45 Movies Like The Little Mermaid (2023) (Page 2)

With its grounded approach, A Day and a Half feels real, even if the exact events are fictional. Inspired by a couple of lines from a 2008 news article, Fares Fares crafts an intimate family drama for his first directorial debut, built in the bones of a hostage thriller. As a thriller, Fares consistently maintains its suspense, camera eyeing the gun present in most of the film. However, as the cop Lucas tries to defuse the situation with hostage-taker Artan, and the situation escalates to the National Task Force, Artan and Louise confront their broken family, lines opened by improvised hostage negotiations. While Artan’s understandable reasons shouldn’t absolve him of his actions, A Day and a Half effectively builds tension, only relieved at its slightly unrealistic but cathartic ending.

Genre: Drama, Mystery, Thriller

Actor: Alexej Manvelov, Alma Pöysti, Annica Liljeblad, Annika Hallin, Daniel Guldstrand, Fares Fares, Richard Forsgren, Stina Ekblad

Director: Fares Fares

Best friends Val (Jerrod Carmichael) and Kevin (Christopher Abbott) have had enough of living; desperate and depressed, they make an agreement to kill each other. On the last day of their lives, they set out on an unlikely journey tying up loose ends and meeting up with the people who've impacted them the most. 

Depicting suicide onscreen is already a scary gamble in itself, but to try to add some good-willed humor to it is an impossible task. Still, director and star Jerrod Carmichael pulls it off, thanks in large part to his empathetic know-how of the subject matter. Carmichael explores the nuances of his topic with impressive deft, touching on oft-overlooked factors such as mental health, class, and abuse in plain and realistic terms. What he captures most effectively is the anger that comes with this strong and sometimes irrepressible urge. Abbot is explosive and Carmichael is subtle; both turn in rich performances and, together, concoct a delicate two-hander oozing with chemistry, empathy, and thrill. 

Genre: Comedy, Drama

Actor: Allison Busner, Christopher Abbott, Clyde Whitham, Craig Arnold, Gryffin Hanvelt, Henry Winkler, J.B. Smoove, Jared Abrahamson, Jerrod Carmichael, Jordan Blais, Lavell Crawford, Ryan McDonald, Sydney Van Delft, Tiffany Haddish

Director: Jerrod Carmichael

Rating: R

Between Air, Pinball, Blackberry, and Tetris (is nothing sacred anymore?), 2023 has seen its fair share of business biopics. Unfortunately for The Beanie Bubble, it’s coming at the tail end of a trend that has overstayed its welcome in theaters. The Beanie Bubble isn’t very different from its predecessors in that it depicts its product as revolutionary and game-changing for the industry (it’s really not) and attempts to simplify the business phenom via cute graphics and quirky dialogue. Those aspects of the film are fine, if a bit forgettable, but The Beanie Bubble deserves some praise for exploring the power imbalance between Warner and his female partners, whose ideas he milked to no end. Robbie (Elizabeth Banks), Sheila (Sarah Snook), and Maya (Geraldine Viswanathan) are the ones telling this story, and even though the constant time hopping can get irritating, there are times when it feels inspired, like when Robbie starts one sentence and Maya ends her thought. They may be years apart but they’re all falling victim to the same greedy man who has a pattern of exploiting the talented women around him. 

Genre: Comedy, Drama

Actor: Adelle Drahos, Ajay Friese, Brian Troxell, Callie Johnson, Carl Clemons-Hopkins, Chris Mayers, Delaney Quinn, Elizabeth Banks, Geraldine Viswanathan, Hari Dhillon, Jason Burkey, Javier Vazquez Jr., Jeff Schine, Julia Farino, Kurt Yaeger, Laura Palka, Laura Whyte, Madison Johnson, Mariana Novak, Myke Holmes, Nils Onsager, Paul Kim, Paul Ryden, Robert Mello, Sam Salary, Sarah Snook, Scott Hanson, Stephanie Hong, Sweta Keswani, Tatyana White, Toru Shimoji, Tracey Bonner, Veanna Black, Vince Pisani, Zach Galifianakis

Director: Damian Kulash, Kristin Gore

Rating: R

As one of the most recognizable and successful NBA players in the world today, Stephen Curry certainly doesn't need a documentary to persuade anyone else about his talent and the legacy he's already created in basketball. This definitely robs Underrated of some of its urgency, knowing that the Golden State Warrior has the luxury of ruminating on his victories and failures from a place of comfort. Still, the film's decision to focus on a young Curry before reaching the height of his powers allows us to watch these long stretches of game time through a different emotional lens. His is a classic underdog story that's probably far more common among players in the league, but it's still entertaining to be able to track his growth from game to game.

Genre: Documentary

Actor: Ayesha Curry, Bob McKillop, Draymond Green, Kevin Durant, Patrick Ewing, Reggie Miller, Sonya Curry, Stephen Curry

Director: Peter Nicks

Rating: PG-13

Dropping on DVD and digital download in America at the end of summer 2023, Mavka: the Forest Song made its Hulu debut this November. Taking the plot of the 1912 poetic play and rewriting the tragic deaths into lighthearted, fantastical adventures, the film is precisely the sort of generic, child-friendly fairy tale that we’ve come to expect from Disney, albeit with a Ukrainian twist. The plot is predictable, and the humor is rife with cliche, but it’s still a fairly entertaining watch for young audiences.

Genre: Adventure, Animation, Family, Fantasy

Actor: Andrii Mostrenko, Artem Pyvovarov, Julia Sanina, Kateryna Kukhar, Mykhailo Khoma, Nataliia Denysenko, Nataliia Sumska, Nazar Zadniprovskyi, Oleh Mykhailiuta, Oleh Skrypka, Olena Kravets, Serhii Prytula

Director: Oleg Malamuzh, Oleksandra Ruban

Rating: PG

Ambitious and sincere, Where the Tracks End is a sweet coming of age centered on a tender community and mutual aid in the face of worker exploitation. Alternating between the young son of a traveling worker adjusting to a new town and an inspector tasked with informing small schools of an initiative that will force their doors closed, the film loses the chance to be impactful with either. This love letter to teaching and the importance of education is admirable as it holds together the community element of the script. Although the impact goes off-track due to its lack of commitment to one solid narrative, the heart behind it (and the children's innocent will to live a better life) shines through every so often.

Genre: Comedy, Drama, Family

Actor: Adriana Barraza, Blanca Guerra, Clementina Guadarrama, Fátima Molina, Gabriela Cartol, Guillermo Villegas, Jero Medina, Leonardo Alonso, Tete Espinoza

Director: Ernesto Contreras

Built on promising ideas revolving around toxic relationships, exploitation of Black bodies, and a fading African heritage, Jagged Mind comes up with reasonably diverting genre thrills but stops short of taking advantage of the rich material it has at its fingertips. In getting caught up with its own premise, the film isn't able to craft a compelling enough journey for its protagonist to break free of the cycles she finds herself in. As a result, it becomes something that's fun to watch in the moment—thanks to some playful, misleading editing and a solid lead performance by Maisie Richardson-Sellers—but not something that leaves a lasting impression or makes a full, compelling statement.

Genre: Horror, Mystery, Thriller

Actor: Casey Ford Alexander, Jimmy Jean-Louis, Kate Szekely, Maisie Richardson-Sellers, Rosaline Elbay, Shannon Woodward, Shein Mompremier

Director: Kelley Kali

Rating: R

The Dutch Netflix film Happy Ending means well, but its insistence on the heterosexual relationship limits the film’s potential. Centered on the concept of the orgasm gap, it’s understandable to see the main character Luna have difficulty in expressing this to her partner Mink, however, the film doesn’t fully explore their relationship, or even the reasons behind Luna’s hesitation. Because of this, it’s hard to root for their relationship, especially when the third of their threesome Eve proves to be able to rise to the challenge of Luna’s orgasm. Without spoiling too much, the end result feels as unsatisfying as the main relationship.

Genre: Comedy, Drama, Romance

Actor: Claire Bender, Gaite Jansen, Joy Delima, Martijn Lakemeier, Sidar Toksöz, Sinem Kavus

Director: Joosje Duk

With its release coming so close to that of Christopher Nolan’s blockbuster treatment of the same subject, To End All War has clearly been designed as a companion piece for that fictional film. Though it mostly performs its function in a by-the-numbers fashion, this rather unexceptional adaptation of Oppenheimer’s Wikipedia page is somewhat livened up by fascinating archival footage and a few compelling talking heads. Among these is Nolan himself, whose contributions provide interesting insight into the structure of his own Oppenheimer movie. 

As its title suggests, To End All War hinges on Oppenheimer’s rationalization for developing the atomic bomb — namely, that, by creating such a catastrophically destructive weapon, he was, in effect, helping to deter future aggression. The film provides a counterpoint by suggesting that the scientists may have been somewhat swept up in egotistical fervor, though this is only gently touched on so as not to require the film to grapple too seriously with the ethics of its subject. This combination of ultimately non-threatening treatment with some genuinely compelling nuggets of perspective makes To End All War a quick, largely un-challenging way to brush up on history before or after tackling fictional exploration of its subject.

Genre: Documentary, History

Actor: Adolf Hitler, Alan B. Carr, Albert Einstein, Bill Nye, Charles Oppenheimer, Christopher Nolan, David Eisenbach, Edward Teller, Eleanor Roosevelt, Ellen Bradbury Reid, Hideko Tamura, J. Robert Oppenheimer, Jon Else, Judy Woodruff, Kai Bird, Leslie Groves, Michio Kaku, Richard Rhodes, Vladimir Putin, Xi Jinping

Director: Christopher Cassel