106 Best Documentary Movies to WatchMovies Like The Batman (2022) (Page 7)

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They say art imitates life, but nothing gets to the heart of humanity like documentary filmmaking. Whether you want to flex your history knowledge or binge a true crime, here are the best documentaries and docuseries available to stream now.

This documentary is about a unique program in Chicago called CeaseFire whose sole aim is to stop violent deaths in poor urban areas. CeaseFire is staffed by ex-gang members and ex-convicts who try to intervene in conflicts in their community, particularly those that may escalate into extreme violence or death. In these neighborhoods though, violent conflict can result from something as minor as someone making a funky comment about someone else’s shoes. This makes total success for a project like CeaseFire nearly impossible. It is not a totally depressing film though as the program and its practitioners are all pretty amazing, and director Steve James (who made Hoop Dreams) has unparalleled access to these struggling communities.

Genre: Documentary

Actor: Amanda Palmer, Ameena Matthews, Peter Ho-Sun Chan, Steve James, Tio Hardiman

Director: Steve James

Rating: Unrated

A documentary that reveals just how insane the men that compete in the MotoGP are. It follows Valentino Rossi, one of the best riders of all-time if not the best, in a very pivotal season for him, 2010-2011. An in depth look into his competitiveness but also his passion for the sport and for the machines in it, it's the kind of portrait that will make you feel you know the subject in person. And when it's not focused on Rossi, it becomes a a real-life thrill fest of bike-mounted cameras of riders going at it at 200+mph.  A must-watch for gear-heads and uninitiated fans alike that plays with the idea that "if you want to win it all...you have to risk it all".

Genre: Documentary

Actor: Andrea Dovizioso, Ben Spies, Casey Stoner, Colin Edwards, Dani Pedrosa, Ewan McGregor, Jorge Lorenzo, Marco Simoncelli, Nicky Hayden, Valentino Rossi

Director: Mark Neale

Rating: Not Rated, PG-13

Straight to the point and without any overly elaborate set-ups or personal anecdotes, Shane Gillis' Beautiful Dogs is a sort of back-to-basics approach to stand-up comedy that proves surprisingly effective. Over the course of about 50 minutes, Gillis' jokes move smoothly and freely—loose in structure but still clearly centering around very American notions of authority and masculinity (revolving around the military and U.S. history), which the comedian is quick to poke holes in. Gillis' humor is definitely of the lowbrow variety though, and while this in itself isn't a bad thing, a number of his jokes begin to repeat their point to no additional effect, usually relying on low-hanging fruit. Gillis skirts and occasionally dips into offensive territory, which he fully acknowledges. And while some of the stuff in this special is a little tasteless, at least Gillis is sheepishly honest about it.

Genre: Comedy, Documentary

Actor: Shane Gillis

Director: John McKeever, McKeever

Last Stop Larrimah is the rare true-crime doc in which not a single tear is shed throughout its substantial two-hour runtime. That’s because the assumed-dead 70-year-old around whom it's centered had a lot of enemies: nearly all of his neighbors in the titular tiny Outback outpost he lived in, in fact. As the doc reveals, Larrimah — population: 10 (11 before Paddy Moriarty disappeared in 2017) — was a pressure cooker of big personalities roiling with animosity. 

Given the town’s tiny population, the film has the uncommon privilege of being able to explore the potential motives of every possible suspect — and it does, diving into vicious feuds over meat pies, hungry pet crocodiles, and the million grievances Paddy’s neighbors apparently harbored. But, though it presents all motives as equally plausible, it turns out one explanation is much more likely than the rest. That’s the problem here: like so many other true-crime docs, by the end, you can’t help but feel that the journey this takes is ultimately exploitative. Though it’s an entertaining portrait of eccentric Aussie characters, the film is much too devoted to doing just that — entertaining — at the expense of all its participants (including the unremarkable local police, for some reason), and so its late pivot into emotional profundity feels markedly insincere.

Genre: Documentary

Director: Thomas Tancred

The main subject that Hold Your Fire promises to be about—negotiation tactics first used in resolving a New York City standoff at a sporting goods store—is ultimately its most least interesting aspect. These supposed tactics aren't too well, and they end up putting a damper on all the human drama that comes before it, which proves strikingly three-dimensional. As the film revisits the details of the hostage situation from the perspective of those who were actually there, it also complicates the situation by compelling us to think of it in a dense, sociopolitical sense rather than a reductive lens of crime and punishment. It's this build-up to the actual negotiation that may actually hold more insight into these kinds of crises.

Genre: Documentary

Director: Stefan Forbes

, 2024

If you’re coming into this expecting to relive your favorite ‘80s coming-of-age moments from The Breakfast Club to St. Elmo’s Fire, then you’ll get a taste of that, but don’t expect to be fully satisfied. Instead, the reunion that happens in Brats resembles group therapy more than anything. Here, director Andrew McCarthy (Pretty in Pink, St. Elmo’s Fire) seems to be on a journey to heal from his troubled past, which he believes was caused, in part, by a defamatory article that called him and a crop of young actors in the ‘80s “The Brat Pack.” The film follows McCarthy as he travels across the country to discuss the label with fellow Brat Packers, who funnily enough, don’t share his contempt for it. Sure, they’re annoyed, but they’ve moved on for the most part. McCarthy on the other hand doesn’t possess the self-awareness to know this, which is perhaps why he’s fallen trap to the Streisand Effect. “The Brat Pack” isn’t nearly as negative as he thinks it to be, but because he keeps ranting about it, he's unwittingly fueling the accusations against him. He just might be the vain celebrity, the brat, he claims he's not. Still, the documentary has its moments. The way it’s modestly filmed is charming and inventive, the artful blend of old footage and 80s music hits the nostalgic spot, and the conversations can be interesting. Who would’ve thought Demi Moore would be the wisest person in the room?

Genre: Documentary

Actor: Ally Sheedy, Andrew McCarthy, Bret Easton Ellis, Demi Moore, Emilio Estevez, Eric Stoltz, Howard Deutch, Jacqueline Bisset, James Spader, Joel Schumacher, John Ashton, John Cusack, John Hughes, Jon Cryer, Judd Nelson, Lauren Shuler Donner, Lea Thompson, Liza Minnelli, Malcolm Gladwell, Marci Liroff, Michael Oates Palmer, Molly Ringwald, Phil Donahue, Richard Schickel, Rob Lowe, Sammy Davis Jr., Sean Penn, Timothy Hutton, Tom Cruise, Tom Myers

Director: Andrew McCarthy

If you’ve ever been puzzled by “Greek life”, this documentary will go some way to demystifying that somewhat baffling phenomenon of American college culture. Bama Rush follows four hopefuls as they “rush” the University of Alabama’s sororities, a TikTok-viral weeklong recruitment process so cutthroat some candidates spend months preparing for it. The documentary digs deep into why these young women put so much time, energy, and money into joining what the film hints is a largely unforgiving and reductive element of campus life. What it finds is pretty affecting: they’re really just looking for acceptance and belonging.

Threaded throughout are director Rachel Fleit’s reflections on her own history with those motivations, having grown up with alopecia. Though it does illustrate that rushing isn’t so dissimilar from other quests for acceptance, this parallel is sometimes clunkily drawn — and can seem somewhat self-indulgent in places, given the documentary’s comparatively surface-level exploration of more systemic issues. A late development shifts Bama Rush into an even deeper self-reflexive mode, as the film itself becomes a contentious issue in the process it’s documenting. Despite its flaws, turns like this — and its participants’ extraordinary candor — help make Bama Rush an often illuminating look into an opaque world. 

Genre: Documentary, Drama

Director: Rachel Fleit

The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.

Genre: Documentary

Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada

Director: Ramona S. Diaz

Depressingly, Scout's Honor isn't necessarily an exposé about the crimes of the Boy Scouts of America because—as the documentary reminds us—this institution has been caught red-handed many times over since its inception, and yet it evades real accountability. The film is more like a renewed call for justice, with its approach being one of blunt force. This means that the documentary can be sloppy, piling on one case after another without much synthesis, and taking out its anger on one current representative of the Boy Scouts, whom the filmmakers constantly interrupt and interrogate during his interview, That said, it's also hard to object to this kind of approach, as the patterns of abuse become too damning to ignore. Maybe a different film will be able to unpack the systems that allow the Boy Scouts to get away with this, but for now this cry of rage is enough.

Genre: Crime, Documentary

Director: Brian Knappenberger

Third dates usually feel more casual than that depicted in Longest Third Date, but with 2020 shifting everyone’s plans, it’s not surprising it shifted romantic relationships too. The documentary doesn’t feel like a factual and organized documentary, cobbled up together from the couple’s vlog and filmed interviews once they got back to the States, but it’s definitely a unique story, one that’s only been saved because of Matt’s influencer aspirations. It’s certainly watchable, with a spry 75-minute runtime, and with understandable conflicts, like flight cancellations and tipped over cars. The film does feel like it glosses things over, and Khani seems to be the private type of person, uncomfortable with the camera, but Longest Third Date, even with all its reality TV style, also feels somewhat like a cultural artifact. It’s not deep, but it does feel like opening a time capsule.

Genre: Documentary

Actor: Khani Le, Matt Robertson

Director: Brent Hodge

Rating: R

If you love archeology and prehistory, you’ll love that this documentary is packed with mesmerizing footage of the infamous caves, as well as close-ups of the 130,000 year old skeletal remains that are in pristine condition. If you don’t, you might appreciate discoveries like how neanderthals held burials for their dead and things of that nature, but with a cold open that couldn’t pack any less heat if it tried, I wouldn’t blame you if you just dipped. This documentary is de-energizing and plodding, and that pace can make for a soothing portrayal of archeology at times, but other times it makes for a very run-of-the-mill broadcast.

Genre: Documentary

Actor: Caroline Colomei, Gabriel Andreu, Ibbi El Hani, Kareem Alexander, Patrick Stewart, Paula Parunov

Director: Ashley Gething

Rating: PG

The beginning instantly captures Kodama’s essence, and quickly sets lofty expectations with the regal intro sequence and the clean narration and reenactments. But it’s basically a feature length interview of the subject, who shares her screen time with the supporting cast to her action drama life (assistants, love interests, the usual), tackling the big scandals that brought trouble to Kodama. It’s a worthy watch, if only for the deep Nelma Kodama and laundering iceberg; however, it does get very long and redundant in feel, which may be necessary to paint the whole picture, but at some point it’s a bunch of branches that lead to other branches and the tree is big.

Genre: Crime, Documentary

Actor: Anzu Lawson, Nelma Kodama

Director: João Wainer

Rating: R

A fascinating kernel of certainty is padded out with giddy speculation in this documentary about a pair of unlikely art thieves. The facts are as such: 32 years after a $160 million painting by abstract artist Willem de Kooning was crudely cut from its frame in an Arizona gallery, a trio of small-town antique dealers discovered it in Jerry and Rita Alter’s estate sale. The Thief Collector is less interested in the painting itself  — in fact, it's openly dismissive about its artistic value — and more curious about how it fell into the hands of the mysterious couple, who frequently took exotic trips around the world despite their modest teacher incomes.

There are certainly intriguing questions raised by the Alters’ possession of the painting and compelling evidence that places them as the thieves, but this documentary can’t offer any convincing original theses of its own. It does try, by suggesting that the short stories Jerry wrote — about more thefts and gorier crimes — were thinly disguised autobiographical recollections, but it finds nothing to back these theories up except for a few loosely relevant anecdotes from relatives. With too many what-ifs to go on, it all makes for an intriguing but ultimately unsatisfying deep dive.

Genre: Crime, Documentary, Drama

Actor: Glenn Howerton, Matt Pittenger, Sarah Minnich, Scott Takeda

Director: Allison Otto

As documentaries go, They Called Him Mostly Harmless is pretty standard, if not forgettable, fare. There isn’t a lot of information regarding the case it focuses on, so it relies heavily on interviews with related persons and “internet sleuths” who have taken it upon themselves to solve the mystery of this hiker’s identity. It moves slowly, bogged even further down by unnecessary backstories that do nothing to get us closer to cracking the case. To be sure, it’s impressive that the missing man in question was able to scrub all evidence of his existence in this digital age, but the documentary fails to build on that intrigue and instead gives us something that sputters till the end.

Genre: Documentary

Director: Patricia E. Gillespie

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There's no doubt that this documentary on Jolly Joseph ought to be more interesting to those who are closer to the actual events of the case; it definitely has enough mystery and intrigue to be a good story. But the way it's been presented here is just too tedious for its own good, sticking to the same-old true crime devices and eventually devolving into discussion that sounds more like gossip. It's understandable that the primary suspect isn't in this film to be able to provide some sort of counter perspective, but the interviewees who do get to say their piece don't add particularly memorable insight into the circumstances surrounding these details, which can just be read up online.

Genre: Crime, Documentary

Actor: Jolly Joseph, M. S. Mathew, Remo Roy, Renji Wilson, Rojo Thomas

Director: Christo Tomy