46 Movies Like The Power of the Dog (2021) (Page 3)

In Compartment Number 6, two different people strike an unlikely friendship during a train ride from Moscow to Murmansk. One is Laura, a Finnish student looking to observe ancient rock carvings at their destination, and the other is Ljoha, a gruff miner who hopes to secure a job once there. While the pair are initially unable to get on the same page, their friction eventually lends way to curiosity and empathy, especially as they learn more about each other and life itself.

It’s a great film to put on if you’re a fan of smart but subdued movies like the Before trilogy and Lost in Translation, and there is a lot to mine beyond their already-rich conversations, especially in terms of class and romance. It’s little wonder then that this delightful two-hander shares the 2021 Grand Prix award with another brilliant piece of art, Asghar Farhadi's A Hero.

Genre: Drama

Actor: Denis Pyanov, Dinara Drukarova, Galina Petrova, Konstantin Murzenko, Natalia Drozd, Polina Aug, Seidi Haarla, Sergey Agafonov, Tomi Alatalo, Valeriy Nikolaev, Yuliya Aug, Yuriy Borisov

Director: Juho Kuosmanen

Rating: R

Don't let the title and poster fool you—Riders of Justice isn't the testosterone-filled action flick you'd expect going in (though it does get ridiculous at some points). It centers on deployed military man Markus, played by the appropriately masculine Mads Mikkelsen, who has to return home to his teenage daughter Mathilde after his wife dies in an accident. Instead of coping normally and sticking with his daughter to get through the tragedy, he goes down a rabbit hole discovering how the accident that killed his wife is more than just bad luck and may have been collateral damage from a gang orchestrating an assassination.

Surprisingly, director Anders Thomas Jensen injects this violent film with a lot of gentle moments about trauma and togetherness. Mikkelsen and the rest of the cast play off of each other very well, using dark humor to bring together a bunch of characters who are, in oversimplified terms, "fucked up but trying their best."

It may seem like the guns, blood, and badass moments are a front for this film that, at its core, shows men who badly need therapy banding together to cope with the harshness of life. Extremely funny and deeply moving, it qualifies as a heartwarming Christmas movie, believe it or not.

Genre: Action, Comedy, Drama, Thriller

Actor: Albert Rudbeck Lindhardt, Alice E. Bier Zandén, Anders Nyborg, Andrea Heick Gadeberg, Anne Birgitte Lind, Anne Fletting, Christina Ibsen Meyer, Gustav Dyekjær Giese, Gustav Lindh, Henrik Noël Olesen, Jacob Ulrik Lohmann, Jesper Groth, Jesper Ole Feit Andersen, Johanne Dal-Lewkovitch, Kaspar Velberg, Klaus Hjuler, Lars Brygmann, Mads Mikkelsen, Morten Suurballe, Natasja Crone, Nicolas Bro, Nikolaj Lie Kaas, Omar Shargawi, Peder Holm Johansen, Raivo Trass, Rigmor Ranthe, Rikke Louise Andersson, Roland Moller

Director: Anders Thomas Jensen

In Last Night in Soho, director Edgar Wright has so much to play with. The old lady character serves an unexpected role, while Ellie (Thomasin McKenzie) faces an interesting morality crisis as she tries to decide who to help at the end of the film. Just as fascinating is the film’s Ghibli-esque premise: we follow a hero going on an adventure far away from home and into a world where it's unclear where reality ends and fantasy begins. However, a lot of the time, it feels like the film was made to serve a big twist that doesn't have enough weight to it. The fantasy is far more intriguing than any tame interaction the film has to offer, so it doesn't feel like it lives up to its potential. But there is one obvious exception: Anya Taylor-Joy’s magnetic presence as Sandie—it’s a presence powerful enough to hold a film together.

Genre: Horror, Mystery, Thriller

Actor: Al Roberts, Alan Ruscoe, Andrew Bicknell, Anya Taylor-Joy, Celeste Dring, Colin Mace, Derek Lea, Diana Rigg, Elizabeth Berrington, Jacqui-Lee Pryce, James Phelps, Jessie Mei Li, Josh Zaré, Katrina Vasilieva, Lati Gbaja, Lisa McGrillis, Margaret Nolan, Matt Smith, Michael Ajao, Michael Jibson, Michael Mears, Oliver Phelps, Paul Brightwell, Pauline McLynn, Rita Tushingham, Sam Claflin, Sam Parks, Synnøve Karlsen, Terence Stamp, Thomasin McKenzie

Director: Edgar Wright

Rating: R

Mike Mills has always had an obsession with childhood and parenthood, often honing in on the beautiful, frustrating, and inevitable mess that comes with them. C’mon C’mon is no exception, but here, Mills blurs the lines between the two even more. Sometimes the kid acts more like an adult, and the adult more like a kid; sometimes the uncle acts as a surrogate mother, and the mother (unsurprisingly) takes on the role of an everywoman, attempting to be breadwinner, caretaker, and friend all at once. 

C’mon C’mon has no allegiances; it simply shows us the dynamics between one family and mirrors what we already know about ours. Shot in black and white, grounded in simple conversations, and interwoven with moving essay excerpts and real interviews, C’mon C’mon feels at once personal and universal; a moving feat of a film.

Genre: Drama

Actor: Artrial Clark, Brandon Rush, Callan Farris, Cooper Jack Rubin, Deborah Strang, Elaine Kagan, Gabby Hoffman, Gaby Hoffmann, Gita Reddy, Jaboukie Young-White, Jenny Eliscu, Joaquin Phoenix, Joseph Bishop, Kate Adams, Keisuke Hoashi, Mahfuzul Islam, Mary Passeri, Molly Webster, Scoot McNairy, Sunni Patterson, Todd D'Amour, Woody Norman

Director: Mike Mills

Rating: R

Thunder Road is both a single-shot 13 minute short and a 91-minute feature-film expanding the story. Both are excellent and award-winning, but I really recommend the full experience!

Jim Cummings (above) is the director, writer, and main actor of this dark comedy. He plays a police officer having the worst day of his life as he tries to sing Bruce Springsteen’s Thunder Road at his mother’s funeral.

This sight is funny, and so is most of the story. But it’s also cringe-inducing, and because the main character is so sincere in his decline, will make you feel guilty about laughing so much. 

Genre: Comedy, Drama

Actor: Ammie Masterson, Bill Wise, Chelsea Edmundson, Chris Doubek, Frank Mosley, István Mihály, Jacqueline Doke, Jim Cummings, Jocelyn DeBoer, Jordan Ray Fox, Kendal Farr, Macon Blair, Marshall Allman, Nican Robinson, Tristan Riggs

Director: Jim Cummings

Rating: N/A

Miso may be living day to day on her meager earnings as a cleaner, but she is decidedly content. She insists that all she needs to get by are cigarettes, whiskey, and time with her boyfriend, so when a spike in rent and prices invites her to reassess her priorities, she doesn’t budge. Instead of forgoing these luxuries, she gives up her tiny place and couch surfs with her old bandmates. What follows is a reunion of sorts, where darkly humorous epiphanies are had on both ends about adulthood, responsibilities, and what it really means to be happy in an increasingly indifferent, profit-oriented world.  

Microhabitat treads on very grave themes, and the images it conjures can be unsettling. But it is also surprisingly light on its feet, displaying sharp satire and sweet empathy for its unyielding protagonist. Miso is portrayed with a smartness and softness that evades rational judgment, and this endearment makes the story, especially the ending, all the more painfulul, poignant, and impactful.

Genre: Drama, Romance

Actor: Ahn Jae-hong, An Jae-hong, Cho Soo-hyang, Choi Deok-moon, Esom, Hwang Mi-young, Jang Sung-kyu, Kang Jin-ah, Kim Hee-won, Kim Jae-hwa, Kim Jae-rok, Kim Kuk-hee, Kim Yae-eun, Lee Seong-wook, Lee Sung-wook, Lee Yo-sup, Lee Yong-nyeo, Park Ji-young, Woo Moon-gi

Director: Jeon Go-woon

Rating: Not Rated

Incorporating traditional animation, Surrealist art style, and scenes from Luis Buñuel’s own films, Buñuel in the Labyrinth of the Turtles is a portrait of a brilliant yet eccentric artist who is stubborn in his ideals. The film is a series of dreams—visions from a life often disrupted by war and ideology—but is more structured and coherent than its inspirations, and striking in the commentary it makes on art. Within the film's story, Buñuel's character initially takes on a documentary project through a more dramatic and staged approach that separates him from his crew and his producer Acín. However, his nightmares stemming from childhood trauma eventually lead him to focus on the people he’s filming and advocating for. Historical yet surreal, highly political yet personal, this film is an apt celebration of a divisive artist.

Genre: Animation, Drama, History

Actor: Gabriel Latorre, Javier Balas, Jorge Usón, Pepa Gracia, Rachel Lascar, Salvador Simó

Director: Salvador Simó

Rating: PG-13

Joel Coen's minimalist vision of the Scottish play emphasizes that these monstrous acts of hubris and violence are carried out not because of madness or magical prophecy, but out of the rational yet selfish decisions made by grown adults. It's a distinctly character-focused interpretation of Shakespeare that should be insightful for students and fans alike, as Denzel Washington and Frances McDormand lend more sedate performances to what have become two of the grandest characters in theater history. The Tragedy of Macbeth weaken the impact of some of Shakespeare's most famous soliloquies due to the film's more hurried runtime, but it makes for a great tribute nonetheless. Come for the stunningly lit black-and-white sets, stay for the gleefully creepy performance by Kathryn Hunter as the three witches.

Genre: Drama, Fantasy, War

Actor: Alex Hassell, Bertie Carvel, Brendan Gleeson, Brian Thompson, Corey Hawkins, Denzel Washington, Ethan Hutchison, Frances McDormand, Harry Melling, Jacob McCarthy, James Udom, Jefferson Mays, Kathryn Hunter, Kayden Alexander Koshelev, Lucas Barker, Matt Helm, Max Baker, Miles Anderson, Moses Ingram, Nancy Daly, Olivia Washington, Peter Janov, Ralph Ineson, Richard Short, Robert Gilbert, Scott Subiono, Sean Patrick Thomas, Stephen Root, Susan James Berger, Wayne T. Carr

Director: Joel Coen

Though Eternal Summer isn't able to fully engage with its queer characters—maybe due to its being released in the mid-2000s—it still makes for a more interesting character study than you'd expect. This romance between three school friends has more on its mind than simply pitting two romantic pairings against each other. Unrequited feelings, unspoken secrets, and identities that are constantly in flux make Eternal Summer compelling just for the way these people try to dance around one another's emotions. And since it's shot in the muted colors of early digital filmmaking, this is a love story that becomes all the more melancholic just in the way it looks.

Genre: Drama, Romance

Actor: Joseph Chang, Kate Yeung, Ray Chang

Director: Leste Chen

Rating: 0

Jane Campion’s biographical drama about the poet John Keats derives its name from one of the latter’s greatest love sonnets: Bright star, would I were stedfast as thou art… / Still, still to hear her tender-taken breath/ And so live ever—or else swoon to death.

Keats remains one of the most celebrated and adored Romantic poets. His writing challenged the poetic form, and revered the world for what it is at its best: wondrous, surprising, sublime. Ben Whishaw’s portrayal of Keats is rightfully distant, as we encounter the poet’s incredible aloofness through the perspective of interested suitor Fanny Brawne (Abbie Cornish). Brawne’s relationship with Keats was short but intense, providing great artistic inspiration and devastating devotion. Campion perfectly captures their fleeting relationship in this deft, crushing drama.

Genre: Drama, Romance

Actor: Abbie Cornish, Adrian Schiller, Amanda Hale, Antonia Campbell-Hughes, Ben Whishaw, Claudie Blakley, Edie Martin, Eileen Davies, Gerard Monaco, Jonathan Aris, Kerry Fox, Lucinda Raikes, Olly Alexander, Paul Schneider, Roger Ashton-Griffiths, Samuel Barnett, Samuel Roukin, Sebastian Armesto, Theresa Watson, Thomas Brodie-Sangster, Vincent Franklin

Director: Jane Campion

Rating: PG