51 Movies Like TÁR (2022) (Page 3)

Staff & contributors

Chasing the feel of watching TÁR ? Here are the movies we recommend you watch right after.

Filled with dense conversations about classical music and cryptic suggestions of a guilty conscience, Tár makes for a challenging watch that rewards patient viewing. The film is ultimately a study of power in an industry built on preserving centuries-old traditions—which makes the character of Lydia Tár, as a queer woman and as a proud, egotistical conductor, such an anomaly in this world. Certain strange choices by the end notwithstanding, this is a movie that leaves itself wide open to interpretation to its view on karma, accountability, and cycles of power. And Cate Blanchett is as good as the awards say: fully immersed in Lydia's ways of arrogant self-preservation, and twitching at every ambient noise that reminds her how fake she truly is.

One woman’s main character syndrome reaches shocking lows in this vicious Norwegian satire of social-media-era narcissists. Signe (Kristine Kujath Thorp) and her artist boyfriend Thomas (Eirik Sæther) are a deeply toxic couple who torture everyone around them with their constant, petty one-upmanship. When he lands a flashy magazine spread, though, Signe’s usual tactics for slyly redirecting attention her way don’t cut it anymore, and so this compulsive liar takes drastic action and begins overdosing on pills banned for their serious dermatological side effects.

Signe's Munchausen-esque actions have their desired effect: the physically dramatic results instantly make her the center of attention — but not indefinitely. As she craves increasingly bigger spotlights, the film toggles between reality and scenes from her imagination, including a morbid sexual fantasy in which her funeral proves so popular the priest becomes a bouncer, turning away sobbing mourners whom Signe noticed hadn’t visited her in hospital. The rampant narcissism on display here is at turns hilarious and excruciating: Sick of Myself’s sharp social observation skills make it feel, in places, like a movie by cringe-master Ruben Östlund. That stomach-turning effect carries through to the ending, which darkly suggests that, for someone like Signe, even narcissism itself is a condition that can be weaponized for attention.

Genre: Comedy, Drama

Actor: Alexander Berg, Anders Danielsen Lie, Andrea Bræin Hovig, Eirik Sæther, Erlend Mørch, Fanny Vaager, Fredrik Stenberg Ditlev-Simonsen, Guri Hagen Glans, Håkon Ramstad, Henrik Mestad, Ingrid Vollan, Jonas Bakke, Kristine Kujath Thorp, Kristoffer Borgli, Mohammad Afzal, Robert Skjærstad, Sarah Francesca Brænne, Seda Witt, Steinar Klouman Hallert, Terje Strømdahl

Director: Kristoffer Borgli

As the third instalment in Paul Schrader's "man in a room" trilogy after First Reformed (2017) and The Card Counter (2021), Master Gardner rounds up the issues at stake in a most profound way. For anyone who's seen a film either scripted by Schrader (such as Taxi Driver) or directed by him, there will be no surprises here: lost men, despairing men, men who are desperate to believe in something. But the salvation of love lurks around the corner and the new film makes no exception. An unconventional couple, Joel Edgerton and Quintessa Swindell (as Maya) make up the beating heart of this suspenseful drama with an emotional push and pull delivered in small doses. What could have been a kitschy, insensitive work blossoms into a treatise on how gentle the harshness of life can be. 

Genre: Drama, Romance, Thriller

Actor: Amy Le, Eduardo Losan, Esai Morales, Ja'Quan Monroe-Henderson, Jared Bankens, Joel Edgerton, Matt Mercurio, Quintessa Swindell, Rick Cosnett, Sean Richmond, Sigourney Weaver, Suzette Lange, Timothy McKinney, Victoria Hill

Director: Paul Schrader

Rating: R

Strange things are happening in the sleepy cul-de-sac where Cameron Edwin (comic Jim Gaffigan) lives: cars are falling from the sky, space rockets are crash-landing in his backyard, and his doppelgänger has just moved in next door and stolen his job. Unnerved by all these weird occurrences and feeling like a failure in light of his looming divorce, Cameron goes full midlife crisis and decides to rebuild the damaged rocket as a last-ditch attempt to fulfill his lifelong dream of being an astronaut. It’d be giving too much away to say anything more about the plot, but suffice it to say that the uncanniness lurking under Linoleum’s surface comes to mind-bending fruition as the rational and the fantastic meld into one. Though it’s already deeply affecting on first watch, this is the kind of movie you’ll immediately want to rewind to absorb the full weight of.

Genre: Comedy, Drama, Science Fiction

Actor: Amy Hargreaves, Gabriel Rush, Jay Walker, Jim Gaffigan, Katelyn Nacon, Michael Ian Black, Rhea Seehorn, Tony Shalhoub, Twinkle Burke, West Duchovny, Willoughby Pyle

Director: Colin West

I think it’s safe to say you’ve never seen a Pinocchio adaptation quite like Guillermo del Toro's Pinocchio. It still largely stays true to the source material, which is to stay it’s still about a father grappling with the loss of his son and a boy figuring out where he figures in the world. But the movie departs from it in significant ways too. Instead of a fairy tale setting, for instance, this Pinocchio has 1930s fascist Italy as its background, lending the film a realism and historicism that weren’t there before.

Stars Ewan McGregor, Christoph Waltz, Tilda Swinton, and newcomer Gregory Mann lend their voice in this tender and stellar stop-motion animated movie.

Genre: Animation, Drama, Family, Fantasy, Music

Actor: Alfie Tempest, Ariana Molkara, Benjamin Valic, Burn Gorman, Cate Blanchett, Christoph Waltz, David Bradley, Ewan McGregor, Finn Wolfhard, Francesca Fanti, Gregory Mann, John Turturro, Peter Arpesella, Rio Mangini, Ron Perlman, Roy Halo, Scott Martin Gershin, Sky Alexis, Tilda Swinton, Tim Blake Nelson, Tom Kenny

Director: Guillermo del Toro, Mark Gustafson

Rating: PG

Directed by Japanese filmmaker Hirokazu Koreeda, the Korean film Broker is a simple but tender story about chosen family. It follows Moon So-young (IU), a young mother who decides to drop her baby off at a church, seemingly for good. But when So-young decides to return for the child, she discovers that he’s been stolen by two brokers who’ve put the baby up for adoption on the black market. She joins them in the hopes of meeting her child’s prospective new parents (and staking a claim at the payment) but the more they spend time with each other, acting like a real family on the road as they do, the more it becomes real for her, and the more she feels conflicted about the decision she’s about to make.

As with any Hirokazu Koreeda film, Broker is an affecting, empathetic story that succeeds at humanizing its misunderstood cast of characters. Admittedly, it’s not the best Koreeda movie out there, even when the category is narrowed down to stories about found families (the best in that regard would be his 2018 film Shoplifters). And Koreeda fans will find Broker somewhat scrubbed and Disney-fied for a larger crowd, lacking the edge that his previous Japanese films had. But it is undeniably heartwarming and beautiful. The road trip setup allows the characters to build their rapport naturally, and the warm crisp tones capture the seabreeze ease of the film. Regardless of your view on Koreeda, Broker is well worth a watch.

Genre: Comedy, Crime, Drama

Actor: Bae Doona, Baek Hyun-jin, Bek Hyun-jin, Choi Hee-jin, Choi Hui-jin, Gang Dong-won, IU, Jeong Jong-yeol, Jong Ho, Jung Ji-woo, Kang Gil-woo, Kim Do-yeon, Kim Keum-soon, Kim Sae-byuk, Kim Soo-hyeon, Kim Sun-young, Kim Yae-eun, Lee Dong-hwi, Lee Doo-seok, Lee Ga-kyung, Lee Joo-young, Lee Moo-saeng, Lee Mu-saeng, Lim Seung-soo, Oh Hee-joon, Oh Hee-jun, Park Hae-jun, Park Kang-seop, Park Kang-sup, Ryu Kyung-soo, Seong Yu-bin, Song Kang-ho, Song Sae-byuk, Yun Seul

Director: Hirokazu Kore-eda

, 2022

Till is a very political film. It’s charged with the kind of rage and electricity that enables thousands to mobilize for a cause. But before it explodes into something grand, it begins with the small details of everyday life. A mother admires her son as he dances to his favorite song. She buys him a new wallet and goes over the things they’ll do over the summer. These things seem trivial, but they reveal the humanity that sometimes goes overlooked in telling epic stories such as these.

To be sure, Till is a necessarily brutal film about grief and justice, but it’s also about how political movements are borne out of small and personal devastation. This nuance, along with a jaw-dropping performance by Danielle Deadwyler, makes Till a standout: a powerful entry in a long line of social-issue dramas.

Genre: Drama, History

Actor: Al Mitchell, Bradley King, Brandon P. Bell, Brendan Patrick Connor, Carol J. Mckenith, Danielle Deadwyler, David Caprita, Ed Amatrudo, Elizabeth Youman, Eric Whitten, Euseph Messiah, Frankie Faison, Haley Bennett, J.P. Edwards, Jackson Beals, Jalyn Hall, Jamie Renell, Jaylin Webb, Jayme Lawson, John Douglas Thompson, Jonathan D. Williams, Josh Ventura, Keisha Tillis, Kevin Carroll, Lee Spencer, Maurice Johnson, Mike Dolphy, Njema Williams, Phil Biedron, Princess Elmore, Richard Nash, Roger Guenveur Smith, Sean Michael Weber, Sean Patrick Thomas, Summer Rain Menkee, Tim Ware, Torey Adkins, Tosin Cole, Whoopi Goldberg

Director: Chinonye Chukwu

Rating: PG-13

It doesn’t feel quite right to call Pacifiction a political thriller — at 2 hours 45 minutes and with an unhurried, dreamlike pace, it’s hardly the adrenaline rush that that categorization suggests. But Albert Serra’s film is still suffused with all the paranoia and intrigue that the genre promises, just at a slower burn. The specters of colonialism and nuclear apocalypse hang low over the movie, which is set in an idyllic Tahiti, where Benoît Magimel’s Monsieur De Roller is stationed as France’s outgoing High Commissioner, a bureaucratic relic of the country’s imperialist history. As shady figures and strange rumors about a military submarine begin to arrive on the island, a paranoid De Roller struggles to exert political control — and, in the process, seems to lose some of his own sanity. With an ethereal score, defiantly murky plot, hallucinatory cinematography, and some of humanity’s greatest horrors hanging over it like a pall, Pacifiction feels like a fever dream in the truest sense.

Genre: Drama, Thriller

Actor: Benoit Magimel, Cécile Guilbert, Marc Susini, Montse Triola, Sergi Lopez

Director: Albert Serra

In the words of the journalist Christo Grozev, Alexei Navalny isn’t just a politician; he’s also an internet personality, reporter, investigator, lawyer, and opposition leader who’s up against one of the biggest regimes in the world. He’s a dangerous man, a top Kremlin target, and the documentary gives us incredible access into the ins and outs of his daily operations. 

It’s always astonishing to see a hero humanized, especially since the documentary makes sure to balance newsworthy events with quiet moments of rest and reflection. But more than just a profile, Navalny is a valiant work of investigative journalism, as well as a timely reminder of the importance of activism. It's relevant, revelatory, and rousing; a must-watch in our ever-heating political climate. 

Genre: Documentary, Drama, Thriller

Actor: Alexei Navalny, Alexey Navalny, Angela Merkel, Christo Grozev, Dasha Navalnaya, Georgy Alburov, Kira Yarmysh, Leonid Volkov, Maria Pevchikh, Vladimir Putin, Yulia Navalnaya, Zakhar Navalny

Director: Daniel Roher

Rating: R

This moving biopic is about Maud Lewis, the legendary Canadian painter who suffered from arthritis. In the film, Maud gets away from her controlling family by finding a job as a live-in housekeeper for a local fish peddler. It is there where she begins to paint, before marrying the fish peddler in spite of their different personalities. Sally Hawkins, who plays Lewis, brings undeniable spark and soul to the role, for which she had to undergo an astonishing physical transformation.

Maudie is a beautiful and uncomplicated film that challenges the conventions of marriage and relationship roles, while at the same time celebrating Maud Lewis’ paintings and life’s simple pleasures.

Genre: Drama, Romance

Actor: Billy MacLellan, Brian Marler, David Feehan, Denise Sinnott, Erin Mick, Ethan Hawke, Gabrielle Rose, Greg Malone, Kari Matchett, Kate Ross, Lawrence Barry, Lisa Machin, Marthe Bernard, Mike Daly, Nik Sexton, Sally Hawkins, Zachary Bennett

Director: Aisling Walsh

Rating: PG-13

Making a good erotic thriller out on Wall Street is no easy feat, but Fair Play has just the right ratio of wit, sex, and sleaze to spice up a Friday night viewing. There's also undeniable pleasure in watching a fairytale love story corrode, especially under the influence of money and power—here's one for the romantic capitalists! And even if the script feels a bit uneven and Emily's character a bit too silent until the film's third act, it's a heightened yet realistic depiction of exactly how solidified heteronormative standards still are: in bed, at home, at the workplace. Who would have guessed that's where the true horror lies? 

Genre: Drama, Romance, Thriller

Actor: Alden Ehrenreich, Brandon Bassir, Buck Braithwaite, Eddie Marsan, Filip Todorovic, Geraldine Somerville, Greg De Cuir, Ivona Kustudić, Jamie Wilkes, Jelena Stupljanin, Jim Sturgeon, Katarina Gojković, Laurel Lefkow, Leopold Hughes, Linda Ljoka, Patrick Fischler, Phoebe Dynevor, Rich Sommer, Sebastian de Souza, Sia Alipour, Yacine Ramoul

Director: Chloe Domont

The emotional sterility of modern life comes under the microscope of this understated Korean drama in which a young woman who has built self-preserving walls around her lonely existence begins to wonder if the trade-off is worth it. Outside of the soul-sucking call center job at which Jina (Gong Seung-Yeon) excels, her interactions with others are purely parasocial: she streams mukbangs on her phone as she eats alone, wakes up to the blare of her always-on TV, and checks in on her aging father via the security camera she’s surreptitiously installed in his home. When she reluctantly agrees to train the chatty, warm newbie (Jeong Da-eun) at work, Jina is confronted with a direct challenge to her aloofness, but the provocation is easily ignored until a similarly withdrawn neighbor is discovered long after his death.

This triggers a quarter-life crisis for Jina that’s predictably resolved, but Aloners transcends the neatness of this arc thanks to its quietly persistent challenging of the instinct to contort oneself to fit an inhumane world. Hong Sung-eun’s thoughtful first-time direction and Gong’s nuanced performance as a young woman waking up to the creeping dehumanization of herself make Aloners a genuinely thought-provoking reflection on 21st-century life.

Genre: Drama

Actor: Ahn Jeong-bin, Geum Hae-na, Gong Seung-yeon, Jeong Da-eun, Ju Seok-tae, Kim Hae-na, Kwak Min-kyu, Park Jeong-hak, Seo Hyun-woo

Director: Hong Sung-eun

Two best friends chase the ultimate high in this Italian movie set in the 90s. Vittorio and Cesare are inseparable, they get in trouble together, fight together, and party together. Suddenly, they start moving at different speeds and one of them wants out, effectively abandoning the other. 

Don’t be Bad is director Claudio Caligari’s last movie before his death, the last installment in his catalog of well-crafted drug-centered stories.

Genre: Crime, Drama

Actor: Alessandro Bernardini, Alessandro Borghi, Angelica Cacciapaglia, Elisabetta De Vito, Emanuel Bevilacqua, Emanuela Fanelli, Giulia Greco, Luca Marinelli, Luciano Miele, Manuel Rulli, Massimo De Santis, Roberta Mattei, Silvia D'Amico, Silvia D'Amico Bendico, Valentino Campitelli

Director: Claudio Caligari

This artistic Australian coming-of-age drama stars Eliza Scanlen (Little Women, Sharp Objects) as Milla, a teen from a dysfunctional family. The father is a psychologist and the mother suffers from depression, so he medicates her under the table. Meanwhile, Milla, a 16 year old, starts dating a charismatic almost-homeless 24 year old drug dealer. Unusual circumstances make the family tolerate the relationship in this story where every character feels like the main one. 

If you're looking for something different, you will love Babyteeth. Something happens to Milla in the 10 minute mark that descriptions and reviews online all mention - but is definitely a spoiler. Just know that it's not all romance and coming-of-age, there is slow-burning darkness to this movie. 

Genre: Comedy, Drama, Romance

Actor: Andrea Demetriades, Arka Das, Ben Mendelsohn, Charles Grounds, Eliza Scanlen, Emily Barclay, Essie Davis, Eugene Gilfedder, Georgina Symes, Jaga Yap, Justin Smith, Michelle Lotters, Priscilla Doueihy, Quentin Yung, Renee Billing, Toby Wallace, Zack Grech

Director: Shannon Murphy

Rating: MA-17, Not Rated

Though it doesn't proceed like most animal/nature-centered documentaries that you've seen, the Oscar-nominated All That Breathes is instantly memorable in the way it de-centers the human perspective from its all-encompassing study of New Delhi, India. The wildlife rescue team that features prominently in this film still only becomes a vessel through which director Shaunak Sen explores the environmental and political hazards being faced by the nation today. It's a movie that definitely challenges you to think for yourself, as any talking heads or on-screen explanations are traded for truly stunning shots of New Delhi as a biome teeming with life among the dirt. For those who want their documentaries unconventional, this is excellent stuff.

Genre: Documentary, Drama

Director: Shaunak Sen

This documentary... man, where do I even begin? It captures the lives of the Friedmans and how their world turned upside down when their father, Arnold, and brother, Jesse, were both convicted of sexually abusing children. The filmmaker interviews victims, family members, and experts to strike you with the two sides of the story. The Oscar nominated film shows real footage from the family which makes it even more of an authentic experience. I won't tell you much more about it- but let me just say, this documentary will leave you speechless.

Genre: Crime, Documentary

Actor: Arnold Friedman, David Friedman, Elaine Friedman, Jesse Friedman, Seth Friedman

Director: Andrew Jarecki

Rating: Not Rated