89 Movies Like Reservoir Dogs (1992) (Page 2)

This bittersweet film about a father and a daughter marks one of the more tender spots in Claire Denis’ brilliant filmography. Frequent collaborator Alex Descas plays Lionel (the father), while Mati Diop, now a director in her own right, plays Josephine (the daughter.) The film captures the two at a crossroads, with their closely-knit relationship tested as Josephine grows closer to her boyfriend, and Lionel must face the possibility of finally letting her go.

A melancholy lingers in the air as we learn more about their lives and the small community of neighbors and coworkers in their orbit. Meanwhile, the film's climax holds a mesmerizing sequence set to the Commodores’ Nightshift, which has to rank as one of the best needle drops in cinema from a director who already has an all-timer under her belt. (see. Beau Travail)

Genre: Drama

Actor: Adèle Ado, Alex Descas, Djédjé Apali, Ériq Ebouaney, Grégoire Colin, Ingrid Caven, Jean-Christophe Folly, Mati Diop, Nicole Dogué

Director: Claire Denis

Rating: Unrated

La Cérémonie is the kind of thriller you can watch repeatedly and glean new insight from each time. Right from its first scene, there’s something puzzling about the buttoned-up Sophie (Sandrine Bonnaire) that narrows your focus and pulls you in. What’s remarkable is that, even after the secret Sophie's keeping that seems to explain her strangeness is revealed, our intrigue never dips. Director Claude Chabrol and his cast construct a gripping twin character study and biting social commentary around that initial hook, as Sophie finds a kindred spirit in the equally uncanny Jeanne (Isabelle Huppert), who opens her eyes to the slyly patronizing way Sophie’s employers treat her.

The film’s study of class relations is always subtle, never veering into over-pronounced territory. That much is clear from the fact that, although some of Sophie’s employer’s family are quite likable, you still understand the ways they’re inextricably embroiled in the film’s quiet indictment of the power dynamics that rule this lofty mansion. More nuance comes by way of the strikingly nonchalant ways evil is depicted in La Cérémonie — just another example of the movie turning something expected (violence is foreshadowed early on) into something that remains viscerally shocking, no matter how many times you watch it.

Genre: Drama, Thriller

Actor: Christophe Lemoine, David Gabison, Dominique Frot, Isabelle Huppert, Jacqueline Bisset, Jean-François Perrier, Jean-Pierre Cassel, Julien Rochefort, Sandrine Bonnaire, Valentin Merlet, Virginie Ledoyen, Yves Verhoeven

Director: Claude Chabrol

Rating: NR

Everything about This Is Not a Film revolves around state censorship. Documentarian Mojtaba Mirtahmasb records Iranian cinema giant Jafar Panahi’s life under house arrest, maneuvering through the legal loopholes on Panahi’s 20-year ban on filmmaking and screenwriting. Here Panahi describes one of his unmade films that was rejected by the Iranian ministry, creating makeshift sets out of tape and his apartment’s living room, further emphasizing the ridiculousness of the state-imposed limitations on his artistic freedom. The result is a quasi-documentary that functions paradoxically, its un-cinematic quality essential for aesthetics as well as narrative. That this film had to be smuggled from Iran to Cannes on a flash drive hidden inside a birthday cake is a testament to political cinema’s power to be a vessel of pro-democracy sentiments, a fist raised proudly against state censors.

Genre: Documentary, Drama

Actor: Jafar Panahi

Director: Jafar Panahi, Mojtaba Mirtahmasb

Krzysztof Kieślowski’s drama stars Irène Jacob as two identical women living separate lives, and the intricate and indelible ways in which they are bound together. While Weronika, a Polish singer, balances her familial duties and intimate romantic relationship, a French music teacher named Véronique senses that she is not alone.

The Double Life of Véronique’s hypnotic and entrancing qualities will wash over you like a tide crashing over a bed of sand. It is a tough film to capture in words, when so much of it is just beyond words—Kieślowski’s film is one to be seen, sensed, and experienced. 

Genre: Drama, Fantasy, Mystery, Romance

Actor: Alain Frérot, Aleksander Bardini, Bogusława Schubert, Chantal Neuwirth, Claude Duneton, Gilles Gaston-Dreyfus, Guillaume de Tonquédec, Halina Gryglaszewska, Irène Jacob, Janusz Sterninski, Jerzy Gudejko, Kalina Jędrusik, Lorraine Evanoff, Louis Ducreux, Philippe Volter, Sandrine Dumas, Thierry de Carbonnières, Władysław Kowalski, Youssef Hamid

Director: Krzysztof Kieślowski

Rating: R

In a different change of pace, this biopic focuses on John Lennon’s reckless adolescence and family life instead of his soon-to-be iconic music. It brings an epic rockstar many of us have known our entire lives down to a more relatable level. The young Aaron Taylor-Johnston gives a very angsty performance which feels a little over the top at times. Anne-Marie Duff does comes off too flirtatious for a newly formed mother-son relationship but Kristin Scott Thomas outshines them all with her steely demeanor.

Genre: Drama

Actor: Aaron Taylor-Johnson, Andrew Buchan, Angela Walsh, Angelica Jopling, Anne-Marie Duff, Baillie Walsh, Chris Coghill, Colin Tierney, Dan Armour, Daniel Ross, David Morrissey, David Threlfall, Jack McElhone, Josh Bolt, Kerrie Hayes, Kristin Scott Thomas, Lizzie Hopley, Ophelia Lovibond, Paul Ritter, Richard Syms, Richard Tate, Sam Bell, Sam Wilmott, Simon Lowe, Thomas Brodie-Sangster

Director: Sam Taylor-Johnson

Rating: R

Robert Ford is an aspiring gangster who idolizes Jesse James, leader of the notorious James gang. When that admiration reaches a level where it can transform to challenge and resentment, he starts considering the unthinkable. The cast is excellent- Brad Pitt, Casey Affleck, Sam Rockwell, Jeremy Renner, Sam Shepard, Paul Schneider, and Garret Dillahunt. Brad Pitt delivers an amazing performance which truly captures the presence that Jesse James brought to a room, one that seemed to overcome those around him. In addition the soundtrack is superb, one of the most memorable I have ever heard. This is a very unique, thrilling, and well-shot movie, it is easily one of the most underrated films of the past 10 years.

Genre: Action, Drama, Western

Actor: Alison Elliott, Anthony Harrison, Brad Pitt, Brooklynn Proulx, Casey Affleck, Dustin Bollinger, Garret Dillahunt, Hugh Ross, James Carville, James Defelice, Jeremy Renner, Jesse Frechette, Joel McNichol, Kailin See, Laryssa Yanchak, Mary-Louise Parker, Matthew Walker, Michael Copeman, Michael J Rogers, Michael Parks, Nick Cave, Pat Healy, Paul Schneider, Sam Rockwell, Sam Shepard, Sarah Lind, Ted Levine, Tom Aldredge, Zooey Deschanel

Director: Andrew Dominik

Rating: R

To Hollywood's shame, it wasn’t until 1998 that a major feature made by Native American filmmakers was released. It was this charming indie gem that belatedly broke that new ground: based on author Sherman Alexie’s The Lone Ranger and Tonto Fistfight in Heaven, Smoke Signals retains the irreverent humor hinted at in its source material’s title while also being a genuinely heartfelt drama. Set across two cleverly interweaving timelines, it follows the fraught relationship between Victor and Thomas, two young men living on Idaho’s Coeur d’Alene Reservation who are forever linked by tragedy: as a baby, Thomas was saved from the house fire that killed his parents by Victor’s father Arnold (a great Gary Farmer), who soon spiraled into alcoholism and abandoned his young son. When Arnold dies suddenly, then, the duo embark on a perspective-changing road trip to collect his ashes.

Thomas’ nerdy earnestness and happy-go-lucky personality have always gotten on the nerves of the stoic Victor — who’s eaten up by resentment at his father for leaving — but the trip brings the disparate duo together. Though the movie honors their meaningful journey with a serious dramatic focus, it’s also shot through with sharp humor satirizing clichés about Native American people — a tonal complexity that makes it uncommonly accomplished, even without the added value of its all-too-rare perspective.

Genre: Comedy, Drama

Actor: Adam Beach, Cody Lightning, Cynthia Geary, Elaine Miles, Evan Adams, Gary Farmer, Irene Bedard, John Trudell, Michael Greyeyes, Molly Cheek, Perrey Reeves, Robert Miano, Simon Baker, Tantoo Cardinal, Tom Skerritt

Director: Chris Eyre

Rating: PG-13

Satoshi Kon’s Perfect Blue is a chilling psychological thriller and a fantastic next step for those looking to explore anime’s dark side. Kon animates with Hitchcockian flair and is so successful at memorable compositions that Darren Aronofsky even lifted a scene from this into Requiem for a Dream. 

Mima is a pop idol who abandons her singing career to become an actress. Shaken by a series of murders, and a stalker who knows her every move, she begins to lose her grip on reality. The rest is a riveting ride into Mima’s unraveling psyche in the vein of Mulholland Drive or Black Swan. This 1996 film not only anticipates the reality busting thrillers of the early aughts but also presages the way our identities are splintered across the internet.

Genre: Animation, Drama, Thriller

Actor: Akio Suyama, Emi Motoi, Emi Shinohara, Emiko Furukawa, Hideyuki Hori, Jin Yamanoi, Junko Iwao, Kaori Minami, Kishō Taniyama, Kiyoyuki Yanada, Kōichi Tōchika, Masaaki Okura, Masashi Ebara, Megumi Tano, Osamu Hosoi, Rica Matsumoto, Shiho Niiyama, Shin-ichiro Miki, Shin'ichirō Miki, Shinpachi Tsuji, Soichiro Hoshi, Takashi Nagasako, Teiya Ichiryusai, Tōru Furusawa, Yoku Shioya, Yosuke Akimoto, Yousuke Akimoto

Director: Kou Matsuo, Satoshi Kon

Rating: R

By remaining totally committed to its quiet, drama-free, observational style of documentary filmmaking, Mr. Bachmann and His Class ends up teaching us a whole lot about the way we view educational spaces and difficult students as well. While the titular German teacher is mainly there to teach language, the way he patiently handles disagreement and conflict—reorienting the immature or harmful beliefs they may have learned from home or from elsewhere—is truly inspiring to witness. We never see these home lives and the film's director, Maria Speth, knows better than to romanticize anybody in this classroom. But over the film's lengthy runtime, it really begins to feel like we get to know and understand each of these kids, and to root for their ability to change their views and become more open and appreciative towards one another.

Genre: Documentary

Director: Maria Speth

At times looking and sounding like a real Filipino action film from 50 years ago, while painstakingly edited to juggle storylines across several realities, Leonor Will Never Die is worth seeing for its originality and ambition alone. Among so many other films that function as sanitized "love letters to cinema," this one bears the distinction of still feeling charmingly scrappy and improvised even with how meticulously it's crafted. It doesn't simply pine for a bygone era of movies, but it actively explores what purpose movies serve to us as individuals and as communities. Where it arrives with regard to healing and acceptance and bringing people together feels entirely earned, even if it might not always be easy to understand.

Genre: Action, Comedy, Drama, Fantasy

Actor: Anthony Falcon, Bong Cabrera, Martika Ramirez Escobar, Miguel Almendras, Rea Molina, Rocky Salumbides, Ryan Eigenmann, Sheila Francisco, Victor Villanueva

Director: Martika Ramirez Escobar