4 Movies Like Snag (2023)

Staff & contributors

A sincere portrayal of the gritty British working class life through the coming-of-age story of a girl who loves rap music and dancing to it. It features a stunning and powerful performance from newcomer Katie Jarvis who had no acting experience whatsoever, and who was cast in the street after she was spotted fighting. She plays Mia, a 15 year old teenager whose world changes drastically when her mother's new boyfriend (played by Michael Fassbender) turns his eyes to her. Don't watch this movie if you are looking for a no-brainer, definitely do watch it if you are interested in films that realistically portray others' lives and let you into them.

Genre: Drama

Actor: Anthony Geary, Carrie-Ann Savill, Charlotte Collins, Grant Wild, Harry Treadaway, Jack Gordon, Jason Maza, Joanna Horton, Katie Jarvis, Kierston Wareing, Michael Fassbender, Raquel Thomas, Rebecca Griffiths, Sarah Bayes, Sydney Mary Nash, Toyin Ogidi

Director: Andrea Arnold

Rating: Not Rated

, 2022

Stutz is Jonah Hill’s loving tribute to his therapist Phil Stutz, a smart and empathetic man who’s dedicated his entire life to helping people. The conversations between them, deeply personal and vulnerable, are meaningful in themselves, but Stutz also works as a helpful instruction on how to be your best self and as a metanarrative on telling honest stories on a medium as seemingly artificial as film (it is similar to Bo Burnham’s Inside in that way).

Stutz is at once experimental and comforting, a real gem especially for people with an interest in psychoanalysis and alternative psychiatry. It’s at its best when the two men deal with uncomfortable truths in the kindest of ways, and it's sure to be something people will return to often for advice and solace. Fun fact: the documentary was co-produced by Joaquin Phoenix and Rooney Mara.

Genre: Documentary, Drama

Actor: Jonah Hill

Director: Jonah Hill

Rating: R

, 2023

Low-budget but imagination-rich, this singular sci-fi crosses a vintage found-footage aesthetic with an inspired time-travel concept. It’s 1938, and two brilliant sisters — Thomasina (Emma Appleton) and Martha (Stefanie Martini) — have invented a machine that can anticipate future radio and television broadcasts. The device (named Lola) allows them to support themselves with bullseye bets on upcoming horse races, as well as revel in the cultural output of the decades to come. When WW2 strikes, however, Lola takes on life-saving potential.

As with every time-travel story, there’s the domino effect to be considered. Lola ends the Blitz, but its timeline-meddling paves the way for a darker future — chillingly realized by the film’s clever manipulation of real archival footage — and an ideological schism between the sisters. The movie’s tight runtime doesn’t allow for full exploration of this emotional fallout, but the actors fill in the outlines enough to make this flaw less gaping than niggling.

Shot with vintage film cameras, the movie looks like a product of its setting, but it absorbs some of the modernism of the contraption's intercepted broadcasts — and it's this beguiling anachronism (plus its narrative ingenuity) that ultimately win out to make Lola a fascinating sci-fi, despite some tantalizingly unrealized potential. 

Genre: Drama, Science Fiction, War

Actor: Aaron Monaghan, Adolf Hitler, Ayvianna Snow, David Bowie, Emma Appleton, Eva O'Brien, Francesca Brabazon Legge, Franklin D. Roosevelt, Gerald Tyler, Hugh O'Conor, Ian Toner, Joseph P. Kennedy Sr., Lorcan Cranitch, Neil Hannon, Nick Dunning, Oswald Mosley, Richard Elfyn, Rory Fleck Byrne, Stefanie Martini, Theodora Brabazon Legge, Winston Churchill

Director: Andrew Legge

To Catch a Killer feels like a limited series shrunken down to fit a movie’s runtime: its many ideas, though potentially compelling on their own, are so underserved by the breezy treatment here that they lose all value. The film wants to hit every hot button — misogyny in the police force, demagoguery on TV news channels, high-level corruption, white supremacy, and the mental health crisis — but its frantic box-ticking makes it feel like a speed-run of topical issues rather than anything genuinely reflective. 

The characters feel similarly underdeveloped, not least star Shailene Woodley’s, a Clarice Starling wannabe who winds up delivering emotional counseling to the film’s bafflingly motivated serial killer in just one of many implausible scenes. Add to that the cringe-inducing dialogue, which is crammed to bursting point with clunky metaphors, and you can call off the manhunt —  the script is the real killer here.

Genre: Crime, Drama, Mystery, Thriller

Actor: Adam LeBlanc, Alain Chanoine, Alex Gravenstein, Arthur Holden, Ben Mendelsohn, Benz Antoine, Bobby Brown, Chip Chuipka, Christian Jadah, Christian Paul, Christine Rodriguez, Daniel Brochu, Darcy Laurie, Dawn Lambing, Dusan Dukic, Erniel Baez, Frank Schorpion, Heidi Foss, Jason Cavalier, Joan Hart, Jovan Adepo, Karine Dion, Kevin Woodhouse, Lesley Pahl, Leyda Aleyli, Lilou Roy-Lanouette, Luc Morissette, Marcello Bezina, Mark Antony Krupa, Mark Camacho, Mark Day, Martyne Musau, Matt Langton, Maurizio Terrazzano, Michael Cram, Michael Dozier, Nabil Khatib, Nir Guzinski, Patrick Émmanuel Abellard, Patrick Labbé, Paul Ash, Ralph Ineson, Richard Zeman, Rosemary Dunsmore, Sean Tucker, Shailene Woodley, Ted Pluviose, Teneisha Collins

Director: Damián Szifron