before. It’s also more than just a chronological account of his life; it’s simultaneously a film about this film, which has been in the making for 40 years, ever since Weide first met Vonnegut in 1988 and followed him through his death in 2007. At some point, their lives become tightly intertwined, and it’s impressive to see not just that friendship blossom but to watch it seamlessly fuse into the documentary. When Weide pitches the documentary to Vonnegut, he optimistically promises that it’ll be the definitive guide to his life. He’s right, it’s all that and a bit more.

Genre: Documentary

Actor: Edie Vonnegut, Kurt Vonnegut Jr., Morley Safer, Robert B. Weide, Sam Waterston

Director: Don Argott, Robert B. Weide

Frybread Face and Me is a little indie gem: though rough around the edges, it’s full of charm and heart. Drawn from its director's own childhood experiences, the movie charts a formative moment in the life of Benny, a city boy of Navajo, Hopi, and Laguna Pueblo heritage who’s carted off to his grandmother’s ranch on a Navajo reservation for a summer. It's suffused with all the specificity of real memories in a way that never distances us from it, only enfolding us closer into its nostalgic embrace. That effect largely comes from the tender bonds between Benny and his cousin Dawn (unsympathetically nicknamed Frybread Face and played by newcomer Charley Hogan), who acts as translator between him and their non-English-speaking grandmother (Sarah H. Natani, also a non-professional actor). Though he’s constantly berated by male family members for not being “masculine” enough, Benny finds unconditional acceptance from his grandmother and misfit camaraderie with Frybread, who also gives the film a dry comedic edge — a welcome touch in a usually saccharine genre. Ultimately, though, it’s the movie’s soft sweetness and intimate depths that are most distinctive: it’s so gently told, and with such genuine feeling behind it, that it’s impossible not to be swept away by its charms.

Genre: Comedy, Drama

Actor: Charley Hogan, Jeremiah Bitsui, Kahara Hodges, Keir Tallman, Leilani Taliaferro, Martin Sensmeier, MorningStar Angeline, Nasheen Sleuth, Sarah H. Natani

Director: Billy Luther

Rating: R

If Steven Spielberg had just decided to do a straightforward cover version of West Side Story, it still would have been a wonder of music, movement, and color. But more than the lush camerawork and impassioned performances from Rachel Zegler, Mike Faist, and Oscar winner Ariana DeBose, this adaptation is most memorable for its renewed focus on the senselessness of its central turf war. Here, New York City exercises absolute power over the Jets and the Sharks, rendering all this gang violence as a futile attempt to hold on to outdated values in the face of economic desolation. Spielberg might not be able to do much about the story's weaker Romeo and Juliet-inspired parts, but he still finds a way to let this often ridiculed tragic romance serve a greater purpose.

Genre: Crime, Drama, Music, Romance

Actor: Ana Isabelle, Andrea Burns, Andy Powers, Annelise Cepero, Ansel Elgort, Ariana DeBose, Ben Cook, Bert Michaels, Brian d'Arcy James, Chryssie Whitehead, Corey Stoll, Curtiss Cook, David Alvarez, David Guzman, Denia Brache, Doreen Montalvo, Feiga Martinez, Gaby Diaz, Harrison Coll, Ilda Mason, iris menas, Jamie Harris, Jamila Velazquez, Jeff Ward, Jess LeProtto, Joe Lanza, José Ramón Rosario, Josh Andrés Rivera, Kevin Csolak, Kyle Allen, Kyle Coffman, Maddie Ziegler, Mike Faist, Mike Iveson, Mike Massimino, Myles Erlick, Nadia Quinn, Natalie Toro, Paloma Garcia-Lee, Patrick Noonan, Paul Niebanck, Rachel Zegler, Reginald L. Barnes, Rene Ojeda, Ricardo Zayas, Ricky Garcia, Rita Moreno, Ryan Woodle, Sean Harrison Jones, Shade Rupe, Skye Mattox, Talia Ryder, Tanairi Sade Vazquez, Victor Cruz, Yassmin Alers

Director: Steven Spielberg

You don't need to be familiar with the rest of the Rurouni Kenshin live-action movie series—or the original manga and anime, for that matter—to appreciate The Beginning as a powerful period drama in its own right. This is a story that courses its historical context about a tumultuous time in Japan's past through a stoic, fearsome protagonist who can't seem to escape the violence that's become his only function. And even more impressively, as a prequel, the film keeps a heavy sense of dread about it, even if you're sure about which characters are meant to survive in order to appear in the previous films. It's the mark of any great tragedy that even the things that are destined can still feel so painful.

Genre: Action, Adventure, Drama, Romance

Actor: Eiki Narita, Eita Okuno, Emi Takei, Hoshi Ishida, Issey Takahashi, Kasumi Arimura, Kazuki Kitamura, Kinari Hirano, Makiko Watanabe, Mansaku Ikeuchi, Masanobu Ando, Masataka Kubota, Mayu Hotta, Nijiro Murakami, Shima Onishi, Soko Wada, Takahiro Fujimoto, Takeru Satoh, Towa Araki, Wataru Ichinose, Yosuke Eguchi

Director: Keishi Otomo

Rating: R

The sooner you adjust your expectations for Nomad—and realize that this isn't a travel documentary but Werner Herzog's own wonderfully offbeat way of remembering his dear friend—the better. Any uneven moments in this film's construction are smoothed over by the sheer authenticity of what Herzog puts on screen, from his own distinctive narration, to gorgeous excerpts from Bruce Chatwin's writings, to the sounds and images that make up the strange worlds that both men were fascinated in. No mysteries are solved here, but just being closer to the strange and surreal becomes a way for Herzog to come to terms with the strangest and most surreal of life's realities: death.

Genre: Documentary

Actor: Bruce Chatwin, Elizabeth Chatwin, Karin Eberhard, Marcus Wheeler, Michael Liddle Pula, Nicholas Shakespeare, Petronella Vaarzon-Morel, Stefan Glowacz, Werner Herzog

Director: Werner Herzog

Rating: PG

Teenagers forced to grow up quickly and spend their prime years wiling away at garment factories sounds like a grim reality, and it is, but in Youth (Spring), Chinese documentarist Wang Bing captures more than just the inherent tragedy of young labor. Here, they build friendships, find love, discover an affinity for their craft, stand up for themselves against exploitative bosses, and look for ways to have fun. Even if it’s just as simple as eating street food, spending the night at an internet cafe, or finding nice clothes, we’re with them in every way. Though it’s never explicitly political, the documentary makes you think about the conditions that put the kids there in the first place, such as our insatiable need for cheap and trendy clothes, governments turning a blind eye to child labor, and a skewed system that favors these above people’s—especially young people’s—well-being and welfare.

Genre: Documentary

Director: Wang Bing

If you’ve seen his stand-up, you’ll know that Pete Davidson likes to make fun of himself. But it’s also true that Davidson is honest. He speaks openly about his childhood traumas and mental health struggles, and this film about his life is no different than his live performances. It's darkly funny and deeply personal, this time plumbing new depths of his life with the help of director (and patron saint of comedians) Judd Apatow. 

Here, Apatow allows Davidson to hell his story in his own irreverent flavor, all while boosting him with directorial flair and his trademark balance of humor and humanity. A triumphant collaboration between Apatow and Davidson, King of Staten Island is rich with nuanced performances and relatable insights into the life of someone slowly but surely healing from pain and coming into his own. 

Genre: Comedy, Drama

Actor: Action Bronson, Alexis Rae Forlenza, Anthony Lee Medina, Bel Powley, Bill Burr, Bonnie McFarlane, Carly Aquilino, David S. Lomax, Derek Gaines, Domenick Lombardozzi, Gina Jun, Hank Strong, Jack Hamblin, Jessica Kirson, Jimmy Tatro, Keith Robinson, Ken Holmes, Kevin Corrigan, Laurence Blum, Liza Treyger, Lou Wilson, Luke David Blumm, Lynne Koplitz, Machine Gun Kelly, Marilyn Torres, Mario Polit, Marisa Tomei, Maude Apatow, Meredith Handerhan, Michelle Sohn, Mike Vecchione, Moises Arias, Nana Mensah, Nils Johnson, Nina Hellman, Nyla Durdin, Pamela Adlon, Pauline Chalamet, Pete Davidson, Rafael Poueriet, Rich Vos, Ricky Velez, Robert Smigel, Steve Buscemi, Teodorina Bello

Director: Judd Apatow

Rating: R

The Earth Is Blue as an Orange chronicles the lives of a single mother and her four children as they live in the war-torn Donbas region of Ukraine. Despite the constant threat of violence, the family finds solace in the arts (more specifically in filmmaking). While striving for normalcy in these tumultuous times, they channel their efforts into creating a film about the effect of war on their family. Even as they try to lead individual lives, nurturing this collective project, bombs, debris, and their reality is unavoidable. 

This film is a moving testament to the power of art, creativity, and hope in the darkest times. 

Genre: Documentary, Drama

Director: Iryna Tsilyk

Michael Jackson’s death triggers the sudden unraveling of a young imam’s buttoned-up life in this idiosyncratic Egyptian character study. The news of the singer’s passing sets Khaled (Ahmed El-Fishawy) straining against reawakened memories of his youth as a mullet-sporting MJ fanatic, before his joyful creative spark was stamped out by two disparate forces: a mocking, macho dad who punished Khaled for his vulnerability and the conservative uncle who took him under his wing.

Sheikh Jackson mostly takes place across two intertwining timelines: Khaled’s free-spirited adolescence and his adulthood, which has so far been defined by a self-flagellating, fire-and-brimstone brand of Islam. These two strands form a neat illustration of the binary options Khaled was led to believe he had to choose from — but, as the movie’s title hints, he might not have to choose at all, a revelation that doesn’t come easy because it flies in the face of everything he’s been taught. Free from the judgemental impulses of Western cinema when it comes to characters like Khaled, Sheikh Jackson is both an introspective portrait of the universal struggle of defining one’s own identity and a refreshingly nuanced look at how that experience might play out in the modern Arab world.

Genre: Drama

Actor: Ahmed Al Fishawy, Ahmed Malek, Amina Khalil, Basma, Bassma, Dorra, Hazem Ehab, Ibrahim Farah, Maged El Kedwany, Mahmoud Al Bezzawy, Mahmoud Gomaa, Omar Ayman, Salma Abu Deif, Yasmin Raeis, Yasmine Raeis, حازم إيهاب, محمود البزاوي

Director: Amr Salama

Emily (Evanna Lynch), a strange, unique girl does not receive the long awaited letter from her father on her birthday. Sick of worrying, she decides to break away from home to visit him in the psychiatric institution where he stays. The plan requires the help of Arden (George Webster), a boy from school who is ready to drop everything and accompany her on a journey that quickly becomes as adventurous as it is heartfelt. In this film, director Simon Fitzmaurice take will take you on a trip through the beautiful Irish landscape to find nothing else but simple and true love.

Genre: Drama, Romance

Actor: Ali White, Ally Ni Chiarain, Barry McGovern, Cathy Belton, Declan Conlon, Deirdre Mullins, Evanna Lynch, George Webster, John Travers, Martin McCann, Meghan Jones, Michael Hough, Michael Smiley, Millie Donnelly, Stella McCusker

Director: Simon Fitzmaurice

Rating: Not Rated