80 Movies Like Talk to Me (2023) (Page 4)

Staff & contributors

Chasing the feel of watching Talk to Me ? Here are the movies we recommend you watch right after.

The directorial debut of Australian twin brothers Danny and Michael Philippou—more popularly known together as the YouTube creators RackaRacka—Talk to Me finds a surprisingly unique way of exploring themes that contemporary horror films have made commonplace. At its heart this is still a movie about one's inability to come to terms with loss, but the emotions that come with this experience are filtered through suburban ennui and the numbing effect that social media has on depictions of tragedy. It's in this specific milieu where Mia (a terrific Sophie Wilde) feels compelled to act irresponsibly and continue inviting a malevolent presence into her life. Her feelings are real, but because her peers and the adults around her aren't the best at being vulnerable, Mia begins to underestimate how destructive her grief really is.Talk to Me only grows more despairing the longer it goes. But impressively, the film doesn't rely on the usual jump scares and excesses that would normally make a YouTube horror short go viral. The situations escalate organically (if you can suspend a little disbelief for the moments when the characters simply watch terrible things happen) and as the supernatural forces haunting these teenagers get stronger, so do Mia's isolation and her desperation to make up for her mistakes. It's bleak stuff, but sharp direction and great performances (especially from Wilde and young Joe Bird) make this a particularly exciting vision of horror.

Shooting Stars may be based on LeBron James’ account of his teenage years, but this adaption by Chris Robinson is more than just a vanity project. In fact, James is hardly the lead here—every one of his friends gets a chance to shine in this coming-of-age story about brotherhood and friendship. It’s closer to films like Boyz N the Hood and Stand By Me in that way, but that’s not to say it’s a letdown in the sports department. The games are choreographed beautifully; the actors display wonderful athleticism and the filmmakers employ various camera techniques that never fail to surprise. There are times, though, that these techniques distract more than excite, and there is a sense that the film could’ve benefited from a more pared-down style. But this ultimately doesn’t take away from the film’s tender and thrilling story.

Genre: Drama, History

Actor: Algee Smith, Caleb McLaughlin, Chad L. Coleman, Dermot Mulroney, Joe Fishel, Katlyn Nichol, Khalil Everage, Mookie Cook, Natalie Paul, Scoot Henderson, Wood Harris

Director: Chris Robinson

Rating: PG-13

You could take away a lot of parts in Reptile, and it would still make sense. It’s the kind of film that leans on sound and style to justify overlong takes and teeth-grittingly predictable scenes. But all is forgiven when del Toro, who also co-writes and co-produces the film, appears on screen. He has a simmering, captivating presence that demands you keep your eyes on him even when little, if anything at all, happens. Silverstone, Eric Bogosian, and Ato Essandoh are likewise enthralling, but Justin Timberlake unfortunately does not hold the same staying power. The film is at its weakest when it tries to convince us that he plays a complex, layered man when, in fact, Timberlake relays nothing but surface-level thrills. But Reptile is at its strongest when it gives us del Toro in all his forceful glory. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Africa Miranda, Alex Parkinson, Alicia Silverstone, Allison Smith, Amy Parrish, Ato Essandoh, Benicio Del Toro, Catherine Dyer, Dani Deetté, Deena Beasley, Domenick Lombardozzi, Elena Varela, Eric Bogosian, Frances Fisher, Gilbert Glenn Brown, Gregory Albrecht, James Devoti, Jesse C. Boyd, Jon Levine, Jp Lambert, Justin Timberlake, Karl Glusman, Kurt Yue, Lee Perkins, Matilda Anna Ingrid Lutz, Matilda Lutz, Matt Medrano, Matthew Cornwell, Michael Beasley, Michael Pitt, Michael Rene Walton, Mike Pniewski, Monique Yvette Grant, Owen Teague, Sky Ferreira, Thad Luckinbill, Tiffany Fallon, Victor Rasuk

Director: Grant Singer

Rating: R

This taut chamber piece about NSA whistleblower Reality Winner (yes, that’s her real name) is based on the FBI’s account of her interrogation one June day in 2017. “Based on” doesn’t quite capture Reality’s exhaustive commitment to the facts, though, because this movie is essentially a dramatic reading of a verbatim transcript of the FBI agents’ recording that day. The only time it breaks with reality is when it reaches a redacted portion of the transcript, at which point characters glitch out of view, leaving us staring into the blank set around them. Otherwise, every cough, false start, and even every off-topic remark is recreated with exacting precision here, lending the film a paradoxically stilted, slightly stagy air. But rather than pull you out of the proceedings, Reality’s palpable artificiality only immerses us into the uneasy tension and surreality that its anxious protagonist must have been feeling that day.

That anxiety is contagious, thanks to the movie’s clinical style and central performance. The camerawork is largely unblinking, moving in uncomfortably close on Reality (Sydney Sweeney) as two FBI agents (Josh Hamilton and Marchánt Davis) subject her to their bizarre hot-cold interrogation, which ranges from seemingly friendly inquiries about her dog to jugular-aimed questions about the allegations against her. Sweeney shoulders all this pressure remarkably well, deftly keeping us as much in the dark as Winner tried to keep the FBI in — which makes not knowing the real story a benefit, rather than a barrier, to watching Reality.

Outside of Sweeney’s commanding performance, Reality feels somewhat limited by its absolute loyalty to the FBI’s transcript, though. Much of the film’s 83-minute runtime is dedicated to recreating the text, which leaves only a few minutes at the end for it to express its own point of view on Winner’s actions. Though these scant moments make for a compelling reframing of the charges against Winner, they feel overshadowed by and separate from the movie’s rigorous devotion to the transcript, which ultimately means Reality can’t quite transcend its status as merely an interesting filmmaking curio.

Genre: Drama, Thriller

Actor: Allan Anthony Smith, Benny Elledge, Bill Maher, John Way, Josh Hamilton, Marchánt Davis, Sydney Sweeney, Tucker Carlson

Director: Tina Satter

Part sci-fi and part psychological horror, No One Will Save You is an impressive outing that serves as a vehicle for Dever’s one-woman show. She is a powerhouse, a nonstop show of talent that doesn’t seem to run out of fuel. The scenes are grueling and excruciating, they involve a lot of physical, mental, and emotional turmoil, but somehow, Dever rises to the challenge with unbelievable ease. Sure, sci-fi lovers will find much to discuss in these unearthly creatures, and cinephiles will appreciate how the film relies almost solely on sound design and a single line of dialogue. But it’s Dever who does the heavy lifting here, and it’s especially apparent when the film tries, weakly, to delve into Brynn’s psyche and the town’s sociological workings. It’s not as impressive in those regards, but Dever is strong enough an actress to make you forgive the movie’s frailer parts. 

Genre: Horror, Science Fiction, Thriller

Actor: Bridget Malbrough, Dane Rhodes, Dari Lynn Griffin, Elizabeth Kaluev, Emani White, Evangeline Rose, Geraldine Singer, Kaitlyn Dever, Lauren L. Murray, Zack Duhame

Director: Brian Duffield

Rating: PG-13

It’s best not to overthink the details of No Hard Feelings, an uproarious comedy that benefits from the lead actors’ physicality. It’s meant to be enjoyed as it happens, at the moment, with Lawrence lighting up every scene with full-bodied commitment and Feldman, a worthy co-lead, delighting at every turn. They’re playing stock characters, and the script doesn’t give much beyond the usual backstories, but Lawrence and Feldman play them with so much heart and gusto, knocking every scene they’re in out of the park. Everything else plays second fiddle to their two-hander show. The cameos are star-studded but forgettable (except for Kyle Mooney, who I wished was onscreen more as Percy’s male nanny), the character development is heartwarming but predictable, and though it bills itself as a sex comedy, the film never really touches past third base. But all that is water under the bridge when you’re watching Maddie and Percy flirt and fumble their way through the film.  

Genre: Comedy, Drama, Romance

Actor: Alaina Surgener, Alysia Joy Powell, Amalia Yoo, Andrew Barth Feldman, Ari Frenkel, Ben Heineman, Brian Calì, Christina Catechis, Christopher Bailey, Darren Valinotti, Earl Rose, Ebon Moss-Bachrach, Ethan Metz, Hasan Minhaj, Jacob Augustin, Jennifer Lawrence, Jordan Mendoza, Kyle Mooney, Laura Benanti, Luca Padovan, Madison McBride, Matt Walton, Matthew Broderick, Matthew Noszka, Melissa Lehman, Natalie Morales, Quincy Dunn-Baker, Scott MacArthur, Sophie Tananbaum, Victor Verhaeghe, Zahn McClarnon

Director: Gene Stupnitsky

Rating: R

With other available resources that tell a more well-balanced story of Tina Turner's life (notably, the 2021 documentary Tina), What's Love Got to Do with It shouldn't, by any means, be used seen as the definitive portrait of the American-Swiss singer. Still, while this 1993 biopic, insists on depicting violence instead of dissecting it, there's something to be said about how uncompromisingly it shows us what an abusive relationship can look like. As a plea to see beyond the public personas of celebrities, the film makes for an effective statement—especially because of a truly despicable turn from Laurence Fishburne, and the power that steadily builds within Angela Bassett.

Genre: Drama, History, Music

Actor: Angela Bassett, Barry Shabaka Henley, Bo Kane, Chi McBride, Cora Lee Day, Damon Hines, Daniel McDonald, Jackie O'Brien, Jenifer Lewis, Khandi Alexander, Laurence Fishburne, Michael Colyar, O'Neal Compton, Patricia Sill, Penny Johnson Jerald, Phyllis Yvonne Stickney, Rae'Ven Larrymore Kelly, Richard T. Jones, Rob LaBelle, Rose Jackson, Shavar Ross, Sherman Augustus, Suli McCullough, Timmy Cappello, Tina Turner, Vanessa Bell Calloway, Virginia Capers

Director: Brian Gibson

For a romantic comedy with a fairy tale premise (a star falls in love with a regular person, and a much older one at that), The Idea of You is surprisingly relevant. It interweaves its romance with discussions of ageism and sexism, making it more self-aware than other movies in the same genre. But with that relevance comes a certain dryness; The Idea of You, for all its steamy scenes, lacks the sensuality and charm of a legitimate romcom. Solene is overly cautious, which doesn’t give much way to mystery and mistakes. She makes for a wise role model sure, but not necessarily a rootable heroine. If you like your romcoms to be more on the smart and predictable side, then you’ll enjoy The Idea of You. But if you prefer more hearty laughs and big gestures, then you’re better off looking for another title to stream.

Genre: Comedy, Drama, Music, Romance

Actor: Adele, Angela Davis, Anne Hathaway, Annie Mumolo, Bethany Brown, Brent Bailey, Chandler Lovelle, Cheech Manohar, Demi Castro, Dustin Lewis, Ella Rubin, Grace Junot, Graham Norton, Hedy Nasser, Holly A. Morris, Holly Morris, Jean-Luc McMurtry, Jon Levine, Jordan Aaron Hall, Lauren Revard, Mathilda Gianopoulos, Meg Millidge, Melanie Kiran, Nicholas Galitzine, Nina Bloomgarden, Perry Mattfeld, Rashal James, Raymond Cham Jr., Reid Scott, Roxy Rivera, Tiffany Morgan, Trevor David

Director: Michael Showalter

Rating: R

So much of Puppy Love is adorable. The title alone promises that, and to be fair, it actually delivers. The movie is filled with romance, pooches, and hijinks that circle back to those two core aspects. I couldn’t be giddier watching this, as a dog lover and romantic comedy aficionado myself, but it’s frustrating how the movie doesn’t go above and beyond its basic premise, even if it easily could’ve done so. It has strong leads in Hale and Gustin, whose chemistry may be lacking but who individually perform well. It has a decent script, “reasonably funny” as it calls itself in the film, delivering amusing and touching lines in equal measure. It even manages to flesh out Nicole and Max with backstories; Max, in particular, gets an interesting characterization as an anxious germaphobe who refuses to go to the office for work. But for whatever reason, every exciting thorn in this premise gets smoothed out by the end. The tension is never realized and loose ends are tied up neatly in a conclusion that feels too simplified for its own good. 

Genre: Comedy, Drama, Romance

Actor: Al Miro, Christine Lee, Corey Woods, Grant Gustin, Jane Seymour, Lucy Hale, Michael Hitchcock, Nore Davis, Rachel Risen, Sarah Almonte Peguero

Director: Nicholas Fabiano, Richard Alan Reid

Robert Duvall...Bill Murray...need I say more? This popped up in my Netflix feed as a suggestion. Almost skipped over it, but my husband and I were up late and took a chance. WHOA! The acting is superb and what we thought would be a movie about revenge is unexpectedly about redemption. Robert Duvall is a hermit, looking forward to death. Bill Murray is a funeral home director looking for someone to bury. It's subtle, very subtle, comical and heartbreaking. Y'all will love it.

Genre: Comedy, Drama, Mystery

Actor: Andrea Powell, Andy Stahl, Arin Logan, Bill Cobbs, Bill Murray, Blerim Destani, Chandler Riggs, Danny Vinson, Gerald McRaney, Linds Edwards, Lori Beth Sikes, Lucas Black, Marc Gowan, Robert Duvall, Scott Cooper, Sissy Spacek, Tomasz Karolak

Director: Aaron Schneider

Rating: PG-13

What seems like The Good Mother's biggest asset is actually its downfall. Yes, the three main actors (Swank, Cooke, and Jack Reynor as the civil servant son, Toby) are all good at what they do, but they're incapable of resuscitating a script that's never truly come to life. These casting choices, obviously made to give some clout to a very mediocre project, feel even more disappointing because the disconnect between actor and character is way too big. For example, Swank is not the alcoholic, fed-up mother we need her to be in this case, and its hard to see this as something else than a derogatory take on her previous more tender and glam roles. Director Miles Joris-Peyrafitte's Sundance-winning As You Are carried a whiff of fresh air, The Good Mother is drained out of all its energy, avoiding reflective depth at all costs, not to mention skirting around the ambivalences of motherhood. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Cliff Ware, Dilone, Frank Alfano, Hilary Swank, Hopper Penn, Jack Reynor, Karen Aldridge, Larry Fessenden, Laurent Rejto, Norm Lewis, Olivia Cooke

Director: Miles Joris-Peyrafitte

Rating: R

Bad Lands isn’t exactly new. It has the romanticized con artist that manages to slip through the fingers of those more powerful than her, through quick wit and good sense. It has the successful con, and those that come out of the woodwork to take what they’ve stolen. The story isn’t even original, being based on Hiroyuki Kurokawa’s 2015 novel, Keiso. But it’s done well. It’s a well-executed character study focused on a grifter pushed into the business, and taking on a cold, ruthless mindset to survive. It juxtaposes her self-contained lifestyle with the skeevy, abusive tech billionaire ex and the police force he infiltrated. And it’s all the more powerful with Sakura Ando leading the story.

Genre: Action, Crime

Actor: Canon Nawata, Junichi Okada, Katsuhisa Namase, Ken Yamamura, Koki Maeda, Mitsuo Yoshihara, Namase Katsuhisa, Noriko Eguchi, Ryosuke Yamada, Ryudo Uzaki, Sakura Andô, Yasumasa Oba, Yasushi Fuchikami

Director: Masato Harada

As a supernatural horror, The Pope’s Exorcist doesn’t bring anything new to the table. It employs more or less the usual elements you’d expect from the genre, and to be fair, it does occasionally fright you with its bloody jumpscares and demonic screeches. But as a drama, the film is surprisingly watchable thanks to a committed and compelling performance from Crowe. The movie works best when it removes itself from its horror trappings and follows Crowe’s Gabriele as he moves through the ins and outs of the Vatican. When he challenges the church’s authority, when he defends his practice, when he inserts jokes in serious conversations because “the devil hates jokes,” these are when The Pope’s Exorcist shines and entertains. They’re also proof the film shouldn’t take itself too seriously when its star is having this much fun. 

Genre: Horror, Thriller

Actor: Alessandro Gruttadauria, Alex Essoe, Andrea Dugoni, Bianca Bardoe, Carrie Munro, Cornell John, Daniel Zovatto, Derek Carroll, Ed White, Edward Harper-Jones, Ella Cannon, Franco Nero, Gennaro Diana, Jordi Collet, Laila Barwick, Laurel Marsden, Marc Velasco, Matthew Sim, Pablo Raybould, Paloma Bloyd, Peter DeSouza-Feighoney, Ralph Ineson, Russell Crowe, Ryan O'Grady, Santi Bayón, Tom Bonington, Victor Solé

Director: Julius Avery

Rating: R

Susie Searches begins intriguingly for two reasons: first, there’s the strange disappearance of popular college student Jesse Wilcox (Alex Wolff), and then there’s the fact that that mystery is solved in the film's first 20-ish minutes. With over an hour left of its runtime at this point, Susie Searches seems to suggest Jesse’s disappearance was only a red herring, and that we’re in for something juicier now.

Alas, the rest of the movie — which stars Kiersey Clemons as the titular socially awkward student sleuth who finds Jesse — never lives up to this promise. An encouraging cast list is let down by thin characters; this isn’t true just for the supporting parts played by Rachel Sennott, Jim Gaffigan, Ken Marino, Dolly Wells, and Wolff, but, far more detrimentally to the film, Susie herself. Her motivations are complicated by more than just a desire for the truth, but, despite Clemons’ best efforts, this not-quite Nancy Drew is never all that psychologically compelling or believable. In a film that hinges on big twists revolving around its protagonist, that’s a fatal flaw, because we’re only ever half-invested. Though it may play better with younger audiences, anyone else will likely find its promising cast to be the biggest red herring of all.

Genre: Comedy, Mystery, Thriller

Actor: Aaron Costa Ganis, Alex Moffat, Alex Wolff, Ana Cruz Kayne, Ana Kayne, Chris Sheffield, David Walton, Dolly Wells, Ellie Reine, Geoffrey Owens, Isaac Powell, Jammie Patton, Jared Gilman, Jim Gaffigan, Juliette Goglia, Kat Foster, Ken Marino, Kiersey Clemons, Mellanie Hubert, Neal Bledsoe, Rachel Sennott

Director: Sophie Kargman

The Dutch Netflix film Happy Ending means well, but its insistence on the heterosexual relationship limits the film’s potential. Centered on the concept of the orgasm gap, it’s understandable to see the main character Luna have difficulty in expressing this to her partner Mink, however, the film doesn’t fully explore their relationship, or even the reasons behind Luna’s hesitation. Because of this, it’s hard to root for their relationship, especially when the third of their threesome Eve proves to be able to rise to the challenge of Luna’s orgasm. Without spoiling too much, the end result feels as unsatisfying as the main relationship.

Genre: Comedy, Drama, Romance

Actor: Claire Bender, Gaite Jansen, Joy Delima, Martijn Lakemeier, Sidar Toksöz, Sinem Kavus

Director: Joosje Duk

With plenty of films disavowing romance, sometimes, at the end of the day, you just want to curl up in bed to a cheesy romcom that earnestly believes in the power of true love. Wedding Games is one such romcom coming from Brazil, where the two lovers try to make their destination beach wedding perfect, despite multiple logistical mishaps along the way. It’s a totally generic wedding day story. It’s lighthearted fluff that doesn’t dive deep and contains all the familiar plot twists and comedic shenanigans, but it looks good and it’s done well. Wedding Games might not be particularly groundbreaking, but it’s not bad.

Genre: Comedy, Romance

Actor: Ana Carbatti, Andre Mattos, Antônio Pitanga, Bruno Jablonski, Cristina Pereira, Dan Ferreira, Dandara Mariana, Estevam Nabote, Evaldo Macarrão, Gabriela Dias, Grace Gianoukas, Jean Pedro, Katiuscia Canoro, Leandro Léo, Lellê, Luellem de Castro, Marcello Melo, Maureen Miranda, Negra Li, Paulo Miklos, Raissa Chaddad, Roney Villela, Serjão Loroza, Stepan Nercessian, Tatiana Tiburcio, Thelmo Fernandes, Vilma Melo, Yuri Marçal, Zeze Motta

Director: Sílvio Guindane