27 Best Comedy Movies to WatchMovies Like The Flash (2023) (Page 2)

Staff & contributors

Need a chuckle? We know comedy gold can be hard to come by, so we’ve scoured the depths of the streaming landscape to dig it out. From dark humor to laugh-out-loud misadventures, these are the best comedies to stream now.

Following the success of the Zom 100 manga and anime, Netflix quickly followed suit with a live-action film, which begs the question: why? Why bother, when the freshly released series is barely a month old and already a vibrant interpretation of the comic book it was based from? Why bother, when you’re not going to bring anything new to the table? The film, more than anything, feels like a rushed cash grab that hopes to capitalize on its predecessors’ success. The premise is clever and relatable—after years of living like a zombie, a jaded employee regains a lust for life when an outbreak threatens to kill him—but the film milks it to death, so much so that by the ending, when the characters finally reach this conclusion, they can’t help but seem slow for spelling out what we’ve already known from the start. The film also looks drab and dreary, a far cry from the series’ experimental wonders. Instead of multi-colored blood bursting with every kill, we simply get metallic confetti in the movie. Instead of dynamic action, we get barely believable stunts that seem more awkward than awe-inspiring. Zom 100: Bucket List of the Dead isn’t bad per se, but it doesn’t look so good next to its much-better counterparts on TV and in print. 

Genre: Action, Comedy, Drama, Horror

Actor: Akari Hayami, Daiki Miyagi, Doronzu Ishimoto, Eiji Akaso, Jin Hisa, Kazuki Kitamura, Kenta Satoi, Kurumi Nakata, Mai Shiraishi, Mayo Kawasaki, Miwako Kakei, Mukau Nakamura, Reira Arai, Seijun Nobukawa, Shota Taniguchi, Shuntaro Yanagi, Yo Takahashi, Yui Ichikawa

Director: Yusuke Ishida

Rating: R, TV-MA

From the moment it begins, The Monkey King hardly pauses to take a breath. The characters are always frantically jumping into the next scene, the action is nonstop, and the jokes, though juvenile, arrive one after the other. This is okay if you’re looking for a brisk viewing experience, but not so if you’re prone to vertigo. It moves at a relentless pace, which doesn’t just make the film a dizzying watch; it also robs the animation’s beautiful details of the time it needs to be appreciated. The movie’s core message, too, is buried under all the film’s pizzaz, which is a shame considering its refreshing pragmatism. When all the other kids’ movies are promoting courage and confidence, The Monkey King actually warns against the dangers of an inflated ego. The Monkey King is passable entertainment for the family, but with a better pace, it could’ve been great. 

Genre: Adventure, Animation, Comedy, Family, Fantasy, Kids

Actor: Andrew Kishino, Andrew Pang, Artemis Snow, BD Wong, Bowen Yang, David Chen, Dee Bradley Baker, Hoon Lee, James Sie, Jimmy O. Yang, Jo Koy, Jodi Long, Jolie Hoang-Rappaport, Kaiji Tang, Mark Benninghoffen, Robert Wu, Ron Yuan, Sophie Wu, Stephanie Hsu, Vic Chao

Director: Anthony Stacchi

Rating: PG

, 2023

Set in the quaint city of Burlington, Vermont, Paint is a cute and folksy comedy that has a Wes Anderson-esque charm to it. The characters are dressed in blocked pastels and wooly sweaters, while the protagonist Carl seems stuck in the ‘70s, and not just sartorially, too. He drives a “Vantastic” custom van, swears off cell phones, and manages to incorporate phrases like “far out” in his daily lingo. It all makes for whimsical viewing, but underneath the flair, there’s very little substance holding this picture up. It tells the tale of an aging narcissist who learns the error of his ways when a younger version of himself is hired to aid and eventually replace him. Narratively, it’s familiar and forgettable, and it becomes immediately clear that style is a crutch that the film leans on. It’s funny, at times, thanks to a very likable Wilson and a strong supporting cast (there are occasional laugh-out-loud moments too, like when Carl does the big reveal about his portrait). But ultimately, it’s just too flat to be as special as the art it admires. 

Genre: Comedy, Drama, Romance

Actor: Aidan T.K. Baker, Brit McAdams, Ciara Renée, Colin J. Sweeney, Crystal Tweed, Denny Dillon, Elisabeth Henry-Macari, Elizabeth Loyacano, Evander Duck Jr., Jen Smedley, Joel Leffert, Kristin Hensley, Lucy Freyer, Lusia Strus, Lynda Suarez, Michael Pemberton, Michaela Watkins, Noa Graham, Owen Wilson, Paul Kosopod, Rob Figueroa, Ryan Czerwonko, Ryan Gaul, Sarah Baker, Scott Beehner, Stephen Root, Vin Craig, Wendi McLendon-Covey

Director: Brit McAdams

Love Again is cute. It’s cheesy and predictable, but it’s cute. Chopra makes for a fine leading lady who is able to switch between sorrow and sappy in a heartbeat. Heughan, though painfully generic, isn’t all that bad either; his hopelessly awkward attempts at getting Mira’s attention provides much of the film’s needed laughs. But outside of the bare minimum, Love Again doesn’t give us anything of value. The jokes are few and far between and the chemistry, if you can believe it, is even thinner. And for two people who are supposedly writers (Mira is children book’s author and Rob is a music journalist), none of their writings, much less their texts to one another, are particularly good. 

Genre: Comedy, Drama, Romance

Actor: Amanda Blake, Arinzé Kene, Celia Imrie, Céline Dion, Harry Attwell, Lydia West, Nick Jonas, Omid Djalili, Priyanka Chopra Jonas, Russell Tovey, Sam Heughan, Sofia Barclay, Steve Oram

Director: Jim Strouse

Rating: PG-13

For the entirety of Where Was I, Trevor Noah is comfortably in his pocket—speaking to an audience that's clearly familiar with his style and his views (if the respectful silences and occasional cheering are any indication) and branching off into sharing more serious facts between the jokes. And Noah's style is clearly refined, as he speaks clearly and sticks to a coherent structure at all times. But at a certain point his level of comfort here also leads to punchlines that are too easy or unsurprising, with too much focus placed on the kinds of voices and accents he can put on rather than the content of what he's saying. Noah remains a strong entertainer, but when you know how scathing he can get, this feels more like a warmup round.

Genre: Comedy, Documentary

Actor: Trevor Noah

Director: David Paul Meyer

Rating: PG-13

There’s little to like in Hidden Strike, a shoddy action thriller riddled with dodgy CGI, melodramatic performances, and ultra-predictable plotlines. You could even play a drinking game spotting all the action cliches present in the film (take a shot every time the patriotic hero dedicates a killing to his countrymen). Mostly, it’s laughable and complex for all the wrong reasons, but there are rare moments when Chan and Cena’s partnership works. They’re pockets of humor that feel like actual breathers, a respite in a film that’s ultimately tiresome to watch. 

Genre: Action, Action & Adventure, Adventure, Comedy, Thriller

Actor: Amadeus Serafini, Diego Dati, Gong Jun, Hani Adel, Jackie Chan, Jiang Wenli, John Cena, Kefas Brand, Laila Ezz El Arab, Lee Huang, Li Ma, Ma Chunrui, Max Huang, Michael Koltes, Neo Hou, Pilou Asbæk, Rachael Holoway, Rima Zeidan, Tazito Garcia, Temur Mamisashvili, Tim Man, Xu Jia

Director: Scott Waugh

Rating: TV-14

You ought to know what you’re getting into with a movie like The Out-Laws, a production from the Adam Sandler-founded Happy Madison banner that’s behind such lofty cinematic heights as Grown Ups and Paul Blart: Mall Cop. Even in that charitable frame of reference, though, The Out-Laws feels, even more than usual, like a tax write-off for its creators and a sweet solely-for-the-paycheck gig for its starry cast, who don’t have to do much by way of actual dramatic work here. The perfunctory editing and bland direction often seem disinterested in (or, perhaps, embarrassed by) most of the script’s attempts to be funny, and so the film rushes through its scenario, which is only mildly amusing to begin with. In a movie like this, that’s more of a blessing than a curse, even if it does mean some of its better moments get short shrift from the whistlestop treatment. All in all, even as Happy Madison vehicles go, this is an utterly forgettable 95 minutes — the kind you’ll barely even be able to recall by the time the credits roll.

Genre: Action, Comedy, Romance

Actor: Adam Devine, Anthony Belevtsov, Betsy Sodaro, Blake Anderson, Cale Schultz, Dean Winters, Derek Russo, Ellen Barkin, Haley Leary, Jackie Sandler, Jackson Beals, Julie Hagerty, Laci Mosley, Lauren Lapkus, Lil Rel Howery, Lynne Ashe, Michael Rooker, Mo Gallini, Montrel Miller, Nina Dobrev, Orelon Sidney, Otis Winston, Paul Eliopoulos, Peggy Walton-Walker, Pierce Brosnan, Poorna Jagannathan, Rebecca Covert, Reyn Doi, Richard Kind, Sunny Sandler, Tywayne Wheatt, Zele Avradopoulos

Director: Tyler Spindel

Rating: R

A movie based on a theme park ride is always going to be a marketing exercise, but what’s remarkable about Haunted Mansion is how uninterested it is in even pretending to be anything more. Amazon, Yankee Candle, CVS, Baskin Robbins, Burger King: you could fill a mall with the list of brands shamelessly name-dropped in the movie. Gallingly, the cast are even forced to do double duty as brand ambassadors during some of the movie’s most determined efforts at poignancy — oof.

Not even an ensemble featuring the comedic-dramatic chops of LaKeith Stanfield, Rosario Dawson, Tiffany Haddish, Danny DeVito, Owen Wilson, and Chase Dillon (the best of the bunch) can make such naked cash-grabs feel organic. What’s more, though, Haunted Mansion depressingly asks so little of its cast that there aren’t really any opportunities for them to counterbalance these embarrassing moments with anything approaching compelling. Adding to its struggles are the mansion’s sludgy color palette (which renders every scene unremarkable, no matter how moving or spooky it’s supposed to be) and the fact that it somehow feels rushed even at an overlong two hours. Though you can appreciate director Justin Simien’s efforts at elevating the material into something coherent, Haunted Mansion feels as lifeless as the ghosts that fill it.

Genre: Comedy, Family, Fantasy, Horror

Actor: Alisa Harris, Amy Parrish, Andrew Morgado, Anthony Burrell, Arielle Prepetit, Ashley John, Ayane Azevedo, Ben Bladon, Bryan McClure, Chad Crumley, Charity Jordan, Charles Black, Chase W. Dillon, Chenise Johnson, Christopher Winchester, Clarence White III, Creek Wilson, Cruz Abelita, D. Jerome Wells, Dan Levy, Danny DeVito, Derrick James Moss, Don Stallings, Edward Zhu, Elisabeth Lagrande, Erika Coleman, Erion Brandon WIlliams, Fedor Steer, Glendon Ray Hobgood, Gralen Bryant Banks, Hasan Minhaj, Hector Machado, Helene Henry, Ian Covell, J.R. Adduci, Jamie Lee Curtis, Jared Leto, Jared Simon, Jo Koy, John Curran, Joseph Miller, Julie Nalibov, Kailie Sanders, Kamran Shaikh, Kat Montes, Kathi Callahan, Kay Galvin, Keiko Bell, Kurt Yue, Lakeith Stanfield, Lindsay Lamb, Lorenzo Beronilla, Lumar Christopher Leblanc III, Manuel Perkins, Marcus Otis Hubbard, Marilu Henner, Mike Benitez, Nico Gomez, Owen Wilson, Paul Michael Robertson, Rachel Pitner, Raianna Brown, Rick Andosca, Rosario Dawson, Rowan Joseph, Sebastien Soudais, Steve Zissis, Terence Mathews, Terence Rosemore, Tiffany Haddish, Tony Paone, Tracy Goode, William Calvert, Winona Ryder

Director: Justin Simien

Rating: PG-13

There’s no way to escape it– the plotline of One True Loves feels like the other side of Cast Away (2000), but instead of focusing on the survival aspect, it focuses on the wife trying to move on with grief. The original novel portrays Emma moving on through reclaiming her past, and learning to appreciate the roots she’s tried to forget with her lost husband. However, the film adaptation falters in depicting the personal, inner world of Emma, as it bungles through the timelines with Hallmark-esque quotes and disarranged scenes. It tries to save the film through its star-studded cast, but their decent performances can’t save the way the film is structured.

Genre: Comedy, Drama, Romance

Actor: Beth Broderick, Christina Bach, Cooper van Grootel, Gabriella Garcia, Gary Hudson, Jacinte Blankenship, Jay DeVon Johnson, Jessi Goei, Kelvin Hodge, Lauren Tom, Luke Bracey, Michael OKeefe, Michaela Conlin, Oceana Matsumoto, Oona Yaffe, Phillipa Soo, Simu Liu, Tom Everett Scott, Victoria Blade, Wil Deusner

Director: Andy Fickman

Rating: PG-13

About My Father is clearly intended to be a cringe comedy a la Meet the Parents (it even features Robert De Niro as another grumpy dad), but it stretches the concept of “funny” so thin that the memory of that scene in which a cat pees on the contents of a smashed urn will feel like dizzying comic heights in comparison. The premise — an Italian-American man struggles to win the acceptance of his WASPish in-laws — might have made sense 100 years ago, but today, it strikes as farfetched. Even without that weak foundation, much of About My Father has a shaky grasp on what makes a movie work. The screenplay feels like the product of crudely stitching together several over-manufactured set-pieces, with the result being an almost total lack of fluidity and characters who often contradict themselves.

The film starts out on its worst foot: star–co-writer Sebastian Maniscalco lays the voiceover on thick, while Sebastian’s brash Sicilian father Salvo (De Niro) is so unceasingly negative that it turns a presence that should be great into one that’s only grating. Though it does find something of a footing as a saccharine family drama in its back half, it’s much too little, too late.

Genre: Comedy, Drama

Actor: Adan James Carrillo, Anders Holm, Brett Dier, David Rasche, Kim Cattrall, Leslie Bibb, Robert De Niro, Sebastian Maniscalco

Director: Laura Terruso

Making a heist so unoriginal and uneventful is a feat, and Gold Brick manages to do both without missing a beat. None of the characters are particularly interesting or distinct enough to remember their names. The idea of stealing from a big corporation (usually a solid setup) has no bite because the motivations feel hollow and unrealized. Most of the "ingenious" slight of hands and master plans don't impress or stick, and later plot points' payoffs stay as lackluster as their setups. Crisp, saturated cinematography is pleasant on the eyes but not enough to stop them from glazing over.

Genre: Comedy, Drama

Actor: Agathe Rousselle, Antoine Gouy, Bruno Lochet, Grégoire Colin, Igor Gotesman, Irina Muluile, Ludovik, Nicolas de Lavergne, Nina Meurisse, Raphaël Quenard, Slimane Dazi, Stéphan Wojtowicz, Youssef Hajdi

Director: Jérémie Rozan

There is a germ of an idea here, and executed well, Sheroes had the potential to be camp and crude and unapologetically fun in the way only films about female friendship can be (see: Girls Trip, Booksmart, Bridesmaids). Instead, with what looks like a negative production budget and zero commitment from the cast, the resulting film is unwatchably bad. The needle drops are excessive, the cinematography is straight out of a stock image site (what a waste of Thailand’s vibrant beauty!), and the acting, if you can call it that, is wholly unbelievable, with perhaps Isabelle Fuhrman and Skai Jackson standing out as the only exceptions. The chemistry of these so-called friends feels canned, making their montages of supposed fun look stiff and stilted. We’re supposed to believe these girls who can’t even hug right are friends? They’re out here dipping in the pool and sipping beers while thinking of ways to save their tied-up-in-the-middle-of-nowhere friend, so again I ask, we’re supposed to believe they're best friends? Let’s be real, because this film surely isn’t.

Genre: Action, Adventure, Comedy, Crime

Actor: Isabelle Fuhrman, Jack Kesy, Joseph Angelo, Kelly B. Jones, Prinya Intachai, Sahajak Boonthanakit, Sasha Luss, Skai Jackson, Wallis Day

Director: Jordan Gertner

Rating: R