39 Movies Like The Menu (2022) On Itunes Canada (Page 2)

Staff & contributors

, 2022

Filled with dense conversations about classical music and cryptic suggestions of a guilty conscience, Tár makes for a challenging watch that rewards patient viewing. The film is ultimately a study of power in an industry built on preserving centuries-old traditions—which makes the character of Lydia Tár, as a queer woman and as a proud, egotistical conductor, such an anomaly in this world. Certain strange choices by the end notwithstanding, this is a movie that leaves itself wide open to interpretation to its view on karma, accountability, and cycles of power. And Cate Blanchett is as good as the awards say: fully immersed in Lydia's ways of arrogant self-preservation, and twitching at every ambient noise that reminds her how fake she truly is.

Genre: Drama, Music

Actor: Adam Gopnik, Alec Baldwin, Alexandra Montag, Allan Corduner, Alma Löhr, André Röhner, Artjom Gilz, Cate Blanchett, Christoph Tomanek, Diana Birenytė, Ed White, Frank Röth, Jessica Hansen, Johann von Bülow, Johanne Murdock, Julian Glover, Kenneth Won, Lee Sellars, Lucie Pohl, Lydia Schamschula, Marie-Anne Fliegel, Marie-Lou Sellem, Mark Strong, Mila Bogojevic, Murali Perumal, Nina Hoss, Noémie Merlant, Razvan Popescu, Sam Douglas, Sarah Bauerett, Somiko Singha-Sila, Songha Choi, Sophie Kauer, Sydney Lemmon, Sylvia Flote, Tamaki Steinert, Teresa Philomena Schild, Tilla Kratochwil, Vincent Riotta, Vivian Full, Xenia Assenza, Zethphan Smith-Gneist

Director: Todd Field

In 2017, the New York Times published a groundbreaking report by Jodi Kantor and Megan Twohey that detailed, for the first time, Harvey Weinstein’s atrocious history of sexual abuse. The New Yorker would release Ronan Farrow’s report five days after, prompting multiple survivors to share their own stories—and the rest, as you know, is history. Following Kantor and Twohey (played by Zoe Kazan and Carey Mulligan, respectively), She Said sheds light on how this pivotal moment in the establishment of the #MeToo movement came to be.

Based on Kantor and Twohey’s book of the same name, the film reveals the specific journalistic processes involved in writing this expose—a seemingly impossible feat, considering Weinstein’s hold over multiple industries, including the press. Because it’s a newsroom drama, there’s a lot of talking, but there’s also a lot of listening. Gripping, empathetic, and (even now) necessary, She Said makes for a thrilling watch.

Genre: Drama, History

Actor: Adam Shapiro, Alex Hurt, Anastasia Barzee, Andre Braugher, Angela Yeoh, Ashley Judd, Carey Mulligan, Celia Au, Dalya Knapp, Davram Stiefler, Elle Graham, Frank Wood, Gregg Edelman, Gwyneth Paltrow, Harvey Friedman, Hilary Greer, Jennifer Ehle, John Mazurek, Judith Godrèche, Katherine Kendall, Keilly McQuail, Lola Petticrew, Makia Martin, Marceline Hugot, Mike Houston, Molly Windsor, Patricia Clarkson, Peter Friedman, Roxanna Hope, Ruby Thomas, Safia Oakley-Green, Samantha Morton, Seán Cullen, Shirley Rumierk, Tom Pelphrey, Traci Wolfe, Zabryna Guevara, Zach Grenier, Zoe Kazan

Director: Maria Schrader

Rating: R

, 2019

This crazy adventure thriller was Colombia's nomination for the 2020 Oscars. "Monos" translates to monkeys, the nom de guerre of a group of teenagers holding an American hostage in an isolated bunker. Other than the occasional visit from their supervisor, they're left to their devices, forming relationships, smoking weed, drinking, and eating psychedelic mushrooms. One day, on top of the hostage, they're also trusted with a milk cow, named Shakira. A party goes wrong and one of the Monos accidentally kills Shakira, triggering a series of events that sends them deep into the jungle, and deep into despair. 

Monos is not an action movie, it's more of a character study. It was loosely based on The Lord of the Flies.

Genre: Adventure, Drama, Thriller, War

Actor: Deibi Rueda, Jorge Román, Julián Giraldo, Julián Giraldo, Julianne Nicholson, Karen Quintero, Laura Castrillón, Moisés Arias, Moises Arias, Paul Cubides, Sneider Castro, Sofía Buenaventura, Sofia Buenaventura, Wilson Salazar

Director: Alejandro Landes

Rating: R

As a crime thriller, Holy Spider is taut and terrifying, a modern noir that manages to unnerve despite the familiar moves it employs. The cat and mouse chase between serial killer and investigative reporter, for instance, is a classic tale, but that doesn’t make Holy Spider any less gripping. The film benefits from artful camerawork, considered acting (as the daring journalist Rahimi, Zar Amir Ebrahimi nabbed the Best Actress award at Cannes), and most of all a nuanced take on the situation in Iran. 

Despite having a clear stance against violence and corruption, nothing in Holy Spider is black and white. Contradictions abound, and even when presented with brief moments of justice, we’re left scratching our heads looking for more. Such is the case when the system, and not just an individual, is the true pest. 

Genre: Crime, Drama, Horror, Thriller

Actor: Ariane Naziri, Majd Eid, Mehdi Bajestani, Nima Akbarpour, Sara Fazilat, Sina Parvaneh, Zar Amir Ebrahimi

Director: Ali Abbasi

Mark Ruffalo, Anne Hathaway, and Tim Robbins star in this well-executed and eye-opening drama based on a true story. Robert Bilott (Ruffalo) is a successful corporate lawyer in New York. He is visited by a distressed farmer from his hometown in Cincinnati whose cows have been developing strange behaviors and diseases. Robert decides to take on this case in what will become one of the biggest class-action lawsuits in the country: the use of cancerous chemicals by the company that commercializes Teflon (the stuff in pans). Excellent acting in an incredibly frustrating but necessary story that will trouble you more than any other legal thriller you have watched in the past: prepare to be outraged (and throw away your pans).

Genre: Drama, History, Thriller

Actor: Abi Van Andel, Aidan Brogan, Amy Morse, Amy Warner, Angel Kerns, Anita Farmer Bergman, Anne Hathaway, Barry G. Bernson, Barry Mulholland, Bill Camp, Bill Pullman, Bret Aaron Knower, Brian Gallagher, Buz Davis, Caleb Dwayne Tucker, Carly Tamborski, Chaney Morrow, Clara Harris, Courtney DeCosky, Daniel R. Hill, David Fultz, David Myers Gregory, Denise Dal Vera, Elizabeth Marvel, Geoff Falk, Glen Yrigoyen, Greg Violand, Jason M. Griggs, Jeffrey Grover, Jim Laprelle, Joanne Popolin, John Newberg, John W. Harden, Jon Osbeck, Karen Koester, Kathleen Ellerman, Keating P. Sharp, Kelly Mengelkoch, Kevin Crowley, Lea Hutton Beasmore, Louisa Krause, Lyman Chen, Marcia Dangerfield, Mare Winningham, Mark Ruffalo, Matt Hudson, Michael Joseph Thomas Ward, Michael King, Mike Seely, Ming Wang, Ramona Schwalbach, Richard Hagerman, Robert Gerding, Scarlett Hicks, Sheryl Annette Colley, Steven Schraub, Teri Clark, Tim Robbins, Victor Garber, William "Bucky" Bailey, William Jackson Harper, Wynn Reichert

Director: Todd Haynes

Rating: PG-13

, 2022

It's inspiring to see that, even after Jordan Peele made the jump to blockbuster budgets, he hasn't lost the ability to evoke the sheer visceral panic of seeing something that isn't supposed to be there. Nope is that increasingly uncommon kind of film whose dense air of mystery isn't frustrating—and in fact uses to great effect the very human instinct to understand the unknowable, even if we know it'll hurt us. Its characters might not be the most three-dimensional and the development of its themes seems to depend on a lot of extrapolation and educated guessing, but the way Nope transforms from alien invasion, to monster movie, to western adventure, to cosmic horror still makes the film much greater than the sum of its parts.

Genre: Horror, Mystery, Science Fiction

Actor: Alex Hyde-White, Andrew Patrick Ralston, Barbie Ferreira, Brandon Perea, Daniel Kaluuya, Devon Graye, Donna Mills, Eddie Jemison, Evan Shafran, Hetty Chang, Jacob Kim, Jennifer Lafleur, Keith David, Keke Palmer, Lincoln Lambert, Liza Treyger, Malcolm Jae O'Shea, Mark Casimir Dyniewicz Jr., Michael Wincott, Osgood Perkins, Oz Perkins, Pierce Kang, Ryan W. Garcia, Sophia Coto, Steven Yeun, Terry Notary, Wrenn Schmidt

Director: Jordan Peele

Rating: R

Earnest, beautiful, and tender, Luca Guadagnino's Bones and All is many things: a road trip movie that sweeps the midwest deserts of 1980s America; a coming-of-age story that brings together two outsiders into an understanding world of their own; and a cannibal film that is unflinchingly flesh deep in its depiction of the practice. Bizarrely, these seemingly disparate elements work harmoniously to create a film that you won't soon forget, not least because of its rawness. 

As the aforementioned outsiders, Maren and Lee (Taylor Russell and Timothée Chalamet, respectively) are bewitching—individually sure but especially when they're together. They have a bond that is quite difficult to replicate onscreen, charged as it is with so much chemistry and warmth. The background players also bring their a-game when called for, especially Mark Rylance as the disturbing stalker Sully, Michael Stuhlbarg as the creepy but good-willed Jake, and Chloë Sevigny as Maren's stark mad mother. 

It's worth repeating that this movie goes all in on the gore, so steer clear if you don't have the heart for these sorts of things. But if you do, the viewing experience is rewarding. Bones and All is as romantic as they get, and rather than bury its message, the many layers on top of its core serve as a meaningful puzzle to unpack and unravel long after the credits roll.

Genre: Drama, Horror, Romance

Actor: Andre Holland, Anna Cobb, Brady Gentry, Chloe Sevigny, Christine Dye, David Gordon Green, Hannah Barlow, Jake Horowitz, Jenny McManus, Jessica Harper, Johanna McGinley, Madeleine Hall, Marcia Dangerfield, Mark Rylance, Michael Stuhlbarg, Sean Bridgers, Taylor Russell, Timothée Chalamet, Tom O'Brien

Director: Luca Guadagnino

Rating: R

Among the sea of class satires released in the last year, Triangle of Sadness is one of the better ones. Directed by Ruben Östlund (The Square, Force Majeure), the film follows an ultra-rich group of people who get stranded on an island after their luxury cruise ship sinks. The social pyramid that has long favored them suddenly turns upside down when a crew member (a glowing Dolly de Leon) effectively runs the group of sheltered castaways.

Triangle of Sadness may not be as sharp as Östlund’s previous work, and it may not add anything particularly new to the saturated discussions of social class, but it remains a darkly humorous and engaging watch, masterfully helmed by a strong script and ensemble.

Genre: Comedy, Drama

Actor: Alex Schulman, Alicia Eriksson, Amanda Schulman, Amanda Walker, Arvin Kananian, Beata Borelius, Camilla Läckberg, Carolina Gynning, Charlbi Dean, Christina Saliba, Dolly de Leon, Emma Warg, Fredrik Quinones, Fredrik Wikingsson, Hanna Oldenburg, Harris Dickinson, Hedda Rehnberg, Henrik Dorsin, Iris Berben, Jean-Christophe Folly, Karin Myrenberg, Linda Anborg, Malte Gårdinger, Nana Manu, Oliver Ford Davies, Ralph Schicha, Shaniaz Hama Ali, Stefan Godicke, Sunnyi Melles, Vicki Berlin, Woody Harrelson, Zlatko Burić

Director: Ruben Östlund

Rating: R

The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. 

The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

Genre: Comedy, Drama

Actor: Aaron Monaghan, Barry Keoghan, Brendan Gleeson, Bríd Ní Neachtain, Colin Farrell, David Pearse, Gary Lydon, Jon Kenny, Kerry Condon, Pat Shortt, Sheila Flitton

Director: Martin McDonagh

Rating: R

It may seem like it’s targeted at a specific demographic, but Spoiler Alert is actually a universal tale about love, grief, and moving on. Jim Parsons affectingly plays Michael, a romantic and TV aficionado who has trouble separating fact from fiction. He views life as one big sitcom, but his cheery outlook is increasingly challenged by the tragedies he encounters, not least of which is the surprise diagnosis of his boyfriend Kit (Ben Aldridge). 

Spoiler Alert is very sweet, perhaps too sweet for some viewers, but if you enjoy the unabashed schmaltz of romantic dramas, then this comes highly recommended. Of course, for that extra fluff, Spoiler Alert is mostly set during the holidays, so it’s best to watch while cozying up with a loved one—just make sure you have spare tissues on-hand for those tearjerking moments.

Genre: Comedy, Drama, Romance

Actor: Allegra Heart, Antoni Porowski, Ben Aldridge, Bill Irwin, Christine Renee Miller, Eleni Yiovas, Erica Cho, Jeffery Self, Jim Parsons, Josh Pais, Kate Pittard, Nikki M. James, Paco Lozano, Sadie Scott, Sally Field, Scott Burik, Shunori Ramanathan, Supriya Ganesh, Tara Summers, Winslow Bright

Director: Michael Showalter

A great example of frank, emotionally honest filmmaking with three totally vulnerable lead performances, Passages takes a subject that can so easily be reduced into clichés—infidelity—and approaches it with a genuine sense of melancholy. It can still be frustrating to watch fully developed adults refuse to communicate more clearly about their feelings, but director and co-writer Ira Sachs also understands the nuanced gender dynamic that informs some of these bad decisions. Tomas understands that his commitment to Martin may not give him the "easy" satisfaction of a traditional romance, but there is also a sense that his attraction to Agathe (supposedly the first time he's truly fallen for a woman) might be more of an impulsive attempt to settle for something safer, something that he has more control over.

Ben Whishaw is reliably sympathetic as Martin, and Adèle Exarchopoulos carries herself with the unembellished authenticity that many of the best French actors do. And Franz Rogowski makes Tomas both entirely pathetic and still so very heartbreaking in the predicament he's put himself into. There are no cheap histrionics or outbursts of emotion here—just performers living fully within each moment and selling us on the situation they're in.

Genre: Drama, Romance

Actor: Adèle Exarchopoulos, Arcadi Radeff, Ben Whishaw, Caroline Chaniolleau, Erwan Kepoa Falé, Franz Rogowski, Olivier Rabourdin, Radostina Rogliano, Théo Cholbi, William Nadylam

Director: Ira Sachs

Rating: NR

When he’s accepted into the prestigious Islamic university Al-Azhar, fisherman’s son Adam (Tawfeek Barhom) gets an eye-opening education — but not the kind he expected. A place associated with notions of purity is imagined as a hotbed of hypocrisy and corruption here, as naive young Adam finds himself unwittingly embroiled in a state plot to seize control of Al-Azhar (because, as one government official puts it, “We can’t accept having two pharaohs in the land”). Cairo Conspiracy's intricate plot confronts monsters in government and strips away religious leaders’ veneer of divinity as a reminder that they’re merely fallible men. What's more, the film grapples with the knotty mess of politics raging inside the institution’s walls in such a way that even its palatial courtyard feels claustrophobic. Rife with paranoia and subterfuge, Cairo Conspiracy feels utterly unique thanks to this skillful transposing of the shadowy machinations of courtly intrigue dramas and '70s paranoid thrillers into a very contemporary Egyptian setting.

Genre: Drama, Thriller

Actor: Fares Fares, Jalal Altawil, Makram J. Khoury, Mehdi Dehbi, Mohammad Bakri, Sherwan Haji, Tawfeek Barhom

Director: Tarik Saleh

, 2022

It’s a bold move, centering a drama around a creature as docile as a donkey, but EO pulls it off without ever leaning on the crutch of CGI. Instead, the film makes ingenious use of a hundred-year-old film technique: the Kuleshov effect. By splicing the image of the titular donkey’s placid, expressionless face against visual stimulus, the illusion of a genuine reaction is produced.

But don’t be mistaken: this is no twee Disney-esque tale of anthropomorphism. Inspired by the classic Au Hasard Balthasar, EO tracks the haphazard journey of a former circus donkey across Europe — one that is often depicted in surreal psychedelic reds instead of idyllic picture-book tones, and punctured by more horrors than joys (though we do, thankfully, get to see him munch away on some well-deserved carrot treats). EO’s docility frames him as a kind of holy innocent, making the cruelty meted out to him feel all the more like a grave violation of something sacrosanct. Seeing the world through his oft-neglected perspective also makes this a movie about humans by proxy — a fresh, empathetic approach that, even in its obvious dramatic liberties, makes us meditate on both the depth of experience that may be unfolding in our animal neighbors and our role in shaping it.

Genre: Drama

Actor: Isabelle Huppert, Kateřina Holánová, Lolita Chammah, Lorenzo Zurzolo, Mateusz Kościukiewicz, Sandra Drzymalska, Tomasz Organek, Waldemar Barwiński

Director: Jerzy Skolimowski

Rating: NR

Directed by Japanese filmmaker Hirokazu Koreeda, the Korean film Broker is a simple but tender story about chosen family. It follows Moon So-young (IU), a young mother who decides to drop her baby off at a church, seemingly for good. But when So-young decides to return for the child, she discovers that he’s been stolen by two brokers who’ve put the baby up for adoption on the black market. She joins them in the hopes of meeting her child’s prospective new parents (and staking a claim at the payment) but the more they spend time with each other, acting like a real family on the road as they do, the more it becomes real for her, and the more she feels conflicted about the decision she’s about to make.

As with any Hirokazu Koreeda film, Broker is an affecting, empathetic story that succeeds at humanizing its misunderstood cast of characters. Admittedly, it’s not the best Koreeda movie out there, even when the category is narrowed down to stories about found families (the best in that regard would be his 2018 film Shoplifters). And Koreeda fans will find Broker somewhat scrubbed and Disney-fied for a larger crowd, lacking the edge that his previous Japanese films had. But it is undeniably heartwarming and beautiful. The road trip setup allows the characters to build their rapport naturally, and the warm crisp tones capture the seabreeze ease of the film. Regardless of your view on Koreeda, Broker is well worth a watch.

Genre: Comedy, Crime, Drama

Actor: Bae Doona, Baek Hyun-jin, Bek Hyun-jin, Choi Hee-jin, Choi Hui-jin, Gang Dong-won, IU, Jeong Jong-yeol, Jong Ho, Jung Ji-woo, Kang Gil-woo, Kim Do-yeon, Kim Keum-soon, Kim Sae-byuk, Kim Soo-hyeon, Kim Sun-young, Kim Yae-eun, Lee Dong-hwi, Lee Doo-seok, Lee Ga-kyung, Lee Joo-young, Lee Moo-saeng, Lee Mu-saeng, Lim Seung-soo, Oh Hee-joon, Oh Hee-jun, Park Hae-jun, Park Kang-seop, Park Kang-sup, Ryu Kyung-soo, Seong Yu-bin, Song Kang-ho, Song Sae-byuk, Yun Seul

Director: Hirokazu Kore-eda

It doesn’t feel quite right to call Pacifiction a political thriller — at 2 hours 45 minutes and with an unhurried, dreamlike pace, it’s hardly the adrenaline rush that that categorization suggests. But Albert Serra’s film is still suffused with all the paranoia and intrigue that the genre promises, just at a slower burn. The specters of colonialism and nuclear apocalypse hang low over the movie, which is set in an idyllic Tahiti, where Benoît Magimel’s Monsieur De Roller is stationed as France’s outgoing High Commissioner, a bureaucratic relic of the country’s imperialist history. As shady figures and strange rumors about a military submarine begin to arrive on the island, a paranoid De Roller struggles to exert political control — and, in the process, seems to lose some of his own sanity. With an ethereal score, defiantly murky plot, hallucinatory cinematography, and some of humanity’s greatest horrors hanging over it like a pall, Pacifiction feels like a fever dream in the truest sense.

Genre: Drama, Thriller

Actor: Benoit Magimel, Cécile Guilbert, Marc Susini, Montse Triola, Sergi Lopez

Director: Albert Serra