47 Movies Like Renfield (2023) (Page 3)

Staff & contributors

Chasing the feel of watching Renfield ? Here are the movies we recommend you watch right after.

One wouldn't expect to see Count Dracula's youthful-looking helper at your local 12-step self-help group for people in codependent relationships, but Renfield holds more than one surprise up its sleeve. By translating the working relationship (or master-slave, since the latter doesn't get any pay) into the vocabulary of common relationship counselling parlance, the film actually elevates its symbolic status. Even more, I'd dare call it a hoot. Not that many vampire films have managed to make a proper comedy out of the figure in question, and Renfield with its simplistic appeal puts to shame even the artsy Netflix production El Conde, which also came out earlier this year. With Awkwafina in the mix and iconic lines such as "I don't want your murder cookies", how can you resist?

Weird: The Al Yankovic Story is a parody of a parody, a multilayered confection of silliness that befits the musician it celebrates. It's the origin story of Weird Al Yankovic (Daniel Radcliffe) but with the surreal and satirical levels cranked up to a hundred. It's easy to get lost then, in the movie's freewheeling giddiness, but Radcliffe has a way of grounding the ultra-heightened comedy with his conviction and charm. The movie also doubles as a who's who in the 1980s music and comedy scene, and the unlikely pairings it brings together keep you entertained and nostalgic for a simpler, weirder time.

Genre: Comedy, Crime, Drama, Music

Actor: 'Weird Al' Yankovic, Akiva Schaffer, Andrew Steven Hernandez, Anthony N., Anthony Nanakornpanom, Arturo Castro, Chad Guerrero, Conan O'Brien, Constantine Rousouli, Daniel Radcliffe, David Bloom, David Dastmalchian, Dean Sharpe, Demetri Martin, Diedrich Bader, Dot-Marie Jones, Emo Philips, Eric Appel, Evan Rachel Wood, Gordon Tarpley, Jack Black, Jack Lancaster, James Brown III, James Preston Rogers, Jimmy Walker Jr., Johnny Pemberton, Jonah Ray, Jonah Ray Rodrigues, Jorma Taccone, Josh Groban, Julianne Nicholson, Julie Chang, Keanush Tafreshi, Lin-Manuel Miranda, Michael McKean, Mike Escamilla, Nina West, Paloma Esparza Rabinov, Panuvat Anthony Nanakornpanom, Patton Oswalt, Paul F. Tompkins, Paul Riley Fox, Quinta Brunson, Rainn Wilson, Richard Aaron Anderson, Rocky Abou-Sakher, Scott Aukerman, Seth Green, Spencer Treat Clark, Thomas Lennon, Toby Huss, Tommy O'Brien, Trenyce, Will Forte, William Guirola

Director: Eric Appel

Rating: TV-14

Third World Romance is what it says in the tin– it’s a love story that blooms in the rundown side of the capital of a developing country. The plot is familiar, especially for people familiar with Filipino rom coms, but writer-director Dwein Baltazar approaches this with a grounded approach. With fancy dinner dates substituted with shared packed rice meals and emotional apologies interrupted by their shifts in the grocery, Bree and Alvin carve out a love that still feels passionate, perhaps made even more so, as they navigate a city where they are disenfranchised. Charlie Dizon and Carlo Aquino’s excellent performances keep their characters’ struggles real, but also make their love feel joyful in spite of that.

Genre: Comedy, Romance

Actor: Ana Abad-Santos, Archie Adamos, Carlo Aquino, Charlie Dizon, Donna Cariaga, Gardo Versoza, Iyah Mina, Jun Jun Quintana

Director: Dwein Ruedas Baltazar

After more than six years in the making, The Little Mermaid should be a spectacle for the ages, but even the magic of Rob Marshall (Chicago) and Lin-Manuel Miranda (Hamilton) cannot save the live-action remake. The film feels at once too stunted for an actual musical and too expansive to be just another movie. There's something uncanny, too, in how the humans look underwater and inland so that the wetness of the characters (of all things!) becomes a weirdly icky factor. Not to mention Scuttle the diving bird who looks more like a demonic creature than a feathery companion, or the flat disappointment that is Flounder. If that's the price we must pay for reality, we don't want it.

Genre: Adventure, Family, Fantasy, Music, Romance

Actor: Adrian Christopher, Art Malik, Awkwafina, Christopher Fairbank, Craig Stein, Daveed Diggs, Emily Coates, Halle Bailey, Jacob Tremblay, Javier Bardem, Jessica Alexander, Jodi Benson, John Dagleish, Jon-Scott Clark, Jonah Hauer-King, Jude Akuwudike, Kajsa Mohammar, Karolina Conchet, Leon Cooke, Lorena Andrea, Marcus Hodson, Martina Laird, Melissa McCarthy, Noma Dumezweni, Russell Balogh, Sienna King, Simone Ashley, Sophie Carmen-Jones, Tarik Frimpong, Yasmin Harrison

Director: Rob Marshall

Rating: PG

Champions is as formulaic as it gets, but it’s impossible not to smile watching it. It’s based on a 2018 Spanish movie of the same name, but it feels a lot like the 2023 Korean movie Dream too. In both (and indeed a lot of other) films, we follow a sad sack antihero who, by virtue of being exposed to less fortunate people, is magically transformed into a good guy who gets all the glory he wished for by the end of the story. You know where it’s headed and you even know how it gets there, so it’s devoid of genuine twists and thrills. But the ways in which it gets there, however familiar, are sometimes funny and heartwarming. If you can stomach the cheesiness and predictability of it all, then Champions comes as an effectively hopeful and feel-good film that’s worth tuning into if you want a light laugh. Otherwise, it's all familiar fluff you can skip for better fare.

Genre: Comedy, Drama

Actor: Aaron Hughes, Alex Hintz, Alexandra Castillo, Alicia Johnston, Ashton Gunning, Barbara Pollard, Champ Pederson, Cheech Marin, Clint Allen, Cory Wojcik, Eddy Norman, Ernie Hudson, Heath Vermette, Jacob Blair, Jalen Rose, Jean-Jacques Javier, Joshua Felder, Kaitlin Olson, Kevin Iannucci, Lauren Cochrane, Lois Brothers, Madison Tevlin, Matt Cook, Mike Smith, Ryan DeLong, Ryder Dueck, Scott Van Pelt, Seán Cullen, Stephanie Sy, Vance Halldorson, Woody Harrelson

Director: Bobby Farrelly

Rating: PG-13

Big George Foreman ticks all the boxes of what a biopic should be. It shows us his troubled childhood, his bumpy rise to the top, and his eventual reconciliation with fame and boxing. It’s also nicely shot and polished, an accurately dressed period piece that looks and feels the part. But nothing about the film hits you as particularly new or exciting. Prickly topics like faith and infidelity aren’t so much explored as they are simply covered, and the dialogue sounds like something you’ve heard a thousand times. There’s also a sense that the filmmakers noticed this problem because halfway through, the movie switches into a more lighthearted tone, as if it were suddenly bored of itself. Sure, Big George Foreman is easy to follow and nice to look at, but its formulaic structure fails to distinguish itself from a long and ever-growing line of sports biopics.

Genre: Drama, History

Actor: Al Bernstein, Al Sapienza, Anthony Marble, Austin David Jones, Azaria Carter, Barry Hanley, Bill Martin Williams, Billy Slaughter, Brian Ibsen, Deion Smith, Deneen Tyler, Dwayne L. Barnes, Eric Hanson, Erica Tazel, Forest Whitaker, Greg Wattkis, Jasmine Mathews, John Magaro, Jonathan Mercedes, Joshua Wade, Judd Lormand, Julia Lashae, K. Steele, Kei, Khris Davis, Lara Grice, Lawrence Gilliard Jr., Madison Dirks, Martin Bats Bradford, Matthew Glave, Matthew Rimmer, Michael Harrity, Michael Papajohn, Philip Fornah, Raion Hill, Robert Cicchini, Robert Larriviere, Sam Trammell, Samantha Beaulieu, Shein Mompremier, Sonja Sohn, Sullivan Jones, T.C. Matherne, Tom Virtue, Zephaniah Terry

Director: George Tillman Jr.

Rating: PG-13

, 2023

Set in the quaint city of Burlington, Vermont, Paint is a cute and folksy comedy that has a Wes Anderson-esque charm to it. The characters are dressed in blocked pastels and wooly sweaters, while the protagonist Carl seems stuck in the ‘70s, and not just sartorially, too. He drives a “Vantastic” custom van, swears off cell phones, and manages to incorporate phrases like “far out” in his daily lingo. It all makes for whimsical viewing, but underneath the flair, there’s very little substance holding this picture up. It tells the tale of an aging narcissist who learns the error of his ways when a younger version of himself is hired to aid and eventually replace him. Narratively, it’s familiar and forgettable, and it becomes immediately clear that style is a crutch that the film leans on. It’s funny, at times, thanks to a very likable Wilson and a strong supporting cast (there are occasional laugh-out-loud moments too, like when Carl does the big reveal about his portrait). But ultimately, it’s just too flat to be as special as the art it admires. 

Genre: Comedy, Drama, Romance

Actor: Aidan T.K. Baker, Brit McAdams, Ciara Renée, Colin J. Sweeney, Crystal Tweed, Denny Dillon, Elisabeth Henry-Macari, Elizabeth Loyacano, Evander Duck Jr., Jen Smedley, Joel Leffert, Kristin Hensley, Lucy Freyer, Lusia Strus, Lynda Suarez, Michael Pemberton, Michaela Watkins, Noa Graham, Owen Wilson, Paul Kosopod, Rob Figueroa, Ryan Czerwonko, Ryan Gaul, Sarah Baker, Scott Beehner, Stephen Root, Vin Craig, Wendi McLendon-Covey

Director: Brit McAdams

As a growing number of horror movies are, Influencer is inspired by the fact that we’re increasingly spending our lives in the digital, rather than physical, world. Kurtis David Harder’s film makes some effort to highlight the tension between those two realms: its plot hinges on the idea that vapidly sunny influencer-speak often masks gloomier realities, and suggests that, if your existence is mainly validated through a screen, would anyone really know if something truly dark happened to you?

It’s an interesting premise, to be sure, but Influencer’s critique settles there. Instead of striving for social thriller status by exploring the paradox of social media with any real rigor, the rather broad writing here means it lands as a run-of-the-mill scary movie, one that verges on being a forgettable experience once the credits have rolled. One element saves it from that fate, though: Cassandra Naud, who gives an unnerving performance that brings intriguing psychological depths to the role of CW, the film’s villain. She can only do so much to elevate a script that is shallowly interested in her character, though, meaning Influencer can’t quite transcend its status as a middling social media horror.

Genre: Drama, Horror, Mystery, Thriller

Actor: Cassandra Naud, Emily Tennant, Justin Sams, Paul Spurrier, Rory J. Saper, Sara Canning

Director: Kurtis David Harder

As a supernatural horror, The Pope’s Exorcist doesn’t bring anything new to the table. It employs more or less the usual elements you’d expect from the genre, and to be fair, it does occasionally fright you with its bloody jumpscares and demonic screeches. But as a drama, the film is surprisingly watchable thanks to a committed and compelling performance from Crowe. The movie works best when it removes itself from its horror trappings and follows Crowe’s Gabriele as he moves through the ins and outs of the Vatican. When he challenges the church’s authority, when he defends his practice, when he inserts jokes in serious conversations because “the devil hates jokes,” these are when The Pope’s Exorcist shines and entertains. They’re also proof the film shouldn’t take itself too seriously when its star is having this much fun. 

Genre: Horror, Thriller

Actor: Alessandro Gruttadauria, Alex Essoe, Andrea Dugoni, Bianca Bardoe, Carrie Munro, Cornell John, Daniel Zovatto, Derek Carroll, Ed White, Edward Harper-Jones, Ella Cannon, Franco Nero, Gennaro Diana, Jordi Collet, Laila Barwick, Laurel Marsden, Marc Velasco, Matthew Sim, Pablo Raybould, Paloma Bloyd, Peter DeSouza-Feighoney, Ralph Ineson, Russell Crowe, Ryan O'Grady, Santi Bayón, Tom Bonington, Victor Solé

Director: Julius Avery

Rating: R

Susie Searches begins intriguingly for two reasons: first, there’s the strange disappearance of popular college student Jesse Wilcox (Alex Wolff), and then there’s the fact that that mystery is solved in the film's first 20-ish minutes. With over an hour left of its runtime at this point, Susie Searches seems to suggest Jesse’s disappearance was only a red herring, and that we’re in for something juicier now.

Alas, the rest of the movie — which stars Kiersey Clemons as the titular socially awkward student sleuth who finds Jesse — never lives up to this promise. An encouraging cast list is let down by thin characters; this isn’t true just for the supporting parts played by Rachel Sennott, Jim Gaffigan, Ken Marino, Dolly Wells, and Wolff, but, far more detrimentally to the film, Susie herself. Her motivations are complicated by more than just a desire for the truth, but, despite Clemons’ best efforts, this not-quite Nancy Drew is never all that psychologically compelling or believable. In a film that hinges on big twists revolving around its protagonist, that’s a fatal flaw, because we’re only ever half-invested. Though it may play better with younger audiences, anyone else will likely find its promising cast to be the biggest red herring of all.

Genre: Comedy, Mystery, Thriller

Actor: Aaron Costa Ganis, Alex Moffat, Alex Wolff, Ana Cruz Kayne, Ana Kayne, Chris Sheffield, David Walton, Dolly Wells, Ellie Reine, Geoffrey Owens, Isaac Powell, Jammie Patton, Jared Gilman, Jim Gaffigan, Juliette Goglia, Kat Foster, Ken Marino, Kiersey Clemons, Mellanie Hubert, Neal Bledsoe, Rachel Sennott

Director: Sophie Kargman

This biopic of the little-known Chevalier de Saint-Georges, the world’s first prominent Black classical composer, opens with a fierce indictment of history’s ignorance of its subject. Even if it’s one example of the movie’s dramatic license-taking, the scene — in which the Chevalier (Kelvin Harrison Jr.) challenges his eminent contemporary Mozart to an onstage musical “duel” and easily bests him — is a dramatically thrilling statement of intent for the movie.

Unfortunately, the rest of its overlong runtime doesn’t quite fulfill the promise of that opener. That’s largely because of the writing, which leaves uber-talented performers like Harrison Jr. with only a limited range of notes to play. What’s more, Chevalier stops short of exploring some of the most fascinating facts of its multihyphenate subject’s life — like the role he played in the French Revolution, commanding the first all-Black regiment in Europe — in favor of hewing to a predictable screenwriting formula that demands a romantic element to the plot, even if the one in question is only thinly backed by actual evidence. Still, while some of Chevalier’s filmmaking choices seem to misjudge what makes its subject so interesting, the key facts of his life — his extraordinary skill at music and fencing, the role racism played in blocking his greatest ambitions — still get enough exposure here to make it an enlightening watch.

Genre: Drama, History, Music

Actor: Alec Newman, Alex Fitzalan, Ben Bradshaw, Henry Lloyd-Hughes, Jessica Boone, Jim High, Joseph Prowen, Kelvin Harrison Jr., Lucy Boynton, Marton Csokas, Minnie Driver, Ronkẹ Adékoluẹjo, Sam Barlien, Samara Weaving, Sian Clifford

Director: Stephen Williams

With plenty of films disavowing romance, sometimes, at the end of the day, you just want to curl up in bed to a cheesy romcom that earnestly believes in the power of true love. Wedding Games is one such romcom coming from Brazil, where the two lovers try to make their destination beach wedding perfect, despite multiple logistical mishaps along the way. It’s a totally generic wedding day story. It’s lighthearted fluff that doesn’t dive deep and contains all the familiar plot twists and comedic shenanigans, but it looks good and it’s done well. Wedding Games might not be particularly groundbreaking, but it’s not bad.

Genre: Comedy, Romance

Actor: Ana Carbatti, Andre Mattos, Antônio Pitanga, Bruno Jablonski, Cristina Pereira, Dan Ferreira, Dandara Mariana, Estevam Nabote, Evaldo Macarrão, Gabriela Dias, Grace Gianoukas, Jean Pedro, Katiuscia Canoro, Leandro Léo, Lellê, Luellem de Castro, Marcello Melo, Maureen Miranda, Negra Li, Paulo Miklos, Raissa Chaddad, Roney Villela, Serjão Loroza, Stepan Nercessian, Tatiana Tiburcio, Thelmo Fernandes, Vilma Melo, Yuri Marçal, Zeze Motta

Director: Sílvio Guindane

Surrounded has the bones of a revenge-style Western. It turns the table on the white cowboy hero and gives us (on paper, at least) complex leads in Mo and Tommy. Mo is a young Black woman whose experience as a Buffalo Solider lends her not only the skills of an expert gunslinger but also the anger and motivation to push through any obstacle, while Tommy is the enigmatic thief who Mo reluctantly relies on in her quest for freedom. With all this pent-up tension, the film should work, and it does occasionally thanks to Wright and Bell’s deft performances (Bell is especially exceptional), the stunning mountainous terrains, and the worthy attempts at race and class commentary. But for the most part, the film's ambitions fall flat. The monologues are overlong and too evocative of modern speech to be historically believable. The action scenes, while exciting, only sputter here and there and never gain the momentum the film needs to genuinely thrill. And the thin backstories of Mo and Tommy raise more questions than answers. More often than not, Surrounded looks like a couple of good scenes strewn together on a lousy string; the foundations are off but there’s some enjoyment to be found.

Genre: Action, Drama, Western

Actor: Andrew Pagana, Austin Rising, Brandon Root, Brett Gelman, David Manzanares, Dylan Hice, Jamie Bell, Jeffrey Donovan, Keith Jardine, Kevin Wiggins, Letitia Wright, Luce Rains, Lyle Sandoval, Mark Dalton, Michael Kenneth Williams, Nathaniel Augustson, Peter Diseth, Tatanka Means, Tony Sedillo

Director: Anthony Mandler

Rating: R

To Catch a Killer feels like a limited series shrunken down to fit a movie’s runtime: its many ideas, though potentially compelling on their own, are so underserved by the breezy treatment here that they lose all value. The film wants to hit every hot button — misogyny in the police force, demagoguery on TV news channels, high-level corruption, white supremacy, and the mental health crisis — but its frantic box-ticking makes it feel like a speed-run of topical issues rather than anything genuinely reflective. 

The characters feel similarly underdeveloped, not least star Shailene Woodley’s, a Clarice Starling wannabe who winds up delivering emotional counseling to the film’s bafflingly motivated serial killer in just one of many implausible scenes. Add to that the cringe-inducing dialogue, which is crammed to bursting point with clunky metaphors, and you can call off the manhunt —  the script is the real killer here.

Genre: Crime, Drama, Mystery, Thriller

Actor: Adam LeBlanc, Alain Chanoine, Alex Gravenstein, Arthur Holden, Ben Mendelsohn, Benz Antoine, Bobby Brown, Chip Chuipka, Christian Jadah, Christian Paul, Christine Rodriguez, Daniel Brochu, Darcy Laurie, Dawn Lambing, Dusan Dukic, Erniel Baez, Frank Schorpion, Heidi Foss, Jason Cavalier, Joan Hart, Jovan Adepo, Karine Dion, Kelly Lee, Kevin Woodhouse, Laura Mitchell, Lesley Pahl, Leyda Aleyli, Lilou Roy-Lanouette, Luc Morissette, Marcello Bezina, Mark Antony Krupa, Mark Camacho, Mark Day, Mark Trafford, Martyne Musau, Matt Langton, Maurizio Terrazzano, Michael Cram, Michael Dozier, Nabil Khatib, Nick Walker, Nir Guzinski, Patrick Abellard, Patrick Émmanuel Abellard, Patrick Labbé, Paul Ash, Ralph Ineson, Richard Zeman, Rosemary Dunsmore, Ryan Stick, Sean Tucker, Shailene Woodley, Ted Pluviose, Teneisha Collins

Director: Damián Szifron

Starting out with an ad for the protagonist’s practice, Irugapatru clearly advocates for couples therapy and marriage counseling. Dr. Mitra even recommends it as a preventative measure, not just as a cure. However, this well-meaning objective doesn’t feel like it’s been met. The film showcases common fights and situations that any couple might be familiar with, but these instances come and go without seeing any development within each marriage. It dumps a set of psychology theories and therapeutic strategies that might be useful, but it seems to come out of nowhere. But most of all, these relationships don’t feel real, because the characters themselves don’t feel like people, they feel like examples. Because of this, Irugapatru doesn’t really explore couples therapy, it only prescribes it without recognizing the love that was lost.

Genre: Drama, Family, Romance

Actor: Abarnathi, Manobala, Saniya Iyyappan, Shraddha Srinath, Sri, Vidharth, Vikram Prabhu

Director: Yuvaraj Dhayalan

The suggestion that life gets better if only you stand up for yourself is a helpful one. After all, self-confidence is something young kids could use a lot more of. But it’s also not true, and for Sid to instantly get his dream life once he starts applying himself just doesn’t ring true. Things unfold a little too smoothly and conveniently in this movie, making it less of an actual coming-of-age journey (which is complicated and messy) and more of a young boy’s simpleminded fantasy (that is, idealistic and egotistic). I just don’t buy that Sid, a kid who has been shy and avoidant all his life, gains all the wisdom, courage, and charisma of a hero overnight. And it certainly doesn’t help that everyone in his high school looks like they’ve long graduated from college. Ultimately, Sid is Dead lacks the authenticity to stand out from the wealth of excellent teen dramas we’ve been spoiled with in recent years. 

Genre: Comedy, Drama

Actor: Anjelica Bette Fellini, Aubrey Cleland, Audrey Whitby, Belissa Escobedo, Carla Gallo, Denisea Wilson, Eileen Galindo, Genevieve Hannelius, Helen Hong, Jack Griffo, Joey Bragg, Justin Matthews, Luke Massy, Mary Stuart Masterson, Suraj Partha, Tyler Alvarez

Director: Eli Gonda