324 Movies Like The Batman (2022) (Page 17)

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Definitely a film you will either love or hate, Sightseers is an extremely dark comedy on the verge of being a horror movie. And it's British, with many elements of deep British culture. A couple go on their dream road trip in the countryside to suddenly find themselves killing strangers. Sightseers will feel almost like a very British version of True Romance. Again, it's a unique film, but don't get me wrong that does not make it hard to like - it's really about if you like it, you will find it absolutely hilarious.

Genre: Adventure, Comedy, Crime, Horror, Romance

Actor: Alice Lowe, Aymen Hamdouchi, Christine Talbot, Dominic Applewhite, Eileen Davies, Gemma Lise Thornton, John Hurt, Jonathan Aris, Kelly Munro-Fawcett, Kenneth Hadley, Lucy Russell, Mark Kempner, Monica Dolan, Rachel Austin, Richard Glover, Richard Lumsden, Roger Michael, Samantha Stone, Sara Dee, Sara Stewart, Seamus ONeill, Stephanie Jacob, Steve Oram, Susan McCardle, Tom Meeten, Tony Way

Director: Ben Wheatley

Rating: Not Rated

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Miranda’s Victim often feels like two different movies smushed into one. On the one hand, it tells the story of how Trish finds the courage to speak up against her abuser, who happens to be a person of color. On the other hand, it shows us the legal intricacies that led to the founding of what we now know as Miranda Rights. In better hands, these two stories (one emotional and one technical) could’ve worked well together, and they would’ve spoken to the intersectionality at the heart of this complicated case. But instead of going for nuance, instead of exploring the complex racial and gender politics that inform this case, Director Michelle Danner goes in all sorts of odd directions as if herself confused about what the focus should be. 

Breslin is heartbreaking and powerful as Trish, but she’s only given so much to act with. Despite being based on a real person, her character is reduced to trauma and tears—a caricature of abuse—and nothing more. The movie is at its strongest when it converts into pure courtroom drama by the third act. Suddenly, it’s brisk and intelligent, bolstered by the compelling one-two punches of the judge (a commanding Donald Sutherland) and the two lawyers (Ryan Philippe, a revelation, and Luke Wilson, only slightly better here than in his earlier turn in Legally Blonde). As a story about violation and abuse, there’s surprisingly little compassion to be found, despite the title. But as a legal drama, it’s as informative as it can be. 

Genre: Drama, History

Actor: Abigail Breslin, Andy Garcia, Brent Sexton, Brian Colin Foley, Brian Drillinger, Dan Lauria, Donald Sutherland, Emily VanCamp, Enrique Murciano, James Healy Jr., Jann Ellis, John Buffalo Mailer, Josephine Hies, Joshua Bowman, Kyle MacLachlan, Luke Wilson, Michael Mulheren, Mireille Enos, Najah Bradley, Nolan Gould, Ryan Phillippe, Sebastian Quinn, Sheilagh Weymouth, Taryn Manning, Travis Staton-Marrero

Director: Michelle Danner

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Hotel Salvation is a touching movie about a father asking his son for a last wish : let him die in the Holy city of Varanasi. This Indian drama will let you discover a modern Hindu philosophy, the power of the scenic Varanasi and the bonds of family. It faces the question of death in the light, gentle and humorous way that perfectly illustrates the contradiction in question: celebrating life while surrounded by death.

Genre: Comedy, Drama

Actor: Adil Hussain, Anil Rastogi, Geetanjali Kulkarni, Lalit Behl, Navnindra Behl, Palomi Ghosh

Director: Shubhashish Bhutiani

Rating: Not Rated

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A documentary that reveals just how insane the men that compete in the MotoGP are. It follows Valentino Rossi, one of the best riders of all-time if not the best, in a very pivotal season for him, 2010-2011. An in depth look into his competitiveness but also his passion for the sport and for the machines in it, it's the kind of portrait that will make you feel you know the subject in person. And when it's not focused on Rossi, it becomes a a real-life thrill fest of bike-mounted cameras of riders going at it at 200+mph.  A must-watch for gear-heads and uninitiated fans alike that plays with the idea that "if you want to win it all...you have to risk it all".

Genre: Documentary

Actor: Andrea Dovizioso, Ben Spies, Casey Stoner, Colin Edwards, Dani Pedrosa, Ewan McGregor, Jorge Lorenzo, Marco Simoncelli, Nicky Hayden, Valentino Rossi

Director: Mark Neale

Rating: Not Rated, PG-13

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Sometimes all a movie needs to be entertaining is a character having a really bad day. Breakdown might not have the most story or thematic depth to it, but having Kurt Russell try to track down the men who kidnapped his wife leads to one tension-filled scene to the next. It's a great showcase for the small towns and empty stretches of highway that make up so much of America, lending to the film the feel of a western, with violence and stuntwork that feel edgier than most '90s action fare. There are no guarantees here that our hero will win the day, which makes the danger he's in that much more exciting.

Genre: Action, Crime, Drama, Mystery, Thriller

Actor: Ancel Cook, Gene Hartline, Helen Duffy, J.T. Walsh, Jack McGee, Jack Noseworthy, Jonathan Mostow, Kathleen Quinlan, Kim Robillard, Kurt Russell, M.C. Gainey, Moira Harris, Moira Sinise, Rex Linn, Rick Zieff, Ritch Brinkley, Thomas Kopache, Vincent Berry

Director: Jonathan Mostow

Rating: R

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Funny, sweet, and tropey, Badhaai Do is a unique Hindi dramedy about a lavender marriage. Gay policeman Shardul (Rajkummar Rao) and lesbian teacher Sumi (Bhumi Pednekar) agree to wed in order to satisfy their family’s wishes without exposing their sexual orientations. Unfortunately, this doesn’t stop their family from other expectations, such as that of maintaining their marriage and having a child. After their immediate connection, Shardul and Sumi’s continuous bickering, through Rao and Pednekar’s chemistry, is hilarious, leading to elaborate lies about each other for their family. However, underneath their funny back-and-forth is an understanding between them that almost feels freeing. Their platonic partnership feels like a lifeline in an isolating closet. While India is portrayed here to have a thriving LGBTQ+ community, microaggressions, harassment, and legal discrimination are still present. Despite this, the film carves up moments where Shardul and Sumi actively seek connection, with each other and with other people, including their eventual lovers. The most touching of these moments come when they both allow themselves to be honest.

Genre: Comedy, Drama

Actor: Apeksha Porwal, Bhumi Pednekar, Chum Darang, Gulshan Devaiah, Loveleen Mishra, Nitesh Pandey, Rajkummar Rao, Seema Pahwa, Shashi Bhushan, Sheeba Chaddha

Director: Harshavardhan Kulkarni

Rating: PG

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Even if it follows nearly every trick in the playbook, American Underdog positions itself on a big enough scale that makes it work like a charm anyway. Following the story of legendary undrafted NFL quarterback Kurt Warner (Zahcary Levi), the film elevates its familiar beats through stunning, wide-angle football sequences that make the sport feel as thrilling as ever, and a particularly solid performance from Anna Paquin, as Warner's long-suffering partner. But what ultimately becomes American Underdog's real secret weapon is the fact that this isn't a sports movie about skill, strategy, or success; Warner becomes an inspiring figure because of how long he had to persevere with his dream just barely out of reach.

Genre: Drama, Family

Actor: Aaron J. Brooks, Adam Baldwin, Anna Paquin, Beau Hart, Bruce McGill, Chance Kelly, Cindy Hogan, Collin Taylor, Dennis Quaid, Jason Allen Wear, SerDarius Blain, Steven Chester Prince, Trisha Zarate, Zachary Levi

Director: Andrew Erwin, Jon Erwin

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Straight to the point and without any overly elaborate set-ups or personal anecdotes, Shane Gillis' Beautiful Dogs is a sort of back-to-basics approach to stand-up comedy that proves surprisingly effective. Over the course of about 50 minutes, Gillis' jokes move smoothly and freely—loose in structure but still clearly centering around very American notions of authority and masculinity (revolving around the military and U.S. history), which the comedian is quick to poke holes in. Gillis' humor is definitely of the lowbrow variety though, and while this in itself isn't a bad thing, a number of his jokes begin to repeat their point to no additional effect, usually relying on low-hanging fruit. Gillis skirts and occasionally dips into offensive territory, which he fully acknowledges. And while some of the stuff in this special is a little tasteless, at least Gillis is sheepishly honest about it.

Genre: Comedy, Documentary

Actor: Shane Gillis

Director: John McKeever, McKeever

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You'd expect a film with a premise like this to make constant parallels between its two main storylines, or to at least have them intersect more often and more significantly. But impressively, Mast Mein Rehne Ka makes the jump from chance encounter to wandering slice-of-life drama with ease—becoming a portrait of Mumbai and the isolation that various people experience due to discrimination against their class, their age, or their gender. The film's tonal balance certainly isn't perfect, as the more lighthearted adventures of the widower begin to clash more severely with the literal life-or-death situations faced by the young would-be thief. But consistently solid filmmaking and heartfelt performances smooth over the rougher edges and the occasional bits of dramatic excess.

Genre: Comedy, Drama

Actor: Abhishek Chauhan, Faisal Malik, Jackie Shroff, Mashhoor Amrohi, Monika Panwar, Neena Gupta, Priyadarshan Jadhav, Rakhi Sawant, Shashi Kiran, Uday Sabnis, Vijay Maurya

Director: Vijay Maurya

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While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Drama, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Rebecca Patricia Armstrong, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

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Last Stop Larrimah is the rare true-crime doc in which not a single tear is shed throughout its substantial two-hour runtime. That’s because the assumed-dead 70-year-old around whom it's centered had a lot of enemies: nearly all of his neighbors in the titular tiny Outback outpost he lived in, in fact. As the doc reveals, Larrimah — population: 10 (11 before Paddy Moriarty disappeared in 2017) — was a pressure cooker of big personalities roiling with animosity. 

Given the town’s tiny population, the film has the uncommon privilege of being able to explore the potential motives of every possible suspect — and it does, diving into vicious feuds over meat pies, hungry pet crocodiles, and the million grievances Paddy’s neighbors apparently harbored. But, though it presents all motives as equally plausible, it turns out one explanation is much more likely than the rest. That’s the problem here: like so many other true-crime docs, by the end, you can’t help but feel that the journey this takes is ultimately exploitative. Though it’s an entertaining portrait of eccentric Aussie characters, the film is much too devoted to doing just that — entertaining — at the expense of all its participants (including the unremarkable local police, for some reason), and so its late pivot into emotional profundity feels markedly insincere.

Genre: Documentary

Director: Thomas Tancred

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The main subject that Hold Your Fire promises to be about—negotiation tactics first used in resolving a New York City standoff at a sporting goods store—is ultimately its most least interesting aspect. These supposed tactics aren't too well, and they end up putting a damper on all the human drama that comes before it, which proves strikingly three-dimensional. As the film revisits the details of the hostage situation from the perspective of those who were actually there, it also complicates the situation by compelling us to think of it in a dense, sociopolitical sense rather than a reductive lens of crime and punishment. It's this build-up to the actual negotiation that may actually hold more insight into these kinds of crises.

Genre: Documentary

Director: Stefan Forbes

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If you’re coming into this expecting to relive your favorite ‘80s coming-of-age moments from The Breakfast Club to St. Elmo’s Fire, then you’ll get a taste of that, but don’t expect to be fully satisfied. Instead, the reunion that happens in Brats resembles group therapy more than anything. Here, director Andrew McCarthy (Pretty in Pink, St. Elmo’s Fire) seems to be on a journey to heal from his troubled past, which he believes was caused, in part, by a defamatory article that called him and a crop of young actors in the ‘80s “The Brat Pack.” The film follows McCarthy as he travels across the country to discuss the label with fellow Brat Packers, who funnily enough, don’t share his contempt for it. Sure, they’re annoyed, but they’ve moved on for the most part. McCarthy on the other hand doesn’t possess the self-awareness to know this, which is perhaps why he’s fallen trap to the Streisand Effect. “The Brat Pack” isn’t nearly as negative as he thinks it to be, but because he keeps ranting about it, he's unwittingly fueling the accusations against him. He just might be the vain celebrity, the brat, he claims he's not. Still, the documentary has its moments. The way it’s modestly filmed is charming and inventive, the artful blend of old footage and 80s music hits the nostalgic spot, and the conversations can be interesting. Who would’ve thought Demi Moore would be the wisest person in the room?

Genre: Documentary

Actor: Ally Sheedy, Andrew McCarthy, Bret Easton Ellis, Demi Moore, Emilio Estevez, Eric Stoltz, Howard Deutch, Jacqueline Bisset, James Spader, Joel Schumacher, John Ashton, John Cusack, John Hughes, Jon Cryer, Judd Nelson, Lauren Shuler Donner, Lea Thompson, Liza Minnelli, Malcolm Gladwell, Marci Liroff, Michael Oates Palmer, Molly Ringwald, Phil Donahue, Richard Schickel, Rob Lowe, Sammy Davis Jr., Sean Penn, Timothy Hutton, Tom Cruise, Tom Myers

Director: Andrew McCarthy

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If you’ve ever been puzzled by “Greek life”, this documentary will go some way to demystifying that somewhat baffling phenomenon of American college culture. Bama Rush follows four hopefuls as they “rush” the University of Alabama’s sororities, a TikTok-viral weeklong recruitment process so cutthroat some candidates spend months preparing for it. The documentary digs deep into why these young women put so much time, energy, and money into joining what the film hints is a largely unforgiving and reductive element of campus life. What it finds is pretty affecting: they’re really just looking for acceptance and belonging.

Threaded throughout are director Rachel Fleit’s reflections on her own history with those motivations, having grown up with alopecia. Though it does illustrate that rushing isn’t so dissimilar from other quests for acceptance, this parallel is sometimes clunkily drawn — and can seem somewhat self-indulgent in places, given the documentary’s comparatively surface-level exploration of more systemic issues. A late development shifts Bama Rush into an even deeper self-reflexive mode, as the film itself becomes a contentious issue in the process it’s documenting. Despite its flaws, turns like this — and its participants’ extraordinary candor — help make Bama Rush an often illuminating look into an opaque world. 

Genre: Documentary, Drama

Director: Rachel Fleit

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Frankly, it’s a bad idea to rush into a marriage for a financial incentive, but there’s something sweet about A Soweto Love Story with the way the plot plays out. As the brothers race to win the family home, there’s the standard romcom shenanigans where secrets are revealed and sabotage happens, but the brothers never go too far, and the way they play out is just the right amount of playful and serious. And as they do so, it’s sweet to see the three relationships bloom without the problematic, not well-thought-out issues that plague these kinds of ensemble romance films. That being said, it would have been even better if they established a close, familial chemistry between the brothers, but the way it plays out isn’t too bad. A Soweto Love Story isn’t particularly unique or deep, but if you’re looking for a simple, lighthearted romcom to watch, this isn’t a terrible choice.

Genre: Comedy, Romance

Actor: Duduzile Ngcobo, Lunga Shabalala, Motsoaledi Setumo, Ray Neo Buso, Sparky Xulu

Director: Rolie Nikiwe

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