48 Movies Like The Boy and the Heron (2023) (Page 3)

Staff & contributors

Chasing the feel of watching The Boy and the Heron ? Here are the movies we recommend you watch right after.

The Boy and the Heron isn’t Hayao Miyazaki’s best film, nor is it his most accessible, seeing as the director himself has admitted to getting lost in the world he’s built here. But it is his most personal film to date (apparently he’s out of retirement!) and consequently, it’s one of the most complex Ghibli films to exist. It eschews structure for pure, raw emotion so instead of dialogue and plots, you get wonderfully abstract fantasy worlds and protagonists with near-imperceptible depths. You don’t have to get the story to understand the heaviness, grief, joy, and hope that Mahito, and in turn Miyazaki, feel. You only have to see the delicate turns in the characters’ expressions and their wildly imaginative adventures.

If you’re new to the story, I Don’t Expect Anyone to Believe Me feels difficult to understand. The film adaptation portrays the novel through abruptly cut sequences, meticulously framed naturalistic frames, and monologue and dialogue that mean more than what’s being said, on top of Juan Pablo’s gradual descent into a criminal network. It’s as disorienting as being in Barcelona feels for Mexican couple Juan Pablo and Val. However, this film feels like a new approach in adapting novels – the multiple perspectives and epistolary portions adeptly portrayed through typed up screens and alternating perspectives (and direction) between the couple. It doesn’t feel like something that you’ve likely seen before.

Genre: Comedy, Crime, Drama

Actor: Aimar Vega, Alexis Ayala, Ángel Zermen, Anna Castillo, Ariana Van X, Bel Gris, Bruna Cusí, Carmen Beato, Clara Roquet, Darío Rocas, Dario Yazbek Bernal, Jelen García, Juan Carlos Remolina, Juan Daniel Garcia Treviño, Juan Minujín, Natalia Portnoy, Natalia Solián

Director: Luis Fernando Frías de la Parra

Rating: R

Everyone has those days where nothing goes right, but no one’s having as bad of a day as detective Yuji Kudo is in Hard Days. It isn’t just that nothing goes right– everything goes wrong, and he’s just a hair away from losing it all each time. This Japanese adaptation might take a slightly more serious tone than the South Korean original, but it does retain its ridiculous escalation of increasingly terrible things that could possibly happen, with Junichi Okada and Go Ayano letting loose in their detective characters’ morally dubious behavior. Hard Day is a decent watch, if a bit bloated, especially for those familiar with the story.

Genre: Action, Crime, Drama, Thriller

Actor: Akira Emoto, Go Ayano, Hayato Isomura, Junichi Okada, Kurumi Shimizu, Maho Yamada, Mario Kuroba, Ryoko Hirosue, Ryusuke Komakine, Takashi Yamanaka, Taro Suruga, Tetta Sugimoto

Director: Michihito Fujii

It shouldn’t be a surprise to anyone that the mix of ideas and aesthetics that gave us Her has roots in Japan. Borrowing from the country’s poeticism, attention to detail and just appreciation for beauty; Tony Takitani is Her’s quiet and delicate elder brother-film, and one of the best this genre has to give. After spending a solitary childhood, a Japanese kid with the American name Tony grows up to be a successful technical illustrator. Without the time for the outside world or any luck with it, Tony indulges in his work and by extension his loneliness until he suddenly falls a distinctive young woman. Tony Takitani is a slow film, which quickly becomes a memorable experience due to its profound study of loneliness.

Genre: Drama

Actor: Hidetoshi Nishijima, Issei Ogata, Issey Ogata, Miho Fujima, Rie Miyazawa, Shinohara Takahumi

Director: Jun Ichikawa

Rating: Unrated

While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Rebecca Patricia Armstrong, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

Hipgnosis’s body of work is so rich, brilliant, and recognizable, that it’s hard not to at least sit in awe as they flash by you in this documentary. The accompanying stories behind their creation, sometimes told by Thorgerson and Powell, other times by their musician clients like Jimmy Page and Paul McCartney, are also pleasant and informative enough to paint, in whole, an interesting picture. But apart from the covers themselves, Squaring the Circle doesn’t have much else going for it. The co-founders’ history is too brief and plain to render drama, and their upbringing too upper-class and male to be relatable. A more broad, ambitious goal would’ve been to parallel the history of these artworks with the history of rock music itself, but this niche documentary seems uninterested in explaining itself to outsiders and newcomers. That said, it still serves as a precious account for those familiar with Hipgnosis’ pieces. 

Genre: Documentary, Music

Actor: David Gilmour, Glen Matlock, Graham Gouldman, Jimmy Page, Nick Mason, Noel Gallagher, Paul McCartney, Peter Gabriel, Peter Saville, Robert Plant, Roger Waters

Director: Anton Corbijn

There is some dissonance here. A heavy coming of age backstory serves as the foundation to an otherwise straightforward, even feel-good plot involving fighting and protecting kaiju. The film doesn’t do the best job merging the shiny animations and cute story beats with the threat of the kaiju and the weight of the atmosphere set early on. Individually, however, each side is enjoyable, with the strained father-son relationship in particular being a worthwhile endeavor and full of honesty. But all things considered, there isn’t a whole lot of tension here, even for a film intended for younger audiences, making its 2-hour runtime unnecessarily long given everything it lacks.

Genre: Action, Animation, Family, Science Fiction

Actor: Artt Butler, Bret Marnell, Brittany Ishibashi, Christopher Sean, François Chau, Frank Buckley, Gedde Watanabe, Jonathan Groff, Julia Harriman, Julia Kato, Keone Young, Lee Shorten, Mayumi Yoshida, Paul Nakauchi, Rob Fukuzaki, Tamlyn Tomita, Vic Chao

Director: Shannon Tindle

Rating: PG

As the first original Filipino film on Prime Video, Ten Little Mistresses can often feel stuck as an entertaining pitch for a film rather than a fully fleshed out story. Like many mystery-comedies, this is a movie that relies on its star power and its big twists over any convincing narrative or thematic ideas. But oddly enough, the sooner you accept this, the easier the film goes down. As a loud and proud example of camp comedy, even its most ridiculous and incongruous elements feel like an authentic expression of Filipino humor; it never tries to pander to a Western audience that might be expecting something more familiar to their sensibilities. And with a cast this dedicated to out-chewing the scenery from each other, it's hard not to get swept up in the insanity of it all.

Genre: Comedy, Mystery

Actor: Adrianna So, Agot Isidro, Angie Castrence, Arci Muñoz, Carmi Martin, Cherry Pie Picache, Christian Bables, Dolly Dulu, Donna Cariaga, Eugene Domingo, Iana Bernardez, John Arcilla, Kate Alejandrino, Kris Bernal, Pokwang, Sharlene San Pedro

Director: Jun Robles Lana

Ijogbon is a straightforward thriller centered on a pouch of uncut diamonds, which bring chaos to the four teenagers that find it. With the film’s young cast, the ensemble, understandably, makes poor decisions when given a stack of cash. The way they and their families handle difficulties, like deciding who to get the gun, or deciding what to do when they find random dead bodies, actually feel humorous – there’s something to be said about how, given the right circumstances, both kids and adults make the same mistakes. Thematically, there’s also something here about how natural resources in Nigeria are made for high end technology they can’t afford. However, the film doesn’t really delve into its themes, or play up the comedic potential it has shown, deciding instead to play out the same way similar stories do.

Genre: Drama

Actor: Bimbo Manuel, Fawaz Aina, Ruby Akubueze, Sam Dede, Yemi Solade

Director: Kunle Afolayan

Ordinary people don’t choose to join a war, but oftentimes, they are dragged into it, forced to fight, and become victims of it because of people in power. Adrishya Jalakangal takes this idea in a dystopic future, where war has turned India into a police state, and mixes in a watchman who’s able to talk with the dead. While the message is necessary and the idea is novel, the execution feels uneven, as the anti-war and magic realist elements feel like elements from what should be two separate movies. Alongside the sluggish pace and the dialogue that’s a tad too on the nose, it’s hard to get through Adrishya Jalakangal when it can’t decide what it wants to focus on.

Genre: Drama, Thriller

Actor: Indrans, Krishnan Balakrishnan, Nimisha Sajayan, Tovino Thomas

Director: Bijukumar Damodaran

As a sluggishly paced, three-hour spiritual drama with little dialogue and even less plot, Inside the Yellow Cocoon Shell certainly won't convert anybody who isn't already interested in slow cinema. Even those who don't mind these types of films in which "nothing happens" might feel that it doesn't weave its themes of faith and suffering tightly enough. But there's more than enough beauty to contemplate here, courtesy of Dinh Duy Hung's stunning cinematography, which invites us to simply inhabit the world and to stop looking for answers. This may sound like a copout, but it's quite the experience to have a film force you to rethink how you're viewing it, as you're viewing it.

Genre: Drama

Actor: Le Phong Vu, Nguyen Thi Truc Quynh, Nguyen Thinh, Vu Ngoc Manh

Director: Pham Thien An

Sweetwater has a precious story in its hands, along with a sparkling cast of tried-and-true actors and a generous budget that allows them to go all in with the movie’s 1950s setting. But the parts are far greater than the sum here, because all together, Sweetwater is a mess. It promises to be a biopic about Clifton but fractures into many other things. During its duller parts, it’s a white savior story about basketball owners, and during its more vibrant parts, it’s a snapshot of the Harlem Globetrotters during their humble beginnings. The basketball matches themselves are playful and exciting to watch, but for every game, there is an overdramatic scene that cranks up the notch on sappy music and predictable dialogues. Often, it also feels like director Martin Guigui went to the Green Book School of Anti-prejudice, given his extremely elementary portrayal of racism and his preference for the white characters over the Black characters. Sweetwater isn’t watchable, but it’s a shame that the star of the film had to share the spotlight with less interesting personalities. 

Genre: Drama, History

Actor: Ashani Roberts, Billy Malone, Ca'Ron Jaden Coleman, Cary Elwes, Dahlia Waingort, Delijah McAlpin, Eric Etebari, Eric Roberts, Ernest Harden Jr., Everett Osborne, Gary Clark Jr., Jason Sklar, Jeremy Piven, Jim Caviezel, Jim Meskimen, Kevin Pollak, Mike Starr, Paul Hipp, Preston Galli, Richard Dreyfuss, Robert Ri'chard, Wayne Federman

Director: Martin Guigui

Centered on a unique marriage, Satyaprem Ki Katha could have reinvented the romance genre with its depiction of women’s trauma. The film does care about the issue, as it sides with the victim in this regard, and there’s a certain sweetness in the relationship being portrayed. Kiara Advani’s performance feels believable and she clearly makes the best of her existing scenes. However, the film is too afraid to be critical of the men in this film, especially as it’s too concerned with Sattu as a savior. On top of this, it relies too much on the standard Indian song-and-dance, which, while spectacular, takes away too much time from the issue at hand. Because of this, Satyaprem Ki Katha feels like a missed opportunity.

Genre: Drama, Romance

Actor: Anuradha Patel, Arjun Aneja, Gajraj Rao, Kartik Aaryan, Kiara Advani, Nirmiti Sawant, Rajpal Yadav, Shikha Talsania, Siddharth Randeria, Supriya Pathak

Director: Sameer Vidwans

, 2024

If there's one thing that Bosco does that's really worth admiring, it's that it works around its lower budget much for effectively than many other films its size. It would be easy to make a prison drama—set mostly between bare walls and corridors—look cheap, but this one clearly puts in the effort to communicate how its protagonist views his claustrophobic surroundings, instead of just aiming for bland realism. That said, the story Bosco tells unfortunately doesn't display the same tightness and elegance. The film tries to articulate itself in a more poetic way but it just ends up being too clean, too measured versus the reality of prison life. And whichever supporting characters pop up are far too underdeveloped to complete the world being presented to us.

Genre: Crime, Drama, Thriller

Actor: Aubrey Joseph, Brandon Rogers, D.C. Young Fly, Darell M. Davie, Jim O'Heir, John Lewis, Nikki Blonsky, Theo Rossi, Thomas Jane, Tory Lanez, Tyrese Gibson, Vivica A. Fox

Director: Nicholas Manuel Pino

With every chaotic fight scene, ridiculous stunts, and crazy scheme, All-Time High is a wild ride where two scammers lie to each other and fall in love. It’s fun to see these irresponsible people reap the consequences, and it’s fun to see the way Youssef and Stéphanie recognize that they’ve met their match, made all the more fun with the natural chemistry between Nassim Lyes and Zoé Marchal. That being said, the film’s irreverent humor depends a bit too much on stereotypes and gags, and can be a bit too specific for viewers outside of France.

Genre: Comedy, Romance

Actor: Adèle Exarchopoulos, Adrien Essamir, Alexandre Kominek, Ciryl Gane, Guillaume Canet, Gustave Kervern, Hakim Jemili, Hedi Bouchenafa, Ichem Bougheraba, Kenza Fortas, Nassim Lyes, Panayotis Pascot, Paul Deby, Yassine Stein, Yousef Ramal, Yovel Lewkowski, Zoé Marchal

Director: Julien Royal

This is your bare minimum, bog-standard Netflix true crime documentary covering the infamous Jennifer Pan case. The film focuses on Pan's interrogation tapes, with detectives walking us through their thought process at the time, providing evidence and chilling head nods in reaction to her statements. The value of the film is its micro dissection of the tapes, examining it minute by minute, even line by line, which is an interesting way to learn about the case for the first time. But it feels so banally straightforward without adding anything new or being more informative, that it feels like it was just made to dig up old bones and make a bloated made-for-Netflix docu.

Genre: Crime, Documentary

Actor: Alan Cooke, Bill Courtice, Deborah Gladding, Fernando Baldassini, Samantha Chang

Director: Jenny Popplewell

Rating: R