13 Movies Like The Crime Is Mine (2023)

Staff & contributors

In All the Beauty and the Bloodshed, documentarist Laura Poitras (Citizenfour, My Country, My Country) lends her empathetic and incisive lens to a subject so passionate and imaginative, she ends up collaborating with Poitras to co-create the documentary about her life. The subject is Nan Goldin, one of the most influential photographers of the late 20th century. 

The documentary captures Goldin’s work as a queer artist and anti-opioids activist, intertwining both aspects to tell a nuanced and incredibly important story about freedom, identity, and self-expression. This incredibly complex, encompassing, and vibrant feature won the top award at the Venice Film Festival, besting 19 other films from around the world.

Genre: Documentary, Drama

Actor: Annatina Miescher, Bernard Herrmann, Cookie Mueller, David Wojnarowicz, Harry Cullen, John Waters, Leonard Bernstein, Nan Goldin, Patrick Radden Keefe

Director: Laura Poitras

Other People’s Children wrestles with some very tricky life experiences: bonding with a partner’s child in the agonizing knowledge that that attachment is entirely contingent on the fate of your romantic relationship; being a woman of a certain age and wanting a child but becoming keenly aware of the ticking of your body clock. For all the sharp points of pain the movie zones in on, though, there is remarkable cheerfulness in it, too. Writer-director Rebecca Zlotowski captures a wide spectrum of mood here, fusing lighthearted laughs and swooning romance with bitter disappointments and grief in a way that feels organic to life itself. The buoyant moments don’t undermine the sincere, intelligent consideration given to Rachel’s (Virginie Efira) perspective as a woman navigating a situation for which there are no real rules, and vice versa — because the film considers her as a whole from the outset. Neither reducing Rachel to her childlessness nor ignoring its emotional impact on her, this is a deeply empathetic movie that never questions the completeness of its protagonist’s life.

Genre: Comedy, Drama

Actor: Anne Berest, Antonia Buresi, Callie Ferreira-Goncalves, Chiara Mastroianni, Fadila Belkebla, Frederick Wiseman, Guillaume Verdier, Henri-Noël Tabary, Marlène Saldana, Mireille Perrier, Roman Kolinka, Roschdy Zem, Sébastien Pouderoux, Véréna Paravel, Victor Lefebvre, Virginie Efira, Yamée Couture

Director: Rebecca Zlotowski

Rating: NR

The Fabelmans is often described as director Steven Spielberg’s semi-autobiographical movie about his inauguration into filmmaking, and while it certainly is that, I’d venture to say that it also functions as a universal coming-of-age tale, with protagonist and Spielberg stand-in Sammy Fabelman (Gabriel LaBelle) learning harsh truths about identity, family, and passion for the first time.

Here, we see how so much of filmmaking is intertwined with his life, and how the movies inspire his personality (and vice versa). Whether you’re a fan of Spielberg or not, this movie will surely win you over with its beautiful imagery, impressive technique, and big, big heart.

Genre: Comedy, Drama

Actor: Adriel Porter, Alejandro Fuenzalida, Alex Quijano, Alina Brace, Ari Davis, Art Bonilla, Brinly Marum, Cameron Hennings, Carlos Javier Castillo, Chandler Lovelle, Chloe East, Cody Mitchell, Connor Trinneer, Cooper Dodson, Crystal the Monkey, David Lynch, Ezra Buzzington, Gabriel Bateman, Gabriel LaBelle, Greg Grunberg, Gustavo Escobar, Harper Dustin, Isabelle Kusman, James Urbaniak, Jan Hoag, Jared Becker, Jeannie Berlin, Jonathan Moorwood, Judd Hirsch, Julia Butters, Julyah Rose, Kalama Epstein, Keeley Karsten, Kendal Evans, Lane Factor, Larkin Campbell, Mason Bumba, Max David Weinberg, Meredith VanCuyk, Michelle Williams, Nicolas Cantu, Oakes Fegley, Orion Hunter, Paige Locke, Paul Dano, Rob Shiells, Robin Bartlett, Sam Rechner, Seth Rogen, Sophia Kopera, Stephen Matthew Smith, Taylor Hall, Tia Nalls, Trang Vo, Vera Myers

Director: Steven Spielberg

Rating: PG-13

Set in one of Morocco’s oldest medinas, Blue Caftan is a tender portrayal of pure love and the different forms it takes. It follows traditional tailor Halim (Saleh Bakri) and his wife Mina (Lubna Azabal) who, despite their imperfect marriage, prove their affection in small but moving ways. He peels tangerines for her and washes her hair, she preps his meals and defends his craft from demanding customers. When a third person, Youssef (Ayoub Missioui), enters the picture, even more manifestations of passion (and the lack and longing and excess of it) emerge. 

It’s a dramatic film, but never overly so. Like the silky fabric Halim handles with expert care, it’s rich but soft, detailed but delicate. In the face of poverty, sickness, and discrimination, the film mines moments of joy, friendship, and pleasure, subverting the expectation that tragic circumstances must mean tragic outcomes. 

Blue Caftan, even in its saddest moments—and there are plenty—is a film full of love, made even more memorable by the deft performances and palpable chemistry of its three leads.

Genre: Drama, Romance

Actor: Lubna Azabal, Saleh Bakri, Zakaria Atifi

Director: Maryam Touzani

, 2022

Of the three Brontë sisters—all of whom are accomplished writers in their own right—it’s Emily who remains the most enigmatic to this day. She died early and left in her wake just one work: her first and only novel, Wuthering Heights. The book shook England back then; it was rugged and sexual and violent, and the film honors that by filling the gaps in our knowledge of Brontë’s life with the excitement of her work. Emily, the film, may be historically inaccurate, but it is wildly enjoyable, even if it is pure fantasy. The cinematography is sensual and the sound production screeching; the vibe is equal parts erotic and eerie as Emily loses herself in the mysticism of the moors. It seems apt that a film about Emily leans more toward arthouse than commercial, but it’s also impressive that director Frances O'Connor is able to achieve all this while maintaining a universally romantic appeal about it.

Genre: Drama, History, Romance

Actor: Adrian Dunbar, Alexandra Dowling, Amelia Gething, Emma Mackey, Fionn Whitehead, Gemma Jones, Gerald Lepkowski, Oliver Jackson-Cohen, Paul Warriner, Philip Desmeules, Sacha Parkinson, Veronica Roberts

Director: Frances O'Connor

Rating: R

He may be out of office, but films about Donald Trump's racist and xenophobic immigration policies will continue to feel urgent for the ripple effect they've left on so many immigrants—and these films aren't just coming from within the United States either. A Spanish production, Upon Entry boils down a presidential term's worth of discrimination to just a few hours in the lives of a couple being interrogated at the airport. Directors Alejandro Rojas and Juan Sebastián Vásquez shoot in a style that almost feels like they're telling the story in real-time, with very few bursts of emotion and lots of quiet agonizing in the claustrophobia of windowless rooms. Every interaction is fraught with tension, as the couple, Diego and Elena, keep weighing if they should stand up for themselves or submit to the authorities' bullying.

The film eventually makes a bid for more drama by putting the couple's relationship and mutual trust into question, but this choice brings the movie dangerously close to validating the psychological manipulation used by the immigration officers. It momentarily loses sight of the bigger picture: that all this relationship drama is beside the point. Still, as a portrait of how discriminatory laws not only lock people out but tear them apart from each other, it's a potent, painful watch.

Genre: Drama, Thriller

Actor: Alberto Ammann, Ben Temple, Bruna Cusí, Colin Morgan, David Comrie, Gerard Oms, Laura Gómez

Director: Alejandro Rojas, Juan Sebastián Vásquez

Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R

We all know that remaining unmarried when middle-aged doesn’t mean one is lacking, but even when we can acknowledge how dated this idea is, for women, there’s still the societal pressure, the loneliness, and the feeling of having missed an opportunity to have children. Blackbird Blackbird Blackberry is centered on one such middle-aged woman living in a small town in Georgia, and she has a fairly peaceful life… until she nearly dies and shortly forms an attraction to another man. Director and co-writer Elene Naveriani takes her time to delve deep into Etero’s story, the complicated grief she has towards the men that have raised her, as well as the spite towards the arbitrary goals other women have reached and made fun of her for. The journey does take a rather slow burn, but it’s wonderful to see a film so empathetic and nuanced about this dilemma, and free from the judgment many women have encountered on this topic.

Genre: Drama, Romance

Actor: Eka Chavleishvili, Lia Abuladze, Piqria Niqabadze, Tamar Mdinaradze, Temiko Chichinadze

Director: Elene Naveriani

By all appearances, Eliza and Louis have a charming marriage. They’re casual and good-humored in the morning and full of passion in the evening. So when Eliza finds a love note addressed to her husband one day, naturally, she freaks out. She enlists the help of her eccentric family and sets off to Manhattan, where they all try to get to the bottom of the affair; what follows is an endearingly awkward adventure around town.

Though the film often meanders both in plot and dialogue, the expert ensemble keeps things compelling with their convincing chemistry and wry, visual humor. Coupled with lush images of ‘90s New York and brilliantly droll writing, The Daytrippers is a joyride of a film, as unassuming as it is enthralling. 

Genre: Comedy, Drama, Family, Mystery

Actor: Adam Davidson, Amy Stiller, Anne Meara, Campbell Scott, Carol Locatell, Douglas McGrath, Hope Davis, Liev Schreiber, Marc Grapey, Marcia Gay Harden, Marcia Haufrecht, Parker Posey, Pat McNamara, Paul Herman, Peter Askin, Stanley Tucci, Stephanie Venditto

Director: Greg Mottola

Rating: R

It’s immediately apparent that there are more carefully made documentaries out there than Remembering Gene Wilder. The film is riddled with pixelated photos for one, and the overall tone is fawning for another. But Wilder is too great of a man to be affected by mediocre filmmaking, and so Remembering Gene Wilder still makes for an entertaining and insightful watch despite its small faults. The film is less about his life and more about his work—a chronological account of his career with nuggets of wisdom for performers, comedians, and writers tucked neatly in between. It still dives into his personal life, to be sure, but as Wilder will readily admit, his creative decisions spell out all you need to know about him.

Genre: Documentary

Actor: Alan Alda, Alan Zweibel, Ben Mankiewicz, Burton Gilliam, Carol Kane, Eric McCormack, Gene Wilder, Gilda Radner, Harry Connick Jr., Mel Brooks, Michael Gruskoff, Mike Medavoy, Peter Ostrum, Rain Pryor, Richard Pryor, Zero Mostel

Director: Ron Frank

Rating: NR

There’s a certain magic in childhood that makes you see the world with bright eyes– every small task is an exciting quest, not weighed down by budgeting, lack of control, and worry. Riddle of Fire captures that magic on 16 mm film, transforming buying a blueberry pie into a whimsical, chaotic adventure involving covens, witches, and huntsmen in modern day forms, echoing a fairytale with vintage 20th century trappings. It’s certainly nostalgic, but it’s created through stylistic choices instead of constant references on older media franchises. While it does lose some momentum in certain moments, Riddle of Fire is such a charming feature debut.

Genre: Adventure, Comedy, Fantasy

Actor: Charles Halford, Charlie Stover, Danielle Hoetmer, Lio Tipton, Lonzo Liggins, Phoebe Ferro, Skyler Peters

Director: Weston Razooli

Rating: PG-13

Although the sequencing of the four segments makes sense, the overall result does not land in this new installment of the Lust Stories franchise. It shines with Konkona Sensharma's 'Mirror,' an unexpected take on voyeurism and camaraderie between women. It loses touch with Sujoy Ghosh's 'Sex with Ex,' which sticks out with a weak storyline and questionable use of a green screen. The bracketing stories are engaging if only for the stark difference in tone and conclusion. They round out the film well enough, allowing for an entertaining experience but a lukewarm memory after the credits roll. 

Genre: Drama, Romance

Actor: Amruta Subhash, Angad Bedi, Anushka Kaushik, Hemant Kher, Jugal Hansraj, Kajol, Kanupriya Pandit, Konkona Sen Sharma, Kumud Mishra, Mrunal Thakur, Mukti Mohan, Neena Gupta, Tamannaah Bhatia, Tarun Khanna, Tillotama Shome, Vibha Chibber, Vijay Varma

Director: Amit Sharma, Konkona Sen Sharma, R. Balki, Sujoy Ghosh

Rating: R

The new stand-up special from Pete Davidson won't win over any skeptics, but there's something to admire in how the comedian heads straight towards edgy material, tells us he's going to go there, and still manages to surprise when he follows through. Which is to say Davidson's audacity might be more impressive than any of his actual writing in this special, with a good number of his jokes highlighting the bizarre situations his fame leads him into, but little more than that. It's stoner comedy for better or worse—observations about a strange world from a hazy point of view that may not always be coherent.

Genre: Comedy

Actor: Pete Davidson

Director: Jason Orley

Rating: R