9 Movies Like The House (2022)

Staff & contributors

, 2021

Celebrated Iranian director Asghar Farhadi’s latest movie is about Rahim, a man who is in jail because he was unable to repay a debt. He gets a temporary release from prison, and with a big smile on his face, he leaves his confinement with a plan not to come back.

His secret girlfriend hands him a pack of gold coins, which they plan to sell to repay the creditor. But, as is custom with Farhadi’s movies, the center of the story is a moral dilemma that comes from one of the characters trying to be a good person. The gold coins are not Rahim’s or his girlfriend’s, but it's life-changing for both of them. 

Selected as Iran's official submission to the Oscars. 

Genre: Drama, Thriller

Actor: Ali Reza Jahandideh, Amir Jadidi, Ehsan Goodarzi, Farrokh Nourbakht, Fereshteh Sadr Orafaee, Maryam Shahdaie, Mohsen Tanabande, Sarina Farhadi

Director: Asghar Farhadi

This documentary starts with Alex Lewis, who gets into a motorcycle accident and wakes up in the hospital not knowing who he is. He doesn’t remember anything (not even what a bicycle or a TV is, or who his mother or father are), but he remembers his twin brother, Marcus. When Alex gets back into his childhood home, he’s full of questions, and Marcus is full of answers. However, slowly, Marcus realizes his power to reshape Alex’s version of their past. Marcus leaves one important detail from Alex’s life that makes this documentary (as if it wasn’t already) such an insane story. I know I said it’s a sad movie, but it’s also fascinating and, ultimately, humanizing of the brothers’ experience.

Genre: Documentary, Drama, Mystery

Actor: Alex Lewis, Andrew Caley, Evan Milton, Kathleen Rainey, Laura Obiols, Marcus Lewis |, Thomas Mulhurn

Director: Ed Perkins

Rating: TV-MA

At times looking and sounding like a real Filipino action film from 50 years ago, while painstakingly edited to juggle storylines across several realities, Leonor Will Never Die is worth seeing for its originality and ambition alone. Among so many other films that function as sanitized "love letters to cinema," this one bears the distinction of still feeling charmingly scrappy and improvised even with how meticulously it's crafted. It doesn't simply pine for a bygone era of movies, but it actively explores what purpose movies serve to us as individuals and as communities. Where it arrives with regard to healing and acceptance and bringing people together feels entirely earned, even if it might not always be easy to understand.

Genre: Action, Comedy, Drama, Fantasy

Actor: Alemberg Ang, Allan Bautista, Anthony Falcon, Ara Chawdhury, Bong Cabrera, DMs Boongaling, Edgar Ebro, Elias Mabia, Helen Anang, Kip Oebanda, Kristine Kintana, Madeleine Nicolas, Martika Ramirez Escobar, Miguel Almendras, Popo Diaz, Rea Molina, Rocky Salumbides, Ryan Eigenmann, Sheila Francisco, Sheron R. Dayoc, tin velasco, Victor Villanueva

Director: Martika Ramirez Escobar

Witty, unexpected, and thrilling, The Innocent pulls off an excellent European heist film with modern sensibilities and its stylistic mix of genres. All at once, the film is a crime film, as well as a family farce, but also a screwball romantic comedy. The genres line up with the premise perfectly, but there’s something intriguing about the way director Louis Garrel uses each genre’s tropes. Abel’s clumsy spying over his mom’s ex-convict husband and drama pupil Michel is framed through noir techniques, while his friend Clémence gleefully interrupts his efforts with witty repartee. Abel’s suspicion of Michel’s schemes ironically leads to one of his own. And when his mom’s expressive acting techniques are used in that scheme, Abel expects fake emotions, only to reveal his true feelings. With each new twist, The Innocent plays with genre expectations for unexpected but delightful results.

Genre: Comedy, Crime, Drama, Romance

Actor: Anouk Grinberg, Laëtitia Clément, Louis Garrel, Manda Touré, Noémie Merlant, Roschdy Zem

Director: Louis Garrel

, 2022

Leo and Remi are close. They play, eat, and sleep together, and in between those moments, they share every thought they have with each other, no matter how big or small. Theirs is a precious friendship, as pure and as intimate as can be, but all that changes when they begin middle school. Subject to heteronormative norms and preteen mockery, their friendship starts to crack as Leo and Remi’s different definitions of manhood emerge.

Subtle but evocative, quiet but deeply powerful, Close takes a closer look at boyhood and male friendships—how they’re lived, defined, and seen. Plenty of questions go unanswered in this film, but if you’re comfortable with simply empathizing with the characters rather than knowing every answer, then Close comes highly recommended.

Genre: Drama

Actor: Ahlaam Teghadouini, Cachou Kirsch, Eden Dambrine, Émilie Dequenne, Gustav De Waele, Hélène Theunissen, Igor van Dessel, Kevin Janssens, Léa Drucker, Léon Bataille, Marc Weiss, Serine Ayari

Director: Lukas Dhont

Rating: PG-13

When he’s accepted into the prestigious Islamic university Al-Azhar, fisherman’s son Adam (Tawfeek Barhom) gets an eye-opening education — but not the kind he expected. A place associated with notions of purity is imagined as a hotbed of hypocrisy and corruption here, as naive young Adam finds himself unwittingly embroiled in a state plot to seize control of Al-Azhar (because, as one government official puts it, “We can’t accept having two pharaohs in the land”). Cairo Conspiracy's intricate plot confronts monsters in government and strips away religious leaders’ veneer of divinity as a reminder that they’re merely fallible men. What's more, the film grapples with the knotty mess of politics raging inside the institution’s walls in such a way that even its palatial courtyard feels claustrophobic. Rife with paranoia and subterfuge, Cairo Conspiracy feels utterly unique thanks to this skillful transposing of the shadowy machinations of courtly intrigue dramas and '70s paranoid thrillers into a very contemporary Egyptian setting.

Genre: Drama, Thriller

Actor: Fares Fares, Jalal Altawil, Makram J. Khoury, Mehdi Dehbi, Mohammad Bakri, Sherwan Haji, Tawfeek Barhom

Director: Tarik Saleh

Joel Coen's minimalist vision of the Scottish play emphasizes that these monstrous acts of hubris and violence are carried out not because of madness or magical prophecy, but out of the rational yet selfish decisions made by grown adults. It's a distinctly character-focused interpretation of Shakespeare that should be insightful for students and fans alike, as Denzel Washington and Frances McDormand lend more sedate performances to what have become two of the grandest characters in theater history. The Tragedy of Macbeth weaken the impact of some of Shakespeare's most famous soliloquies due to the film's more hurried runtime, but it makes for a great tribute nonetheless. Come for the stunningly lit black-and-white sets, stay for the gleefully creepy performance by Kathryn Hunter as the three witches.

Genre: Drama, Fantasy, War

Actor: Alex Hassell, Bertie Carvel, Brendan Gleeson, Brian Thompson, Corey Hawkins, Denzel Washington, Ethan Hutchison, Frances McDormand, Harry Melling, Jacob McCarthy, James Udom, Jefferson Mays, Kathryn Hunter, Kayden Alexander Koshelev, Lucas Barker, Matt Helm, Max Baker, Miles Anderson, Moses Ingram, Nancy Daly, Olivia Washington, Peter Janov, Ralph Ineson, Richard Short, Robert Gilbert, Scott Subiono, Sean Patrick Thomas, Stephen Root, Susan James Berger, Wayne T. Carr

Director: Joel Coen

Survivors are often painted in a brave light; they’re applauded for their resilience and toughness, and in the case of school shootings, many of them are also expected to take up arms and fight the good fight. While this is of course laudable, many survivors are simply trying to get by. Unable to process trauma and inexplicable loss, they become withdrawn, depressed, and reckless—not exactly noteworthy traits, but understandable and equally deserving of empathy.

The Fallout shifts the focus on this side of survival by following Vada in the aftermath of a school shooting. Unlike her peers, she fails to cope positively and becomes increasingly self-destructive. But it's through this unsentimental portrayal that The Fallout achieves a frankness and rawness that few films like it have. 

Genre: Drama

Actor: Austin Zajur, Christine Horn, Elliott Roca, Jenna Ortega, John Ortiz, Julie Bowen, Lumi Pollack, Maddie Ziegler, Niles Fitch, Shailene Woodley, Will Ropp, Yindra Zayas

Director: Megan Park

Rating: R

Escape from Mogadishu follows diplomats from the North and South Korean embassies as they put aside their differences and work together to escape from an outbreak of civil war in Mogadishu, Somalia. Director Ryoo Seung-wan provides thrilling, high-budget action, especially intense car chases and suspenseful escape scenes that pump you with adrenaline and leave you on the edge of your seat. However, the Somali side of the story leaves much to be desired. Only existing to kill or be killed, the depiction of the Somalians is distasteful, and the country it’s set in seen as nothing more than a senseless warzone.

It’s in crafting a political thriller where Ryoo strikes a chord, following the tradition of South Korean films and dramas that question the current South/North relations. It’s also the aspect that pushed this film to win awards, given that it’s based on a true story from the 1991 civil war in Somalia, albeit with blockbuster flair. Sure, it’s a highly fictionalized story, but the political tensions and heightened atmosphere make good entertainment. And, as with all Korean thrillers, you’ll have to get on a certain wavelength of melodrama to be fully on board with the bonkers yet emotional escape.

Genre: Action, Drama, Thriller, War

Actor: Ahn Se-ho, Han Chul-woo, Heo Joon-ho, Jeong Man-sik, Jo In-sung, Joo Bo-bi, Kim Jae-hwa, Kim So-jin, Kim Yoon-seok, Koo Kyo-hwan, Lee Jin-hee, Park Kyung-hye, Park Myung-shin, Yoon Kyung-ho, Zo In-sung

Director: Ryoo Seung-wan