236 Movies Like The Matrix (1999) (Page 16)

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A cynical down-on-his-luck Seoul taxi driver is hired by a German journalist to go to another town called Gwangju. What seemed like an easy and overcompensated journey at first takes him into the heart of a city under siege by the military. This is in fact the student uprising that will be a very important event in South Korean history, known as 1980 Guangju Democratic Uprising. Both the journalist and the taxi driver confront life-threatening situations as they find themselves at the center of the movement. A true-story-based movie, it's a heartfelt and entertaining political drama about one of the bleakest chapters of modern Korean history. In 2018 it was the country's official submission to the Oscars.

Genre: Action, Drama, History

Actor: Cha Soon-bae, Choi Guy-hwa, Choi Gwi-hwa, Daniel Joey Albright, Hae-jin Yoo, Han Sa-myeong, Han Sa-myung, Han Yi-jin, Heo Jeong-do, Heo Jung-do, Jeon Hye-jin, Jeong Seok-yong, Jin-young Jung, Joey Albright, Jun-yeol Ryu, Jung Jin-young, Kang-ho Song, Ko Chang-seok, Kyul Hwi, Lee Bong-ryeon, Lee Ho-chul, Lee Jung-eun, Lee Sae-byeol, Lee Yong-i, Lee Yong-yi, Park Hyeok-kwon, Park Hyuk-kwon, Ryu Jun-yeol, Ryu Sung-hyun, Ryu Tae-ho, Seo Hyun-woo, Seok-yong Jeong, Song Kang-ho, Thomas Kretschmann, Uhm Tae-goo, Um Tae-goo, Yoo Hae-jin, Yoo Hai-jin, 许政度

Director: Hun Jang, Jang Hoon, Jang Hun

Rating: Not Rated

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Last Stop Larrimah is the rare true-crime doc in which not a single tear is shed throughout its substantial two-hour runtime. That’s because the assumed-dead 70-year-old around whom it's centered had a lot of enemies: nearly all of his neighbors in the titular tiny Outback outpost he lived in, in fact. As the doc reveals, Larrimah — population: 10 (11 before Paddy Moriarty disappeared in 2017) — was a pressure cooker of big personalities roiling with animosity. 

Given the town’s tiny population, the film has the uncommon privilege of being able to explore the potential motives of every possible suspect — and it does, diving into vicious feuds over meat pies, hungry pet crocodiles, and the million grievances Paddy’s neighbors apparently harbored. But, though it presents all motives as equally plausible, it turns out one explanation is much more likely than the rest. That’s the problem here: like so many other true-crime docs, by the end, you can’t help but feel that the journey this takes is ultimately exploitative. Though it’s an entertaining portrait of eccentric Aussie characters, the film is much too devoted to doing just that — entertaining — at the expense of all its participants (including the unremarkable local police, for some reason), and so its late pivot into emotional profundity feels markedly insincere.

Genre: Documentary

Director: Thomas Tancred

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From the moment it begins, The Monkey King hardly pauses to take a breath. The characters are always frantically jumping into the next scene, the action is nonstop, and the jokes, though juvenile, arrive one after the other. This is okay if you’re looking for a brisk viewing experience, but not so if you’re prone to vertigo. It moves at a relentless pace, which doesn’t just make the film a dizzying watch; it also robs the animation’s beautiful details of the time it needs to be appreciated. The movie’s core message, too, is buried under all the film’s pizzaz, which is a shame considering its refreshing pragmatism. When all the other kids’ movies are promoting courage and confidence, The Monkey King actually warns against the dangers of an inflated ego. The Monkey King is passable entertainment for the family, but with a better pace, it could’ve been great. 

Genre: Adventure, Animation, Comedy, Family, Fantasy, Kids

Actor: Andrew Kishino, Andrew Pang, Artemis Snow, BD Wong, Bowen Yang, David Chen, Dee Bradley Baker, Hoon Lee, James Sie, Jimmy O. Yang, Jo Koy, Jodi Long, Jolie Hoang-Rappaport, Kaiji Tang, Mark Benninghoffen, Robert Wu, Ron Yuan, Sophie Wu, Stephanie Hsu, Vic Chao

Director: Anthony Stacchi

Rating: PG

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“There is no ethical consumption under capitalism,” a famous socialist belief goes, but like many activists, Jo is trying to curb that. She marries her two conflicting passions, coffee and the environment, by establishing a vegan cafe that only serves plant-based drinks. If a customer so much as mentions dairy, they're humiliated before being kicked out of the place. It’s both impressively assertive and gratingly obnoxious, which is something you could also say about the tone the entire film strikes. It’s well-meaning in its attempt to shed light on the ongoing climate crisis, but rather tone-deaf in trying to place the blame on everyday consumers rather than large-scale corporations. The editing choices, while meant to be cheeky, also go overboard with the cuts and colors, making it more annoying than anything else. Which is a shame, because apart from a noble cause, Coffee Wars also has a funny script and engaging performances going for it. It also gives us an insightful look into the highly competitive coffee tournaments being staged around the world. If only Coffee Wars let things brew for longer, maybe removed some elements and expanded others—specifically, dwell more on the contradiction of wanting to change a system while participating in it—then it would’ve been even more enjoyable and educational than it is. 

Genre: Comedy, Drama

Actor: Freddie Fox, Hugh Dennis, Jenny Rainsford, Jordan Stephens, Kate Nash, Lydia West, María Conchita Alonso, Owain Arthur, Ray Fearon, Rosie Cavaliero, Sally Phillips, Saoirse-Monica Jackson, Tobias Forrest, Toby Sebastian

Director: Randall Miller

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There’s a sense of disconnectedness in RedLife, as the film isn’t centered on one storyline, but rather two storylines that at first don’t seem connected. Ter, a young snatcher, marries a sex worker named Mild, while Som is a student who aspires to escape her prostitute mom’s poverty, especially after she falls for the more affluent Peach. At first, the film depicts their lives in stunningly framed, slice-of-life moments that captures a different side of Bangkok, one that’s tough to depict, but one people know about. But they do intersect, later on in the movie, in a series of events that leads them trapped in tragedy, despite all they did to escape it. The unexpected twist makes their lives surprisingly poignant, though RedLife’s journey might take too long to get there.

Genre: Drama, Thriller

Actor: Banlop Lomnoi, D Gerrard, Karnpicha Pongpanit, Krongthong Rachatawan, Pimvipa Thanarapatvanich, Ray MacDonald, Sumitra Duangkaew, Supitcha Sangkhachinda, Tanapak Jongjaiphar, Thiti Mahayotaruk

Director: Ekalak Klunson

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What Black Ice lacks in comprehensive research about the structures that maintain institutionalized racism inside major hockey leagues, it partly makes up for with one painful testimonial after another. This is a documentary that aims for the personal and the emotional over the intellectual—still an effective strategy as the film makes its point through repetition, to show just how commonplace racism is within hockey culture. And though it begins to feel somewhat plain in its execution (and without as much momentum leading into its concluding statements), Black Ice makes for a fiery, impassioned wake-up call especially to Canada's own seemingly "progressive" racial politics.

Genre: Documentary

Actor: Jashvina Shah, P.K. Subban, Sarah Nurse, Willie O'Ree

Director: Hubert Davis

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For the entirety of Where Was I, Trevor Noah is comfortably in his pocket—speaking to an audience that's clearly familiar with his style and his views (if the respectful silences and occasional cheering are any indication) and branching off into sharing more serious facts between the jokes. And Noah's style is clearly refined, as he speaks clearly and sticks to a coherent structure at all times. But at a certain point his level of comfort here also leads to punchlines that are too easy or unsurprising, with too much focus placed on the kinds of voices and accents he can put on rather than the content of what he's saying. Noah remains a strong entertainer, but when you know how scathing he can get, this feels more like a warmup round.

Genre: Comedy, Documentary

Actor: Trevor Noah

Director: David Paul Meyer

Rating: PG-13

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Sweetwater has a precious story in its hands, along with a sparkling cast of tried-and-true actors and a generous budget that allows them to go all in with the movie’s 1950s setting. But the parts are far greater than the sum here, because all together, Sweetwater is a mess. It promises to be a biopic about Clifton but fractures into many other things. During its duller parts, it’s a white savior story about basketball owners, and during its more vibrant parts, it’s a snapshot of the Harlem Globetrotters during their humble beginnings. The basketball matches themselves are playful and exciting to watch, but for every game, there is an overdramatic scene that cranks up the notch on sappy music and predictable dialogues. Often, it also feels like director Martin Guigui went to the Green Book School of Anti-prejudice, given his extremely elementary portrayal of racism and his preference for the white characters over the Black characters. Sweetwater isn’t watchable, but it’s a shame that the star of the film had to share the spotlight with less interesting personalities. 

Genre: Drama, History

Actor: Ashani Roberts, Billy Malone, Ca'Ron Jaden Coleman, Cary Elwes, Dahlia Waingort, Delijah McAlpin, Eric Etebari, Eric Roberts, Ernest Harden Jr., Everett Osborne, Gary Clark Jr., Jason Sklar, Jeremy Piven, Jim Caviezel, Jim Meskimen, Kevin Pollak, Mike Starr, Paul Hipp, Preston Galli, Richard Dreyfuss, Robert Ri'chard, Wayne Federman

Director: Martin Guigui

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The latest installment of Ly Hai’s Face Off franchise has an entertaining premise with some terrible plot twists. With this premise, it’s almost expected to see the worst of the worst of people when given a jackpot, and it’s easy to feel distraught when this happens, because the initial dynamic between the six friends feels genuine. However, the fun and wacky hijinks devolve into seriously messed up plot twists. Some of these work, but certain scenes feel like it was just added for shock value at the expense of other characters. The film couldn’t choose between vilifying some characters and celebrating their friendship. Because of this, Face Off 6 feels like it missed its mark.

Genre: Action, Drama, Thriller

Actor: Huy Khánh, Huỳnh Thi, Lý Hải, Quốc Cường, Tiết Cương, Trung Dũng

Director: Lý Hải

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With its celebration of Thai dances, excellent costumes, and two male theater actor leads, ManSuang seemed like it would be something akin to a Thai Farewell My Concubine, especially as it starts off with what could have been sex scene interrupted by a murder. The addition of the espionage storyline, as well as the dynamics between the Chinese and the mainland Thai, seemed like the film would be subtle social commentary through historical drama. However, the story feels haphazardly assembled, with characters acting contrary to their goals, and sadly, the film doesn’t showcase as much of Thai culture as we would like. Instead, the film spends more time establishing an overly complicated mystery that gets too hard to follow with its multiple plotlines. ManSuang has beautiful set design, costumes, and a handsome cast, but the writing wastes the potential the story had.

Genre: Drama, Mystery

Actor: Asavapatr Ponpiboon, Chartchai Ketnust, Duangjai Hiransri, Gandhi​ Wasuvitchayagit, Nattawin Wattanagitiphat, Nutthasid Panyangarm, Ornanong Panyawong, Phakphum Romsaithong, Pradit Prasartthong, Sornchai Chatwiriyachai, Teerawat Mulvilai, Thanayut Thakoonauttaya

Director: Bhanbhassa Dhubthien, Chartchai Ketnust, Krisda Witthayakhajorndet

Rating: PG-13

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It's admirable how A Taste of Love keeps to the gentle pace of a slice-of-life story instead of blowing things up with unnecessary drama, but it's ultimately just too thinly drawn for any of its moments to become charming in their simplicity. There's nothing particularly wrong with any of its plot threads—emotionally they're all pretty level-headed and easy to understand—they just don't seem to coexist for any reason, or within any larger framework. As a result, spending time with this film doesn't just feel like hanging out with total strangers, but hanging out with people who are strangers to each other as well.

Genre: Comedy, Romance, TV Movie

Actor: Adam Hose, Ashley Dulaney, Darla Delgado, Demi Castro, Erin Cahill, Gina Yeena Salas, Jeremy King, Jesse Kove, Jim R. Coleman, Jody Pucello, Lily Jane, Martin Kove, Meghan Colleen Moroney, Rod Grant, Sasha Andreev, Steve Heinz, Susan Gallagher, Tymberlee Hill

Director: Conrad de la Torres III, Michael E. Brown

Rating: G

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