23 Movies Like TÁR (2022) On Cineplex Canada (Page 2)

Directed by Japanese filmmaker Hirokazu Koreeda, the Korean film Broker is a simple but tender story about chosen family. It follows Moon So-young (IU), a young mother who decides to drop her baby off at a church, seemingly for good. But when So-young decides to return for the child, she discovers that he’s been stolen by two brokers who’ve put the baby up for adoption on the black market. She joins them in the hopes of meeting her child’s prospective new parents (and staking a claim at the payment) but the more they spend time with each other, acting like a real family on the road as they do, the more it becomes real for her, and the more she feels conflicted about the decision she’s about to make.

As with any Hirokazu Koreeda film, Broker is an affecting, empathetic story that succeeds at humanizing its misunderstood cast of characters. Admittedly, it’s not the best Koreeda movie out there, even when the category is narrowed down to stories about found families (the best in that regard would be his 2018 film Shoplifters). And Koreeda fans will find Broker somewhat scrubbed and Disney-fied for a larger crowd, lacking the edge that his previous Japanese films had. But it is undeniably heartwarming and beautiful. The road trip setup allows the characters to build their rapport naturally, and the warm crisp tones capture the seabreeze ease of the film. Regardless of your view on Koreeda, Broker is well worth a watch.

Genre: Comedy, Crime, Drama

Actor: Bae Doona, Baek Hyun-jin, Bek Hyun-jin, Choi Hee-jin, Choi Hui-jin, Gang Dong-won, IU, Jeong Jong-yeol, Jong Ho, Jung Ji-woo, Kang Gil-woo, Kim Do-yeon, Kim Keum-soon, Kim Sae-byuk, Kim Soo-hyeon, Kim Sun-young, Kim Yae-eun, Lee Dong-hwi, Lee Doo-seok, Lee Ga-kyung, Lee Joo-young, Lee Moo-saeng, Lee Mu-saeng, Lim Seung-soo, Oh Hee-joon, Oh Hee-jun, Park Hae-jun, Park Kang-seop, Park Kang-sup, Ryu Kyung-soo, Seong Yu-bin, Song Kang-ho, Song Sae-byuk, Yun Seul

Director: Hirokazu Kore-eda

Till is a very political film. It’s charged with the kind of rage and electricity that enables thousands to mobilize for a cause. But before it explodes into something grand, it begins with the small details of everyday life. A mother admires her son as he dances to his favorite song. She buys him a new wallet and goes over the things they’ll do over the summer. These things seem trivial, but they reveal the humanity that sometimes goes overlooked in telling epic stories such as these.

To be sure, Till is a necessarily brutal film about grief and justice, but it’s also about how political movements are borne out of small and personal devastation. This nuance, along with a jaw-dropping performance by Danielle Deadwyler, makes Till a standout: a powerful entry in a long line of social-issue dramas.

Genre: Drama, History

Actor: Al Mitchell, Bradley King, Brandon P. Bell, Brendan Patrick Connor, Carol J. Mckenith, Danielle Deadwyler, David Caprita, Ed Amatrudo, Elizabeth Youman, Eric Whitten, Euseph Messiah, Frankie Faison, Haley Bennett, J.P. Edwards, Jackson Beals, Jalyn Hall, Jamie Renell, Jaylin Webb, Jayme Lawson, John Douglas Thompson, Jonathan D. Williams, Josh Ventura, Keisha Tillis, Kevin Carroll, Lee Spencer, Maurice Johnson, Mike Dolphy, Njema Williams, Phil Biedron, Princess Elmore, Richard Nash, Roger Guenveur Smith, Sean Michael Weber, Sean Patrick Thomas, Summer Rain Menkee, Tim Ware, Torey Adkins, Tosin Cole, Whoopi Goldberg

Director: Chinonye Chukwu

Rating: PG-13

This moving biopic is about Maud Lewis, the legendary Canadian painter who suffered from arthritis. In the film, Maud gets away from her controlling family by finding a job as a live-in housekeeper for a local fish peddler. It is there where she begins to paint, before marrying the fish peddler in spite of their different personalities. Sally Hawkins, who plays Lewis, brings undeniable spark and soul to the role, for which she had to undergo an astonishing physical transformation.

Maudie is a beautiful and uncomplicated film that challenges the conventions of marriage and relationship roles, while at the same time celebrating Maud Lewis’ paintings and life’s simple pleasures.

Genre: Drama, Romance

Actor: Billy MacLellan, Brian Marler, David Feehan, Denise Sinnott, Erin Mick, Ethan Hawke, Gabrielle Rose, Greg Malone, Kari Matchett, Kate Ross, Lawrence Barry, Lisa Machin, Marthe Bernard, Mike Daly, Nik Sexton, Sally Hawkins, Zachary Bennett

Director: Aisling Walsh

Rating: PG-13

The disturbing conceit of a housewife swallowing inanimate objects may push some away, but those that can stomach it will find a searing exploration of patriarchal control over women’s bodies - an issue more relevant than ever in the US, as anti-choice zealots push closer to overturning abortion rights nationwide. 

An odd twist towards the end, and a tone-deaf bit about a Syrian refugee, make the film uneven. But, the edge of the seat suspense, sumptuously colorful cinematography, and Haley Bennet’s resonant performance make this worth seeing nonetheless. 

Genre: Drama, Horror, Thriller

Actor: Alyssa Bresnahan, Austin Stowell, Babak Tafti, David Rasche, Denis O'Hare, Elise Santora, Elizabeth Marvel, Haley Bennett, Kristi Kirk, Laith Nakli, Lauren Vélez, Luna Lauren Velez, Maya Days, Myra Lucretia Taylor, Nicole Kang, Olivia Perez, Zabryna Guevara

Director: Carlo Mirabella-Davis

Rating: R

At one point in The Whale, Brendan Fraser’s Charlie —  a morbidly obese, reclusive teacher — describes an act of abject cruelty as “not evil” but “honesty.” Darren Aronofsky seems to believe the same about his movie, but alas, he's gravely misled, because The Whale is flooringly glib. From the outset, the film actively and incessantly tries to choreograph audience disgust for Charlie, all so that it can pull off a manipulative “he’s human, actually” swing later on — a “twist” that won’t work if you, you know, already accept people’s humanity irrespective of their appearance. 

Cinematography, makeup, and score all conspire to paint Charlie as grotesque: the camera laboriously over-emphasizes his size and mobility issues, while histrionic music chimes in to frame trivial moments (like Charlie reaching to pick something up from the floor) as grand, tragic dramas. Even if you ignore all its needless cruelty, The Whale — which is adapted from a play — can never shed its stagy origins: the writing frequently reaches for transcendence, but its efforts are as subtle as its evidently retroactively-shoehorned-in-title. If it’s as sincere as it purports to be, this is one of the worst movies of recent years, and if it’s not — which is almost preferable — then it’s a landmark exercise in trolling.

Genre: Drama

Actor: Allison Altman, Brendan Fraser, Hong Chau, Jacey Sink, Sadie Sink, Samantha Morton, Sathya Sridharan, Ty Simpkins

Director: Darren Aronofsky