18 Movies Like The Banshees of Inisherin (2022) On Microsoft Canada (Page 2)

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Chasing the feel of watching The Banshees of Inisherin ? Here are the movies we recommend you watch right after.

The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

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, 2022

Whodunnits are the cornerstone of murder mysteries, and their occasional resurgence is usually a reprieve from films with more complicated structures and twists. See How They Run gives the Agatha Christie mystery spoof a go, dissecting the cozy mystery conventions anew. With quirky British humor, solid acting, and good period-piece visuals, the familiarity and predictability culminate into an easy, well-paced watch. With no desire to reinvent the genre, the film seems to implore its audience to indulge in self-indulgence. Enjoy watching a piece of cinema for the sake of it.

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Genre: Comedy, Crime, Mystery, Thriller

Actor: Adrien Brody, Angus Wright, Ania Marson, Charlie Cooper, David Oyelowo, Gregory Cox, Harris Dickinson, Jacob Fortune-Lloyd, Lucian Msamati, Maggie McCarthy, Paul Chahidi, Pearl Chanda, Philip Desmeules, Pippa Bennett-Warner, Reece Shearsmith, Ruth Wilson, Sam Rockwell, Saoirse Ronan, Shirley Henderson, Sian Clifford, Tim Key, Tolu Ogunmefun

Director: Tom George

Rating: PG-13

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Shot from the movie

, 2022

The opening titles of this French procedural drama explicitly tell us that the crime it chronicles will go unsolved, confessing that it’s about one of the approximately 160 murder cases that police don’t crack each year. An ambitious and intriguing opener — suggesting that, in the absence of a clean resolution, the film will nonetheless offer us something equally compelling, as Zodiac does. 

In following the investigation of the brutal murder of 21-year-old Clara (Lula Cotton-Frapier) — for which the police interrogate various of her exes, all misogynistic potential murderers in their own ways — the film seeks to explore the society-wide “problem between men and women” that has given the police its surplus of suspects. Alas, it’s much more interested in the psychological impact cold cases have on policemen like frustrated captain Yohan (Bastien Bouillon). There’s something deeply ironic about making a movie about the systemic dehumanization of women just to center male perspectives, especially when their only insight into the epidemic of toxic masculinity is Yohan’s clunky “We can’t find the murderer because all men killed Clara.” The film’s treatment of the victim herself — incurious and downright gratuitous in the depiction of her murder — cements it as a shallow, un-self-aware, and failed attempt to reckon with a subject that deserved its full focus.

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Genre: Crime, Drama, Mystery, Thriller

Actor: Anouk Grinberg, Bastien Bouillon, Bouli Lanners, Camille Rutherford, Charline Paul, Johann Dionnet, Jules Porier, Julien Frison, Lula Cotton-Frapier, Marc Bodnar, Matthieu Rozé, Mouna Soualem, Nicolas Jouhet, Paul Jeanson, Pauline Serieys, Pierre Lottin, Théo Cholbi, Thibaut Évrard

Director: Dominik Moll

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, 2022

At one point in The Whale, Brendan Fraser’s Charlie —  a morbidly obese, reclusive teacher — describes an act of abject cruelty as “not evil” but “honesty.” Darren Aronofsky seems to believe the same about his movie, but alas, he's gravely misled, because The Whale is flooringly glib. From the outset, the film actively and incessantly tries to choreograph audience disgust for Charlie, all so that it can pull off a manipulative “he’s human, actually” swing later on — a “twist” that won’t work if you, you know, already accept people’s humanity irrespective of their appearance. 

Cinematography, makeup, and score all conspire to paint Charlie as grotesque: the camera laboriously over-emphasizes his size and mobility issues, while histrionic music chimes in to frame trivial moments (like Charlie reaching to pick something up from the floor) as grand, tragic dramas. Even if you ignore all its needless cruelty, The Whale — which is adapted from a play — can never shed its stagy origins: the writing frequently reaches for transcendence, but its efforts are as subtle as its evidently retroactively-shoehorned-in-title. If it’s as sincere as it purports to be, this is one of the worst movies of recent years, and if it’s not — which is almost preferable — then it’s a landmark exercise in trolling.

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Genre: Drama

Actor: Allison Altman, Brendan Fraser, Hong Chau, Jacey Sink, Sadie Sink, Samantha Morton, Sathya Sridharan, Ty Simpkins

Director: Darren Aronofsky

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