223 Movies Like Spider-Man: Across the Spider-Verse (2023) (Page 15)

Girl in the Closet is a low-budget TV movie that gives us a peek into the lives of trafficked children, but nothing more beyond that. There is no compelling story or drama; no suspense as to how the children might possibly escape, or rousing speeches about how the system failed these kids. Instead of a real plot, the movie strings together one shocking abuse after the other and constantly jumps forward in time (one year later, five years later, nine months after) in an attempt to rush towards its predictable ending. It would’ve been thoroughly unwatchable if it weren’t for some dedicated performances, namely by Peters and Roman, who give much more than what the flimsy script and loose editing deserve. 

Genre: Drama, TV Movie

Actor: Daijah Peters, Danielle LaRoach, Remy Ma, Stevie Baggs Jr., Tami Roman, Teisha Speight

Director: Jaira Thomas

There's a novel idea at the center of World's First Christmas, but the film's unfortunately takes it through the least interesting route available. There's a rich opportunity here to unpack what the holiday season really means to people, or to poke fun at how this occasion for togetherness and celebration has been co-opted by corporations trying to make a buck. But the film never gets there, running through a series of occasionally funny scenarios only to end up becoming an unconvincing advertisement for Christmas as a consumer holiday. The main gag here is that everyone has been left miserable by the absence of Christmas, which is an idea that falls apart immediately once you start asking even the simplest questions about it.

Genre: Comedy, Drama, Family, Fantasy

Actor: Fabiana Karla, Ígor Jansen, Ingrid Guimarães, Lázaro Ramos, Rafael Infante, Theo Mattos, Wilson Rabelo

Director: Gigi Soares, Susana Garcia

The idea of a true-crime documentary being narrated mostly by the very person who did it should be appealing to fans of the genre, especially those who would rather stay away from non-violent crimes. And Vjeran Tomic is a compelling thief, with his own perspective on the people he tends to steal from and the kind of life he thinks he's owed. But by fixating so intensely on the method to the crime, it eventually loses its appeal—eventually becoming clear that there are so many potentially interesting (and more emotional) perspectives to the story that are being left out. Tomic may be a somewhat morally ambiguous criminal, but his testimonials alone, which are accompanied by mostly corny reenactments, can't carry an entire movie that teases but never fully delves into shady dealings in the world of the fine arts.

Genre: Crime, Documentary

Actor: Vjeran Tomic

Director: Jamie Roberts

Rating: NR

Mae is a hopeless romantic looking for love and more clients for her custom t-shirts. After a meet-cute at the grocery store, she turns to an app called Missed Connections to find him. After they finally meet, Mae realizes he has a connection with someone else. Now determined to make him fall in love with her, she hires him to rebuild her website. As a rom-com, the comedy isn't particularly outstanding or noticeable. The romance, and Mae, are hard to root for, especially when her obsessions go too far, her slut-shaming goes unchecked, and it all lasts for 90% of the film without any real cathartic resolutions. 

Genre: Comedy, Drama, Romance

Actor: Chie Filomeno, JC Santos, Kelvin Miranda, Matet De Leon, Miles Ocampo

Director: Jelise Chung

An interesting premise quickly sputters out in Fool’s Paradise, writer-star Charlie Day’s misfire of a directorial debut. Day plays a down-and-out Charlie Chaplin-esque mute who happens to be a dead ringer for a difficult method actor (also Day) who’s stalling production on a Billy the Kid remake — and so he’s brought in by the movie’s producer (Ray Liotta) to star instead. 

The rest of Fool’s Paradise follows in this vein, as things just happen to Latte Pronto (as he comes to be named). There’s wry satirical potential in this set-up: a lot can be revealed about someone (in this case, the self-serving stars, agents, and directors of Hollywood) by what they project onto a blank slate like Latte. The problem, however, is twofold: Fool’s Paradise doesn’t have anything especially sharp to say about the biz — and, in the absence of clever or indeed funny writing, the film’s weak center is exposed. Day’s wordless performance is understated to a fatal degree; presumably designed to highlight the ridiculousness of the Hollywood players he’s surrounded by, it only shows up the weakness of the material and the unfocusedness of some of the key supporting performances. Maybe the movie would’ve fared better had some of its other characters been silent instead.

Genre: Comedy

Actor: Adrien Brody, Aixa Maldonado, Alanna Ubach, Allison Paige, Andre Hyland, Andrew Leeds, Andrew Santino, Artemis Pebdani, Austin Zajur, Benito Martinez, Brett Wagner, Charles Grisham, Charlie Day, Christine Horn, Common, David Hornsby, Dean Norris, Drew Droege, Edie Falco, Eliza Coleman, Eric VanArsdale, George Lopez, Glenn Howerton, Harry Yi, Helen Geller, Jason Bateman, Jason Sudeikis, Jeremy Chu, Jillian Bell, Jimmi Simpson, John Ales, John Malkovich, Julia Cho, June Carryl, Kate Beckinsale, Katherine McNamara, Ken Jeong, Lance Barber, Leandra Terrazzano, Leonora Pitts, Lindsay Musil, Lisa Schwartz, Luvh Rakhe, Lyndon Smith, Marilyn Giacomazzi, Mary Elizabeth Ellis, Moses Storm, Peter MacKenzie, Ray Liotta, Ricky Wang, Robert Belushi, Romel de Silva, Roy Jenkins, Scott Allen Perry, Scott Pitts, Shane Paul McGhie, Steve Coulter, Steve DeCastro, Talia Tabin, Thomas Vu, Tom Beyer

Director: Charlie Day

Rating: R

It’s got a main character, 10-year-old Tochtli (Miguel Valverde Uribe), with the most unforgettably forgettable idiosyncrasies. The emotional anchor of this whole thing is entirely dependent on our inclination to be protective of children, but it gives surface level characterization of both the young boy and his father Yolcaut (Manuel Garcia-Rulfo). The most interesting thing it almost pulls off is the father trying to reconcile his commitment to his son and to being macho, but it’s barely a chapter in this 2-hour story. It has some potential with the teachings and aphorisms, but it never really leans into it. It fails four different times, never with fireworks.

Genre: Comedy, Drama

Actor: Alfredo Gatica, Daniel Giménez Cacho, Debi Mazar, Manuel Garcia-Rulfo, Mercedes Hernández, Miguel Valverde, Pierre Louis, Raúl Briones, Teresa Ruiz

Director: Manolo Caro

Rating: R

Despite a solid premise that should lead to compelling drama—about men scarred by war and the morally grey inner workings of the police—Confidential Informant devolves into a half-baked thriller that's as dull as its title. Flat direction, a lack of connective tissue between scenes, and an unfortunately visible lack of production resources suck the life out of the script and from the actors' performances. There's clearly a foundation to be built upon here, but the film makes a crucial mistake in trying to have its cake and eat it too: it wants to deliver all the (unsatisfying) thrills of an antihero police procedural, but it just doesn't have the money or the creativity to do this, on top of being a character drama. And so any tension that it tries to build up deflates by the end, its characters nothing but hollow shells, stuck in a story that that never gives them a chance to be anything more interesting.

Genre: Action, Mystery, Thriller

Actor: Arielle Raycene, Dominic Purcell, Erik Valdez, Jon Lindstrom, Kate Bosworth, Meadow Williams, Mel Gibson, Nick Stahl

Director: Michael Oblowitz

Rating: R

From the Ashes is based on the real life fire tragedy, but upon searching, Netflix hasn’t mentioned which exact fire it was talking about. It’s possibly inspired by the 2002 Mecca girls' school fire, with the strict all-girl’s school, the closed gates and unattended cigarette, but the film starts off with a disclaimer saying that the characters and certain aspects of the story are fictional. One would think, with the freedom the film granted itself through fiction, the film would dare to critique certain controversial aspects of the tragedy that needs to be talked about – like the implications of emergency services being hindered due to modesty, or whether the media speculation was fair, or even the lack of safety regulations that the school administration failed to implement. Instead, most of the film plays out like an investigation, seemingly placing blame on fictional students, you know, the victims, for being the reason one fictional student wasn’t able to escape. Sure, it’s all fiction, but this is just not right.

Genre: Drama, Thriller

Actor: Adwaa Fahad, Aisha Al Rifaie, Alshaima'a Tayeb, Darin Al Bayed, Khairia Abu Laban

Director: Khalid Fahad

Christmas is a common setting for romance stories, because it’s obviously the best time to warm up… if you know what we mean. (Warm drinks, sweet treats, and snuggling with loved ones, of course.) Christmas as Usual seems to go along that vein, as Thea brings home her fiancé Jashan to meet the parents, and he tries to impress her family, as these family Christmas romances tend to go. This obviously brings about the relatable romantic troubles that anyone can empathize with, so it’s a bit of a shock when Thea’s Norwegian family treats Jashan so badly that it seems more insidious than good ol’ concern over their daughter. Had the story been approached with more sensitivity, Christmas as Usual would have been outstanding, but its current version never really questions the racism of the Norwegian family, or the passive way Thea just lets it all happen.

Genre: Comedy, Drama, Romance

Actor: Erik Follestad, Ida Ursin-Holm, Jonas Strand Gravli, Kanan Gill, Mads Sjogard Pettersen, Marit Andreassen, Veslemøy Mørkrid

Director: Petter Holmsen