Being named after the genre, Wu xia, the title replaced in English as Dragon, would understandably follow its conventions with dramatic action in ancient China. The plot roughly follows a typical wuxia thread, where a hidden master is revealed, leading to plenty of exciting adventures, and they seek justice in order to return to a state of peace. But the way Dragon approaches this plot is exciting, as the film mixes in the investigation of a murder mystery, with a determined detective suspecting the master through his knowledge of the body, through an eclectic mix of forensics, medicine, and Qi acupuncture. And as the detective is consistently challenged by the former fighter, it’s clear how difficult it can be to master the body, especially after going through trauma and violence and self-doubt. The threads in the film are familiar, but Dragon understands what makes these threads work, and the way these are woven together makes for a good movie to watch.

Genre: Action, Drama, Thriller

Actor: Donnie Yen, Ethan Juan, Jiang Wu, Jimmy Wang Yu, Kara Wai Ying-Hung, Kenji Tanigaki, Li Jia-Min, Li Xiaoran, Takeshi Kaneshiro, Tang Wei, Wang Chunyuan, Yin Zhusheng, Yu Kang, Zhou Bo

Director: Peter Chan

Rating: R

Fighting with My Family manages to pull off a respectable pro wrestling movie with a lighthearted teen drama slant — a nice change of pace and a victory in itself. Saraya (Florence Pugh) and her family paint the movie with dorky crass jokes, but the film doesn’t seem to tread that line masterfully enough to where we look past her family’s obnoxiousness and find it purely charming instead. But there is more to like here than not: Vince Vaughn as levelheaded NXT coach Hutch Morgan, Dwayne Johnson as himself, and even the blonde girls posse were a little more than just clichés and added a sense of maturity to the portrayal of modern WWE.

Genre: Comedy

Actor: Adam Maxted, Aqueela Zoll, Ashley Darkwood, Bobbi Tyler, Brendon Burns, Charlie Sterling, Chloe Csengery, Christine Ozanne, Chuey Okoye, Ciaran Dowd, David Minton, Dwayne Johnson, Ellie Gonsalves, Elroy Powell, Florence Pugh, Hannah Dodd, Hannah Rae, Jack Gouldbourne, Jack Lowden, James Burrows, Jerome Fleisch, Jerry Lawler, John Cena, John Layfield, Jonathan Jules, Josh Myers, Julia Davis, Julia Hamer-Bevis, Justin Sysum, Kim Matula, Leah Harvey, Lena Headey, Michael Coulthard, Mike Mizanin, Mohammad Amiri, Nick Frost, Olivia Bernstone, Paul Robinson, Paul Wight, Rishi Ghosh, Rod Zapata, Roy Bevis, Samantha Allen, Samantha Alleyne, Saraya-Jade Bevis, Simon Kippen, Simon Musk, Stephen Farrelly, Stephen Merchant, Thea Trinidad, Thomas Whilley, Tori Ellen Ross, Vince Vaughn

Director: Stephen Merchant

Rating: PG-13

Initially, A Revolution on Canvas is about the Nodjoumi family’s quest to retrieve the patriarch’s missing paintings in post-Islamic Revolution Iran. Necessarily, it goes through Nodjoumi’s troubled childhood and shocking life as a resilient revolutionary. But the documentary eventually evolves into a knotty and heartbreaking tale about family, specifically about the sacrifices the partner of a rebel genius like Nodjoumi has to make to let the other shine. Nodjoumi’s daughter, Sara, confronts her father about his absence during their family’s formative years and, more importantly, shines a light on the sacrifices her mother--the artist Nahid Hagigat--had to make to keep them all afloat. The documentary could’ve easily been a straightforward portrait of Nodjoumi, but because it's told through such a specifically intimate lens, it’s elevated into something even more relatable and revealing.

Genre: Documentary

Actor: Nahid Hagigat, Nicky Nodjoumi, Sara Nodjoumi

Director: Sara Nodjoumi, Till Schauder

Rating: NR

For a film made in the mid-90s, by a straight white man in his early 20s, Chasing Amy is startingly smart and sensitive, filled with more relatable moments than anyone would care to admit. Sure, by today’s standards, its exploration of sexuality is questionable at best and cringe-worthy at worst, but it’s also an honest depiction of how an era (and some people still) confront this reality. And for all the important issues it tries to address, like homophobia, racism, and toxic masculinity, it’s also at its core a confectionary romcom. If When Harry Met Sally asks, “Can women and men be friends?”, then Chasing Amy complicates it with a question of its own: “Can a lesbian and a guy who falls in love too quickly be friends?” You may or may not arrive at an answer by the film’s end, but you’ll find much to like in its earnestness and thoughtfulness.

Genre: Comedy, Drama, Romance

Actor: Ben Affleck, Brian O'Halloran, Carmen Llywelyn, Casey Affleck, Dwight Ewell, Ethan Suplee, Guinevere Turner, Jason Lee, Jason Mewes, Joe Quesada, Joey Lauren Adams, Kevin Smith, Matt Damon, Scott Mosier, Welker White

Director: Kevin Smith

Rating: R

Nakedness has been demonized or at least, has been considered inappropriate outside of certain situations. One such situation is the sauna, as the steam and high heat is considered therapeutic, especially in colder regions. In her directorial debut, Anna Hints documents the Estonian smoke sauna, not just as a cultural tradition, but as a sanctuary for women to bare their bodies and their troubles. The women are, of course, naked, but the sauna’s smoke and darkness obscures and keeps identities hidden, focusing on their stories and allowing a glimpse of women’s bodies at their most natural, without the sexualization often placed with the male gaze. Smoke Sauna Sisterhood is a refreshing take, one where plenty of women can finally see themselves in.

Genre: Documentary

Actor: Eda Veeroja, Elsa Saks, Eva Kübar, Kadi Kivilo, Maria Meresaar, Marianne Liiv, Merit Kask

Director: Anna Hints

Upon the first few minutes of Institute Benjamenta, or This Dream People Call Human Life, it’s obvious that the Brothers Quay’s first live-action film is highly unusual. First, it’s entirely black and white, with embellished, serif subtitles translating the initial German. Second, many of the film’s shots take the form of moody, gothic close-ups, reminiscent of 1920s silent films, like when Johannes examines his new pupil’s health, or when Lisa directs Jakob with an animal’s hoof next to his cheek. And third, the plot itself is strange, as the students are taught not to think anything of themselves, with only Jakob questioning their instruction. But there’s a certain beauty in the surreal approach the Brothers Quay takes in adapting the Swiss-German novel, a certain intuitive feel that allows the story to expand past its stilted movement, restrained frames, and the school’s oppressive tutelage. Institute Benjamenta is bizarre, but it’s undeniably a fascinating film, even at its most disturbing.

Genre: Drama

Actor: Alice Krige, César Saratxu, Daniel Smith, Gottfried John, Jonathan Stone, Joseph Alessi, Mark Rylance, Peter Lovstrom, Uri Roodner

Director: Stephen Quay, Timothy Quay

Being released just a year after 9/11, we weren’t expecting The Quiet American to be critical about America’s intervention in the Vietnam War– the original novel was criticized by the country in its initial release, and the previous 1958 film adaptation revamped the entire story for an anti-communist message. Still, while the film could have expanded on Phuong’s perspective, The Quiet American is well made and surprisingly faithful to the book– willing to delve into author Graham Greene’s cautionary tale on exceptionalism and acknowledging how his prediction has happened in reality, all easily understood through the simple, yet effective metaphor of a love triangle.

Genre: Drama, Romance, Thriller, War

Actor: Brendan Fraser, Do Thi Hai Yen, Ferdinand Hoang, George Mangos, Holmes Osborne, Jeff Truman, Kevin Tran, Mathias Mlekuz, Michael Caine, Rade Serbedzija, Robert Stanton, Tzi Ma

Director: Phillip Noyce

Rating: R

As time goes by, the youth doesn’t recognize how connected they are to previous tragedies, more so when it comes to war. Some even say that they have no part in it. Nobuhiko Obayashi’s later years have been preoccupied in countering this idea. Casting Blossoms to the Sky is the first of Obayashi’s anti-war trilogy, with the film inviting its audience to follow a journalist rediscovering the city of Nagaoka after the 2011 Tohoku earthquake. There’s a certain dreamlike approach to the way the various war stories are weaved together, with vibrant frames, simple CGI, and prominent green screen that grants some distance between the audience and the actual wartime reality, but it’s no less potent as Reiko interviews those that remember the scars of the past, and the rituals, practices, and art they’ve taken up in response. Casting Blossoms is a depressing story about war and disaster, one that is a tough one to watch. But it never forgets the humanity, the kindness and love that allowed Japan to recover, the very qualities we must protect and remember in ourselves.

Genre: Drama, Fantasy, War

Actor: Akira Emoto, Bengal, Chōei Takahashi, Hirona Yamazaki, Hiroshi Inuzuka, Kanae Katsuno, Koji Ishikawa, Mansaku Ikeuchi, Masahiro Takashima, Masao Kusakari, Masayuki Yui, Mayuu Kusakari, Minami Inomata, Misako Renbutsu, Naoyuki Morita, Natsuki Harada, Saki Terashima, Seina Suzuki, Shiho Fujimura, Shirô Namiki, Sumiko Fuji, Takahito Hosoyamada, Takashi Sasano, Takehiro Murata, Takuro Atsuki, Tomoko Hoshino, Tōru Shinagawa, Toshie Negishi, Toshinori Omi, Toshio Kakei, Tsurutaro Kataoka, Yasuko Matsuyuki, Yuto Kobayashi

Director: Nobuhiko Obayashi

This is maybe the last Montreal Screwjob documentary the world will ever need, but in other respects, it’s an incredibly insightful look at the increasingly raunchy late ‘90s WWF through the eyes of the straight-laced Bret “The Hitman” Hart. We get insights into his bond with his sadistic dad Stu Hart, his priorities when caught between a WWF and WCW bidding war, and his loyal fans who in crowd interviews can be described as the coherent and smarter section of the audience. But what makes this one of the greatest and most important pro wrestling documentaries of all time is its divine timing, getting into Bret’s headspace talking about his future before leaving WWF, hearing his wonder before any of the unfortunate events shortly after.

Genre: Documentary

Actor: Bob Marella, Bret Hart, Brian James, Brian Lee Harris, Brian Pillman, Charles Warrington, Curt Hennig, Dave Meltzer, Davey Boy Smith, Del Wilkes, Diana Joyce Hart-Smith, Dustin Runnels, Earl Hebner, Edward Ellsworth Annis, Glenn Ruth, Harry Smith, Jim Neidhart, Joe Laurinaitis, Jose Estrada Jr, Juan Rivera, Kevin Nash, Larry Pfohl, Leon White, Marc Mero, Mark Calaway, Mark Canterbury, Michael Hickenbottom, Michael James Hegstrand, Michael Seitz, Mick Foley, Miguel Pérez Jr., Owen Hart, Paul Michael Lévesque, Pierre Clermont, Randy Savage, Rena Marlette Lesnar, Rick Rood, Robert Howard, Roddy Piper, Scott Hall, Shane McMahon, Steve Austin, Stu Hart, Sunny, Ted Turner, Tom Brandi, Vince McMahon, Vince Russo, Wayne Farris

Director: Paul Jay

Dogleg is quite an unusual debut. For starters, the film doesn’t take one straightforward narrative– it shifts into various side stories, from a search for a fiancée's dog conducted via hoverboard, to a period blood spell casted on a Colorado farm, to a crew member being approached rather strangely by two women, to Al’s disastrous shoot, with each section led by a different lead. It is also certainly strange to insert commentary about the film within the film itself, with the lead, and writer-director Al Warren doing the commenting. But this metanarrative is certainly interesting, and funny, and takes unexpected, remarkable turns for a debut feature.

Genre: Comedy

Actor: Al Warren, Angela Trimbur, Bridey Elliott, Courtney Pauroso, David Aaron Baker, DeMorge Brown, Dylan Redford, Ella Smith, Jamie Granato, Kristoffer Borgli, Nick Pinkerton, Sally Mullins

Director: Al Warren

Only a few people in Dita’s house are related by blood, but you wouldn’t know that by how they move. They’re tight-knit but argumentative, loving at times but spiteful in other instances. In other words, they’re complicated just like any other family. Housekeeping for Beginners makes a compelling case for the validity—and at times necessity—of found families like Dita’s, who all found each other after being shunned by their race and sexuality. As in his previous works, Director Goran Stolevski paints a realistic and relevant portrait here, one tinted with striking pain and poignancy, bound to leave your heart aching long after the credits roll.

Genre: Comedy, Drama

Actor: Alina Serban, Anamaria Marinca, Bislim Muçaj, Blagoj Veselinov, Irena Ristić, Mia Mustafa, Rozafa Celaj, Samson Selim, Sara Klimoska, Vladimir Tintor

Director: Goran Stolevski

Rating: R

For better or worse, death strikes us all, fast and unexpectedly. It’s tough enough if the death is caused by ill health or accidents, but when premeditated by another person– it can be easy to lose faith in a higher power. Secret Sunshine depicts a grieving mother trying to start a new life in the countryside, though certain events make it tough to fit in. There’s a well-meaning, long-term bachelor who’s interested in her, though she’s not ready to reciprocate, and there’s townsfolk that would like to invite her to their church, though she’s reluctant to join. There’s curious, gossipy neighbors ready to comment on her every action. Secret Sunshine reveals a darker layer to the countryside towns we retreat to to cope, but it also examines the ways we grieve, cope, and deal with forgiveness, in a community that would prioritize itself at the expense of what's morally right.

Genre: Drama

Actor: Cha Mi-kyeong, Do-yeon Jeon, Go Seo-hee, Jang Hye-jin, Jeon Do-yeon, Jo Young-jin, Kang-ho Song, Kim Jong-soo, Kim Mee-kyeong, Kim Mi-hyang, Kim Min-jae, Kim Yeong-jae, Kim Young-jae, Ko Seo-hie, Lee Dong-yong, Lee Hee-jun, Lee Sung-min, Lee Yoon-hee, Mi-kyung Kim, Oh Man-seok, Park Myeong-shin, Park Myung-shin, Seon Jeong-yeop, Seon Jung-yeop, Song Kang-ho, Yeom Hye-ran, Yeong-jin Jo

Director: Chang-dong Lee, Lee Chang-dong

Rating: Not Rated, NR

Tale as old as time: longform wrestling content catered to a general audience kicks things off with disclaimers and explanations of what pro wrestling really is. But director and producer Barry Blaustein also does a fantastic job as narrator, guiding us with friendly fanboy insights through Terry Funk’s sincere inability to retire, the beginning of Jake Roberts’ self-destruction, Mick Foley’s perceived invincibility, and the cacophony of backstage stories in the late ‘90s that the film strings together. As if all that wasn’t enough, so many oddball and iconic skits (i.e. “I’m not booked, Terry”) push this from great to quintessential.

Genre: Documentary

Actor: Accie Julius Connor, Aurelian Smith Jr., Barry W. Blaustein, Chyna, Darren Drozdov, Dave Meltzer, Dwayne Johnson, Jesse Ventura, Mark Calaway, Michael Cariglio, Michael Manna, Mick Foley, Noelle Foley, Paul Heyman, Scott Levy, Steve Austin, Terry Funk, Tony Jones, Vince McMahon

Director: Barry W. Blaustein

Rating: R

, 2024

Who polices the police? It’s an age-old question that’s nowhere near finding an answer, especially in America where law enforcement is deeply rooted in racism and violence. But this documentary by Yance Ford is a noble and ambitious attempt to answer that. It features multiple scholars who weigh in on the history of America’s police force, which evolved from sheriffs who displaced Native Americans to slave patrols who controlled African Americans and, later on, to troops who broke up protests held by the working class. The documentary is heady with ideas, but sometimes it feels like it’s taking in more than it can tell. The scholars, as cerebral as they are, sound like they’re going in circles the way the film is edited. And though Ford occasionally breaks these talking heads with poetic ruminations of his own, the documentary could benefit from a more focused, personal, and imaginative take. As it is, Power feels more like an informative but flat history lesson, instead of a powerfully moving social film.

Genre: Documentary

Director: Yance Ford

Rating: R

It’s difficult to try to capture the truth of who a person really is, especially when there’s already preconceived notions or previous depictions about said person. Released a year after Capote (2005), Infamous inevitably drew comparisons to the biopic, especially with the stark difference between their tones. It starts off with a more gossipy, idle tone, introducing novelist Truman Capote first through documentary-like interviews, just before Toby Jones as Capote charms his way through droll chatter about some famous people. It seems much more vapid than Philip Seymour Hoffman’s depiction, but much more warm too, making Capote’s tendencies to gab and tell other people’s stories, in part due to fame, but also due to a certain joie de vivre of storytelling, once that inevitably breaks him when he finds the story of what his life could have been. Infamous might not be as acclaimed as its preceding Capote depiction, nor is it more truthful, but it’s certainly a fascinating portrayal of a fascinating man.

Genre: Crime, Drama

Actor: Brady Coleman, Brady Hender, Brent A. McCoy, Brett Brock, Brian Shoop, Daniel Craig, Dennis Letts, Gabriel Folse, Gail Cronauer, Grant James, Gwyneth Paltrow, Hope Davis, Isabella Rossellini, Jeff Daniels, Joey Basham, John Benjamin Hickey, Juliet Stevenson, Lee Pace, Lee Ritchey, Leticia Trejo, Libby Villari, Marco Perella, Michael Panes, Mitch Baker, Norman Bennett, Peter Bogdanovich, Richard Andrew Jones, Richard Dillard, Sandra Bullock, Sheila Bailey, Sigourney Weaver, Toby Jones, Turk Pipkin

Director: Douglas McGrath

Rating: R