82 Movies Like The Godfather (1972) (Page 6)

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A cynical down-on-his-luck Seoul taxi driver is hired by a German journalist to go to another town called Gwangju. What seemed like an easy and overcompensated journey at first takes him into the heart of a city under siege by the military. This is in fact the student uprising that will be a very important event in South Korean history, known as 1980 Guangju Democratic Uprising. Both the journalist and the taxi driver confront life-threatening situations as they find themselves at the center of the movement. A true-story-based movie, it's a heartfelt and entertaining political drama about one of the bleakest chapters of modern Korean history. In 2018 it was the country's official submission to the Oscars.

Genre: Action, Drama, History

Actor: Cha Soon-bae, Choi Guy-hwa, Choi Gwi-hwa, Daniel Joey Albright, Hae-jin Yoo, Han Sa-myeong, Han Sa-myung, Han Yi-jin, Heo Jeong-do, Heo Jung-do, Jeon Hye-jin, Jeong Seok-yong, Jin-young Jung, Joey Albright, Jun-yeol Ryu, Jung Jin-young, Kang-ho Song, Ko Chang-seok, Kyul Hwi, Lee Bong-ryeon, Lee Ho-chul, Lee Jung-eun, Lee Sae-byeol, Lee Yong-i, Lee Yong-yi, Park Hyeok-kwon, Park Hyuk-kwon, Ryu Jun-yeol, Ryu Sung-hyun, Ryu Tae-ho, Seo Hyun-woo, Seok-yong Jeong, Song Kang-ho, Thomas Kretschmann, Uhm Tae-goo, Um Tae-goo, Yoo Hae-jin, Yoo Hai-jin, 许政度

Director: Hun Jang, Jang Hoon, Jang Hun

Rating: Not Rated

The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.

Genre: Documentary

Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada

Director: Ramona S. Diaz

As the first original Filipino film on Prime Video, Ten Little Mistresses can often feel stuck as an entertaining pitch for a film rather than a fully fleshed out story. Like many mystery-comedies, this is a movie that relies on its star power and its big twists over any convincing narrative or thematic ideas. But oddly enough, the sooner you accept this, the easier the film goes down. As a loud and proud example of camp comedy, even its most ridiculous and incongruous elements feel like an authentic expression of Filipino humor; it never tries to pander to a Western audience that might be expecting something more familiar to their sensibilities. And with a cast this dedicated to out-chewing the scenery from each other, it's hard not to get swept up in the insanity of it all.

Genre: Comedy, Mystery

Actor: Adrianna So, Agot Isidro, Angie Castrence, Arci Muñoz, Carmi Martin, Cherry Pie Picache, Christian Bables, Dolly Dulu, Donna Cariaga, Eugene Domingo, Iana Bernardez, John Arcilla, Kate Alejandrino, Kris Bernal, Pokwang, Sharlene San Pedro

Director: Jun Robles Lana

There’s a sense of disconnectedness in RedLife, as the film isn’t centered on one storyline, but rather two storylines that at first don’t seem connected. Ter, a young snatcher, marries a sex worker named Mild, while Som is a student who aspires to escape her prostitute mom’s poverty, especially after she falls for the more affluent Peach. At first, the film depicts their lives in stunningly framed, slice-of-life moments that captures a different side of Bangkok, one that’s tough to depict, but one people know about. But they do intersect, later on in the movie, in a series of events that leads them trapped in tragedy, despite all they did to escape it. The unexpected twist makes their lives surprisingly poignant, though RedLife’s journey might take too long to get there.

Genre: Drama, Thriller

Actor: Banlop Lomnoi, D Gerrard, Karnpicha Pongpanit, Krongthong Rachatawan, Pimvipa Thanarapatvanich, Ray MacDonald, Sumitra Duangkaew, Supitcha Sangkhachinda, Tanapak Jongjaiphar, Thiti Mahayotaruk

Director: Ekalak Klunson

Sukhee depicts the struggles specific to adult women – the way women are encouraged to sacrifice their identity for the people that they love and to meet certain expectations that feel impossible or contradictory. This isn’t a common topic in film, but it has been portrayed before, with the likes of English Vinglish and Eat, Pray, Love. Sukhee does some things differently, with a fun girl’s out Delhi trip reminiscing over her past and reconnecting with her former self. However, the film loses its way in the second half. With plot elements that feel haphazardly thrown in, including a randomly placed horse race, the film never fully resolves the main issue at the core of the film – the lack of respect towards the housewife role, as well as the way the family needs better stress management skills.

Genre: Comedy, Drama

Actor: Amit Sadh, Chaitannya Choudhry, Dilnaz Irani, Kiran Kumar, Kusha Kapila, Maahi Jain, Shilpa Shetty Kundra, Vinod Nagpal

Director: Sonal Joshi

The latest installment of Ly Hai’s Face Off franchise has an entertaining premise with some terrible plot twists. With this premise, it’s almost expected to see the worst of the worst of people when given a jackpot, and it’s easy to feel distraught when this happens, because the initial dynamic between the six friends feels genuine. However, the fun and wacky hijinks devolve into seriously messed up plot twists. Some of these work, but certain scenes feel like it was just added for shock value at the expense of other characters. The film couldn’t choose between vilifying some characters and celebrating their friendship. Because of this, Face Off 6 feels like it missed its mark.

Genre: Action, Drama, Thriller

Actor: Huy Khánh, Huỳnh Thi, Lý Hải, Quốc Cường, Tiết Cương, Trung Dũng

Director: Lý Hải

Based on the autobiography of real-life evangelical pastor Greg Laurie, Jesus Revolution recounts how a Christian movement in the '60s turned lost hippies into dedicated Christians. It was an interesting moment in time, but instead of delving into the movement's peculiarities and intricacies, Jesus Revolution offers a myopic tale that paints Laurie as a hero and the movement as inspirational when, really, they are anything but. Laurie's story never feels significant enough to justify a feature film and the movement never seems as radical as the film thinks it to be. And even though it’s autobiographical, it never really digs into Laurie's spirituality and interiority deep enough to reveal complex truths. In fact, everyone’s a caricature in this simplistic film that feels more like propaganda as it paints religion as perfect and all-saving while glossing over its many imperfections and questionable rhetoric. It could have worked as commentary, satire, or maybe even a sincere memoir, but as it is, it just feels like a short-sighted attempt at telling history.

Genre: Drama, History

Actor: Alexia Ioannides, Anna Grace Barlow, Billy Graham, Charlie Morgan Patton, DeVon Franklin, Jackson Robert Scott, Joel Courtney, Jolie Jenkins, Jonathan Roumie, Julia Campbell, Kelsey Grammer, Kevin Downes, Kimberly Williams-Paisley, Matthew Montemaro, Mina Sundwall, Nic Bishop, Nicholas Cirillo, Paras Patel, Randall Newsome, Shaun Weiss, Steve Hanks

Director: Brent McCorkle, Jon Erwin

Rating: PG-13