22 Movies Like Spider-Man: Across the Spider-Verse (2023) On Tubi (Page 2)

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Chasing the feel of watching Spider-Man: Across the Spider-Verse ? Here are the movies we recommend you watch right after.

At first glance, one may think that Welcome to Leith is a well thought-out fictional thriller of people’s most unwarranted night terrors. But if you squint real hard, you will come to realize that it portrays a scary reality in which violence, fear, and isolation is prevalent and that it could happen to possibly any town with little to no effort. Nichols and Walker aim to capture this frightening message in hopes of bringing awareness, using white supremacist Craig Cobb’s attempt at taking over the small North Dakotan town to display objectivity in an otherwise touchy subject.

Genre: Crime, Documentary, Thriller

Actor: Craig Cobb

Director: Christopher K. Walker, Michael Beach Nichols

Rating: Not Rated

A very cool documentary about old ladies living in a forbidden zone near Chernobyl. They just came back to their homes in the "stalker zone" few years after the accident and kept living their lives care-free for a staggering 30 years. All of them seem healthy and they love telling jokes. It's a completely different view on this zone and you just find yourself full of admiration for these old ladies for their will and humorous way of living despite the circumstances. Home is home after all.

Genre: Documentary

Director: Anne Bogart, Holly Morris

Rating: Not Rated

Hotel Salvation is a touching movie about a father asking his son for a last wish : let him die in the Holy city of Varanasi. This Indian drama will let you discover a modern Hindu philosophy, the power of the scenic Varanasi and the bonds of family. It faces the question of death in the light, gentle and humorous way that perfectly illustrates the contradiction in question: celebrating life while surrounded by death.

Genre: Comedy, Drama

Actor: Adil Hussain, Anil Rastogi, Geetanjali Kulkarni, Lalit Behl, Navnindra Behl, Palomi Ghosh

Director: Shubhashish Bhutiani

Rating: Not Rated

Escape from Mogadishu follows diplomats from the North and South Korean embassies as they put aside their differences and work together to escape from an outbreak of civil war in Mogadishu, Somalia. Director Ryoo Seung-wan provides thrilling, high-budget action, especially intense car chases and suspenseful escape scenes that pump you with adrenaline and leave you on the edge of your seat. However, the Somali side of the story leaves much to be desired. Only existing to kill or be killed, the depiction of the Somalians is distasteful, and the country it’s set in seen as nothing more than a senseless warzone.

It’s in crafting a political thriller where Ryoo strikes a chord, following the tradition of South Korean films and dramas that question the current South/North relations. It’s also the aspect that pushed this film to win awards, given that it’s based on a true story from the 1991 civil war in Somalia, albeit with blockbuster flair. Sure, it’s a highly fictionalized story, but the political tensions and heightened atmosphere make good entertainment. And, as with all Korean thrillers, you’ll have to get on a certain wavelength of melodrama to be fully on board with the bonkers yet emotional escape.

Genre: Action, Drama, History, Thriller, War

Actor: Ahn Se-ho, Han Chul-woo, Heo Joon-ho, Jeong Man-sik, Jo In-sung, Joo Bo-bi, Kim Jae-hwa, Kim So-jin, Kim Yoon-seok, Koo Kyo-hwan, Lee Jin-hee, Park Kyung-hye, Park Myung-shin, Yoon Kyung-ho, Zo In-sung

Director: Ryoo Seung-wan

Sweetwater has a precious story in its hands, along with a sparkling cast of tried-and-true actors and a generous budget that allows them to go all in with the movie’s 1950s setting. But the parts are far greater than the sum here, because all together, Sweetwater is a mess. It promises to be a biopic about Clifton but fractures into many other things. During its duller parts, it’s a white savior story about basketball owners, and during its more vibrant parts, it’s a snapshot of the Harlem Globetrotters during their humble beginnings. The basketball matches themselves are playful and exciting to watch, but for every game, there is an overdramatic scene that cranks up the notch on sappy music and predictable dialogues. Often, it also feels like director Martin Guigui went to the Green Book School of Anti-prejudice, given his extremely elementary portrayal of racism and his preference for the white characters over the Black characters. Sweetwater isn’t watchable, but it’s a shame that the star of the film had to share the spotlight with less interesting personalities. 

Genre: Drama, History

Actor: Ashani Roberts, Billy Malone, Ca'Ron Jaden Coleman, Cary Elwes, Dahlia Waingort, Delijah McAlpin, Eric Etebari, Eric Roberts, Ernest Harden Jr., Everett Osborne, Gary Clark Jr., Jason Sklar, Jeremy Piven, Jim Caviezel, Jim Meskimen, Kevin Pollak, Mike Starr, Paul Hipp, Preston Galli, Richard Dreyfuss, Robert Ri'chard, Wayne Federman

Director: Martin Guigui

Hallmark is the last place you'd expect to find a low-budget movie that decries excessive automation and advocates for local businesses, but for some reason this is the setting against which Love & Jane's story is told. And the movie doesn't come across as insincere either, as it uses a familiar romcom template to actually encourage its protagonist to grow beyond the romance novels she loves and to engage with her own experiences and emotions. Unfortunately, the rest of the film feels oddly obligatory, including a bland love interest and his half-baked chemistry with the heroine, and the inclusion of Jane Austen herself, who really has nothing to do here.

Genre: Comedy, Romance, TV Movie

Actor: Aadila Dosani, Alison Sweeney, Benjamin Ayres, Corina Bizim, Debbie Podowski, Dreyden Free, Eduardo Britto, John Prowse, Kehli O'Byrne, Kendra Anderson, Lynn Whyte, Matthew Kevin Anderson, Nevin Burkholder, Vivin Oommen, William Vaughan

Director: David Weaver

Rating: G

Despite a solid premise that should lead to compelling drama—about men scarred by war and the morally grey inner workings of the police—Confidential Informant devolves into a half-baked thriller that's as dull as its title. Flat direction, a lack of connective tissue between scenes, and an unfortunately visible lack of production resources suck the life out of the script and from the actors' performances. There's clearly a foundation to be built upon here, but the film makes a crucial mistake in trying to have its cake and eat it too: it wants to deliver all the (unsatisfying) thrills of an antihero police procedural, but it just doesn't have the money or the creativity to do this, on top of being a character drama. And so any tension that it tries to build up deflates by the end, its characters nothing but hollow shells, stuck in a story that that never gives them a chance to be anything more interesting.

Genre: Action, Mystery, Thriller

Actor: Arielle Raycene, Dominic Purcell, Erik Valdez, Jon Lindstrom, Kate Bosworth, Meadow Williams, Mel Gibson, Nick Stahl

Director: Michael Oblowitz

Rating: R