8 Movies Like Shazam! Fury of the Gods (2023)

Staff & contributors

, 2023

Who knew that behind the puzzle Tetris lies a political thriller of a backstory that is just as fun and challenging as the game itself? Tetris, the film, is a playful telling of the game behind the game, a surprising account of the otherwise unbelievable events that had to happen in making Tetris available to the masses. 

Between the 8-bit editing, the immensely likable lead, and the cat-and-mouse chase between heroes and villains, there is much to like about the movie. You put it on out of curiosity (how the hell does a brick game have this much back story?) but you stay for the intrigue, the playfulness, and the irresistible urge to see who wins the race.

Genre: Drama, History, Thriller

Actor: Aaron Vodovoz, Anthony Boyle, Ayane Nagabuchi, Ayano Yamamoto, Ben Miles, Dmitriy Sharakois, Greg Kolpakchi, Ieva Andrejevaitė, Igor Grabuzov, Irina Kara, Ken Yamamura, Len Blavatnik, Matthew Marsh, Miles Barrow, Moyo Akandé, Niino Furuhata, Nikita Efremov, Nino Furuhata, Oleg Shtefanko, Rick Yune, Rob Locke, Roger Allam, Sofia Lebedeva, Taron Egerton, Toby Jones, Togo Igawa

Director: Jon S. Baird

When Big Tech and trolls have all but villainized the internet, it's hard to forget that good can come out of it sometimes. But Missing makes a case for its usefulness by making it the sole means by which an 18-year-old tries to find her missing mother. Played by Storm Reid, June Allen is endlessly creative in the digital sphere, which makes sense given she's from a generation that grew up with cutting-edge technology. She makes use of geotrackers, earth cams, and even digital watches to get ahead of the authorities, who for their part, are tied down by legalities and red tape. Missing shows us the potential of the internet, what it can do if used resourcefully and for good, and it's a refreshing take given the (understandably) many films that are fearful of tech. 

Missing embraces all this newness and builds a solid thriller out of it, making it a worthy and possibly seminal entry in the screenlife genre. 

Genre: Drama, Mystery, Thriller

Actor: Amy Landecker, Briana McLean, Daniel Henney, Esteban Dager, Jalil Jay Lynch, Jasmin Savoy Brown, Javier Grajeda, Jill Remez, Joaquim de Almeida, Karina Noelle Castillo, Kelly Stables, Ken Leung, Lisa Yamada, Mauricio Mendoza, Megan Suri, Michael Segovia, Monica Bhatnagar, Nia Long, Rick Chambers, Roy Abramsohn, Scott Menville, Sean O'Bryan, Storm Reid, Thomas Barbusca, Tim Griffin, Tracy Vilar, Wolfie Trausch

Director: Nicholas D. Johnson, Will Merrick

Rating: PG-13

, 2023

Inside is a technical wonder and a fascinating vehicle for Dafoe’s character Nemo, who holds the entire thing together with a singularly insane performance. It also poses interesting questions about art, namely, what value does it hold at the end of the day? When you’re seconds away from dying of hunger and thirst, what good is a painting, a sculpture, a sketch? Are they really only as good as what they’re materially made out of or can they contribute something more? Inside plays with these questions, but unfortunately, not in any engaging, thoughtful, or creative way. The movie stretches on and on, recycling the same ideas and leaning on the inevitably disgusting ways humans survive as a crutch. An argument could be made that that is the point, to reveal the emptiness and dullness of expensive art, but Inside tries so hard to capture that feeling that it becomes the thing it critiques in the end.  

Genre: Drama, Thriller

Actor: Andrew Blumenthal, Eliza Stuyck, Gene Bervoets, Josia Krug, Willem Dafoe

Director: Vasilis Katsoupis

Rating: R

Inspired by the real-life Hepta Group, Phenomena is an entertaining, though familiar supernatural horror comedy. As the three women in the Hepta Group take on a case that took down their leader, Sagrario, Paz, and Gloria can’t help but bite and snap at each other affectionately, even just before conducting a seance. But it’s their chemistry that keeps the predictable plot entertaining. It’s a bit old school, and at times, inconsistent, but the technical aspects are decently executed. Big horror fans and viewers looking for a creepier thrill might not enjoy this lighthearted seance, but it might be a fun watch for viewers new to the genre.

Genre: Comedy, Horror, Thriller

Actor: Antonio Pagudo, Belén Rueda, Emilio Gutiérrez Caba, Gracia Olayo, Ivan Massagué, Jesús Puente, Lorena López, Miren Ibarguren, Óscar Ortuño, Pedro Casablanc, Toni Acosta

Director: Carlos Therón

As a supernatural horror, The Pope’s Exorcist doesn’t bring anything new to the table. It employs more or less the usual elements you’d expect from the genre, and to be fair, it does occasionally fright you with its bloody jumpscares and demonic screeches. But as a drama, the film is surprisingly watchable thanks to a committed and compelling performance from Crowe. The movie works best when it removes itself from its horror trappings and follows Crowe’s Gabriele as he moves through the ins and outs of the Vatican. When he challenges the church’s authority, when he defends his practice, when he inserts jokes in serious conversations because “the devil hates jokes,” these are when The Pope’s Exorcist shines and entertains. They’re also proof the film shouldn’t take itself too seriously when its star is having this much fun. 

Genre: Horror, Thriller

Actor: Alex Essoe, Bianca Bardoe, Cornell John, Daniel Zovatto, Ed White, Ella Cannon, Franco Nero, Laurel Marsden, Matthew Sim, Pablo Raybould, Paloma Bloyd, Peter DeSouza-Feighoney, Ralph Ineson, Russell Crowe, Santi Bayón, Tom Bonington, Victor Solé

Director: Julius Avery

Rating: R

, 2023

Sayen is the kind of film that ultimately feels like it was written by a focus group: ample representation for a worthy cause funneled into the sort of escapism that should theoretically hit the widest demographic possible. But even with its solid production values and a determined performance by Rallen Montenegro, the film lacks the emotional bite that a less corporate-driven project likely would've had. It's not that Sayen comes off insincere about the plight of Indigenous peoples in Chile; it's that its desire to appear sincere stops most of its good ideas halfway. The action isn't particularly thrilling, the story doesn't develop so much as it stretches itself thin, and its supposed representation begins and ends with some terribly obvious—borderline tokenistic—scenes and character types.

Genre: Action, Adventure, Thriller

Actor: Alejandro Trejo, Aron Piper, Eduardo Paxeco, Enrique Arce, Loreto Aravena, Rallén Montenegro, Roberto García Ruiz

Director: Alexander Witt

Playing the lead in an addiction drama has long been shorthand for “I’m a serious actor,” but that’s not something Florence Pugh needs to convince us of, especially not when the drama is as contrived as A Good Person is. Though it has a solid foundation from which to explore worthy subjects — Pugh’s character Allison begins abusing painkillers after accidentally causing the death of two people in a car accident —  writer-director Zach Braff overstuffs the film with too many distractingly histrionic happenings for a compelling reflection on guilt and forgiveness to really emerge.

What’s more, any potential A Good Person has is squandered by the film’s frequent and bizarre tonal swerves from tearjerking sincerity to generational comedy, a jarring effect mimicked by the soundtrack’s wild veering from moody melodies to bright piano music in a single cut. Though Pugh does her customary excellent work here, she’s ultimately undermined by all the overlong, transparently manufactured, and downright whiplash-inducing melodrama around her.

Genre: Drama

Actor: Alex Wolff, Brian Rojas, Celeste O'Connor, Chinaza Uche, Florence Pugh, Jackie Hoffman, Jessie Mueller, Lauren Yaffe, Molly Shannon, Morgan Freeman, Nichelle Hines, Ryann Redmond, Sydney Morton, Toby Onwumere, Victor Cruz, Zoe Lister-Jones

Director: Zach Braff

An interesting premise quickly sputters out in Fool’s Paradise, writer-star Charlie Day’s misfire of a directorial debut. Day plays a down-and-out Charlie Chaplin-esque mute who happens to be a dead ringer for a difficult method actor (also Day) who’s stalling production on a Billy the Kid remake — and so he’s brought in by the movie’s producer (Ray Liotta) to star instead. 

The rest of Fool’s Paradise follows in this vein, as things just happen to Latte Pronto (as he comes to be named). There’s wry satirical potential in this set-up: a lot can be revealed about someone (in this case, the self-serving stars, agents, and directors of Hollywood) by what they project onto a blank slate like Latte. The problem, however, is twofold: Fool’s Paradise doesn’t have anything especially sharp to say about the biz — and, in the absence of clever or indeed funny writing, the film’s weak center is exposed. Day’s wordless performance is understated to a fatal degree; presumably designed to highlight the ridiculousness of the Hollywood players he’s surrounded by, it only shows up the weakness of the material and the unfocusedness of some of the key supporting performances. Maybe the movie would’ve fared better had some of its other characters been silent instead.

Genre: Comedy

Actor: Adrien Brody, Alanna Ubach, Allison Paige, Andre Hyland, Andrew Leeds, Andrew Santino, Artemis Pebdani, Austin Zajur, Benito Martinez, Brett Wagner, Charlie Day, Christine Horn, Common, David Hornsby, Dean Norris, Drew Droege, Edie Falco, Eliza Coleman, George Lopez, Glenn Howerton, Harry Yi, Jason Bateman, Jason Sudeikis, Jeremy Chu, Jillian Bell, Jimmi Simpson, John Ales, John Malkovich, Julia Cho, June Carryl, Kate Beckinsale, Katherine McNamara, Ken Jeong, Lance Barber, Leandra Terrazzano, Leonora Pitts, Lindsay Musil, Lisa Schwartz, Luvh Rakhe, Lyndon Smith, Marilyn Giacomazzi, Mary Elizabeth Ellis, Moses Storm, Peter MacKenzie, Ray Liotta, Robert Belushi, Roy Jenkins, Shane Paul McGhie, Steve Coulter, Steve DeCastro, Tom Beyer

Director: Charlie Day

Rating: R