61 Movies Like The Flash (2023) (Page 2)

Staff & contributors

They Cloned Tyrone is a genre-bending gem. It combines Deep State conspiracy theories with sci-fi and social commentary, all while looking like a futuristic 1970s Blaxploitation film. It’s outrageous good fun and pleasing to look at (here is a film that knows how to properly light Black actors), but there are times when it feels too far fetched. The science can get wonky and its commentary on gentrification lacking, but all is forgiven when you have such a strong trio of leads. One of the smartest things They Cloned Tyrone does is pair Boyega with Teyonah Parris, who plays the call girl Yo-yo, and Jamie Foxx, who plays the pimp Slick Charles. They have a fun-loving no-nonsense chemistry about them that makes them easy to attach to and root for. They’re also just very funny, which might be expected of Foxx but it comes as a pleasant surprise for Parris, whose popular turns in Mad Men and WandaVision prove that she’s been severely underutilized as a comic.

Genre: Action, Comedy, Mystery, Science Fiction

Actor: Adam Cronan, Al-Teron, Austin Freeman, Big Boy, Charity Jordan, David Alan Grier, David Shae, J. Alphonse Nicholson, Jamie Foxx, Jason Burkey, Jason Louder, Jessica Fontaine, John Boyega, Joshua Mikel, Juel Taylor, Kiefer Sutherland, Leon Lamar, Marc Inniss, Megan Sousa, Michael A. Dean, Nick Arapoglou, Osahon Tongo, Robert Tinsley, Ryan Dinning, Shariff Earp, Shinar Frazier, Suzanne C. Robertson, Swift Rice, Tamberla Perry, Tangela Large, Teyonah Parris, Trayce Malachi

Director: Juel Taylor

Rating: R

, 2023

Low-budget but imagination-rich, this singular sci-fi crosses a vintage found-footage aesthetic with an inspired time-travel concept. It’s 1938, and two brilliant sisters — Thomasina (Emma Appleton) and Martha (Stefanie Martini) — have invented a machine that can anticipate future radio and television broadcasts. The device (named Lola) allows them to support themselves with bullseye bets on upcoming horse races, as well as revel in the cultural output of the decades to come. When WW2 strikes, however, Lola takes on life-saving potential.

As with every time-travel story, there’s the domino effect to be considered. Lola ends the Blitz, but its timeline-meddling paves the way for a darker future — chillingly realized by the film’s clever manipulation of real archival footage — and an ideological schism between the sisters. The movie’s tight runtime doesn’t allow for full exploration of this emotional fallout, but the actors fill in the outlines enough to make this flaw less gaping than niggling.

Shot with vintage film cameras, the movie looks like a product of its setting, but it absorbs some of the modernism of the contraption's intercepted broadcasts — and it's this beguiling anachronism (plus its narrative ingenuity) that ultimately win out to make Lola a fascinating sci-fi, despite some tantalizingly unrealized potential. 

Genre: Drama, Science Fiction, War

Actor: Aaron Monaghan, Adolf Hitler, Ayvianna Snow, David Bowie, Emma Appleton, Eva O'Brien, Francesca Brabazon Legge, Franklin D. Roosevelt, Gerald Tyler, Hugh O'Conor, Ian Toner, Joseph P. Kennedy Sr., Lorcan Cranitch, Neil Hannon, Nick Dunning, Oswald Mosley, Richard Elfyn, Rory Fleck Byrne, Stefanie Martini, Theodora Brabazon Legge, Winston Churchill

Director: Andrew Legge

Based on four different books by Colombian author Mario Mendoza, The Initiated (or Los Iniciados) is perhaps too much of a good thing at times, as it struggles to have its many different pieces cohere into one thematic idea. These separate pieces are intriguing on their own, for sure: poisoned water supply, underground activists, the mayor potentially being involved in mysterious disappearances of bodies. But by the end, the film's noir elements seem to be mostly ornamental in nature, with the supposedly twisty narrative arriving at an overly tidy conclusion.

With that said, even just spending time in The Initiated's gloomy city streets and grimy underbelly should be a joy for anyone who already enjoys hardboiled crime dramas. Solid performances and strong technical craft all around keep this world immersive no matter if the central investigation is actually progressing logically or not. It's a film that, impressively, manages to still be suspenseful just on the strength of its mood and atmosphere alone. All the danger feels raw and threatening, and leads us to imagine an even harsher world outside of what we see on screen.

Genre: Crime, Drama, Mystery, Thriller

Actor: Ana Wills, Andrés Parra, Aria Jara, Francisco Denis, Jorge Cao, José Restrepo, Juan Pablo Urrego, Julio Pachón, Patricia Tamayo

Director: Juan Felipe Orozco

The tired stereotype is that in horror films, it’s always the Black characters who are the first to die. The Blackening turns that on its head and gives us an interesting premise by asking, what if all the characters are Black? While it’s not the first film to do this (in fact, a lot of Black creatives are reclaiming horror and dominating the genre), it just might be the first to tackle the issue in a smart and funny way. This is a ridiculous parody filled with outsized performances and observational jokes, but it’s equally meta and socially aware as it literally (and thankfully) beats the stereotype to its final death. 

 

Genre: Comedy, Horror

Actor: Antoinette Robertson, Dewayne Perkins, Diedrich Bader, George Fisher, Grace Byers, James Preston Rogers, Jay Pharoah, Jermaine Fowler, Melvin Gregg, Sinqua Walls, X Mayo, Yvonne Orji

Director: Tim Story

Rating: R

, 2023

One wouldn't expect to see Count Dracula's youthful-looking helper at your local 12-step self-help group for people in codependent relationships, but Renfield holds more than one surprise up its sleeve. By translating the working relationship (or master-slave, since the latter doesn't get any pay) into the vocabulary of common relationship counselling parlance, the film actually elevates its symbolic status. Even more, I'd dare call it a hoot. Not that many vampire films have managed to make a proper comedy out of the figure in question, and Renfield with its simplistic appeal puts to shame even the artsy Netflix production El Conde, which also came out earlier this year. With Awkwafina in the mix and iconic lines such as "I don't want your murder cookies", how can you resist?

Genre: Comedy, Fantasy, Horror

Actor: Adrian Martinez, Anil Bajaj, Awkwafina, Ben Schwartz, Bess Rous, Betsy Borrego, Brandon Scott Jones, Brian Egland, Camille Chen, Caroline Williams, Chloe Adona, Christopher Winchester, Derek Russo, Gabriel 'G-Rod' Rodriguez, James Moses Black, Jenna Kanell, Joshua Mikel, Keith Brooks, Lacey Dover, Lena Clark, Lucy Faust, Marcus Lewis |, Marvin Ross, Mike Harkins, Nicholas Hoult, Nicolas Cage, Rhonda Johnson Dents, Shohreh Aghdashloo, Stephen Louis Grush, Susan McPhail, T.C. Matherne, William Ragsdale

Director: Chris McKay

Rating: R

The latest installment in Netflix'S “Unknown” docuseries, Unknown: Killer Robots puts the evolution of artificial intelligence under an ethical microscope. Although the title could be misleading, it does cover the possible dangerous applications of AI as it forces us to question the growing divide between human morality and machine efficiency. With advances in war and medicinal applications, the capabilities of AI to heal, save and destroy are terrifying and awe-inspiring in equal measure. Like the previous films in the series, it is hyper-concentrated to an almost-stifling degree, but it’s also powered by the passionate subjects on either side of these advancements. Forgoing sensationalism, this digestible documentary questions intention over the technology itself. 

Genre: Documentary, Drama

Director: Jesse Sweet

With a forest home destroyed, leaving an adorable cat spirit child displaced, The Legend of Hei seemed like a Studio Ghibli-esque tale, at least in themes, child protagonist, and fantasy flying. There’s charming moments where Hei appreciates the day-to-day– moments where he diligently learns his powers, enjoys the simple human pleasures present in the modern world, and of course, feels at home in the stunning natural spirit places. However, it’s not quite Ghibli as there are plenty of wuxia-inspired fight scenes, with as many flying kicks involved. That being said, there is a pro-peace message here, that at face value, is probably a good message for children, but this film’s peace comes without clear details about Hei’s displacement, or the general condition of the spirit world at large. The Legend of Hei’s charming animation is lovely, but this push for peace could have been more meaningful if it also considered justice.

Genre: Action, Animation, Fantasy

Actor: Chen Siyu, Ding Dang, Hao Xianghai, Li Lu, Liu Mingyue, Shan Xin, Sheng Feng, Wang Youji, Yang Ning, Yeqiao Yan, Yuntu Cao

Director: MTJJ, Mtjj Mutou

Rating: PG

, 2023

Stan Lee, the documentary, is a charming introduction to the iconic creator. He enthusiastically narrates his journey into comics – from lowly intern to famous publisher – giving a seemingly modest account of events. With his voice making most of the narrative, Lee’s voice reveals his creative process and mindset, detailing the day-to-day writing process and the Marvel method. However, the documentary isn’t Lee’s voice alone. Director David Gelb brings a charming approach to this documentary, as seen in his previous work, that helps turn his subject palatable, despite the disagreement displayed by other people. Overall, the film is an okay introduction, though the full story behind Lee’s most contentious events, deserves a documentary of its own.

Genre: Documentary, Drama

Actor: Jack Kirby, Joan Lee, Joe Simon, Kevin Feige, Roy Thomas, Stan Lee

Director: David Gelb

Rating: TV-14

Shooting Stars may be based on LeBron James’ account of his teenage years, but this adaption by Chris Robinson is more than just a vanity project. In fact, James is hardly the lead here—every one of his friends gets a chance to shine in this coming-of-age story about brotherhood and friendship. It’s closer to films like Boyz N the Hood and Stand By Me in that way, but that’s not to say it’s a letdown in the sports department. The games are choreographed beautifully; the actors display wonderful athleticism and the filmmakers employ various camera techniques that never fail to surprise. There are times, though, that these techniques distract more than excite, and there is a sense that the film could’ve benefited from a more pared-down style. But this ultimately doesn’t take away from the film’s tender and thrilling story.

Genre: Drama, History

Actor: Algee Smith, Caleb McLaughlin, Chad L. Coleman, Dermot Mulroney, Joe Fishel, Katlyn Nichol, Khalil Everage, Mookie Cook, Natalie Paul, Scoot Henderson, Wood Harris

Director: Chris Robinson

Rating: PG-13

, 2023

This taut chamber piece about NSA whistleblower Reality Winner (yes, that’s her real name) is based on the FBI’s account of her interrogation one June day in 2017. “Based on” doesn’t quite capture Reality’s exhaustive commitment to the facts, though, because this movie is essentially a dramatic reading of a verbatim transcript of the FBI agents’ recording that day. The only time it breaks with reality is when it reaches a redacted portion of the transcript, at which point characters glitch out of view, leaving us staring into the blank set around them. Otherwise, every cough, false start, and even every off-topic remark is recreated with exacting precision here, lending the film a paradoxically stilted, slightly stagy air. But rather than pull you out of the proceedings, Reality’s palpable artificiality only immerses us into the uneasy tension and surreality that its anxious protagonist must have been feeling that day.

That anxiety is contagious, thanks to the movie’s clinical style and central performance. The camerawork is largely unblinking, moving in uncomfortably close on Reality (Sydney Sweeney) as two FBI agents (Josh Hamilton and Marchánt Davis) subject her to their bizarre hot-cold interrogation, which ranges from seemingly friendly inquiries about her dog to jugular-aimed questions about the allegations against her. Sweeney shoulders all this pressure remarkably well, deftly keeping us as much in the dark as Winner tried to keep the FBI in — which makes not knowing the real story a benefit, rather than a barrier, to watching Reality.

Outside of Sweeney’s commanding performance, Reality feels somewhat limited by its absolute loyalty to the FBI’s transcript, though. Much of the film’s 83-minute runtime is dedicated to recreating the text, which leaves only a few minutes at the end for it to express its own point of view on Winner’s actions. Though these scant moments make for a compelling reframing of the charges against Winner, they feel overshadowed by and separate from the movie’s rigorous devotion to the transcript, which ultimately means Reality can’t quite transcend its status as merely an interesting filmmaking curio.

Genre: Drama, Thriller

Actor: Allan Anthony Smith, Benny Elledge, Bill Maher, John Way, Josh Hamilton, Marchánt Davis, Sydney Sweeney, Tucker Carlson

Director: Tina Satter

It’s best not to overthink the details of No Hard Feelings, an uproarious comedy that benefits from the lead actors’ physicality. It’s meant to be enjoyed as it happens, at the moment, with Lawrence lighting up every scene with full-bodied commitment and Feldman, a worthy co-lead, delighting at every turn. They’re playing stock characters, and the script doesn’t give much beyond the usual backstories, but Lawrence and Feldman play them with so much heart and gusto, knocking every scene they’re in out of the park. Everything else plays second fiddle to their two-hander show. The cameos are star-studded but forgettable (except for Kyle Mooney, who I wished was onscreen more as Percy’s male nanny), the character development is heartwarming but predictable, and though it bills itself as a sex comedy, the film never really touches past third base. But all that is water under the bridge when you’re watching Maddie and Percy flirt and fumble their way through the film.  

Genre: Comedy, Drama, Romance

Actor: Alysia Joy Powell, Amalia Yoo, Andrew Barth Feldman, Ari Frenkel, Brian Calì, Ebon Moss-Bachrach, Hasan Minhaj, Jennifer Lawrence, Jordan Mendoza, Kyle Mooney, Laura Benanti, Luca Padovan, Madison McBride, Matt Walton, Matthew Broderick, Matthew Noszka, Melissa Lehman, Natalie Morales, Quincy Dunn-Baker, Scott MacArthur, Victor Verhaeghe, Zahn McClarnon

Director: Gene Stupnitsky

Rating: R

From its title and premise, the hope for this kind of documentary would be for it to show some respect for the people who died from the Floridian opioid epidemic. At the very least, the film should dissuade people from the crimes documented here, by emphasizing the consequences of these actions. American Pain does not do this. It’s interesting to view how quickly the business gets out of hand for these unethical entrepreneurs – director Darren Foster reveals each development with enough style and flourish to be entertaining – but the film is clearly more fascinated with how the twins got away with drug dealing for so long. It’s a fun watch… if you forget people died from the events of this film.

Genre: Documentary

Director: Darren Foster

Rating: TV-MA

Weird: The Al Yankovic Story is a parody of a parody, a multilayered confection of silliness that befits the musician it celebrates. It's the origin story of Weird Al Yankovic (Daniel Radcliffe) but with the surreal and satirical levels cranked up to a hundred. It's easy to get lost then, in the movie's freewheeling giddiness, but Radcliffe has a way of grounding the ultra-heightened comedy with his conviction and charm. The movie also doubles as a who's who in the 1980s music and comedy scene, and the unlikely pairings it brings together keep you entertained and nostalgic for a simpler, weirder time. 

Genre: Comedy, Crime, Drama, Music

Actor: 'Weird Al' Yankovic, Akiva Schaffer, Andrew Steven Hernandez, Anthony N., Anthony Nanakornpanom, Arturo Castro, Chad Guerrero, Conan O'Brien, Constantine Rousouli, Daniel Radcliffe, David Bloom, David Dastmalchian, Dean Sharpe, Demetri Martin, Diedrich Bader, Dot-Marie Jones, Emo Philips, Eric Appel, Evan Rachel Wood, Gordon Tarpley, Jack Black, Jack Lancaster, James Brown III, James Preston Rogers, Jimmy Walker Jr., Johnny Pemberton, Jonah Ray, Jonah Ray Rodrigues, Jorma Taccone, Josh Groban, Julianne Nicholson, Julie Chang, Keanush Tafreshi, Lin-Manuel Miranda, Michael McKean, Mike Escamilla, Nina West, Paloma Esparza Rabinov, Panuvat Anthony Nanakornpanom, Patton Oswalt, Paul F. Tompkins, Paul Riley Fox, Quinta Brunson, Rainn Wilson, Richard Aaron Anderson, Rocky Abou-Sakher, Scott Aukerman, Seth Green, Spencer Treat Clark, Thomas Lennon, Toby Huss, Tommy O'Brien, Trenyce, Will Forte, William Guirola

Director: Eric Appel

Rating: TV-14

After more than six years in the making, The Little Mermaid should be a spectacle for the ages, but even the magic of Rob Marshall (Chicago) and Lin-Manuel Miranda (Hamilton) cannot save the live-action remake. The film feels at once too stunted for an actual musical and too expansive to be just another movie. There's something uncanny, too, in how the humans look underwater and inland so that the wetness of the characters (of all things!) becomes a weirdly icky factor. Not to mention Scuttle the diving bird who looks more like a demonic creature than a feathery companion, or the flat disappointment that is Flounder. If that's the price we must pay for reality, we don't want it.

Genre: Adventure, Family, Fantasy, Music, Romance

Actor: Adrian Christopher, Art Malik, Awkwafina, Christopher Fairbank, Craig Stein, Daveed Diggs, Emily Coates, Halle Bailey, Jacob Tremblay, Javier Bardem, Jessica Alexander, Jodi Benson, John Dagleish, Jon-Scott Clark, Jonah Hauer-King, Jude Akuwudike, Kajsa Mohammar, Karolina Conchet, Leon Cooke, Lorena Andrea, Marcus Hodson, Martina Laird, Melissa McCarthy, Noma Dumezweni, Russell Balogh, Sienna King, Simone Ashley, Sophie Carmen-Jones, Tarik Frimpong, Yasmin Harrison

Director: Rob Marshall

Rating: PG

Between Air, Pinball, Blackberry, and Tetris (is nothing sacred anymore?), 2023 has seen its fair share of business biopics. Unfortunately for The Beanie Bubble, it’s coming at the tail end of a trend that has overstayed its welcome in theaters. The Beanie Bubble isn’t very different from its predecessors in that it depicts its product as revolutionary and game-changing for the industry (it’s really not) and attempts to simplify the business phenom via cute graphics and quirky dialogue. Those aspects of the film are fine, if a bit forgettable, but The Beanie Bubble deserves some praise for exploring the power imbalance between Warner and his female partners, whose ideas he milked to no end. Robbie (Elizabeth Banks), Sheila (Sarah Snook), and Maya (Geraldine Viswanathan) are the ones telling this story, and even though the constant time hopping can get irritating, there are times when it feels inspired, like when Robbie starts one sentence and Maya ends her thought. They may be years apart but they’re all falling victim to the same greedy man who has a pattern of exploiting the talented women around him. 

Genre: Comedy, Drama

Actor: Adelle Drahos, Ajay Friese, Brian Troxell, Callie Johnson, Carl Clemons-Hopkins, Chris Mayers, Delaney Quinn, Elizabeth Banks, Geraldine Viswanathan, Hari Dhillon, Jason Burkey, Javier Vazquez Jr., Jeff Schine, Julia Farino, Kurt Yaeger, Laura Palka, Laura Whyte, Madison Johnson, Mariana Novak, Myke Holmes, Nils Onsager, Paul Kim, Paul Ryden, Robert Mello, Sam Salary, Sarah Snook, Scott Hanson, Stephanie Hong, Sweta Keswani, Tatyana White, Toru Shimoji, Tracey Bonner, Veanna Black, Vince Pisani, Zach Galifianakis

Director: Damian Kulash, Kristin Gore

Rating: R