215 Movies Like Spider-Man: No Way Home (2021) (Page 8)

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Based on the short story “God Sees the Truth, But Waits” by Leo Tolstoy, The Woman Who Left is a film about people with nowhere to go. Set in 1990s Philippines, the film follows Horacia, an ex-convict seeking revenge on her former lover who masterminded her unjust 30-year imprisonment. Along the way, she meets various people—a hunchback balut vendor, vagabonds, and an epileptic trans woman, among others—all downtrodden in their own unique ways and united only by their nightly wanderings, with whom Horacia’s true nature is revealed and reconfigured with every encounter.

Lav Diaz’s signature slow cinema minimalism and sharp chiaroscuro lighting allow for a meditative experience, further enhancing the film’s immersive quality. Despite its bleak atmosphere, The Woman Who Left remains hopeful amidst moral quandaries, where things eventually fall into their rightful place, albeit in unexpected ways.

Genre: Drama

Actor: Charo Santos-Concio, John Lloyd Cruz, Kakai Bautista, Lao Rodriguez, Mae Paner, Michael De Mesa, Nonie Buencamino, Shamaine Buencamino

Director: Lav Diaz

The Outfit doesn’t need to do a lot to be as sleek and surprising as it is. In fact, much of the film takes place in a single place while consisting of only a few (albeit memorable) characters. It’s deceptively simple, but the tricks it hides up its sleeves are plentiful and pleasurable. It’s a well-made and even better-performed gangster movie. Led by a quietly powerful Mark Rylance (who plays Leonard, the tailor with hidden depths), the actors are serious enough to lend it gravitas but easygoing enough to make it light on its feet.  

All in all, The Outfit is an agile action film with twists that will keep you at the edge of your seat right till the very end. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Dylan O'Brien, Johnathan McClain, Johnny Flynn, Mark Rylance, Nikki Amuka-Bird, Scoop Wasserstein, Simon Russell Beale, Zoey Deutch

Director: Graham Moore

Rating: R

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If the sheer intensity of The Novice's storytelling can at times feel like it's trying too hard to be in-your-face—rather than authentically disturbed—the ambition of Laura Hadaway's direction is still quite the spectacle to behold. Where some of the film's relationships don't come off as complex as they should be, Hadaway and her team more than makes up for with frantic editing, shallow camera focus, panicked strings as a musical score, and heavy breathing mixed deep into the sound design. There's just something violent about how the movie is put together, as Alex (played by Isabelle Fuhrman) tears herself apart for seemingly no other reason than to prove to herself that she can do it.

Genre: Drama, Thriller

Actor: Al Bernstein, Amy Forsyth, Dilone, Isabelle Fuhrman, Jeni Ross, Jonathan Cherry, Kate Drummond, Nikki Duval, Robert Ifedi

Director: Lauren Hadaway

Rating: R

While most are familiar with Hollywood depictions of the transatlantic slave trade, there were also other countries that depicted this terrible time period, including countries from the African continent. Ethiopian filmmaker Haile Gerima self-funded and self-distributed Sankofa in its initial release, but despite the lack of screens, it still managed to become a landmark classic thankfully restored. Like plenty of films on the topic, Gerima creates a harrowing depiction of the slave owners’ evil, but unlike others, it’s more interested in the difficult dynamics between the enslaved, the ways they sought refuge and freedom in each other, and the inner lives of the community they shared despite the terror, all through Gerima’s striking images and the masterfully mixed soundscape, both in the soundtrack and various accents. It’s not perfect, and it’s definitely not easy to watch, but Sankofa has a distinct vision that needs to be seen.

Genre: Drama, Fantasy, History, Science Fiction

Actor: Afemo Omilami, Alexandra Duah, Kofi Ghanaba, Mutabaruka, Mzuri, Nick Medley, Oyafunmike Ogunlano, Reggie Carter, Reginald Carter

Director: Haile Gerima

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It’s very likely you already know about the fictional character Matilda, a clever but neglected child who discovers she has telekinesis and uses it for good. You may have even grown up watching the 1996 film multiple times, as I have, and secretly tried to move a random object with your mind to see if you somehow shared Matilda’s powers…as I have.

If so, I can assure you that you’ll enjoy the latest Matilda adaptation, aptly called Roald Dahl’s Matilda the Musical on Netflix. It’s pure energy, all bright colors and high-pitched emotions, but not overwhelmingly so. It is also funny and tender, and the techniques it uses to transition and transpose are eye-poppingly inventive. It stars Emma Thompson, once again prosthetic-ed to perfection; Lashana Lynch, a grounding and heartwarming presence; and Alisha Weir, a revelation of a child actor.

Genre: Comedy, Drama, Family, Fantasy, Music

Actor: Alisha Weir, Amanda Lawrence, Andrea Riseborough, Ann Firbank, Bebe Massey, Charlie Hodson-Prior, Emma Thompson, James Dryden, James Laurenson, Katherine Kingsley, Lashana Lynch, Leon Ung, Matt Henry, Meesha Garbett, Noah Leggott, Serrana Su-Ling Bliss, Sindhu Vee, Stephen Graham, Thomas Arnold, Tim Bentinck

Director: Matthew Warchus

Rating: PG

The single-take conceit of this high-camp whodunnit set in the world of competitive hairdressing is not without its knots. Without the charity of a cut, it falls on the screenplay to pull us through the film’s murder mystery in real-time, and the result contains more than a few inorganic segues, despite the cast’s best efforts at smoothing things out. What’s more, when the mystery does eventually unravel, it feels unsatisfying in a way that even a heavy round of conventional editing couldn’t resolve.

And yet, with its very game cast; razor-sharp one-liners; inspired hairdos; Robbie Ryan’s wheeling, smartly perspective-hopping cinematography; and a wry chamber-piece premise — in the midst of a cutthroat contest, a senior stylist is found with his scalp removed — Medusa Deluxe still bristles with passion and wit. It’s abundantly clear that first-time director Thomas Hardiman and his crew are as ostentatiously die-hard about their film as the catty characters are about their hair design, and the sheer force of their enthusiasm is enough to zhuzh up even the plot’s flattest moments. A feature debut doesn’t often come without flaws, but it’s equally as rare for one to be as boldly ambitious or as irreverently fun as this.

Genre: Comedy, Crime, Drama, Mystery, Thriller

Actor: Anita-Joy Uwajeh, Clare Perkins, Darrell D'Silva, Harriet Webb, Heider Ali, John Alan Roberts, Kae Alexander, Kayla Meikle, Lilit Lesser, Luke Pasqualino, Michelle Parker, Nicholas Karimi

Director: Thomas Hardiman

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Swiss filmmaker Alexandre O. Philippe gave us the free-flowing fandom doc The People vs. George Lucas in 2010 and hasn't stopped obsessing over his favorite filmmakers ever since. Can you blame him? Dedicating years of your life to research of the the weird Lynch-verse is a mammoth task, especially since the kernel of his new doc can be found in a single line uttered by the director. At a Q&A in 2001, he said:"There is not a day that goes by that I don't think about The Wizard of Oz," and that was reason enough to conceive of the 1939 Technicolor film as a lens to read Lynch's whole filmography through. Philippe is dedicated beyond measure, which is both an advantage and a disadvantage for the whimsical exploration of such a fascinating body of work deserves complete devotion. Perhaps even bordering on obsession. A wildcard documentary for the Lynchheads, Lynch/Oz includes not only excerpts from shorts, features, and TV he made, but also clips from various appearances. Plus, the six chapters feature different filmmakers and critics who imbue the film with their own interpretation of the enigma that Lynchian cinema is.

Genre: Documentary

Actor: Aaron Moorhead, Amy Nicholson, David Lowery, David Lynch, Jack Paar, Jay Leno, John Waters, Judy Garland, Justin Benson, Karyn Kusama, Rodney Ascher

Director: Alexandre O. Philippe

Nowadays, more people might know the cartoon character Yogi Bear or the saying “It ain’t over ‘till its over,” more than they know Yogi Berra, the larger-than-life baseball player who originated the character and the phrase. But in his prime, Berra was one of the most recognizable faces of major league baseball. He was so beloved that he appeared in countless commercials and effortlessly won the hearts of Americans. It Ain’t Over, however, makes a case about Berra being more than just a public figure and how he was one of the best players of all time. The documentary, which is equal parts stats, archival footage, and anecdotes, is convincing without ever being forceful or desperate about its arguments. Berra’s innate warmth and charm carry over in this biography, regardless of whether he’s telling the stories himself or his friends and family regale us with tales of the icon. You don’t have to know much about baseball to enjoy Berra’s life story unfold; having a basic appreciation of storytelling and kindhearted people will suffice. 

Genre: Documentary

Actor: Billy Crystal, Bob Costas, Derek Jeter, Don Mattingly, Hank Aaron, Jackie Robinson, Johnny Bench, Lindsay Berra, Mariano Rivera, Ron Guidry, Sandy Koufax, Vin Scully, Willie Mays, Willie Randolph, Yogi Berra

Director: Sean Mullin

Rating: PG

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There's a cruelty to In My Mother's Skin that may seem off-putting at first, but one must reckon with the sheer scale of the violence already occurring before these characters are even introduced to us. The Japanese occupation of the Philippines was a particularly vicious period in the country's history; if Filipinos weren't fighting or hiding from their invaders, many of them were trying to maintain a precariously submissive, neutral existence, or they were being turned against each other due to the conflict of war trickling down between the social classes. All these things are implicit throughout Kenneth Dagatan's film, which doesn't try to reenact World War II but capture the total absence of hope during this period.

Dagatan's style of horror insists on a very slow pace, emphasizing every footstep leading to a horrifying reveal, and not just the main scare itself. This choice doesn't always work, especially as certain beats begin to repeat themselves, but the film's incredibly confident visual style fills every moment with an eerie paranoia. Gothic, shadowy interiors, nasty gore, and one opulently costumed fairy make everything perpetually unsettling—gradually forcing us to accept that these contradictions are just the reality of life under war.

Genre: Action, Drama, Fantasy, Horror, Mystery, Thriller, War

Actor: Angeli Bayani, Arnold Reyes, Beauty Gonzalez, Brian Sy, Felicity Kyle Napuli, James Mavie Estrella, Jasmine Curtis-Smith, Ronnie Lazaro

Director: Kenneth Lim Dagatan

Though it doesn't provide a more holistic view of Chinese society even in the context of work and industry, Ascension remains an impressive collection of images that manage to be both awe-inspiring and disconcerting. The film deliberately chooses not to take a stance on any of the things we see on screen, which makes for a uniquely challenging experience for the active viewer; many images that we might initially describe as dystopian here are usually followed by scenes that remind us of the humanity working within these capitalist structures. What you really end up learning from Ascension may be limited in scope, but getting to see modern life presented this way is still a unique opportunity.

Genre: Documentary

Director: Jessica Kingdon

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At times of great societal turmoil, sometimes stars are born, not just to entertain the masses but to challenge the way things are done. Amar Singh Chamkila is one such star, and his music captivated all of Punjab in part due to his brash lyrics. His assassination remains unsolved, but director and co-writer Imtiaz Ali takes the event, and uses it to frame his life– the ways Punjab remembered him after death, the ways Chamkila showed his light as well as the ways he was limited by studio oversight and state censorship. The film isn’t a perfect contemplation of artistic freedom, nor is it the most comprehensive take on the singer’s life, but Ali’s direction challenges the way we view the artist and acutely recognizes the way stardom reveals the society's conflicting desires.

Genre: Drama, Music

Actor: Anjum Batra, Anuraag Arora, Apindereep Singh, Diljit Dosanjh, Kumud Mishra, Mohit Chauhan, Nisha Bano, Parineeti Chopra, Sahiba Bali, Vipin Katyal

Director: Imtiaz Ali

Though it doesn't proceed like most animal/nature-centered documentaries that you've seen, the Oscar-nominated All That Breathes is instantly memorable in the way it de-centers the human perspective from its all-encompassing study of New Delhi, India. The wildlife rescue team that features prominently in this film still only becomes a vessel through which director Shaunak Sen explores the environmental and political hazards being faced by the nation today. It's a movie that definitely challenges you to think for yourself, as any talking heads or on-screen explanations are traded for truly stunning shots of New Delhi as a biome teeming with life among the dirt. For those who want their documentaries unconventional, this is excellent stuff.

Genre: Documentary, Drama

Director: Shaunak Sen

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If you’re familiar with the upscale Chinese restaurant chain owner, or that Chinese boy in old 60s British films, or with his paintings, Aka Mr. Chow might surprise you because they’re one and the same. Born with two names, Zhou Yinghua and Michael Chow, Mr. Chow is just so cool that telling his life story is already interesting. From the tough immigrant experience, living alone as a boy, to his current worldwide success in film, food, and painting, it’s interesting to know that it’s possible. But the documentary dives into it, using the film medium to mirror his own creative style and artistic sensibilities. The film is able to link each of his opinions, not just with his life, but also with the historic changes in his home country. It’s an intriguing approach, if a bit superficial in certain areas, but it’s very entertaining.

Genre: Documentary

Actor: Brian Grazer, Cecilia Zhou, China Chow, Ed Ruscha, Fran Lebowitz, Julian Schnabel, Maximillian Chow, Peter Blake

Director: Nick Hooker

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Funny, refreshing, and heartwarming, You Are So Not Invited to My Bat Mitzvah gives the seminal girlhood film Are You There God? It’s Me Margaret. a Gen Z update. Stacy and her friends are constantly on social media and watch each other for potentially politically incorrect terms, but they also struggle with period pain, crushes, and falling out with former friends. It’s a confusing time in a kid’s life, and  You Are So Not Invited, like Are You There God? before it, honors that. It never condescends, never strays far from the child’s perspective. It’s jubilant and heartwarming, and (to me at least) it’s always fun to see real-life families play themselves in movies. Judd Apatow experimented with this structure in his semi-autobiographical films Knocked Up and This Is 40, which first gave us a glimpse into his daughter Maude Apatow’s acting prowess. I feel You Are So Not Invited will do the same to its young star Sunny Sandler, whose effortlessly funny and charming performance will surely carve a path for a promising career in the future.  

Genre: Comedy, Drama

Actor: Adam Sandler, Allison McKay, Beth Hall, Briana Andrade-Gomes, Bunny Levine, Dan Bulla, Dean Scott Vazquez, Dylan Chloe Dash, Dylan Hoffman, Idina Menzel, Ido Mosseri, Jackie Hoffman, Jackie Sandler, Jean Edwards, Joseph Vecsey, Luis Guzman, Michael Buscemi, Miya Cech, Nigel Downer, Oscar Chark, Sadie Sandler, Samantha Lorraine, Sarah Sherman, Sunny Sandler

Director: Sammi Cohen

Rating: PG-13

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A documentary told entirely through animated avatars can be a hard sell, but instead of playing into the expected jokes, director Joe Hunting takes this digital environment extremely seriously, and that makes all the difference. He doesn't downplay how absurd it is to see what are essentially 3D characters going on dates and having bellydance classes together, and yet Hunting still takes time to emphasize how freeing this virtual existence is for all involved. It's disappointing that the film never addresses the many real concerns people have about purely online relationships (deception, exploitation, and abuse, among others), but as a positive and perhaps overly romanticized view of this new, 21st-century social space, the documentary remains fresh and vital.

Genre: Animation, Documentary

Actor: DragonHeart, Dust Bunny, DylanP, IsYourBoi, Jenny0629

Director: Joe Hunting

Rating: R

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