34 Movies Like The King's Man (2021) (Page 2)

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This artistic Australian coming-of-age drama stars Eliza Scanlen (Little Women, Sharp Objects) as Milla, a teen from a dysfunctional family. The father is a psychologist and the mother suffers from depression, so he medicates her under the table. Meanwhile, Milla, a 16 year old, starts dating a charismatic almost-homeless 24 year old drug dealer. Unusual circumstances make the family tolerate the relationship in this story where every character feels like the main one. 

If you're looking for something different, you will love Babyteeth. Something happens to Milla in the 10 minute mark that descriptions and reviews online all mention - but is definitely a spoiler. Just know that it's not all romance and coming-of-age, there is slow-burning darkness to this movie. 

Genre: Comedy, Drama, Romance

Actor: Andrea Demetriades, Arka Das, Ben Mendelsohn, Charles Grounds, Eliza Scanlen, Emily Barclay, Essie Davis, Eugene Gilfedder, Georgina Symes, Jack Yabsley, Jaga Yap, Justin Smith, Michelle Lotters, Priscilla Doueihy, Quentin Yung, Renee Billing, Toby Wallace, Zack Grech

Director: Shannon Murphy

Rating: MA-17, Not Rated

Almost more like an audiobook than a traditional movie, the first and unfortunately final film from Icelandic composer Jóhann Jóhannsson pairs soothing narration by Tilda Swinton with surreal images of alien structures on a desolate planet for a piece of sci-fi that may very well be un-categorizable. As a "story" ostensibly meant to carry some sort of urgency, Last and First Men isn't entirely convincing. But as an example of pure imagination that challenges how you think of biological life, it's totally fascinating. As Swinton details the continuous cycle of death and rebirth that humanity goes through over an impossible span of time, it's hard not to feel the hope and tragedy of it all—while also making you reconsider how things are in our present day.

Genre: Drama, Science Fiction

Actor: Tilda Swinton

Director: Jóhann Jóhannsson

Even if it doesn't provide the most comprehensive information about treatment and care for multiple sclerosis (MS)—especially for those who can't afford a ridiculously expensive stem cell transplant—this isn't really the point of Introducing, Selma Blair. This is still mostly a biographical documentary about a (self-confessed) "not-so-famous" celebrity, who gets to be incredibly honest about some of the privilege she enjoys, and how that privilege still doesn't make MS any easier. Blair's determination, her sense of humor, and her articulate way of expressing herself keep the film from descending into total sadness, but it also never shies away from the uglier, more difficult parts of her journey.

Genre: Documentary

Actor: Selma Blair

Director: Rachel Fleit

Romantically pairing up AI with humans is hardly new, and I'm Your Man is aware of that. Instead of spending way too much time explaining the advanced tech that makes the perfect mate possible, the movie zeroes in on its charismatic leads Tom the robot (Dan Stevens) and Alma the indifferent academic (Maren Eggert). Tom is the curious, humanoid automaton who is designed to worship Alma, and Alma is the disillusioned human who is conflicted with the authenticity of her growing feelings for Tom. I'm Your Man is smart and empathetic enough to stay afloat amidst its swirling genres and ethical dilemmas, but it is mostly the chemistry between Tom and Alma that anchors it to the love story that it actually is. 

Genre: Comedy, Drama, Romance, Science Fiction

Actor: Annika Meier, Christoph Glaubacker, Dan Stevens, Falilou Seck, Gabriel Munoz Munoz, Hans Löw, Henriette Richter-Röhl, Inga Busch, Jürgen Tarrach, Karolin Oesterling, Maren Eggert, Mignon Remé, Monika Oschek, Sandra Hüller, Sebastian Schwarz, Victor Pape-Thies, Wolfgang Hübsch

Director: Maria Schrader

Rating: R

, 2021

This Japanese animated film employs a gorgeous blend of CGI and traditional animation—as well as intricately orchestrated original songs—to present a plausible simulation of virtual reality where people are truly free to do anything. Belle might not be as careful with its characters and the difficult situations they're put into "off-screen," but this is still ultimately an optimistic movie. Director Mamoru Hosoda suggests that uniting ordinary people through the internet won't actually lead to chaos. Instead, it'll help each of us become more empathetic of people around the world. And while that means Belle is still a sci-fi fantasy story more than anything, the film's wondrous images and music make it feel good to dream.

Genre: Animation, Drama, Family, Music, Science Fiction

Actor: Asami Miura, Fuyumi Sakamoto, Kaho Nakamura, Ken Ishiguro, Kenjiro Tsuda, Kōji Yakusho, Lilas Ikuta, Mami Koyama, Mamoru Miyano, Michiko Shimizu, Mitsuru Miyamoto, Ryo Narita, Ryoko Moriyama, Shota Sometani, Sumi Shimamoto, Taichi Masu, Takeru Satoh, Tina Tamashiro, Toshiyuki Morikawa, Yoshimi Iwasaki

Director: Mamoru Hosoda

Shattered Glass tells the unbelievably true story of Stephen Glass, a popular and promising young journalist at The New Republic. Stephen's storytelling skills are sought out not just by his admiring colleagues but by other publications as well, so when a rival journalist from Forbes finds holes in one of Stephen's stories, no one takes the accusation seriously at first—except perhaps for Charles Lane, Stephen's editor. Immune to Stephen's charms, Charles digs for the truth and tries, despite an alarming lack of support, to pursue what's right.

Set in the '90s, Shattered Glass may be a throwback to old-school journalism, but its ideas about the integrity of facts still hold water, especially in an age fraught with rampant disinformation.

Genre: Drama, History

Actor: Andrew Airlie, Bill Rowat, Brett Watson, Brittany Drisdelle, Caroline Goodall, Cas Anvar, Chad Donella, Chloe Sevigny, Christian Tessier, Hank Azaria, Hayden Christensen, Howard Rosenstein, Isabelle Champeau, Jamie Elman, Linda E. Smith, Louis-Philippe Dandenault, Luke Kirby, Lynne Adams, Mark Blum, Mark Camacho, Melanie Lynskey, Michele Scarabelli, Morgan Kelly, Owen Roth, Pauline Little, Peter Sarsgaard, Pierre Leblanc, Rosario Dawson, Russell Yuen, Simone-Elise Girard, Steve Zahn, Ted Kotcheff, Terry Simpson

Director: Billy Ray

Rating: PG-13

In 2013, following the Ukrainian government’s termination of an EU agreement (in blatant disregard of what its citizens have been calling for), a wave of peaceful protests start to crop up at the country’s capital. Things escalate when the police violently disperse the protestors, but the people of Ukraine are not so easily held down. They fight back, growing in number and conviction each time they do, until an all-out war finally breaks out. 

Winter on Fire documents this series of events, staying close to the ground and allowing bits of humanity to shine through its subjects. In between chilling clips of the clashes, we're shown intimate interviews with people of all walks of life. They're doctors, actors, students, bankers, lawyers, and clergymen, from various classes, races, religions, and genders. Despite their many differences, all of them share one hope: to secure a better future for the people of Ukraine. 

Genre: Documentary, War & Politics

Actor: Bishop Agapit, Catherine Ashton, Cissy Jones, Kristina Berdinskikh, Kurganskyi Eduard, Natan Hazin, Serhii Averchenko, Valery Dovgiy

Director: Evgeny Afineevsky

Rating: Unrated

It took a while to get going, but this packed hour was filled with the many fascinating gripes of Fern Brady, who comes across relatable in the most absurd way. I don't know if I just wasn't properly lubed up until about 25 minutes in, but the more you hear her talk about her aversion to marriage and muse about death and decline, her range as an animated and insightful person starts to really shine. And as engrossing as her stories can get, perhaps the most consistent thing she does is her voices—she is a hilarious character. Which is to say this felt honest, friendly, and absurd, in all the best ways.

Genre: Comedy

Actor: Fern Brady

Director: Phoebe Bourke

Rating: R

It’s easy to classify Destroy All Neighbors as B-movie schlock; it unabashedly pays tribute to the low-budget comedy horror movies that pervaded the ‘80s. But it also feels too good for that. Elevated by funny bits, easy chemistry, solid production design, and a lightweight but easygoing script, Destroy All Neighbors never really wastes your time. It may confuse and drag at times, but there’s always an element that delights. As the straight man anchoring all the absurdity and gore surrounding him, Ray is also surprisingly likable. He connects easily to the colorful ensemble of characters in the film. 

Destroy All Neighbors is stylish, trippy, nonsensical, and quite commendable in its creativity (the practical effects and prosthetics are the highlight). In all, it’s harmless good fun, just beware of the overflowing blood and guts! 

Genre: Comedy, Horror, Music

Actor: Alex Winter, Chase Kim, Christian Calloway, Deanna Rooney, DeMorge Brown, Franco Vega, Jon Daly, Jonah Ray, Kiran Deol, Kumail Nanjiani, Madara Jayasena, Pete Ploszek, Phil Hendrie, Randee Heller, Ryan Kattner, Thomas Lennon

Director: Josh Forbes

American Girl follows 13-year-old Fen as she returns to Taiwan from the US and tries to make sense of a culture that’s supposedly her own. In addition to her awkward but relatable attempts to understand identity and adolescence, Fen also struggles to connect with her mother Lily, whose own problems further push her away from her teenage daughter. If you’ve seen Lady Bird, you may recognize a bit of Christine and Marion in Fen and Lily as they throw themselves into an endless tug-of-war of emotions. Their fights are genuinely frustrating, but only because of how true-to-life they are.

As painful as it sometimes is to see them clash, it’s their love-hate dynamic that charges much of the film’s emotional energy and makes it ultimately irresistible to watch. 

Genre: Drama, Family

Actor: Blaire Chang, Bowie Tsang, Caitlin Fang, Hsia Yu-chiao, Jia-Yin Tsai, Kaiser Chuang, Karena Lam, Karena Lam Kar-Yan, Ming-shiou Tsai, Teng-Hui Huang, Winnie Chang, Winnie Shih-Ying Chang

Director: Feng-I Fiona Roan, Fiona Roan

Rating: Not Rated

Funny, sweet, and tropey, Badhaai Do is a unique Hindi dramedy about a lavender marriage. Gay policeman Shardul (Rajkummar Rao) and lesbian teacher Sumi (Bhumi Pednekar) agree to wed in order to satisfy their family’s wishes without exposing their sexual orientations. Unfortunately, this doesn’t stop their family from other expectations, such as that of maintaining their marriage and having a child. After their immediate connection, Shardul and Sumi’s continuous bickering, through Rao and Pednekar’s chemistry, is hilarious, leading to elaborate lies about each other for their family. However, underneath their funny back-and-forth is an understanding between them that almost feels freeing. Their platonic partnership feels like a lifeline in an isolating closet. While India is portrayed here to have a thriving LGBTQ+ community, microaggressions, harassment, and legal discrimination are still present. Despite this, the film carves up moments where Shardul and Sumi actively seek connection, with each other and with other people, including their eventual lovers. The most touching of these moments come when they both allow themselves to be honest.

Genre: Comedy, Drama

Actor: Apeksha Porwal, Bhumi Pednekar, Chum Darang, Gulshan Devaiah, Loveleen Mishra, Nitesh Pandey, Rajkummar Rao, Seema Pahwa, Shashi Bhushan, Sheeba Chaddha

Director: Harshavardhan Kulkarni

Rating: PG

Even if it follows nearly every trick in the playbook, American Underdog positions itself on a big enough scale that makes it work like a charm anyway. Following the story of legendary undrafted NFL quarterback Kurt Warner (Zahcary Levi), the film elevates its familiar beats through stunning, wide-angle football sequences that make the sport feel as thrilling as ever, and a particularly solid performance from Anna Paquin, as Warner's long-suffering partner. But what ultimately becomes American Underdog's real secret weapon is the fact that this isn't a sports movie about skill, strategy, or success; Warner becomes an inspiring figure because of how long he had to persevere with his dream just barely out of reach.

Genre: Drama, Family

Actor: Aaron J. Brooks, Adam Baldwin, Anna Paquin, Beau Hart, Bruce McGill, Chance Kelly, Cindy Hogan, Collin Taylor, Dennis Quaid, Jason Allen Wear, SerDarius Blain, Steven Chester Prince, Trisha Zarate, Zachary Levi

Director: Andrew Erwin, Jon Erwin

While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Drama, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Rebecca Patricia Armstrong, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

Made to commemorate Toei Studio’s 70th anniversary, The Legend & Butterfly seemed like a good choice for this purpose. As a historical epic about the first Great Unifier of Japan, the film could have enabled the production company to show off their studio’s best in production design, set pieces, costumes, and score, through a familiar story Japanese audiences would care about. And with Nohime having a near blank slate in history, it gives enough creative freedom for the team to craft a heartrending romance. While the design aspects definitely succeeded, the romance did not. On top of this, the film’s focus on the romance takes away time, effort, and emotional resonance from the large-scale spectacular war battles that epics like these are known for.

Genre: Drama, History, Romance

Actor: Ai Mikami, Daisuke Honda, Haruka Ayase, Hideaki Ito, Hio Miyazawa, Hirotaro Honda, Ichikawa Somegorō VIII, Jun Hashimoto, Kinya Kitaoji, Kokoro Morita, Manabu Hamada, Mansaku Ikeuchi, Masato Wada, Miki Nakatani, Shuichiro Masuda, Takuma Otoo, Takumi Saitoh, Takuya Kimura, Toshinori Omi, Tsutomu Takahashi

Director: Keishi Otomo

The filmmakers behind this direct sequel to the Indigenous action thriller Sayen clearly learned from the mistakes of that first film: all the emotion that was missing then finds a new home here, as the titular protagonist finally gets to grieve what she's lost, in a way that's touchingly close to her cultural beliefs. Desert Road also ups the action considerably, this time borrowing liberally from desert-set films like Mad Max—the sun-drenched expanses of sand are somehow much more beautiful than the forests of the first movie. And Rallen Montenegro continues to refine this character's emotional depth.

Still, partially as a result of the fact that the first installment gave this sequel little to work with, Desert Road can't help but feel more ordinary and more distant from real-world struggles touched upon previously. The actual thrills in this thriller plot aren't particularly intriguing, as several subplots mash together without as much effect on the main plot as intended. At the end of the day, this still seems like it's been made with the action movie template in mind first, rather than having the story and characters lead the style of the storytelling.

Genre: Action, Thriller

Actor: Alejandro Silva, Alfredo Castro, Álvaro Espinoza, Camilo Arancibia, Carlos Briones, Claudio Riveros, Claudio Troncoso, Enrique Arce, Eyal Meyer, Felipe Contreras, Francisca Gavilán, Jorge López, Katalina Sanchez, Mario Bustos, Nicolás de Terán, Rallén Montenegro, Roberto García Ruiz, Teresa Ramos, Víctor Varela

Director: Alexander Witt