14 Movies Like The Blackening (2023)

After experimenting with multiple storylines in The French Dispatch, the inimitable Wes Anderson goes one step further with the mind-bendingly meta Asteroid City. Framed as a TV documentary about the making of a play, Asteroid City’s Russian doll setup reflects the neurosis of its period (the Cold War-struck ‘50s), art-making, and the intimidating vastness of outer space.

The play takes place in a tiny desert town where atom bomb tests routinely rattle the doorframes and where a convention for young geniuses is being held, attended by a host of typically idiosyncratic characters (played by Jeffrey Wright, Tilda Swinton, Tom Hanks, and many, many more). Still, it retains a central focus: the grief of new widower Augie (Jason Schwartzman) and his kids, and the connections he and his son (Jake Ryan) forge with a visiting actress (Scarlett Johansson) and her daughter (Dinah Campbell). Asteroid City draws much of its poignancy from this story (and its behind-the-scenes goings-on), as these people stare into the cosmic wilderness and a future without their loved one. Shot in gorgeous bleached postcard tones and full of the imaginative flourishes we’ve come to expect from Anderson, this is a profound rumination on existential angst that miraculously finds hope amidst all its characters’ nihilism.

Genre: Comedy, Drama

Actor: Adrien Brody, Aimee Mullins, Ara Hollyday, Bob Balaban, Bryan Cranston, Damien Bonnard, Deanna Dunagan, Dominique Fouassier, Edward Norton, Elena Uriz, Ella Faris, Erika Godwin, Ethan Josh Lee, Fisher Stevens, Francisco Javier Gomez, Grace Edwards, Gracie Faris, Hong Chau, Hope Davis, Jack Eyman, Jake Ryan, Jarvis Cocker, Jason Schwartzman, Jay Lau, Jeff Goldblum, Jeffrey Wright, Liev Schreiber, Margot Robbie, Matt Dillon, Maya Hawke, Palmira Ferrer, Patricia Colin, Paul Kynman, Randall Poster, Rita Wilson, Rodolphe Pauly, Rupert Friend, Sam Marra, Sandy Hamilton, Scarlett Johansson, Seu Jorge, Sonia Gascón, Sophia Lillis, Stéphane Bak, Stephen Park, Steve Carell, Tilda Swinton, Tom Hanks, Tom Hudson, Tony Revolori, Truman Hanks, Wendy Nottingham, Willa Skye, Willem Dafoe

Director: Wes Anderson

There’s not much to analyze in The Wrath of Becky, which might sound like a jab, but for grindhouse thrillers such as this, it comes as a compliment. The story is lean, the action is on point, and the dialogue is whipsmart. There is little to distract from the main attraction, which is the creatively gruesome ways in which everyone tries to kill each other. 

It’s so simple, in fact, that you’d be forgiven for thinking this is a standalone film, instead of a sequel to an earlier movie, simply titled Becky. Efficiently, parts of the first installment appear as flashbacks here, but they’re hardly needed to convince us of Becky’s ferocious might. Wilson already does an excellent job with minimal but evocative gestures. Seann William Scott, too, is surprisingly terrifying as the head of the Neo-Nazi group out to get Becky. It’s easy enough to paint the incel as a villain, but to portray him with such palpable terror is a challenge that Scott steps up to.

Genre: Action, Horror, Thriller

Actor: Aaron Dalla Villa, Alison Cimmet, Courtney Gains, Denise Burse, Derek Gaines, Jill Larson, John D. Hickman, Kate Siegel, Lulu Wilson, Matt Angel, Michael Sirow, Seann William Scott, Zoie Morris

Director: Matt Angel, Suzanne Coote

Rating: R

They Cloned Tyrone is a genre-bending gem. It combines Deep State conspiracy theories with sci-fi and social commentary, all while looking like a futuristic 1970s Blaxploitation film. It’s outrageous good fun and pleasing to look at (here is a film that knows how to properly light Black actors), but there are times when it feels too far fetched. The science can get wonky and its commentary on gentrification lacking, but all is forgiven when you have such a strong trio of leads. One of the smartest things They Cloned Tyrone does is pair Boyega with Teyonah Parris, who plays the call girl Yo-yo, and Jamie Foxx, who plays the pimp Slick Charles. They have a fun-loving no-nonsense chemistry about them that makes them easy to attach to and root for. They’re also just very funny, which might be expected of Foxx but it comes as a pleasant surprise for Parris, whose popular turns in Mad Men and WandaVision prove that she’s been severely underutilized as a comic.

Genre: Action, Comedy, Mystery, Science Fiction

Actor: Adam Cronan, Al-Teron, Austin Freeman, Big Boy, Charity Jordan, David Alan Grier, David Shae, J. Alphonse Nicholson, Jamie Foxx, Jason Burkey, Jason Louder, Jessica Fontaine, John Boyega, Joshua Mikel, Juel Taylor, Kiefer Sutherland, Leon Lamar, Marc Inniss, Megan Sousa, Michael A. Dean, Nick Arapoglou, Osahon Tongo, Robert Tinsley, Ryan Dinning, Shariff Earp, Shinar Frazier, Suzanne C. Robertson, Swift Rice, Tamberla Perry, Tangela Large, Teyonah Parris, Trayce Malachi

Director: Juel Taylor

Rating: R

In the world of excavation and wonderous breakthroughs, Unknown: The Lost Pyramid is a refreshing take on archaeology by showing the discoveries of Egyptian history from native Egyptian archaeologists. Following Dr. Hawass and his mentee, Dr. Waziri, as they race against the elements of the desert, the documentary uses their passion and egos to spearhead the narrative. Thus, every step closer feels both prideful and invasive with the constant reminder that they're excavating 2000+-year-old tombs. Comprehensive explanations and illustrative cinematography illuminate the meticulous labor that goes into Egyptology.

Genre: Documentary, Drama

Actor: Zahi Hawass

Director: Max Salomon

The latest installment in Netflix'S “Unknown” docuseries, Unknown: Killer Robots puts the evolution of artificial intelligence under an ethical microscope. Although the title could be misleading, it does cover the possible dangerous applications of AI as it forces us to question the growing divide between human morality and machine efficiency. With advances in war and medicinal applications, the capabilities of AI to heal, save and destroy are terrifying and awe-inspiring in equal measure. Like the previous films in the series, it is hyper-concentrated to an almost-stifling degree, but it’s also powered by the passionate subjects on either side of these advancements. Forgoing sensationalism, this digestible documentary questions intention over the technology itself. 

Genre: Documentary, Drama

Director: Jesse Sweet

Despite an engaging opening that promises to deepen the world already established in 2018's Bird Box, this new installment slips back into the usual routine before long. That is: cheap thrills and an overall lack of scares, not necessarily because of the fact that the creatures terrorizing this world are invisible, but because the film doesn't take advantage of the fear and paranoia that builds among the human characters. A stronger focus on religious belief (or simply blind fanaticism) should lead to more interesting character dynamics, but there isn't a single person here who's defined by anything beyond a few base traits. So despite the efforts of a game cast (including Babylon's Diego Calva and especially Barbarian's Georgina Campbell), the film just can't overcome how boring it is to watch blindfolded people reacting to nothing.

Genre: Drama, Horror, Science Fiction, Thriller

Actor: Alejandra Howard, Celia Freijeiro, Diego Calva, Georgina Campbell, Gonzalo de Castro, Leonardo Sbaraglia, Lola Dueñas, Manel Llunell, Mario Casas, Michelle Jenner, Milo Taboada, Naila Schuberth, Patrick Criado

Director: Àlex Pastor, David Pastor

Rating: R

Based on the autobiography of real-life evangelical pastor Greg Laurie, Jesus Revolution recounts how a Christian movement in the '60s turned lost hippies into dedicated Christians. It was an interesting moment in time, but instead of delving into the movement's peculiarities and intricacies, Jesus Revolution offers a myopic tale that paints Laurie as a hero and the movement as inspirational when, really, they are anything but. Laurie's story never feels significant enough to justify a feature film and the movement never seems as radical as the film thinks it to be. And even though it’s autobiographical, it never really digs into Laurie's spirituality and interiority deep enough to reveal complex truths. In fact, everyone’s a caricature in this simplistic film that feels more like propaganda as it paints religion as perfect and all-saving while glossing over its many imperfections and questionable rhetoric. It could have worked as commentary, satire, or maybe even a sincere memoir, but as it is, it just feels like a short-sighted attempt at telling history.

Genre: Drama, History

Actor: Alexia Ioannides, Anna Grace Barlow, Billy Graham, Charlie Morgan Patton, DeVon Franklin, Jackson Robert Scott, Joel Courtney, Jolie Jenkins, Jonathan Roumie, Julia Campbell, Kelsey Grammer, Kevin Downes, Kimberly Williams-Paisley, Matthew Montemaro, Mina Sundwall, Nic Bishop, Nicholas Cirillo, Paras Patel, Randall Newsome, Shaun Weiss, Steve Hanks

Director: Brent McCorkle, Jon Erwin

Rating: PG-13

Whether you enjoy it or not, edgy, offensive comedy has become a legitimate style of its own—which means there's a way to get it right. Matt Rife has confidence and a decent range of tricks to keep his routines dynamic, but far too much of this set is spent simply pointing out different things and people who piss him off, for reasons that he doesn't articulate very well. Insults can be funny if they're cleverly written enough but Rife only ever sounds like he's trying to prove himself to his haters, not through his own creativity but by bragging that he has a Netflix special now. Even for comedians who like to punch down, you have to have some humility; anything less is just a drunken rant.

Genre: Comedy

Actor: Matt Rife

Director: Erik Griffin

Rating: R