15 Movies Like Quiz Lady (2023)

In what is only his second feature, Greek director Christos Nikou crafts a singular universe that is orderly and enticing. The dystopian premise that you can now scientifically test for love may be bizarre, but it answers to one of the biggest anxieties humans share. That said,  this particular world feels so close to ours today, that you want to dive right in it, weirdness and all. Even the topos of the love clinic, where couples get evaluated and take on exercises before they take the test is framed as a space for hope. There's no underlying cynicism in Nikou's film, which is perhaps the most surprising fact about it; on the contrary, longing—however painful it may be—abounds and seeps through the carefully composed images of shared doubt and suspect intimacy. Last, but not least, the chemistry shared by Buckley-Ahmed-White is nothing short of explosive.

Genre: Comedy, Drama, Romance, Science Fiction

Actor: Albert Chung, Amanda Arcuri, Annie Murphy, Ashleigh Rains, Avaah Blackwell, Christian Meer, Clare McConnell, Heather Dicke, Iain Reid, Jeremy Allen White, Jessie Buckley, Jim Armstrong, Jim Watson, Juno Rinaldi, Katy Breier, Luke Wilson, Mish Tam, Nina Kiri, Riz Ahmed, Tameka Griffiths, Tanchay Redvers, Varun Saranga

Director: Christos Nikou

Rating: R

The Royal Hotel sees Hanna (Julia Garner) and Liv (Jessica Henwick) resorting to take up a dire live-in job behind the bar in a remote desert part of Western Australia. Although they're warned that they'd "have to be okay with a little male attention" in the outcast mining town, their financial precarity overrides the potential fear. Curiously enough, the fiction film is based on a real story, already told in the 2016 documentary Hotel Coolgardie by Pete Gleeson, but The Assistant director Kitty Green pulls no punches when representing how suffocating it must feel to be encircled by such unmediated male aggression. The brawls, the spilled beer, the c-word as a greeting all form the unnerving paraphernalia of life then and there. For Australian independent film devotees, there is actor Toby Wallace, who reprises his bad boy role from Babyteeth, and he's joined by the ranks of Herbert Nordrum (The Worst Person in the World) and an utterly terrifying Hugo Weaving (The Matrix).

Genre: Drama, Mystery, Thriller

Actor: Alex Malone, Barbara Lowing, Baykali Ganambarr, Bree Bain, Bruce R. Carter, Daniel Henshall, Herbert Nordrum, Hugo Weaving, James Frecheville, Jessica Henwick, Julia Garner, Kate Cheel, Patrick Frost, Toby Wallace, Ursula Yovich, Valerie Berry

Director: Kitty Green

Rating: R

Kenneth Branagh’s third Hercule Poirot movie does everything it can to divorce itself from the quaintness of a typical Agatha Christie adaptation. Loosely based on the novel Hallowe’en Party, this outing swaps exotic locales for the claustrophobic confines of a gothic Venetian palazzo and flirts outright with horror. The film, shot through more Dutch angles than an Amsterdam maths class has ever seen, uses the genre's visual language to credibly suggest that this mystery might actually have paranormal undertones. Forcing Poirot to reconsider his die-hard loyalty to rational explanations is an interesting twist — it punctures the idea of him as a mystery-solving god and gives the film bigger questions to chew on than whodunnit.

What that does, however, is sap the satisfaction of watching him expertly crack the puzzle, because the movie spends so much time centering Poirot’s crisis of confidence. A Haunting in Venice’s tone switch to serious horror is also at odds with the campily bad accents and mostly overwrought acting from the (much less starry than usual) cast. It’s not the same kind of reliable guilty pleasure we expect these vehicles to be, then, but this outing of Branagh’s Poirot is at least an interesting experiment in expanding these stories' usual limits.

Genre: Crime, Mystery, Thriller

Actor: Ali Khan, Amir El-Masry, Camille Cottin, David Menkin, Emma Laird, Jamie Dornan, Jude Hill, Kelly Reilly, Kenneth Branagh, Kyle Allen, Lorenzo Acquaviva, Michelle Yeoh, Riccardo Scamarcio, Tina Fey, Vanessa Ifediora

Director: Kenneth Branagh

Rating: PG-13

A documentary about the rise and fall of the Enron Corporation, the energy-trading and utilities conglomerate that gained worldwide attention in 2001 upon its headline-grabbing bankruptcy. Detailing the massive amount of fraud and malfeasance committed by the organization’s top executives, the film delves into the many intricate strategies and "special purpose” entities that were manufactured in order to hide enormous losses and debt from shareholders and the general public. It’s a fascinating and distressing examination of hubris and greed, with so many ethical considerations laid aside in the pursuit of financial gain. The film is as pertinent today as it was when it was released in 2005—perhaps even more so in this post-financial collapse era of increased distrust in corporate agendas.

Genre: Documentary

Actor: Al Kaseweter, Amanda Martin-Brock, Andrew Weissmann, Arnold Schwarzenegger, Barbara Boxer, Bethany McLean, Bill Clinton, Carol Coale, David Freeman, Dick Cheney, Gray Davis, Henry Waxman, Jim Chanos, John Beard, Joseph Dunn, Kevin Phillips, Loretta Lynch, Max Eberts, Peter Coyote, Peter Elkind, Philip Hilder, Reggie Dees II, Tim Belden

Director: Alex Gibney

Rating: Not Rated, R

From the director of Once and Sing Street comes Dublin-set Flora and Son, part love letter to music, part not-so-slick advertisement for Apple’s GarageBand. Eve Hewson plays the titular single mother, whose wayward 14-year-old son Max (Orén Kinlan) is one more slip-up away from being sent to youth detention. In an attempt to find an outlet for his unruly teenage energy, she salvages a beat-up guitar, but after he rejects it, there's nothing to do but give it a go herself — cue her belated moment of self-discovery.

Max’s anonymity in the title makes sense, then, because this is much more Flora’s story. However, while Hewson pours energy into the role, she can’t quite transcend the script's limits: Flora’s initial unlikeability (a little too emphatic), and the awkward attempts to roughen up a feel-good story with unconvincingly gritty elements. The film seems aware of audience expectations for a Carney joint, too, so it skips convincing dynamics and fleshed-out supporting characters in its rush to deliver musical setpieces (which never quite reach the catchy heights of Sing Street’s earworms, unfortunately). Still, there's real charm — and some compelling ideas about the magic of music — in here, especially once the film gets past its shaky first third and unabashedly embraces its feel-good heart.

Genre: Comedy, Drama, Music

Actor: Ailbhe Cowley, Aislín McGuckin, Amy Huberman, Don Wycherley, Eve Hewson, Jack Reynor, Joni Mitchell, Joseph Gordon-Levitt, Katy Perry, Keith McErlean, Kelly Thornton, Lionel Richie, Luke Bryan, Marcella Plunkett, Marcus Lamb, Margarita Murphy, Orén Kinlan, Paul Reid, Sophie Vavasseur

Director: John Carney

Rating: R

Nuovo Olimpo is stunning, atmospheric, and the very concept of the film – where lost love intersects with Italian cinema – is an interesting one. Starting the film’s relationship at a specific movie theater feels reminiscent of Cinema Paradiso, especially as Enea’s path mirrors Salvatore becoming a famous director. However, the film doesn’t really dive deep into this concept, nor does it add much to say with its gay romance. There’s something here about the relationship between the creator and the viewer that is undeniably interlinked, and there’s a hope that they can meet in the middle. But when the film doesn’t care about the couple’s individual paths, there are times it feels like it’s just going through the motions.

Genre: Drama, Romance

Actor: Aglaia Mora, Alvise Rigo, Andrea Di Luigi, Aurora Giovinazzo, Damiano Gavino, Eugenio di Fraia, Federico Mancini, Giacomo Colavito, Giacomo Stallone, Giancarlo Commare, Greta Scarano, Loredana Cannata, Luisa Ranieri, Priscilla Drag

Director: Ferzan Özpetek

Rating: R

Pain Hustlers is based on a 2018 New York Times article of the same name exposing a drug company that marketed a fentanyl-based drug. Zanna, the on-screen pharmaceutical start-up, is modelled after Insys: the actual company who pushed a fentanyl-based spray for pain management with the help of sales reps who particularly appeal to a certain male gaze. A DIY scheme of bribing doctors through "speaker programs"—or recurring, debaucherous parties—gets Zanna off the ground, catapulting stripper-turned-manager Liza Drake (Emily Blunt) to a much-yearned financial stability. Together with the coked-up COO (magnificently played by Chris Evans), Liza puts her street smart potential to work; she goes all in, until it all crashes and burns. It's cynical how predictable the plot of such a film can be, mainly because the only character development we see is in Liza's sudden moral spark at the sight of drug abuses and overdoses. Pain Hustlers tries really hard to build a hero, tear her down, and then rehabilitate her status, but to what end? The film ends up using the fentanyl crisis as a narrative drive, a highly dubious move when you're supposed to be spreading awareness. 

Genre: Crime, Drama

Actor: Adrian Eppley, Alex Klein, Amit Shah, Andy Garcia, Aubrey Dollar, Avis-Marie Barnes, Becca Breitfeller, Brian d'Arcy James, Britt Rentschler, Catherine O'Hara, Chloe Coleman, Chris Evans, Emily Blunt, Erin Ownbey, Greyson Chadwick, Jay Duplass, Josh Ventura, Mandi Christine Kerr, Mary Ann Hagan, Michael Kosta, Michael Lowry, Nicholas Christopher McNeil, Omer Mughal, Pat Dortch, Quinn Bozza, Rowan Joseph, Samantha Kacho, Selena Anduze, Sharon Conley, Tris Marie, Valerie LeBlanc, Willie Raysor

Director: David Yates

Rating: R

At least you can't accuse this holiday film of being generic. Combining the incredibly incompatible elements of drug busts and figure skating (and still failing to justify this crazy idea, though not for a lack of trying), Dealing with Christmas eventually begins to feel more like a series of comedy sketches making up the rules as it goes along. This definitely leads to moments of both excitement and effective humor, but its lack of consistency ultimately makes the awkward outweigh the good. Still, the audacity on display is something to be admired, and the film is just well-made enough to keep its constant experiments worth the curiosity.

Genre: Action, Adventure, Comedy, Fantasy

Actor: Alex Lutz, Alice Moitié, Bruno Sanches, Catherine Hosmalin, Élise Hobbé, Eric Judor, Etienne Guillou-Kervern, François Vincentelli, Guy Lecluyse, Jean-Yves Tual, Jonas Dinal, Kim Higelin, Laura Felpin, Lison Daniel, Monsieur Poulpe, Nicky Marbot, Paul Deby, Philippe Lacheau, Ragnar Le Breton, Tom Dingler

Director: Arthur Sanigou

It isn't even just because it's a sequel, but every bit of Your Christmas or Mine 2 seems like it was sourced from other films with more personality, resulting in a stew of holiday tropes driven entirely by contrivances and conflicts that should be more easily resolved. And yet there's something that keeps the film far more tolerable than insufferable, as both Asa Butterfield and Cora Kirk compensate for the artificiality of the drama with authentic emotion. There are funny moments throughout and a decent supporting cast (who are given precious little to do), but all this adds up to a film that still feels like it was meant to be played in the background.

Genre: Comedy, Drama, Romance

Actor: Alex Jennings, Angela Griffin, Anna Behne, Asa Butterfield, Christopher Sherwood, Cora Kirk, Daniel Mays, David Bradley, Jane Krakowski, Karl Markovics, Natalie Gumede, Ram John Holder, Rhea Norwood, Simon Hatzl

Director: Jim O'Hanlon

Rating: PG-13

Whether you enjoy it or not, edgy, offensive comedy has become a legitimate style of its own—which means there's a way to get it right. Matt Rife has confidence and a decent range of tricks to keep his routines dynamic, but far too much of this set is spent simply pointing out different things and people who piss him off, for reasons that he doesn't articulate very well. Insults can be funny if they're cleverly written enough but Rife only ever sounds like he's trying to prove himself to his haters, not through his own creativity but by bragging that he has a Netflix special now. Even for comedians who like to punch down, you have to have some humility; anything less is just a drunken rant.

Genre: Comedy

Actor: Matt Rife

Director: Erik Griffin

Rating: R

There is a clear and wide gap between what Maximum Truth wants to be and what it actually is. What it wants to be is a silly but smart sendup of right-wing activism and the rampant disinformation the movement propels. What it ends up being is an occasionally funny but mostly tiresome film that falls flat thanks to caricature performances and flimsy arguments that essentially work against the film's supposed ideals. In a self-contradictory twist, it actually helps the conservatives it claims to poke fun at by proving just how dumb liberal humor can be. The running gag about Rick being in the closet feels outdated at best and offensive at worst, while Simon being the typical airheaded jock does nothing to subvert the trope. It’s baffling that a film like this could come out in 2023; ultimately it just seems like a terrible waste of everyone’s time. 

Genre: Comedy

Actor: Andrew Friedman, Beth Grant, Blake Anderson, Brandon Wardell, Brenda Koo, Brianna Baker, David Stassen, Dylan O'Brien, Ike Barinholtz, Ithamar Enriquez, Jena Friedman, Jon Barinholtz, Josh Meyers, Kelvin Yu, Kiernan Shipka, Mark Proksch, Matt Corboy, Max Minghella, Mia Serafino, Robert Belushi, Scott MacArthur, Seth Rogen, Sunil Narkar, Tiya Sircar

Director: David Stassen

Rating: R