21 Best Drama Movies to WatchMovies Like The House by the Cemetery (1981) (Page 2)

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In life and cinema, drama is everywhere. You’ll find it in thrillers, animations, romances, you name it. For entertainment that explores the human experience with sensitivity and sincerity, here’s a mixed bag of the best dramas to stream now.

Family is one of the bonds we don’t really get to choose, and for better or for worse, they’re the bonds that form the foundation of our lives. Familia depicts this bond faithfully, as Leo’s remaining family, his three adult daughters, all travel back to the family’s olive orchard to decide on its fate. The way the bond is depicted feels realistic, as each of the family members can confront each other with their choices in the one time of the year they can do so. The film is able to make it work with its excellent cast, and carefully written dialogue that makes the conversation flow naturally. While Familia isn’t a holiday film, it’s a fairly realistic depiction of a family gathering and a timely film to watch before heading home to your family for the holidays.

Genre: Drama

Actor: Ángeles Cruz, Brian Shortall, Cassandra Ciangherotti, Daniel Giménez Cacho, Ilse Salas, Maribel Verdú, Natalia Solián, Vicky Araico

Director: Rodrigo García

Rating: R

For a film with virtually no plot, there’s a lot of fuss going on in Oregon. The characters are constantly yelling and complaining, but the noise—like the plot, the set, and everything else about the film—is empty. The beauty of a Turkish summer is reduced to indoor sets, where much of the film takes place, and there here’s barely any movement, leaving us stuck with dialogue and half-baked backstories that don’t seem to serve any real purpose other than to fill in the film’s overlong runtime. The problems are superficial and solved almost immediately, purely by talking it seems, and there’s no attempt to connect the many disparate stories it shows. A farce like this could’ve worked if it got sillier and more ridiculous by the minute, but Oregon just goes in repetitive, unfunny circles. 

Genre: Comedy, Drama, Romance

Actor: Ali İpin, Alper Saldıran, Aslı İnandık, Burcu Biricik, Ferit Aktuğ, Nazlı Bulum, Nejat İşler, Nevra Serezli, Özgür Emre Yıldırım, Serkan Çayoğlu, Zihni Göktay

Director: Kerem Ayan

You don’t come into a Tyler Perry movie expecting to be dazzled, but you do expect to be entertained. Mea Culpa evokes neither of those feelings, at least not in the first half of the film. Between the predictable plot and Rhodes’ bewilderingly flat performance, it’s a mighty challenge to stay awake. Rhodes is, of course, the lead in the award-winning film Moonlight, where he gave a soulful and lived-in performance. So it doesn’t make sense why, in Mea Culpa, despite playing a perennially horny man, he’s as exciting to watch as paint dry. We’re supposed to believe that his charisma (or lack thereof) seduces Rowland’s character, but there’s no chemistry to be found. For her part, Rowland is a delight to watch. The many turns she experiences fit her range, and she is effectively the heart of the film. Mea Culpa, to be fair, revs up and gets thrilling by the second half, when the chips start to fall and the twists unfold. But it’s too little too late, and they barely shock you at that point, that is if you’re still awake.

Genre: Crime, Drama, Thriller

Actor: Angela Robinson, Connor Weil, Kelly Rowland, Kerry O'Malley, Nick Sagar, RonReaco Lee, Sean Sagar, Shannon Thornton, Trevante Rhodes

Director: Tyler Perry

Rating: R

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R

, 2023

If Pippa makes one crucial mistake that derails its drama, it's not that the film opens with a violent but necessary scene of Bangladeshi people being massacred by Pakistani troops. It's that the film never actually returns to any Bangladeshi characters, instead becoming an overly familiar story about more privileged soldiers and their sacrifices as they get to act as heroes to the camera. It's executed fairly well, with a good bit of suspense as the larger objective focuses up into a specific rescue mission. But even the flashiest production design and the most unique tank-based action can't get rid of the nagging feeling that we're being told a much less important story. In the end, this is still about the glory of military service for a greater good, which just isn't the most interesting direction for this film to take.

Genre: Drama, War

Actor: Avijit Dutt, Chandrachoor Rai, Inaamulhaq, Ishaan Khattar, Kamal Sadanah, Mrunal Thakur, Priyanshu Painyuli, Soham Majumdar, Soni Razdan

Director: Raja Menon

There's a way to get tragedy right, in a way that keeps the drama engaging even as bad things continue to happen. The Damned Don't Cry gets its approach half-right, with the lead performances by Aïcha Tebbae and Abdellah El Hajjouji remaining sturdy all throughout, and never slipping into easy histrionics. But as the cycle of misfortune continues plaguing their characters, the filmmaking itself doesn't give us anything more to latch onto, with little progression in their arcs and a frustrating lack of insight into the very promising central relationship. There's no mistaking the film's good intentions, but the message arrives in an unfortunately clunky manner.

Genre: Drama

Actor: Abdellah El Hajjouji, Aïcha Tebbae, Antoine Reinartz

Director: Fyzal Boulifa