176 Movies Like Star Wars: The Last Jedi (2017) (Page 11)

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As a documentary, The Darkness Within doesn't dig as deep as it probably could have. It doesn't offer a particularly specific account of how La Luz del Mundo has achieved its popularity and what exactly keeps it in power today. However, due to the fact that many church members seem to remain loyal to its corrupt, criminal leaders, a straightforward testimony is also exactly what this film needs to be. In direct, uncompromising detail—but always edited with a solemn respect for the survivors, who get to make their statements without the camera in their face—it lays out the mountain of damning personal experiences that too many La Luz del Mundo have suffered, as the rest of the church has turned a blind eye towards them.

Genre: Crime, Documentary

Director: Carlos Pérez Osorio

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The atmosphere communicated within the title Hurricane Season comes off incredibly clearly on screen: this is a film that just feels humid and full of foreboding for a coming storm, with people feeling all manner of guilt while secluded in their own homes. Cinematographer María Secco's gorgeous colors and brown tones fill the 4:3 aspect ratio nicely, and director Elisa Miller lets events unfold with the stately pace of a long novel. There's something fascinating here about how each new "chapter" or perspective doesn't really lead to more answers, but simply to more anguish closing in from all sides.

So it would be understandable if some may be put off by how unrelentingly dark Hurricane Season is, especially as the trans woman whose death becomes the central event never enjoys the kind of characterization everybody around her gets. Apart from how the film illustrates that discrimination against women, against repressed "taboo" sexuality, and against access to proper reproductive health only threatens to grow under poverty, it can be difficult to grasp what point the movie is trying to make. Social realism certainly has its place in cinema, but the different perspective in this particular film still don't add up to more than the sum of its parts.

Genre: Crime, Drama, Thriller

Actor: Andrés Cordaz, Edgar Treviño, Flor Eduarda Gurrola, Guss Morales, Kat Rigoni, Mónica Martínez​, Norma Reyna, Paloma Alvamar, Rodrigo Corea, Said Sandoval

Director: Elisa Miller

Rating: R

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The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.

Genre: Documentary

Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada

Director: Ramona S. Diaz

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Hipgnosis’s body of work is so rich, brilliant, and recognizable, that it’s hard not to at least sit in awe as they flash by you in this documentary. The accompanying stories behind their creation, sometimes told by Thorgerson and Powell, other times by their musician clients like Jimmy Page and Paul McCartney, are also pleasant and informative enough to paint, in whole, an interesting picture. But apart from the covers themselves, Squaring the Circle doesn’t have much else going for it. The co-founders’ history is too brief and plain to render drama, and their upbringing too upper-class and male to be relatable. A more broad, ambitious goal would’ve been to parallel the history of these artworks with the history of rock music itself, but this niche documentary seems uninterested in explaining itself to outsiders and newcomers. That said, it still serves as a precious account for those familiar with Hipgnosis’ pieces. 

Genre: Documentary, Music

Actor: David Gilmour, Glen Matlock, Graham Gouldman, Jimmy Page, Nick Mason, Noel Gallagher, Paul McCartney, Peter Gabriel, Peter Saville, Robert Plant, Roger Waters

Director: Anton Corbijn

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Right off the bat, Bad Things looks gorgeous. Shot in 16mm, it plays with dreamy pastels and 1970s aesthetics, all while having its all-queer cast roam around the hotel’s haunted halls in mesmerizing ways. The setup is straightforward, but not too obvious: Ruthie’s problems with her girlfriend and her mother are exacerbated by the hotel’s strange and haunted aura. At this point, Bad Things hints at being an arthouse, slasher, and psychological thriller all at once, fueling anticipation for what’s to come. But as it moves along, nothing noteworthy happens. The awkward chase scenes and the overdramatic reveals kill whatever momentum the film has built, but the real problem is that it tries to juggle too many things at once. It’s creepy, but never achieves true-fright status. It’s bloody, but never fully commits to the gore. It’s smart and weird, but never goes beyond answering the very questions it poses. It’s happy to leave a lot of things unanswered, which in turn leaves us all confused, much less satisfied with what we’ve just sat through. 

Genre: Drama, Horror, Thriller

Actor: Annabelle Dexter-Jones, Gayle Rankin, Hari Nef, Jared Abrahamson, Molly Ringwald, Patrick Klein

Director: Stewart Thorndike

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As a story, Bruiser isn't the most tightly written thing in the world, with a somewhat long-winded first half and a conclusion that feels too easy given the complicated things we learn about each character. But at its core, it remains impressively perceptive about how men perform their masculinity as a game of aggression and dominance—even if they feel that they're simply trying to protect the children closest to them. Bruise takes on quite a bit of suspense for a drama, as tempers slowly boil over and everybody involved in this supposed battle over who claims authority over a teenage boy reveals themselves to be right and wrong in equal measure.

Genre: Drama

Actor: Frank Oakley III, Gavin Munn, Jalyn Hall, Jay Santiago, Jonah Bishop-Pirrone, Kiah Alexandria Clingman, Moses Jones, Sarah Bock, Shamier Anderson, Shinelle Azoroh, Trevante Rhodes

Director: Miles Warren

Rating: NR

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Set at a time when humans can travel as far into space as Jupiter, Spaceman looks delightfully retro-futuristic. It’s as if the people and tech of the ‘60s were transported to a faraway future where things like long-haul space flights and nebulous pink clouds exist, and so visually, Spaceman is not tiring to look at. Unfortunately, the same cannot be said about most of the film’s other elements, including its dialogue and story. Jakub is sent to space to collect mysterious ancient dust, but since we never know why he should exactly, it never feels consequential if at all necessary. In fact, this is less about his mission than it is about coming to terms with existential truths like pain, loss, and love. And what better way to confront all that than with a wise primordial arachnid? Now, the idea of a therapy session between a spaceman and a spider sounds intriguing enough, and with strong enough writing, it could fly. But the dialogue is too sparse to be thought-provoking. The main message, that you should appreciate what you have while you have it, is also too simple to carry the weight of this expansive film, especially since we have very few details about the story and character to go on with. But Sandler, Carrey Mulligan (who plays his wife), and even Paul Dano (who voices the spider) do the best with what they can, and if anything, you leave the film stunned by the visuals and moved by their empathetic performances.

Genre: Adventure, Drama, Science Fiction

Actor: Adam Sandler, Carey Mulligan, Isabella Rossellini, Jessica Bechyňová, John Flanders, Kunal Nayyar, Lena Olin, Marian Roden, Mikuláš Čížek, Paul Dano, Sinéad Phelps, Sunny Sandler, Zuzana Stivínová

Director: Johan Renck

Rating: R

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What Black Ice lacks in comprehensive research about the structures that maintain institutionalized racism inside major hockey leagues, it partly makes up for with one painful testimonial after another. This is a documentary that aims for the personal and the emotional over the intellectual—still an effective strategy as the film makes its point through repetition, to show just how commonplace racism is within hockey culture. And though it begins to feel somewhat plain in its execution (and without as much momentum leading into its concluding statements), Black Ice makes for a fiery, impassioned wake-up call especially to Canada's own seemingly "progressive" racial politics.

Genre: Documentary

Actor: Jashvina Shah, P.K. Subban, Sarah Nurse, Willie O'Ree

Director: Hubert Davis

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Sukhee depicts the struggles specific to adult women – the way women are encouraged to sacrifice their identity for the people that they love and to meet certain expectations that feel impossible or contradictory. This isn’t a common topic in film, but it has been portrayed before, with the likes of English Vinglish and Eat, Pray, Love. Sukhee does some things differently, with a fun girl’s out Delhi trip reminiscing over her past and reconnecting with her former self. However, the film loses its way in the second half. With plot elements that feel haphazardly thrown in, including a randomly placed horse race, the film never fully resolves the main issue at the core of the film – the lack of respect towards the housewife role, as well as the way the family needs better stress management skills.

Genre: Comedy, Drama

Actor: Amit Sadh, Chaitannya Choudhry, Dilnaz Irani, Kiran Kumar, Kusha Kapila, Maahi Jain, Shilpa Shetty Kundra, Vinod Nagpal

Director: Sonal Joshi

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In Love and Deep Water is torn between multiple concepts. There’s a murder, sure, and a butler trying to figure out who’s the killer, but there also happens to be a romance plot where the same butler falls in love with the passenger that informs him of their partners’ infidelity. The film also tries to squeeze in comedy with the way the killers try to hide the dead body, the ridiculousness of some passengers, and cheeky but contextless commentary. While the romance is lovely, In Love and Deep Water isn’t the fun and chaotic murder mystery promised, as it drowns itself with interesting ideas that never really fully pans out.

Genre: Comedy, Mystery, Romance, Thriller

Actor: Airi Matsui, Aju Makita, Amane Okayama, Aoi Miyazaki, Hatsunori Hasegawa, Hidekazu Mashima, Ken Mitsuishi, Ken Yasuda, Kento Nagayama, Michiko Tomura, Miyu Hayashida, Nahana, Rinko Kikuchi, Ryo Yoshizawa, Saki Takaoka, Takashi Okabe, Tomu Miyazaki, Yasuomi Sano, Yoh Yoshida, Yoshimasa Kondô, Yuki Izumisawa, Yunho

Director: Yusuke Taki

Rating: R, TV-MA

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A fascinating kernel of certainty is padded out with giddy speculation in this documentary about a pair of unlikely art thieves. The facts are as such: 32 years after a $160 million painting by abstract artist Willem de Kooning was crudely cut from its frame in an Arizona gallery, a trio of small-town antique dealers discovered it in Jerry and Rita Alter’s estate sale. The Thief Collector is less interested in the painting itself  — in fact, it's openly dismissive about its artistic value — and more curious about how it fell into the hands of the mysterious couple, who frequently took exotic trips around the world despite their modest teacher incomes.

There are certainly intriguing questions raised by the Alters’ possession of the painting and compelling evidence that places them as the thieves, but this documentary can’t offer any convincing original theses of its own. It does try, by suggesting that the short stories Jerry wrote — about more thefts and gorier crimes — were thinly disguised autobiographical recollections, but it finds nothing to back these theories up except for a few loosely relevant anecdotes from relatives. With too many what-ifs to go on, it all makes for an intriguing but ultimately unsatisfying deep dive.

Genre: Crime, Documentary, Drama

Actor: Glenn Howerton, Matt Pittenger, Sarah Minnich, Scott Takeda

Director: Allison Otto

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Hallmark is the last place you'd expect to find a low-budget movie that decries excessive automation and advocates for local businesses, but for some reason this is the setting against which Love & Jane's story is told. And the movie doesn't come across as insincere either, as it uses a familiar romcom template to actually encourage its protagonist to grow beyond the romance novels she loves and to engage with her own experiences and emotions. Unfortunately, the rest of the film feels oddly obligatory, including a bland love interest and his half-baked chemistry with the heroine, and the inclusion of Jane Austen herself, who really has nothing to do here.

Genre: Comedy, Romance, TV Movie

Actor: Aadila Dosani, Alison Sweeney, Benjamin Ayres, Corina Bizim, Debbie Podowski, Dreyden Free, Eduardo Britto, John Prowse, Kehli O'Byrne, Kendra Anderson, Lynn Whyte, Matthew Kevin Anderson, Nevin Burkholder, Vivin Oommen, William Vaughan

Director: David Weaver

Rating: G

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Being based on the 1989 Patrick Swayze movie, we weren’t expecting much from the new Road House on Amazon Prime. Like the original, it has fun fight sequences, shot in a way that brings us to the bar itself, and it’s amusing to see actual MMA fighter Conor McGregor acting as an antagonist. However, this adaptation rewrites the main character to be a former UFC fighter, turning the story into something more akin to an outsider cowboy Western rather than a bouncer action drama. It’s not outright terrible, but it just feels uneven, and the cast performances can’t make up for the thinly written characters. It also just doesn’t feel like Road House.

Genre: Action, Thriller

Actor: Arturo Castro, B.K. Cannon, Beau Knapp, Billy Magnussen, Bruce Buffer, Candy Santana, Catfish Jean, Chad Guerrero, Conor McGregor, Craig Ng, Daniel Cormier, Daniela Melchior, Darren Barnet, Dominique Columbus, Gbemisola Ikumelo, Hannah Love Lanier, J. D. Pardo, Jake Gyllenhaal, Jay Hieron, Jessica Williams, Joaquim de Almeida, Joe Ciotti, Jonathan Kowalsky, Kevin Carroll, Lukas Gage, Megan Olivi, Omar Patin, Post Malone, Ruairi Rhodes, Tommy Lentsch, Travis Van Winkle

Director: Doug Liman

Rating: R

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It’s surreal to watch Congrats My Ex, because the Thai production feels inspired by Indian romance films, with its musical numbers, elaborate dance sequences, and maximalist sets and costumes. With both India and Thailand culturally linked for centuries, it’s interesting to see how this film celebrates their commonalities. That being said, this film isn’t too focused on this, on the difficulties of having an intercultural, long distance relationship– it knows that it wants to be an over-the-top wedding rom com. It does overly rely on the standard rom-com tropes, with a dash of slapstick shenanigans, over-the-top wedding dramatics, and one too many reckless driving accidents. It’s still a fun watch for fans of Bella and Bright though, but it’s nothing new.

Genre: Comedy, Romance

Actor: Anahita Bhooshan, Anjana Ghogar, Bright Vachirawit Chivaaree, Darina Boonchu, Mahir Pandhi, Passakorn Ponlaboon, Ranee Campen, Thongchai Thongkanthom, Vachirawit Chivaaree

Director: Prueksa Amaruji

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Better known as a podcast host, Stavros Halkias proves that he does have the writing ability and (the lack of shame and/or pride) to come up with effective jokes from his own perspective. But his momentum just doesn't hold throughout this hour-long special; he starts strong and keeps a coherent train of thought throughout the whole routine, but the latter sections begin to rely on gross-out comedy and potshots at the audience more than anything. Halkias knows who his audience is and he's very fortunate to be able to perform in front of people who seem to be very familiar with his style. But for a wider range of people watching through streaming, his more relaxed style of storytelling may come off as him simply droning on without particularly great timing.

Genre: Comedy

Actor: Stavros Halkias

Director: Ben O'Brien

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