62 Movies Like The Fly (1986) (Page 2)

With elaborate sets, musical numbers, and an ensemble cast, Aachar and Co doesn’t feel like a regular budget-bound debut feature. In fact, director Sindhu Sreenivasa Murthy, who also stars as Suma, pulls off this family drama with a whimsical yet period-accurate, Wes Anderson-esque style. This style keeps the film’s nostalgic and lighthearted tone, even as the siblings’ journeys, most especially that of Suma, go into darker times. As the family cycles through each of their weddings and funerals, Aachar and Co comments on the societal changes that shifted the lives of Indian women in the 1960s. The resulting film is just as bittersweet and nostalgic as the mango preserves the family makes.

Genre: Comedy, Family, Music

Actor: Anirudh Acharya, Harshil Koushik, Mandara Battalahalli, Sindhu Sreenivasa Murthy, Sudha Belawadi

Director: Sindhu Sreenivasa Murthy

Joachim and Ceilie are engaged to be married when a car crash leaves the former paralyzed. While Joachim recovers in the hospital, Ceilie becomes entangled with his doctor—who also happens to be the husband of the woman who caused Joachim’s accident. What transpires after is not unlike a car crash itself: gut-wrenching to watch, impossible to look away from.

Although the film’s premise toes the line of melodrama, Susanne Bier handles the characters with extraordinary care. Elsker dig for evigt (Open Hearts) boasts incredible performances from its core cast of four, with Mads Mikkelsen and Paprika Steen particularly shining. This is not an easy nor feel-good movie to sit through, but its unflinching gaze at complicated characters in a tragic situation makes for a rewarding journey.

Genre: Drama, Romance

Actor: Anders Nyborg, Birthe Neumann, Hans Henrik Clemensen, Ida Dwinger, Jens Basse Dam, Mads Mikkelsen, Michel Castenholt, Niels Olsen, Nikolaj Lie Kaas, Paprika Steen, Pelle Bang Sørensen, Philip Zandén, Ronnie Lorenzen, Sonja Richter, Stine Bjerregaard, Susanne Juhász, Tina Gylling Mortensen, Ulf Pilgaard

Director: Susanne Bier

Bill Forsyth, an acclaimed Scottish director best known for his films Local Hero and Gregory’s Girl, directs an underrated masterpiece with the 1987 drama Housekeeping. Adapted from Marilynne Robinson’s outstanding novel, Housekeeping is the story of two sisters, Ruthie and Lucille, who are orphaned and raised by their peculiar Aunt Sylvie. 

As the young sisters grow apart, Ruthie gravitates toward her transient aunt. This is a movie about not quite fitting in—about feeling like your life exists just outside of modern time, somewhere off to the side of railroad tracks running over frozen water. Sylvie shows Ruthie that there is more to life than their small, cold town of Fingerbone. In fact, there is a whole world out there, calling to misfits like them.

Housekeeping is deftly directed, balancing both humor and tragedy. Christine Lahti’s performance is also, with no exaggeration, one of the greatest of all times, as she conveys so much of Sylvie’s yearning to go, go, go with as little as a glance toward the beckoning horizon.

Genre: Comedy, Drama

Actor: Andrea Burchill, Anne Pitoniak, Betty Phillips, Bill Smillie, Bob Hughes, Brian Linds, Christine Lahti, Dolores Drake, Georgie Collins, Karen Elizabeth Austin, Leah Penny, Margot Pinvidic, Sara Walker, Sheila Paterson, Wayne Robson

Director: Bill Forsyth

Rating: PG

Genre: Action, Comedy, Drama, Fantasy, Horror

Actor: André Øvredal, Anton Yelchin, Eirik Bech, Glenn Erland Tosterud, Hans Morten Hansen, Inge Erik Henjesand, Johanna Mørck, Johanna Mørck, Kelsey Grammer, Knut Nærum, Knut Nærum, Lexi Medrano, Otto Jespersen, Robert Stoltenberg, Tomas Alf Larsen, TomTom Jorgensen, Torunn Lødemel Stokkeland, Urmila Berg-Domaas

Director: André Øvredal, André Øvredal

Rating: PG-13

If Katrina Babies seems like a somewhat disjointed account of the myriad responses to Hurricane Katrina and the U.S. government's horrible, anti-poor response to the disaster, director Edward Buckles Jr. uses this structure with much more intent. For once this is a documentary that feels like citizen reporting and not a sanitized report from experts who have little to no real personal stake in the subject. As the film swings from one talking point to the next, you get the sensation of just how much the people of New Orleans are still trying to comprehend; the loose structure brings to this film a sense of helplessness that, for some, just can't be overcome.

Genre: Documentary

Actor: Arnould Burks, Calvin Baxter, Cierra Chenier, Damaris Calliet, Quintina Thomas Green

Director: Edward Buckles

Rating: R

For the longest time, American media coverage was skewed to justify the presence of US forces in Arab states. Control Room unveils that bias by following Al Jazeera at the start of the Iraq War in 2003. One of the biggest Arab media outlets at the time, Al Jazeera dared to cover both sides of the war, but by doing so put a target on its back. It was vilified by both the US government, which called it an Osama mouthpiece and the Arab world, which called it a Bush ally. 

Control Room shows the difficulty (if not sheer impossibility) of achieving journalistic balance, objectivity, and integrity. Through interviews with Al Jazeera reporters and US military officers, we witness how lines are blurred, loyalties are tested, and purpose is shifted in a state of war. A seminal work on media bias and press control, Control Room is vital and enlightening, a must-watch to understand the inner workings of the fourth estate. 

Genre: Documentary, War

Actor: Abdul Jabbar Al-Kubeisi, Donald Rumsfeld, George W. Bush, Hassan Ibrahim, Josh Rushing, Muafak Tawfik, Nabeel Khoury, Omar Al-Issawi

Director: Jehane Noujaim

As heartbroken as you will be after watching this movie, you will feel nothing but triumph in the main actor's debut role. This movie has very little hope to offer the viewer, except the small amount felt every time the main character, Marina, gets up again to fight another day. This film depicts grief in such a profound and personal way within a character who must remain relatively silent and alone most of the movie. You will quickly know why the film is called "A Fantastic Woman".

Genre: Drama

Actor: Alejandro Goic, Aline Kuppenheim, Amparo Noguera, Antonia Zegers, Bárbara Mundt, Cristián Chaparro, Daniela Vega, Eduardo Paxeco, Erto Pantoja, Fabiola Zamora, Francisco González Hermosilla, Francisco Reyes, José Antonio Raffo, Loreto Leonvendagar, Luis Gnecco, Marcial Tagle, Moisés Angulo, Nestor Cantillana, Nicolas Saavedra, Pablo Cerda, Pablo Greene, Paola Lattus, Paulina Hunt, Roberto Farías, Sergio Hernández, Trinidad González

Director: Sebastián Lelio

Rating: 15, R

The shiver-inducing talents of Stephen King, David Cronenberg, and Christopher Walken meld to produce this supremely chilly supernatural thriller adaptation. Schoolteacher Johnny’s (Walken) perfect life is overturned when a horrific car accident puts him in a coma that robs him of five years of his life — and with them, his job and girlfriend Sarah (Brooke Adams), who moves on with someone else.

For anyone familiar with Cronenberg’s films, the director’s involvement might lead you to expect results from this premise as idiosyncratic as Crash or Videodrome’s, but The Dead Zone takes a decidedly more mainstream path than those works. In the place of graphic body horror is more palatable — but no less affecting — emotional bleakness, as Johnny contends with losing Sarah and a reality-warping new ability: he now has the power to see into the future of anyone he touches. While being forewarned about house fires and nuclear war might be a blessing for those whose lives he saves, Johnny struggles with the emotional burden of being responsible for preventing these future tragedies. More than any of the chilling setpieces — a frantic hunt for a serial killer, the attempted assassination of a demagogue — it’s Johnny’s grappling with this gift-slash-curse that gives The Dead Zone its fierce intensity.

Genre: Horror, Science Fiction, Thriller

Actor: Anthony Zerbe, Barry Flatman, Brooke Adams, Chapelle Jaffe, Christopher Walken, Cindy Hinds, Claude Rae, Colleen Dewhurst, David Rigby, Géza Kovács, Hardee T. Lineham, Helene Udy, Herbert Lom, Jackie Burroughs, James Bearden, John Koensgen, Ken Pogue, Leslie Carlson, Martin Sheen, Nicholas Campbell, Peter Dvorsky, Ramon Estevez, Roberta Weiss, Roger Dunn, Sean Sullivan, Tom Skerritt, William B. Davis

Director: David Cronenberg

Rating: R

Before her triumphant Oscar win for her role in Minari, Youn Yuh-jung starred in The Bacchus Lady as So-young, an aging sex worker strugglin to make ends meet. Youn brings a certain dignity to the role that’s rarely seen in typical depictions of sex work around the world. Her work isn't framed as something disgusting or immoral, but as something that's natural and normal. Writer-director E J-yong clearly sides with and respects the people that you don't normally see in K-dramas—characters that have been pushed aside in favor of the stereotypical “ideal” Korean. While meandering at times, the film's warm and bittersweet approach to these characters acts as a reprimand to Korean society on how they fail those at the margins.

Genre: Drama

Actor: Chon Moo-song, Hyun-jun Choi, Jeon Moo-song, Jo Sang-gun, Jung Jae-woong, Kim Han-na, Kim Hye-yoon, Moon-Song Chon, Park Gyu-chae, Seo Hyun-woo, Ye Soo-jung, Ye Su-jeong, Yeo-jeong Yoon, Yoon Kye-sang, Youn Yuh-jung

Director: E J-yong, Je-yong Lee, Lee Je-Yong

Rating: N/A, Not Rated