295 Movies Like The Batman (2022) (Page 15)

Because the world exploits developing countries as dumping grounds for their waste, more attention should be focused on this issue. The immediate filmmaking response would be to document this reality, but Telugu thriller Gandeevadhari Arjuna takes this idea as the driving force of its story. It’s the reason why the bodyguard Arjun takes this job, as well as the reason why the Minister needs protection and why his family has unresolved drama. While the romance subplot distracts from this issue, Gandeevadhari Arjuna deftly interweaves this real-life problem into sleek action sequences, relatable family drama, and a personalized depiction of the problem’s consequences.

Genre: Action, Drama, Thriller

Actor: Abhinav Gomatam, Kalpalatha, Mahati Bikshu, Manish Chaudhary, Narain, Nassar, Ravi Varma, Roshini Prakash, Varun Tej, Vimala Raman, Vinay Rai

Director: Praveen Sattaru

It took a while to get going, but this packed hour was filled with the many fascinating gripes of Fern Brady, who comes across relatable in the most absurd way. I don't know if I just wasn't properly lubed up until about 25 minutes in, but the more you hear her talk about her aversion to marriage and muse about death and decline, her range as an animated and insightful person starts to really shine. And as engrossing as her stories can get, perhaps the most consistent thing she does is her voices—she is a hilarious character. Which is to say this felt honest, friendly, and absurd, in all the best ways.

Genre: Comedy

Actor: Fern Brady

Director: Phoebe Bourke

Rating: R

It’s easy to classify Destroy All Neighbors as B-movie schlock; it unabashedly pays tribute to the low-budget comedy horror movies that pervaded the ‘80s. But it also feels too good for that. Elevated by funny bits, easy chemistry, solid production design, and a lightweight but easygoing script, Destroy All Neighbors never really wastes your time. It may confuse and drag at times, but there’s always an element that delights. As the straight man anchoring all the absurdity and gore surrounding him, Ray is also surprisingly likable. He connects easily to the colorful ensemble of characters in the film. 

Destroy All Neighbors is stylish, trippy, nonsensical, and quite commendable in its creativity (the practical effects and prosthetics are the highlight). In all, it’s harmless good fun, just beware of the overflowing blood and guts! 

Genre: Comedy, Horror, Music

Actor: Alex Winter, Chase Kim, Christian Calloway, Deanna Rooney, DeMorge Brown, Franco Vega, Jon Daly, Jonah Ray, Kiran Deol, Kumail Nanjiani, Madara Jayasena, Pete Ploszek, Phil Hendrie, Randee Heller, Ryan Kattner, Thomas Lennon

Director: Josh Forbes

Pollution disproportionately affects developing nations, and when governments continue to allow the lackluster waste management processes of large-scale industries, sometimes the only option is to leave. That’s what the six protagonists do in Blood Vessel, though escaping the situation isn’t as easy as it sounds. The first half starts out fairly slow, as we get to know the group, but it’s all to bring about emotional devastation as the film unfolds into violent ends. While certain plot elements don’t have a neat resolution, and certain technical aspects sometimes feel distracting, Blood Vessel works through the strength of its six lead performances.

Genre: Drama, Thriller

Actor: Alex Budin, Bimbo Manuel, David Ezekiel, Dibor Adaobi, Jidekene Achufusi, René Mena, Slyvester Ekanem

Director: Moses Inwang

This low-stakes coming-of-age movie stars SNL's Pete Davidson as Zeke, an aimless college dropout. His best friend, Monroe, is still in high school and is much younger and more innocent. Monroe doesn't realize that he has a very biased outlook on life through Zeke, as he starts drug dealing, partying, and dating according to rules that are not his own.

Big Time Adolescence tries to be a statement on destructive friendships but doesn't fully succeed. Its true value is that it's a movie that you can turn your brain off to, and those rarely come with statements.

Genre: Comedy

Actor: Aiden Arthur, Brielle Barbusca, Emily Arlook, Esteban Benito, Griffin Gluck, Jon Cryer, Jon Freda, Jordan Rock, Joseph Vincent Gay, Julia K. Murney, Kimberly G. Grader, Larry John Meyers, Machine Gun Kelly, Michael Devine, Nick Ziobro, Omar Brunson, Oona Laurence, Patsy Meck, Pete Davidson, Shaun Woodland, Sydney Sweeney, Thomas Barbusca

Director: Jason Orley

Rating: R

From its title and premise, the hope for this kind of documentary would be for it to show some respect for the people who died from the Floridian opioid epidemic. At the very least, the film should dissuade people from the crimes documented here, by emphasizing the consequences of these actions. American Pain does not do this. It’s interesting to view how quickly the business gets out of hand for these unethical entrepreneurs – director Darren Foster reveals each development with enough style and flourish to be entertaining – but the film is clearly more fascinated with how the twins got away with drug dealing for so long. It’s a fun watch… if you forget people died from the events of this film.

Genre: Documentary

Director: Darren Foster

Rating: TV-MA

This documentary is about a unique program in Chicago called CeaseFire whose sole aim is to stop violent deaths in poor urban areas. CeaseFire is staffed by ex-gang members and ex-convicts who try to intervene in conflicts in their community, particularly those that may escalate into extreme violence or death. In these neighborhoods though, violent conflict can result from something as minor as someone making a funky comment about someone else’s shoes. This makes total success for a project like CeaseFire nearly impossible. It is not a totally depressing film though as the program and its practitioners are all pretty amazing, and director Steve James (who made Hoop Dreams) has unparalleled access to these struggling communities.

Genre: Documentary

Actor: Amanda Palmer, Ameena Matthews, Peter Ho-Sun Chan, Steve James, Tio Hardiman

Director: Steve James

Rating: Unrated

Miranda’s Victim often feels like two different movies smushed into one. On the one hand, it tells the story of how Trish finds the courage to speak up against her abuser, who happens to be a person of color. On the other hand, it shows us the legal intricacies that led to the founding of what we now know as Miranda Rights. In better hands, these two stories (one emotional and one technical) could’ve worked well together, and they would’ve spoken to the intersectionality at the heart of this complicated case. But instead of going for nuance, instead of exploring the complex racial and gender politics that inform this case, Director Michelle Danner goes in all sorts of odd directions as if herself confused about what the focus should be. 

Breslin is heartbreaking and powerful as Trish, but she’s only given so much to act with. Despite being based on a real person, her character is reduced to trauma and tears—a caricature of abuse—and nothing more. The movie is at its strongest when it converts into pure courtroom drama by the third act. Suddenly, it’s brisk and intelligent, bolstered by the compelling one-two punches of the judge (a commanding Donald Sutherland) and the two lawyers (Ryan Philippe, a revelation, and Luke Wilson, only slightly better here than in his earlier turn in Legally Blonde). As a story about violation and abuse, there’s surprisingly little compassion to be found, despite the title. But as a legal drama, it’s as informative as it can be. 

Genre: Drama, History

Actor: Abigail Breslin, Andy Garcia, Brent Sexton, Brian Colin Foley, Brian Drillinger, Dan Lauria, Donald Sutherland, Emily VanCamp, Enrique Murciano, James Healy Jr., Jann Ellis, John Buffalo Mailer, Josephine Hies, Joshua Bowman, Kyle MacLachlan, Luke Wilson, Michael Mulheren, Mireille Enos, Najah Bradley, Nolan Gould, Ryan Phillippe, Sebastian Quinn, Sheilagh Weymouth, Taryn Manning, Travis Staton-Marrero

Director: Michelle Danner