194 Movies Like The Godfather (1972) (Page 11)

This is maybe the last Montreal Screwjob documentary the world will ever need, but in other respects, it’s an incredibly insightful look at the increasingly raunchy late ‘90s WWF through the eyes of the straight-laced Bret “The Hitman” Hart. We get insights into his bond with his sadistic dad Stu Hart, his priorities when caught between a WWF and WCW bidding war, and his loyal fans who in crowd interviews can be described as the coherent and smarter section of the audience. But what makes this one of the greatest and most important pro wrestling documentaries of all time is its divine timing, getting into Bret’s headspace talking about his future before leaving WWF, hearing his wonder before any of the unfortunate events shortly after.

Genre: Documentary

Actor: Bob Marella, Bret Hart, Brian James, Brian Lee Harris, Brian Pillman, Charles Warrington, Curt Hennig, Dave Meltzer, Davey Boy Smith, David Smith, Del Wilkes, Diana Joyce Hart-Smith, Dustin Runnels, Earl Hebner, Edward Ellsworth Annis, Glenn Ruth, Harry Smith, Jim Neidhart, Joe Laurinaitis, Jose Estrada Jr, Juan Rivera, Kevin Nash, Larry Pfohl, Leon White, Marc Mero, Mark Calaway, Mark Canterbury, Michael Hickenbottom, Michael James Hegstrand, Michael Seitz, Mick Foley, Miguel Pérez Jr., Mike Hegstrand, Owen Hart, Pat Patterson, Paul Lévesque, Paul Michael Lévesque, Pierre Clermont, Randy Poffo, Randy Savage, Rena Marlette Lesnar, Rick Rood, Robert Howard, Roddy Piper, Scott Hall, Shane McMahon, Steve Austin, Stu Hart, Sunny, Tammy Lynn Sytch, Ted Turner, Tom Brandi, Vince McMahon, Vince Russo, Wayne Farris

Director: Paul Jay

To call Going to Mars a somewhat shapeless documentary isn't a criticism. If anything, its flexibility of structure feels entirely appropriate for the woman at its center, who doesn't necessarily defy categorization so much as she remains on the pulse of history as it continues to shift in unexpected ways. Nikki Giovanni is a person who knows who she is and knows that she stands for the essential dignity of Black people, and it's inspiring to see how she not only remains hopeful and articulate through every critical moment, but that she insists on being ambitious for what Black people deserve to achieve in the future. As her son tells her at a speaking engagement, Giovanni doesn't just dream of going to space; she feels that it is her people's imperative to be there.

Directors Joe Brewster and Michèle Stephenson tell her (still ongoing) life story in a strikingly impressionistic way—cleverly playing with archival footage, but more importantly having Giovanni's candid words blending seamlessly into her poetry. This is a credit to how connected to the milieu Giovanni's work actually is, of course, but the film does a very good job defining her as someone who can bring beauty and grace out of every experience.

Genre: Documentary

Actor: Kai Giovanni, Nikki Giovanni, Novella Nelson, Taraji P. Henson, Thomas Giovanni, Touré Neblett, Virginia Fowler

Director: Joe Brewster, Michèle Stephenson

After the devastating Happy Old Year, we were excited to see the next of what Nawapol Thamrongrattanarit has to offer. Fast & Feel Love is a surprising one, purely because of how silly and unserious the entire film is. The satirical film follows a sport stacker whose passion to be the fastest blinds him to all the day-to-day tasks and life goals that have been pushed towards his girlfriend, and the film plays this basic conflict as dramatically as other action films would, with dynamic cinematography, an over-the-top soundtrack, and dramatic voice overs. The joke does get stretched a tad too long, but it humorously pokes fun at the infantile ways men in action films act, while still recognizing how this mindset is the way we cope in adulthood.

Genre: Action, Comedy, Drama, Romance

Actor: Anusara Korsamphan, Jirapat Uttamanan, Keetapat Pongruea, Napak Traicharoendetch, Nat Kitcharit, Urassaya Sperbund, Wipawee Patnasiri

Director: Nawapol Thamrongrattanarit

This extremely unusual movie about the life of legendary Chilean filmmaker Alejandro Jodorowsky (as in Jodorowsky's Dune) was financed by an Indiegogo campaign, giving his already unusual style full freedom. There are cardboard trains, ninjas, and disturbing sex scenes. It all serves to tell his life of growing up in a bohemian neighborhood in Santiago, Chile, going against his family, becoming a poet, and joining the Chilean avant-guard movement. Jodorowsky, now 91 years old, went on a 23 year hiatus before making this movie and its prequel, The Dance of Reality, both about his life.

Genre: Drama, Fantasy, History

Actor: Adan Jodorowsky, Adrián Salgado, Agustín Moya, Alejandro Jodorowsky, Alejandro Sieveking, Ali Ahmad Sa'Id Esber, Andrea Zuckermann, Bastián Bodenhöfer, Brontis Jodorowsky, Carolyn Carlson, Clara María Escobar, Felipe Ríos, Jeremias Herskovits, Juan Quezada, Julia Avendaño, Kaori Ito, Leandro Taub, Lux Pascal, Luz María Yacometti, Matías Orrego, Pamela Flores, Raúl López, Sergio Monge

Director: Alejandro Jodorowsky

Rating: Unrated

Of course, a lovely vacation in the Italian countryside will not solve all your problems. It won’t fix marital problems, or solve financial issues, or grant you respect, or suddenly make everything feel better. But Enchanted April charmingly suggests that maybe a break in a new environment, with the sun and the waves and the quiet, might grant you a new perspective and maybe lifelong friendships that can change your life, and make the day-to-day just a little better. The film might not be the most profound story ever created, but it’s a lovely little adaptation with relatable women enjoying life in the same way we probably should do once in a while.

Genre: Drama, Romance

Actor: Adriana Facchetti, Alfred Molina, Anna Longhi, Davide Manuli, Jim Broadbent, Joan Plowright, Josie Lawrence, Matthew Radford, Michael Kitchen, Miranda Richardson, Neville Phillips, Polly Walker, Stephen Beckett, Vittorio Duse

Director: Mike Newell

Rating: PG

It’s easy to classify Destroy All Neighbors as B-movie schlock; it unabashedly pays tribute to the low-budget comedy horror movies that pervaded the ‘80s. But it also feels too good for that. Elevated by funny bits, easy chemistry, solid production design, and a lightweight but easygoing script, Destroy All Neighbors never really wastes your time. It may confuse and drag at times, but there’s always an element that delights. As the straight man anchoring all the absurdity and gore surrounding him, Ray is also surprisingly likable. He connects easily to the colorful ensemble of characters in the film. 

Destroy All Neighbors is stylish, trippy, nonsensical, and quite commendable in its creativity (the practical effects and prosthetics are the highlight). In all, it’s harmless good fun, just beware of the overflowing blood and guts! 

Genre: Comedy, Horror, Music

Actor: Alex Winter, Chase Kim, Christian Calloway, Deanna Rooney, DeMorge Brown, Franco Vega, Jon Daly, Jonah Ray, Kiran Deol, Kumail Nanjiani, Madara Jayasena, Pete Ploszek, Phil Hendrie, Randee Heller, Ryan Kattner, Thomas Lennon

Director: Josh Forbes

If I must imagine strange creatures to process grief over a parent, I would rather have it be the fluffy Totoro rather than three creepy looking Gollum-esque yokai creatures that lick legs, steal random food items, and overall act like terrible roommates. Still, there’s a certain gremlin-like charm to A Letter to Momo that could captivate animation fans. As these yokai spirit creatures push Momo to explore her new quaint island town, and as Momo eventually befriends them or force them to act better through threats, it’s precisely the sort of chaotic, whimsical adventure that can get a girl to open up, to hope again, and to be open to what life still has to offer. The pacing might deter some viewers, but A Letter to Momo still works as a touching coming-of-age journey marked by loss.

Genre: Animation, Comedy, Drama, Family, Fantasy

Actor: Cho, Daizaburō Arakawa, Ikuko Tani, Karen Miyama, Koichi Yamadera, Takeo Ogawa, Toshiyuki Nishida, Yoshisada Sakaguchi, Yuka

Director: Hiroyuki Okiura

Rating: PG

Based on the 13-episode series of the same name, Violet Evergarden tells the story of Violet, a scribe commissioned to write letters at a time when telephones and computers had yet to exist. Shell-shocked from her time in the war, Violet is exceptionally stoic, except when she remembers Gilbert, her military superior and sometime lover. His parting words were "I love you," and through her letters, Violet has been examining the meaning of the phrase since then. Fans of the series will have no trouble following the events of the film, but if you're going in cold without any prior exposure to the franchise, it might take a while for you to adjust to its world. More an amalgamation of multiple cultures than a reflection of just one, the imaginary Leidenschaftlich is filled with Japanese-speaking citizens, in modern-day-influenced clothes, with architecture and vistas that could fit right in 1800s Western Europe. Against this backdrop, Violet attempts to restart her life as a writer. Living often doesn't feel easy, especially when PTSD comes in the form of shocks and painful flashbacks, but loving, as she finds out, might be even harder. A tale of self-forgiveness and forging on, despite all odds, Violet Evergarden is a moving ode to life and love at a time of war.

Genre: Animation, Drama, Fantasy, Romance

Actor: Aya Endo, Aya Saito, Ayako Kawasumi, Daichi Endo, Daisuke Namikawa, Emi Shinohara, Haruka Tomatsu, Hidenobu Kiuchi, Hisako Kyoda, Jouji Nakata, Kanako Sakuragi, Kaori Mizuhashi, Koki Uchiyama, Kozue Harashima, Mayuno Yasokawa, Megumi Matsumoto, Minori Chihara, Mitsuru Miyamoto, Mugihito, Rie Hikisaka, Rina Sato, Rina Satou, Sumire Morohoshi, Takehito Koyasu, Yasuhiro Mamiya, Yui Ishikawa, Yuuki Sanpei

Director: Taichi Ishidate

In this neo-noir crime drama, John Cusack, Anjelica Huston and Annette Bening play a trio of con-artists in modern day (1990) California. Roy (Cusack) is a small-stakes hustler prone to swindling bartenders and drunken sailors for pocket money, while Lilly (Huston) plays his estranged mother who reappears in his life while working a series of horse track bluffs. Myra (Bening) notches in between the two of them as Cusack’s boisterous yet conniving girlfriend, and the instant mutual dislike between her and Lilly sets the film’s course of action in motion. It’s a fun, edgy thriller that will leave you guessing up until it's shocking finale. Elevated immeasurably by Elmer Bernstein’s old-fashioned, hard boiled music score, The Grifters is a real feather in the hat for both director Stephen Frears and producer Martin Scorsese.

Genre: Crime, Drama

Actor: Anjelica Huston, Annette Bening, Billy Ray Sharkey, Charles Napier, David Sinaiko, Eddie Jones, Frances Bay, Gailard Sartain, Gregory Sporleder, Henry Jones, Ivette Soler, J.T. Walsh, Jan Munroe, Jeff Perry, Jeremy Piven, Jimmy Noonan, John Cusack, Jon Gries, Juliet Landau, Lou Hancock, Martin Scorsese, Michael Laskin, Micole Mercurio, Noelle Harling, Pat Hingle, Paul Adelstein, Richard Holden, Robert Weems, Sandy Baron, Stephen Tobolowsky, Steve Buscemi, Sy Richardson, Teresa Gilmore, Xander Berkeley

Director: Stephen Frears

Rating: R

A doorway opens at the beginning of Spring, Summer, Fall, Winter... and Spring, and through this doorway you are brought into the movie's world. Explanations or plot transitions rarely exist, and dialogue is kept at a minimum level. And yet this movie remains an incredibly simple film. Following a Buddhist master and his apprentice, it is a fable very much in the 'cycle of life' form, offering gentle complexity in the timeless and sole framework of a floating Buddhist monastery. That's all I can say without saying too much. If you are into aesthetically pleasing films, go watch this.

Genre: Drama, Romance

Actor: Choe Min, Ha Yeo-jin, Ji Dae-han, Jong-ho Kim, Ki-duk Kim, Kim Jong-ho, Kim Jung-young, Kim Ki-duk, Kim Young-min, Oh Yeong-su, Oh Young-soo, Park Ji-a, Park Zia, Seo Jae-kyeong, Yeong-su Oh

Director: Ki-duk Kim, Kim Ki-duk

Rating: R

Miranda’s Victim often feels like two different movies smushed into one. On the one hand, it tells the story of how Trish finds the courage to speak up against her abuser, who happens to be a person of color. On the other hand, it shows us the legal intricacies that led to the founding of what we now know as Miranda Rights. In better hands, these two stories (one emotional and one technical) could’ve worked well together, and they would’ve spoken to the intersectionality at the heart of this complicated case. But instead of going for nuance, instead of exploring the complex racial and gender politics that inform this case, Director Michelle Danner goes in all sorts of odd directions as if herself confused about what the focus should be. 

Breslin is heartbreaking and powerful as Trish, but she’s only given so much to act with. Despite being based on a real person, her character is reduced to trauma and tears—a caricature of abuse—and nothing more. The movie is at its strongest when it converts into pure courtroom drama by the third act. Suddenly, it’s brisk and intelligent, bolstered by the compelling one-two punches of the judge (a commanding Donald Sutherland) and the two lawyers (Ryan Philippe, a revelation, and Luke Wilson, only slightly better here than in his earlier turn in Legally Blonde). As a story about violation and abuse, there’s surprisingly little compassion to be found, despite the title. But as a legal drama, it’s as informative as it can be. 

Genre: Drama, History

Actor: Abigail Breslin, Andy Garcia, Brent Sexton, Brian Colin Foley, Brian Drillinger, Dan Lauria, Donald Sutherland, Emily VanCamp, Enrique Murciano, James Healy Jr., Jann Ellis, John Buffalo Mailer, Josephine Hies, Joshua Bowman, Kyle MacLachlan, Luke Wilson, Michael Mulheren, Mireille Enos, Najah Bradley, Nolan Gould, Ryan Phillippe, Sebastian Quinn, Sheilagh Weymouth, Taryn Manning, Travis Staton-Marrero

Director: Michelle Danner

Hotel Salvation is a touching movie about a father asking his son for a last wish : let him die in the Holy city of Varanasi. This Indian drama will let you discover a modern Hindu philosophy, the power of the scenic Varanasi and the bonds of family. It faces the question of death in the light, gentle and humorous way that perfectly illustrates the contradiction in question: celebrating life while surrounded by death.

Genre: Comedy, Drama

Actor: Adil Hussain, Anil Rastogi, Geetanjali Kulkarni, Lalit Behl, Navnindra Behl, Palomi Ghosh

Director: Shubhashish Bhutiani

Rating: Not Rated