27 Movies Like Spencer (2021) (Page 2)

Whether or not you’re familiar with director Pedro Almodóvar’s body of work, Parallel Mother stands as a gorgeous melodrama, a striking story about motherhood and our ties to the past. On one level, it’s a simple but engaging drama about a misunderstanding that ensues between two women. But on another, it’s a deep dive into a nation’s cruel history, as well as an observation of people’s commitment to never letting that part of themselves go. 

The film references Almodóvar’s past films but it also works as a standalone, a perfect starting point for moviegoers interested in exploring his oeuvre. Of course, Penelope Cruz continues to be a powerhouse, each line delivery an emotional gut punch, while relative newcomer Milena Smit is stirring, a true revelation, as her director calls her.

Genre: Drama

Actor: Adelfa Calvo, Agustín Almodóvar, Aitana Sánchez-Gijón, Ana Peleteiro, Arantxa Aranguren, Carmen Flores, Chema Adeva, Daniela Santiago, Inma Ochoa, Israel Elejalde, José Javier Domínguez, Julieta Serrano, Milena Smit, Penélope Cruz, Rossy de Palma, Trinidad Iglesias

Director: Pedro Almodóvar

Rating: R

Legendary Talking Heads frontman David Byrne returns with this enigmatic stage show, and with Spike Lee in tow, the film reaches for the heights of the iconic concert doc Stop Making Sense. For those unfamiliar, Stop Making Sense directed by Jonathan Demme (Silence of the Lambs) captured the Talking Heads’ invigorating live show in their early eighties prime, and is often considered one of the best concert films of all time.

Now nearly forty years later Byrne attempts a resurrection of that spirit or a form of it given his former bandmates notably absent from the project. His propellant energy is on full display as he goes through the ‘Heads catalog with a backing band that dances in intricately choreographed sequences around him. Most notable, however, is the sparseness of the stage production which brings to mind a dirge-like atmosphere. Byrne’s righteous thrashings against Reagan’s America carry renewed weight in the despondency of the Trump-era. So despite his attempts at optimism, aching futility runs through the heart of the show; most pointed when Byrne sings the famous lines from in Once In A Lifetime: “Same as it ever was. Same as it ever was.”

Genre: Documentary, Drama, Music

Actor: Angie Swan, Bobby Wooten Iii, David Byrne, Jacqueline Acevedo, Mauro Refosco, Tendayi Kuumba

Director: Spike Lee

With its origins as a full-length rock monologue, it's understandable if Tick, Tick... Boom! comes off as overly concerned with its protagonist's personal anxieties and not the larger social and health crises happening right outside his door. But while it really doesn't offer much insight into the AIDS epidemic, or even the art scene of 1990s New York, the helplessness that Jonathan Larson feels in the face of his own inability to save the world comes off as honest expression nonetheless. Andrew Garfield and a strong cast that includes Robin de Jesús and Vanessa Hudgens give purpose and energy to this somewhat messy character study that still manages to land its emotional beats.

Genre: Drama, Music

Actor: Adam Pascal, Alex Lacamoire, Alexandra Shipp, André De Shields, Andrew Garfield, Bebe Neuwirth, Ben Levi Ross, Bernadette Peters, Beth Malone, Bradley Whitford, Brian Stokes Mitchell, Chad Beguelin, Chita Rivera, Christopher Jackson, Chuck Cooper, Danielle Ferland, Danny Burstein, Daphne Rubin-Vega, Eddy Lee, Ehizoje Azeke, Eisa Davis, Elizabeth Chestang, Gizel Jimenez, Howard McGillin, Ilia Jessica Castro, Jeanine Tesori, Jelani Alladin, Joanna Adler, Joel Grey, Joel Perez, Jonathan Larson, Jonathan Marc Sherman, Joshua Henry, Judith Light, Judy Kuhn, Ken Holmes, Laura Benanti, Lin-Manuel Miranda, Marc Shaiman, Mason Versaw, Micaela Diamond, Michaela Jaé Rodriguez, Nick Blaemire, Phillipa Soo, Phylicia Rashād, Renée Elise Goldsberry, Ricardo Zayas, Richard Kind, Robin de Jesús, Roger Bart, Ryan Vasquez, Sheila Tapia, Stephen Schwartz, Stephen Sondheim, Steven Levenson, Tariq Trotter, Tom Kitt, Utkarsh Ambudkar, Vanessa Hudgens, Wilson Jermaine Heredia

Director: Lin-Manuel Miranda

Rating: PG-13

In Last Night in Soho, director Edgar Wright has so much to play with. The old lady character serves an unexpected role, while Ellie (Thomasin McKenzie) faces an interesting morality crisis as she tries to decide who to help at the end of the film. Just as fascinating is the film’s Ghibli-esque premise: we follow a hero going on an adventure far away from home and into a world where it's unclear where reality ends and fantasy begins. However, a lot of the time, it feels like the film was made to serve a big twist that doesn't have enough weight to it. The fantasy is far more intriguing than any tame interaction the film has to offer, so it doesn't feel like it lives up to its potential. But there is one obvious exception: Anya Taylor-Joy’s magnetic presence as Sandie—it’s a presence powerful enough to hold a film together.

Genre: Horror, Mystery, Thriller

Actor: Al Roberts, Alan Ruscoe, Andrew Bicknell, Anya Taylor-Joy, Celeste Dring, Colin Mace, Derek Lea, Diana Rigg, Elizabeth Berrington, Jacqui-Lee Pryce, James Phelps, Jessie Mei Li, Josh Zaré, Katrina Vasilieva, Lati Gbaja, Lisa McGrillis, Margaret Nolan, Matt Smith, Michael Ajao, Michael Jibson, Michael Mears, Oliver Phelps, Paul Brightwell, Pauline McLynn, Rita Tushingham, Sam Claflin, Sam Parks, Synnøve Karlsen, Terence Stamp, Thomasin McKenzie

Director: Edgar Wright

Rating: R

Mike Mills has always had an obsession with childhood and parenthood, often honing in on the beautiful, frustrating, and inevitable mess that comes with them. C’mon C’mon is no exception, but here, Mills blurs the lines between the two even more. Sometimes the kid acts more like an adult, and the adult more like a kid; sometimes the uncle acts as a surrogate mother, and the mother (unsurprisingly) takes on the role of an everywoman, attempting to be breadwinner, caretaker, and friend all at once. 

C’mon C’mon has no allegiances; it simply shows us the dynamics between one family and mirrors what we already know about ours. Shot in black and white, grounded in simple conversations, and interwoven with moving essay excerpts and real interviews, C’mon C’mon feels at once personal and universal; a moving feat of a film.

Genre: Drama

Actor: Artrial Clark, Brandon Rush, Callan Farris, Cooper Jack Rubin, Deborah Strang, Elaine Kagan, Gabby Hoffman, Gaby Hoffmann, Gita Reddy, Jaboukie Young-White, Jenny Eliscu, Joaquin Phoenix, Joseph Bishop, Kate Adams, Keisuke Hoashi, Mahfuzul Islam, Mary Passeri, Molly Webster, Scoot McNairy, Sunni Patterson, Todd D'Amour, Woody Norman

Director: Mike Mills

Rating: R

Joel Coen's minimalist vision of the Scottish play emphasizes that these monstrous acts of hubris and violence are carried out not because of madness or magical prophecy, but out of the rational yet selfish decisions made by grown adults. It's a distinctly character-focused interpretation of Shakespeare that should be insightful for students and fans alike, as Denzel Washington and Frances McDormand lend more sedate performances to what have become two of the grandest characters in theater history. The Tragedy of Macbeth weaken the impact of some of Shakespeare's most famous soliloquies due to the film's more hurried runtime, but it makes for a great tribute nonetheless. Come for the stunningly lit black-and-white sets, stay for the gleefully creepy performance by Kathryn Hunter as the three witches.

Genre: Drama, Fantasy, War

Actor: Alex Hassell, Bertie Carvel, Brendan Gleeson, Brian Thompson, Corey Hawkins, Denzel Washington, Ethan Hutchison, Frances McDormand, Harry Melling, Jacob McCarthy, James Udom, Jefferson Mays, Kathryn Hunter, Kayden Alexander Koshelev, Lucas Barker, Matt Helm, Max Baker, Miles Anderson, Moses Ingram, Nancy Daly, Olivia Washington, Peter Janov, Ralph Ineson, Richard Short, Robert Gilbert, Scott Subiono, Sean Patrick Thomas, Stephen Root, Susan James Berger, Wayne T. Carr

Director: Joel Coen

Romantically pairing up AI with humans is hardly new, and I'm Your Man is aware of that. Instead of spending way too much time explaining the advanced tech that makes the perfect mate possible, the movie zeroes in on its charismatic leads Tom the robot (Dan Stevens) and Alma the indifferent academic (Maren Eggert). Tom is the curious, humanoid automaton who is designed to worship Alma, and Alma is the disillusioned human who is conflicted with the authenticity of her growing feelings for Tom. I'm Your Man is smart and empathetic enough to stay afloat amidst its swirling genres and ethical dilemmas, but it is mostly the chemistry between Tom and Alma that anchors it to the love story that it actually is. 

Genre: Comedy, Drama, Romance, Science Fiction

Actor: Annika Meier, Christoph Glaubacker, Dan Stevens, Falilou Seck, Hans Löw, Henriette Richter-Röhl, Inga Busch, Jürgen Tarrach, Karolin Oesterling, Maren Eggert, Mignon Remé, Monika Oschek, Sandra Hüller, Sebastian Schwarz, Victor Pape-Thies, Wolfgang Hübsch

Director: Maria Schrader

Rating: R

From The Babadook director Jennifer Kent comes another horror, although this one is more about the horrors of humanity. Set in 1825 Tasmania, The Nightingale follows Irish settler Clare as she seeks bloody revenge on the monsters who wronged her and her family. She teams up with an Aboriginal guide named Billy to accomplish her goal.

Because of its often violent and disturbing tone (the film is rated R for its potentially triggering scenes), The Nightingale understandably polarized audiences upon its release. But it's also an excellent conversation piece, best watched with friends or anyone up for a discussion-filled movie night.

Genre: Adventure, Drama, History, Thriller

Actor: Aisling Franciosi, Alan Faulkner, Anthony Phelan, Baykali Ganambarr, Ben McIvor, Charlie Jampijinpa Brown, Charlie Shotwell, Christopher Stollery, Damon Herriman, Eloise Winestock, Ewen Leslie, Harry Greenwood, Huw Higginson, James O'Connell, Luke Carroll, Maggie Blinco, Magnolia Maymuru, Matthew Sunderland, Michael Sheasby, Nathaniel Dean, Sam Claflin, Sam Smith

Director: Jennifer Kent

Rating: R

On his first day of class in the remote village of Lunana, the city teacher Ugyen asks his students what they want to be when they grow up. One of the children, a young boy named Sangay, answers that he aspires to be a teacher “because a teacher touches the future.” Lunana: A Yak in the Classroom, however, subverts this thematic by spending most of its runtime showing how the villagers touch Ugyen’s heart through genuine acts of kindness, forcing him to rethink his long-term dream of becoming a singer in Australia.

Not only does Lunana: A Yak in the Classroom succeed in its heartfelt dramatization of a Gen Z finding his place in the highlands, it also serves as a propagandistic validation of Bhutan’s “happiest country in the world” epithet. In doing so, the film presents the Bhutanese mountains in as breathtakingly picturesque a manner as possible, limning a paradise through the grassy meadows and children’s faces.

Genre: Drama, Family

Actor: Kelden Lhamo Gurung, Kunzang Wangdi, Sherab Dorji, Ugyen Norbu Lhendup

Director: Pawo Choyning Dorji

Rating: Not Rated

Bree (Felicity Huffman) is an uptight transwoman who gets a phone call from her long lost son who is in trouble. She does not tell him she is his father but bails him out of jail and they end up on a long road trip to LA. Bree's high strung conservative personality intersecting with a wild young man and people they meet along the way leads to some comical situations. Felicity Huffman's performance is excellent. It is enjoyable to watch the characters develop over the film.

Genre: Comedy, Drama

Actor: Amy Povich, Andrea James, Bianca Leigh, Burt Young, Calpernia Addams, Carrie Preston, Craig Bockhorn, Danny Burstein, Elizabeth Peña, Elizabeth Peña, Felicity Huffman, Fionnula Flanagan, Forrie J. Smith, Graham Greene, Grant Monohon, Jim Frangione, Jon Budinoff, Kevin Zegers, Maurice Orozco, Paul Borghese, Raynor Scheine, Richard Poe, Stella Maeve, Steve Hurwitz, Teala Dunn, Venida Evans

Director: Duncan Tucker

Rating: R