37 Movies Like The Black Phone (2022) (Page 3)

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In “The Way”, an American doctor, Tom (Martin Sheen), travels to Spain to identify the remains of his deceased son (Emilio Estevez, also writer/director) who has died while traveling "El Camino de Santiago”, the famous pilgrimage across Northern Spain. Once there, Tom unexpectedly finds himself inspired to continue his son’s journey, sprinkling his ashes along the lengthy expedition to the Cathedral of Santiago de Compostela in Galicia, home to the shrine of the apostle St. James the Great. Along the way Tom gains several unlikely traveling companions: a Dutchman (Yorick van Wageningen), a Canadian (Deborah Kara Unger) and an Irishman (James Nesbitt), each of whom has his/her own personal reasons for making the pilgrimage, with each adding various degrees of drama and humor to the proceedings as well. A touching and inspiring film marred a bit by some unnecessarily roughly-hewn characterizations, but overall a pleasant experience with a warm feeling of adventure and camaraderie throughout.

Genre: Adventure, Comedy, Drama

Actor: Ángela Molina, Alfonso Delgado, Ángela Molina, Antonio Gil, Carlos Leal, David Alexanian, Deborah Kara Unger, Emilio Estevez, Eusebio Lázaro, James Nesbitt, Martin Sheen, Matt Clark, Omar Muñoz, Ramon Estevez, Renée Estevez, Romy Baskerville, Santi Prego, Simón Andreu, Simón Andreu, Spencer Garrett, Stéphane Dausse, Tchéky Karyo, Tchéky Karyo, Víctor Molero, Yorick van Wageningen

Director: Emilio Estevez

Rating: PG-13

Definitely a film you will either love or hate, Sightseers is an extremely dark comedy on the verge of being a horror movie. And it's British, with many elements of deep British culture. A couple go on their dream road trip in the countryside to suddenly find themselves killing strangers. Sightseers will feel almost like a very British version of True Romance. Again, it's a unique film, but don't get me wrong that does not make it hard to like - it's really about if you like it, you will find it absolutely hilarious.

Genre: Adventure, Comedy, Crime, Horror, Romance

Actor: Alice Lowe, Aymen Hamdouchi, Christine Talbot, Dominic Applewhite, Eileen Davies, Gemma Lise Thornton, John Hurt, Jonathan Aris, Kelly Munro-Fawcett, Kenneth Hadley, Lucy Russell, Mark Kempner, Monica Dolan, Rachel Austin, Richard Glover, Richard Lumsden, Roger Michael, Samantha Stone, Sara Dee, Sara Stewart, Seamus ONeill, Stephanie Jacob, Steve Oram, Susan McCardle, Tom Meeten, Tony Way

Director: Ben Wheatley

Rating: Not Rated

In Marlowe, Liam Neeson joins the lofty lineup of actors who have stepped into the shoes of Raymond Chandler's titular detective, famously played by Humphrey Bogart, Robert Mitchum, and Elliott Gould. These are big boots to fill — and, if you’ve been paying attention to Neeson’s career over the last decade or so, you’ll be aware that he hasn’t exactly been stretching himself, dramatically speaking.

But Marlowe is something of a happy anomaly in Neeson’s filmography, because it has more than just adrenaline-pumping ambitions. Written by director Neil Jordan (of Michael Collins fame) and William Monahan (the screenwriter behind The Departed), the 1930s Hollywood-set plot is steeped in noir’s characteristic cynicism, giving it the seductive pull of that well-loved genre. It’s true that a not insignificant portion of the dialogue is so hard-boiled you can see the cracks — a clunkiness that’s repeated in a couple of the phoned-in supporting performances and the movie’s awkward action sequences. However, with a couple of bright spots in the starry cast, handsome production values, and a labyrinthine plot that just about passes muster as homage and not muddle, there are enough noir trappings here to keep the movie slinking along well enough, even if it ultimately isn't nearly as memorable as Marlowe’s previous screen incarnations.

Genre: Crime, Mystery, Thriller

Actor: Adewale Akinnuoye-Agbaje, Alan Cumming, Alan Moloney, Colm Meaney, Daniela Melchior, Danny Huston, Darrell D'Silva, Diane Kruger, François Arnaud, Gary Anthony Stennette, Ian Hart, Jessica Lange, Julius Cotter, Kim DeLonghi, Liam Neeson, Mark Schardan, Michael Garvey, Minnie Marx, Mitchell Mullen, Patrick Muldoon, Roberto Peralta, Seána Kerslake, Stella Stocker, Tony Corvillo

Director: Neil Jordan

Rating: R

They did it. They took advantage of Pinoy movies’ penchant for sappy writing and used it to deliver on its premise. Coming into it blind more-so, you see the violent shift in writing and energy, with everything feeling more relaxed, organic, and truthful after the premise sets in. But they take that subversion a step further by unironically sticking with the sappy elements and not drowning in them; using dramatic backstories, catchphrases, and the staple recurring '80s theme song to tease and anchor the drama throughout. By Filipino drama standards, it might be an unconventional family film, but with how well they used the tropes, it might also be the quintessential Filipino family film.

Genre: Drama, Family

Actor: Alfred Vargas, Euwenn Mikaell, Iza Calzado, Joel Torre, Joem Bascon, Juan Karlos Labajo, Markki Stroem, Meryll Soriano, Nico Antonio, Shaina Magdayao

Director: Benedict Mique

The filmmakers behind this direct sequel to the Indigenous action thriller Sayen clearly learned from the mistakes of that first film: all the emotion that was missing then finds a new home here, as the titular protagonist finally gets to grieve what she's lost, in a way that's touchingly close to her cultural beliefs. Desert Road also ups the action considerably, this time borrowing liberally from desert-set films like Mad Max—the sun-drenched expanses of sand are somehow much more beautiful than the forests of the first movie. And Rallen Montenegro continues to refine this character's emotional depth.

Still, partially as a result of the fact that the first installment gave this sequel little to work with, Desert Road can't help but feel more ordinary and more distant from real-world struggles touched upon previously. The actual thrills in this thriller plot aren't particularly intriguing, as several subplots mash together without as much effect on the main plot as intended. At the end of the day, this still seems like it's been made with the action movie template in mind first, rather than having the story and characters lead the style of the storytelling.

Genre: Action, Thriller

Actor: Alejandro Silva, Alfredo Castro, Álvaro Espinoza, Camilo Arancibia, Carlos Briones, Claudio Riveros, Claudio Troncoso, Enrique Arce, Eyal Meyer, Felipe Contreras, Francisca Gavilán, Jorge López, Katalina Sanchez, Mario Bustos, Nicolás de Terán, Rallén Montenegro, Roberto García Ruiz, Teresa Ramos, Víctor Varela

Director: Alexander Witt

, 2024

If there's one thing that Bosco does that's really worth admiring, it's that it works around its lower budget much for effectively than many other films its size. It would be easy to make a prison drama—set mostly between bare walls and corridors—look cheap, but this one clearly puts in the effort to communicate how its protagonist views his claustrophobic surroundings, instead of just aiming for bland realism. That said, the story Bosco tells unfortunately doesn't display the same tightness and elegance. The film tries to articulate itself in a more poetic way but it just ends up being too clean, too measured versus the reality of prison life. And whichever supporting characters pop up are far too underdeveloped to complete the world being presented to us.

Genre: Crime, Drama, Thriller

Actor: Aubrey Joseph, Brandon Rogers, D.C. Young Fly, Darell M. Davie, Jim O'Heir, John Lewis, Nikki Blonsky, Theo Rossi, Thomas Jane, Tory Lanez, Tyrese Gibson, Vivica A. Fox

Director: Nicholas Manuel Pino

Better known as a podcast host, Stavros Halkias proves that he does have the writing ability and (the lack of shame and/or pride) to come up with effective jokes from his own perspective. But his momentum just doesn't hold throughout this hour-long special; he starts strong and keeps a coherent train of thought throughout the whole routine, but the latter sections begin to rely on gross-out comedy and potshots at the audience more than anything. Halkias knows who his audience is and he's very fortunate to be able to perform in front of people who seem to be very familiar with his style. But for a wider range of people watching through streaming, his more relaxed style of storytelling may come off as him simply droning on without particularly great timing.

Genre: Comedy

Actor: Stavros Halkias

Director: Ben O'Brien