42 Movies Like The House by the Cemetery (1981) (Page 2)

More than a decade before she made Toni Erdmann, German filmmaker Maren Ade turned her eye on a small-town school, a socially awkward teacher, and the inarticulate in between. Even with her debut, Ade showcased a talent for spotting the hidden comic potential of situations that can be wounding, turning vulnerabilities into power through comedy. The Forest For the Trees is a dilemma-film, in the ways in which it both invites and rejects identification with Melanie. A frighteningly optimistic person, she misreads most if not all social cues and finds herself in embarrassing situations. Even more, her devotion to making it all work, after moving away from the big city for said teaching job, is something a lot of viewers can recognize and support, but her borderline unlikeability is sometimes too hard to ignore. However, a majestic finale crowns the film with a scene that is worth rewatching again and again, like a dream you wish to appropriate for yourself.

Genre: Comedy, Drama

Actor: Daniela Holtz, Eva Löbau, Ilona Schulz, Jan Neumann, Robert Schupp

Director: Maren Ade

Based on co-writer Wu Nien-jen’s experiences, Dust in the Wind is a bittersweet coming-of-age story about lost love. The two sweethearts, Ah Yuan (Wang Chien-wen) and Ah Yun (Hsin Shu-fen), move out of their rural hometown to try to make a life in Taipei. Through day-to-day glimpses of the life they’re trying to make, it’s easy to root for their love in the beginning. As they go through the struggles of daily life, the lovers seem to glow only in each other’s presence, thanks to the gorgeous cinematography from Mark Lee Ping-Bin. However, love isn’t enough. Outside circumstances threaten their love, such as poor healthcare, theft, and the military draft. Director Hou Hsiao-hsien refuses to let us recognize this at the immediate moment, though. Like Yuan, the weight of each moment hits us belatedly, and it’s only in the end when he can’t do anything, that we realize it.

Genre: Drama, Romance

Actor: Chien-wen Wang, Danny Deng, Grace Chen Shu-Fang, Hsin Shu-Fen, Lawrence Ko, Li Tian-Lu, Mei Fang, Wu Ping-nan, Yang Li-yin

Director: Hou Hsiao-hsien

Rating: Not Rated

You may not know the name of Errol Morris, but you must have seen either Tinker Tailor Soldier Spy or The Night Manager, as films and TV have offered ripe adaptations of 20th century espionage novels under the disguise of simple entertainment. What you may not know is that the author of the books they are based on has been a spy himself, for most of his life. David John Moore Cornwell, better known as John le Carré (his pen name), is the subject of the latest work of detective-turned-filmmaker Errol Morris whose penchant for exploring the limits between fact and fiction has propelled the documentary form numerous times over the last decades. The film is a quasi-biographical doc with some exceptional reenactments that color Le Carré's own tales to try and outmanoeuvre the viewer's ceaseless desire to fix what one sees into either category: fact or fiction. With an ex-spy and a documentarian, you never know. 

Genre: Documentary

Actor: Charlotte Hamblin, Garry Cooper, John le Carré, Mike Noble, Simon Harrison

Director: Errol Morris

Rating: PG-13

Genre: Action, Crime

Actor: Ben Yuen Foo-Wah, Chen Yi-wen, Cherry Hsieh, Ethan Juan, Gingle Wang, Huang Di Yang, Lee-zen Lee, Ming Che Lee, Nelson Shen, Peggy Tseng, Troy Liu, Yi-Jung Wu, Yu An-Shun

Director: Wong Ching-Po

Partially based on the 860-page memoir, "A White House Diary", and on the actual audio recordings Claudia Alta Taylor Johnson made during her time as first lady, The Lady Bird Diaries is an intimate reworking of a past we still know very little about. Told from the vantage point of First Lady Johnson candidly and in detail, the audio track shapes the whole film. All the archival footage is nicely complemented by hand-drawn animations to fit the missing images, but all the visuals are always in service of the narration. In this way, the documentary becomes a piece of history and an archive in itself, its illustrative functions – a crucial storytelling tool for posteriority.

Genre: Documentary

Director: Dawn Porter

Genre: Animation, Documentary

Actor: DragonHeart, Dust Bunny, DylanP, IsYourBoi, Jenny0629

Director: Joe Hunting

Rating: R

American cyclist Greg LeMond, who in 1986 won the Tour de France has been a legend in the sports world, but filmmaker Alex Holmes presents him to the wider audience with a brand-new inspirational documentary. The Last Rider is everything this kind of film can be—its hook is courage and hard work that pays off, its mode of storytelling is personal, intimate interviews, and its framework is a "modern hero" kind of narrative. By stringing together conversations with LeMond himself, his friends, family, and colleagues, Holmes tells a chronologically-sound, emotional version of a landmark career. For many, the 1986 or 1989 win wouldn't mean much (unless you're a sports fan or French), but the educational bits of The Last Rider make for good trivia material. If you need a courage boost, here's the story of a professional cyclist, injuries, perseverance, and fame, to cheer you up.

Genre: Documentary

Actor: Cyrille Guimard, Greg LeMond, Kathy LeMond, Pedro Delgado, Perico Delgado

Director: Alex Holmes

Rating: PG-13

Going to sleep is something we do every day, though, when we were kids, it certainly wasn’t easy. With family-friendly source material and a new (and adorable!) sleepytime ensemble, Orion and the Dark plays with this fact of childhood, but screenwriter Charlie Kaufman transforms it into something more as the title characters journey into literal midnight dreams, tell stories-within-stories, and return back home with a poetic repetition. It still has some of his existential despair– after all, the overly imaginative Orion literally contemplates the possibility of death through his many, many anxieties– but it doesn’t just play with the classic childhood fear. Kaufman transforms the bedtime story, and the act of storytelling itself, as co-creation and connection between generations of filmmakers and viewers, with this film’s surprisingly layered writing.

Genre: Animation, Comedy, Family, Fantasy

Actor: Aliki Theofilopoulos, Amy Hill, Angela Bassett, Aparna Nancherla, Carla Gugino, Colin Hanks, Golda Rosheuvel, Hira Ambrosino, Ike Barinholtz, Jack Fisher, Jacob Tremblay, Matt Dellapina, Nat Faxon, Natasia Demetriou, Nick Kishiyama, Paul Walter Hauser, Ren Hanami, Sean Charmatz, Shannon Chan-Kent, Sky Alexis, Toru Uchikado, Walt Dohrn, Werner Herzog

Director: Sean Charmatz

As the first Zambian film on Netflix, Can You See Us? is an interesting portrayal of albinism. Inspired by the real-life story of musician John Chiti, the film’s plot feels grounded, even if it’s similar to other stories depicting discrimination. With newcomer Thabo Kaamba at the forefront, her performance of the albino boy Joseph shines brighter than even the older actors of the film’s cast. That being said, it is held back by repetitive dialogue and sped-up character development from certain characters. Despite this, Can You See Us? is still a remarkable film that stands out from the other tearjerkers available on the streaming platform.

Genre: Drama

Actor: Chilu Lemba, Fransisca Muchangwe, Kangwa Chileshe, Ruth Jule, Thabo Kaamba

Director: Kenny Mumba

Sophia Castuera's first feature after two indie shorts seems like a low-key affair, but it fits neatly into a canon of post-mumblecore, or a Gen Z mumblecore. It features a fumbling protagonist named Cal and played by Ali Edwards (who also wrote the script), a wanna-be actress fresh out of college who finds herself stuck between two people. Not just any people, but her childhood best friend Jay and his long-term girlfriend Emily. August at Twenty Two queers the love triangle trope and makes the most of the characters' anxieties, their hopes, and awkward daily sacrifices to climb up into each other's good books. Appearances are key, of course, since everyone's delightfully immature. The good thing is that the film knows all this very well and even sneaks a post-ironic hint or two. That said, its self-assurance is also its Achilles heel: you cannot convince me that twenty two year olds would call each other often enough to have voicemail. 

Genre: Drama, Romance

Actor: Adrian Burke, Ali Edwards, Clay Singer, Jorge Felipe Guevara, Lilli Kay, Mia Rose Kavensky

Director: Sophia Castuera

Much sweeter and much more bittersweet than one might expect, World's Best does some deceptively clever things with its major themes of math and rap. Somehow, this pre-teen coming-of-age story finds a way to play with preconceived notions of equations always resulting in certain answers, and of modern hip hop being all about swagger and status. Unsurprisingly (or maybe disappointingly for some), the film ultimately touches on grief and loss, which an increasing number of Disney films have been doing as of late. But World's Best keeps itself fresh through its sincere, energetic tone, colorful production design, and spirited performances by Utkarsh Ambudkar and the young Manny Magnus. So even when the rapping gets corny (which it does more often than it should), the spirit behind it is so endearing that it's hard to be mad.

Genre: Comedy, Family, Music

Actor: Chris River, Christopher Jackson, Dorian Giordano, Doug E. Fresh, Jake Choi, Jordan Heron, Jorja Rae Inksetter Lardy, Karan Soni, Kathryn Greenwood, Kayla Njeri, Manny Magnus, Max Malas, Maya McNair, Neil Crone, Noah Lamanna, Piper Wallace, Punam Patel, Robyn Matuto, Sathya Sridharan, Tricia Black, Utkarsh Ambudkar

Director: Roshan Sethi

Rating: PG

The latest installment in Netflix'S “Unknown” docuseries, Unknown: Killer Robots puts the evolution of artificial intelligence under an ethical microscope. Although the title could be misleading, it does cover the possible dangerous applications of AI as it forces us to question the growing divide between human morality and machine efficiency. With advances in war and medicinal applications, the capabilities of AI to heal, save and destroy are terrifying and awe-inspiring in equal measure. Like the previous films in the series, it is hyper-concentrated to an almost-stifling degree, but it’s also powered by the passionate subjects on either side of these advancements. Forgoing sensationalism, this digestible documentary questions intention over the technology itself. 

Genre: Documentary, Drama

Director: Jesse Sweet