24 Movies Like The Out-Laws (2023) (Page 2)

Staff & contributors

Chasing the feel of watching The Out-Laws ? Here are the movies we recommend you watch right after.

You ought to know what you’re getting into with a movie like The Out-Laws, a production from the Adam Sandler-founded Happy Madison banner that’s behind such lofty cinematic heights as Grown Ups and Paul Blart: Mall Cop. Even in that charitable frame of reference, though, The Out-Laws feels, even more than usual, like a tax write-off for its creators and a sweet solely-for-the-paycheck gig for its starry cast, who don’t have to do much by way of actual dramatic work here. The perfunctory editing and bland direction often seem disinterested in (or, perhaps, embarrassed by) most of the script’s attempts to be funny, and so the film rushes through its scenario, which is only mildly amusing to begin with. In a movie like this, that’s more of a blessing than a curse, even if it does mean some of its better moments get short shrift from the whistlestop treatment. All in all, even as Happy Madison vehicles go, this is an utterly forgettable 95 minutes — the kind you’ll barely even be able to recall by the time the credits roll.

With every chaotic fight scene, ridiculous stunts, and crazy scheme, All-Time High is a wild ride where two scammers lie to each other and fall in love. It’s fun to see these irresponsible people reap the consequences, and it’s fun to see the way Youssef and Stéphanie recognize that they’ve met their match, made all the more fun with the natural chemistry between Nassim Lyes and Zoé Marchal. That being said, the film’s irreverent humor depends a bit too much on stereotypes and gags, and can be a bit too specific for viewers outside of France.

Genre: Comedy, Romance

Actor: Adèle Exarchopoulos, Adrien Essamir, Alexandre Kominek, Ciryl Gane, Guillaume Canet, Gustave Kervern, Hakim Jemili, Hedi Bouchenafa, Ichem Bougheraba, Kenza Fortas, Nassim Lyes, Panayotis Pascot, Yassine Stein, Yousef Ramal, Yovel Lewkowski, Zoé Marchal

Director: Julien Royal

Despite an engaging opening that promises to deepen the world already established in 2018's Bird Box, this new installment slips back into the usual routine before long. That is: cheap thrills and an overall lack of scares, not necessarily because of the fact that the creatures terrorizing this world are invisible, but because the film doesn't take advantage of the fear and paranoia that builds among the human characters. A stronger focus on religious belief (or simply blind fanaticism) should lead to more interesting character dynamics, but there isn't a single person here who's defined by anything beyond a few base traits. So despite the efforts of a game cast (including Babylon's Diego Calva and especially Barbarian's Georgina Campbell), the film just can't overcome how boring it is to watch blindfolded people reacting to nothing.

Genre: Drama, Horror, Science Fiction, Thriller

Actor: Alejandra Howard, Celia Freijeiro, Diego Calva, Georgina Campbell, Gonzalo de Castro, Leonardo Sbaraglia, Lola Dueñas, Manel Llunell, Mario Casas, Michelle Jenner, Milo Taboada, Naila Schuberth, Patrick Criado

Director: Àlex Pastor, David Pastor

Rating: R

The Perfect Find follows Jenna (Gabrielle Union), a fashion editor trying to make a comeback after a public breakup and a high-profile firing. She lands a job at a new fashion magazine, but this is complicated when she falls for her charming and much younger coworker, Eric (Keith Powers), who just so happens to be the son of her boss. Admittedly, the plot is as cliche as can be, with a few shenanigans, quirky best friends, and an ex or two popping up in the third act. But it's also easy to fall for, especially with Union as the charismatic lead. The jokes about her character and Eric's age gap land well most times, and many parts of the film are beautiful enough, most notably: the talent, the color grading, and the eye-catching New York landscape. 

Genre: Comedy, Romance

Actor: Aisha Hinds, D.B. Woodside, Gabrielle Union, Gina Torres, Godfrey, Janet Hubert, Keith Powers, La La Anthony, Leigh Davenport, Numa Perrier, Remy Ma, Shayna McHayle, Sterling 'Steelo' Brim, Ts Madison, Winnie Harlow, Yrsa Daley-Ward

Director: Numa Perrier

Rating: R

The Machine wants us to assume many unlikely things, with Bert Kreischer’s global fame being the most improbable. It also wants to be both high stakes as we follow Bert and his father (Mark Hamill) being chased by the mafia and comedic as they make lighthearted jokes along the way. But it never really achieves that balance. Though it looks sleek and high-budgeted, its contents are lopsided and messy, not once hitting the mark on its many targets. Moreover, it's based on a premise so thin, that it loses all credibility midway through the film. After that, it simply becomes a parody of itself. To be sure, there are some noteworthy moments in between, like when Kreischer and Hamill share genuine father-and-son moments, but for the most part, it’s just too overbearing to warrant anyone’s attention.

Genre: Action, Comedy, Crime

Actor: Aleksandar Srećković 'Kubura', Amelie Child-Villiers, Bert Kreischer, Brian Caspe, Dobrila Stojnic, Đorđe Simić, Iva Babić, Jess Gabor, Jimmy Tatro, Mark Hamill, Marko Nedeljković, Martyn Ford, Mercedes De La Cruz, Milena Predić, Miodrag Dragičević, Nikola Đuričko, Oleg Taktarov, Rita Bernard-Shaw, Robert Maaser, Set Sjöstrand, Stephanie Kurtzuba, Tea Wagner, Vladimir Gvojić

Director: Peter Atencio

Rating: R

Seemingly engineered in a lab to appeal strictly to romantic comedy enthusiasts who are familiar with every trope, Make Me Believe is charming and enjoyable in the moment, but ultimately does little with its ingredients. The things that it gets right are pretty foolproof: beautiful Turkish locales, steamy PG-rated romance, and a good dose of humor from supporting characters who can see the spark of love even before the couple does. Unfortunately this is all window dressing for a story built on flimsy foundations. The protagonist's assignment to book an interview doesn't actually carry that much weight, which makes the risk of pursuing and/or seemingly betraying her childhood neighbor feel inconsequential. And when these two characters inevitably meet in the middle, their connection is unconvincing, draining the excitement out of everything that follows.

Genre: Comedy, Romance

Actor: Ayça Ayşin Turan, Çağrı Çıtanak, Ekin Koç, Naz Çağla Irmak, Yıldız Kültür, Zerrin Sümer

Director: Evren Karabıyık Günaydın, Murat Saraçoğlu

Rating: R

Given the nature of the subject (the discovery of a species that predates humans), this installment of the Unknown documentary movies has more fanfare than its predecessors. The narrative never transcends positing that a Homo Naledi is just like Homo Sapiens, but not really. The experts' enthusiasm is often unsettling when you quickly realize that no opposing view is mentioned. In other installments, the balance of arguments for and against discoveries made the narrative compelling. However, Cave of Bones is suspiciously wrapped in (and warped by) the need to have Homo Naledis feel different from humans. What is initially fascinating eventually lends itself to fatigue when discoveries and philosophized theories are repeatedly aggrandized. 

Genre: Documentary

Actor: Lee Berger

Director: Mark Mannucci

Rating: PG

What a waste of a premise, and what a waste of Woodley’s talents. Based on the short story “The Robot Who Looked Like Me” by Robert Sheckley, Robots has some clever things to say about the state of advanced tech and its role in society, but its clumsy, heavyhanded approach fumbles the execution. There’s an awkward and unfinished feel to Robots that doesn’t make anything about it believable—not the technology, not the convoluted story, and certainly not the romance. And except for Woodley, none of the characters seem likable. The male-dominated cast makes constant jokes about fatness and femininity, presumably for the sake of satire, but they end up participating in the very things they’re supposedly calling out. It’s not nearly as smart nor as charming as it thinks it is, and if you’re looking for an alternative, I would recommend the far superior German film I’m Your Man, which accomplishes everything Robots tries to be and more. 

Genre: Comedy, Fantasy, Romance, Science Fiction

Actor: Barney Burman, Case Matthews, Casey Messer, Charles Grisham, Chelsea Edmundson, David Grant Wright, Emanuela Postacchini, Hank Rogerson, Jack Whitehall, Jackamoe Buzzell, Keith Campbell, Kevin Foster, Leslie Fleming-Mitchell, Nick Rutherford, Paul Jurewicz, Paul Rust, Richard Lippert, Samantha Ashley, Samantha Gonzalez, Shailene Woodley, Tiffany Adams

Director: Anthony Hines, Casper Christensen

Rating: R

Unfortunately, it isn't enough to have cartoonishly attractive people do silly things in the name of love for an entire feature film. This premise is undeniably fun at first: the pace is snappy, the locations are pretty, and there are more than a few intentional laughs buried within the film's fast-paced dialogue. But the longer Love Tactics 2 goes on, the more idiotic its characters seem and the more it feels like they don't actually deserve the love they supposedly earned in the previous movie. It greatly underestimates how frustrating it is to watch people fail to communicate over and over again, not out of any goodwill, but out of pure pride and jealousy. Sure, the leads provide plenty of eye candy, but after seeing how little they actually get to work with, watching them becomes an act of secondhand embarrassment.

Genre: Comedy, Romance

Actor: Atakan Çelik, Bora Akkaş, Ceyhun Mengiroğlu, Demet Özdemir, Deniz Baydar, Hande Yılmaz, İpek Tuzcuoğlu, Kerem Atabeyoğlu, Melisa Döngel, Şükrü Özyıldız

Director: Recai Karagöz

Rating: PG-13

Making a heist so unoriginal and uneventful is a feat, and Gold Brick manages to do both without missing a beat. None of the characters are particularly interesting or distinct enough to remember their names. The idea of stealing from a big corporation (usually a solid setup) has no bite because the motivations feel hollow and unrealized. Most of the "ingenious" slight of hands and master plans don't impress or stick, and later plot points' payoffs stay as lackluster as their setups. Crisp, saturated cinematography is pleasant on the eyes but not enough to stop them from glazing over.

Genre: Comedy, Drama

Actor: Agathe Rousselle, Antoine Gouy, Bruno Lochet, Grégoire Colin, Igor Gotesman, Irina Muluile, Ludovik, Nicolas de Lavergne, Nina Meurisse, Raphaël Quenard, Slimane Dazi, Stéphan Wojtowicz, Youssef Hajdi

Director: Jérémie Rozan