359 Movies Like Pulp Fiction (1994) (Page 2)

Staff & contributors
From the legendary Hayao Miyazaki, and courtesy of Studio Ghibli, which also brought you Spirited Away, comes this epic whirlwind of a story. Set during a fantastical late Muromachi period, the medieval era of Japan, in a time when many humans were still living among nature, while others set out to conquer and tame it, the movie follows a young man named Ashitaka, who he seeks cure for the curse of a boar god, giving him superhuman powers but eventually killing him. He rides west on a fantastic beast, where he eventually sees a young woman named San, also known as Princess Mononoke. What unfolds from here, is an epic tale of mythical war on many fronts, between the nature gods and humans. While this may sound like a dichotomy, it never is that morally simplistic. The story is action-packed and fast-paced, drawing freely from Japanese mythology as well as modern hot-topic political issues. Add to this the fantastic visuals: Hayao Miyazaki uses a mixture of hand drawings and 3D rendering that are nothing short of spectacular. In short, Princess Mononoke is movie history. If you haven't seen it yet, do it now.

Genre: Adventure, Animation, Fantasy

Actor: Akihiro Miwa, Akira Nagoya, Akira Sakamoto, Alex Fernandez, Billy Bob Thornton, Billy Crudup, Claire Danes, Corey Burton, Daikichi Sugawara, Debi Derryberry, Gillian Anderson, Hisaya Morishige, Ikuko Yamamoto, Jada Pinkett Smith, John DeMita, John DiMaggio, Kaoru Kobayashi, Keith David, Kiho Iinuma, Kimihiro Reizei, Makoto Satō, Masahiko Nishimura, Minnie Driver, Mitsuko Mori, Mitsuru Satô, Shiro Saito, Shirou Saitou, Sumi Shimamoto, Takako Katou, Tara Strong, Tetsu Watanabe, Tsunehiko Kamijo, Tsuzuki Kayako, Yayoi Kazuki, Yôji Matsuda, Yoshimasa Kondô, Youji Matsuda, Yûko Tanaka, Yuriko Ishida

Director: Hayao Miyazaki

Rating: PG-13

From Korean director Park Chan-wook, who also brought you the far quieter The Handmaiden, comes a movie that is positively terrifying. Its premise alone is enough for any sentient human being to shudder. On his daughter's birthday, the good-for-nothing Oh Dae-su (played by Choic Min-sik) gets drunk and is arrested by the police. A friend eventually bails him out and, while he is making a phone call, Oh Dae-su disappears. Not knowing why, he is held in the same room for 15 years for no apparent reason. Until, one day, he is released. That's all that can be revealed about this winner of the Grand Jury Prize at Cannes in 2004 without giving away too much. All we can add here is the way we recommend Oldboy to people admitting to not having seen it yet: “Watch Oldboy. You're welcome. We're sorry.” A crazy, twisted film that goes to extremes. A cult classic and a statement.

Genre: Action, Drama, Mystery, Thriller

Actor: Byeong-ok Kim, Cho Sang-kyung, Choi Jae-sup, Choi Min-sik, Dae-han Ji, Dae-yeon Lee, Han Jae-duk, Heo Myeong-haeng, Hye-jeong Kang, Ji Dae-han, Ji-tae Yu, Jin-Seo Yoon, Jin-seo Yun, Kang Hye-jeong, Kang Hye-jung, Kim Byeong-Ok, Kim Byung-ok, Kim Su-hyun, Kim Yeong-ae, Kwang-rok Oh, Lee Dae-yeon, Lee Seung-shin, Lee Young-hee, Min-sik Choi, Oh Dal-su, Oh Gwang-rok, Oh Kwang-rok, Oh Tae-kyung, Oh Young-joo, Park Jae-Woong, Park Myung-shin, Seo Myeong-Seok, Seung-Shin Lee, Syd Lim, Yoo Il-han, Yoo Ji-tae, Yoo Yeon-seok, Yoon Jin-seo, Yoon Jin-yul, You Il-han

Director: Chan-wook Park, Park Chan-wook

Rating: R

If you don't know much about him or high fashion, don't fret because this intelligent and informative film by Ian Bonhôte and Peter Ettedgui will chaperone you into this world with ease. Simply titled McQueen, this documentary is a poignant portrait of the British fashion icon that goes to great lengths to do him justice. With a reputation for shock tactics and controversy, McQueen grew from humble beginnings in a British council flat with three sisters into a world-famous enfant terrible of the 1990s for his quote unquote unwearable fashion and extravagant shows. Music fans might recognise his designs from Bjork's album Homogenic or the music video to her song Alarm Call. Despite the documentary's scope and depth, this is the type of film that leaves you wanting more and you might find yourself browsing through Wikipedia and YouTube for another hour to stay in the vibe. Alexander McQueen died of suicide in 2010.

Genre: Documentary

Actor: Alexander McQueen, André Leon Talley, Bernard Arnault, Charlie Rose, Detmar Blow |, Grace Jones, Ian Bonhôte, Isabella Blow, Janet Jackson, Jodie Kidd, Joseph Bennett, Kate Moss, Magdalena Frackowiak, Naomi Campbell, Peter Ettedgui

Director: Ian Bonhôte, Peter Ettedgui

Rating: R

, 2017

Named after a slur for people of Asian descent, this 2017 film put Justin Chon on the map as a director. More than that, he also starred as the main lead in this raw and uncompromising period drama about Asian-Americans and the LA riots in 1992. Shot completely in black and white, it tells the story of Eli, a scrawny Korean-American, who runs his family shoe store with his brother, Daniel (David So), in several vignettes. They strike up an unlikely friendship with Kamilla (Simone Baker), a black kid from around the way, whose family is not happy with her hanging out with the two brothers. Amidst the ubiquitous violence in LA at the time, the Rodney King riots as well as a tragic shooting of a black teenager by a Korean convenience store owner, it shines the light on America's intra-minority race relations and the more unseen stories behind them. A topic that has come back to haunt America in the 2020s. The film is fierce as it is funny, harsh as it is playful. Uplifting and unsettling.

Genre: Drama

Actor: Ben Munoz, Curtiss Cook Jr., David So, Isaiah Jarel, Justin Chon, Natalie Sutherland, Omono Okojie, Sang Chon, Simone Baker

Director: Justin Chon

Rating: Unrated

You know you're in for a treat when you see Julia Louis-Dreyfus and James Gandolfini heading the cast of a sweet and slightly goofy comedy. Steadily going beyond his persona in The Sopranos, you see James Gandolfini playing a role that his fans have probably always imagined him playing: a nice, funny guy with an endearing personality. Directed by Nicole Holofcener, Enough Said almost has a sit-com feel to it: a divorced single parent and masseuse, Eva (Louis-Dreyfus), is looked up by a guy, she briefly met at a party, Albert (Gandolfini). Upon finding out they have much in common, the two start dating. At the same time, she meets Marianne (Catherine Keener), who she becomes friends with and who cannot stop talking ill of her apparently awful ex-husband. You guessed it: it's her new, promising date, Albert. Things get muddy and very funny as she starts to doubt, whether she has made a big mistake. Hilarious, romantic, and smart, it's very much like we expected: a real treat.

Genre: Comedy, Drama, Romance

Actor: Amy Landecker, Anjelah Johnson-Reyes, Barry Jenner, Ben Falcone, Catherine Keener, Christopher Nicholas Smith, Eve Hewson, James Gandolfini, Jessica St. Clair, Julia Louis-Dreyfus, Kathleen Rose Perkins, Lennie Loftin, Luke Grakal, Michaela Watkins, Phillip Brock, Rebecca Drysdale, Rick Irwin, Rob Mayes, Rob Steiner, Sarah Burns, Tavi Gevinson, Toby Huss, Toni Collette, Tracey Fairaway

Director: Nicole Holofcener

Rating: PG-13

The apex of Abbas Kiarostami’s monumental filmography, Close-Up is a testament to the late directors’ ingenuity and humanism. Kiarostami documents the real-life trial of a man who impersonated fellow Iranian filmmaker Mohsen Makhmalbaf, and ingratiated himself to a family believing him to be the real deal. The courtroom drama and interviews are fascinating enough, but Kiarostami takes it one step further by having everyone involved reenact the events as they happened.

The result is an unparalleled piece of filmmaking that blurs the boundaries between documentary and narrative while posing vital questions about the exclusivity of cinema and the storytelling process. Despite its sophisticated constructions, Kiarostami’s direction is lucid and direct as it builds to a passionate and unforgettable conclusion.

Genre: Crime, Documentary, Drama

Actor: Abbas Kiarostami, Hossain Farazmand, Hossain Sabzian, Mohsen Makhmalbaf, Monoochehr Ahankhah

Director: Abbas Kiarostami

Miles Teller plays Andrew Nieman, an ambitious young jazz drummer striving for greatness, who is edged towards breaking point by the sadism of his teacher and conductor, Terence Fletcher, played expertly by J.K. Simmons. Fletcher insults him, pressures him, and makes him cry in front of all his peers. Directed by Damien Chazelle, who was one of the youngest people to receive a Golden Globe and an Academy Award for the powerful La La Land, the aptly titled Whiplash poses some intense questions about artistry and ambition. Will Andrew survive? Will it lift him to a higher artistic level? Can his tormentor be appeased through accomplishment? It's almost impossible to single out the best part of this film, considering the flawless performances, masterful script, and meticulously crafted soundtrack. Cherishing the existential artist without giving easy answers, Whiplash is an inspiring watch.

Genre: Drama, Music

Actor: Adrian Burks, April Grace, Austin Stowell, C.J. Vana, Calvin C. Winbush, Charlie Ian, Chris Mulkey, Clifton 'Fou Fou' Eddie, Damon Gupton, Henry G. Sanders, J.K. Simmons, Janet Hoskins, Jayson Blair, Jocelyn Ayanna, Joseph Oliveira, Kavita Patil, Keenan Allen, Keenan Henson, Kofi Siriboe, Marcus Henderson, Max Kasch, Melissa Benoist, Michael D. Cohen, Michelle Ruff, Miles Teller, Nate Lang, Paul Reiser, Rogelio Douglas Jr., Stephen Hsu, Suanne Spoke, Tarik Lowe, Tony Baker, Tyler Kimball, Wendee Lee

Director: Damien Chazelle

Rating: R

Éric Rohmer’s The Green Ray is the kind of film that you come away from being more honest with yourself. That effect is thanks to the contagious directness of its protagonist: Delphine (Marie Rivière), a newly single young French woman whose summer vacation plans have just been unceremoniously upturned after the friend she was going away with takes off with a man instead. Now at a loose end, the indecisive Delphine meanders between her home in Paris and several gorgeous holiday spots, but that old saying — “wherever you go, there you are” — proves true. Neither the beaches of Cherbourg and Biarritz nor the lofty beauty of an Alps resort can soothe her restlessness or give her what she’s looking for, probably because she doesn’t quite know what that is herself.

Delphine’s is an achingly familiar search for anyone who’s ever felt like they’ve drifted off of life’s path, but blessedly, the conversation-driven Green Ray doesn’t leave us wallowing in that despair. That’s partly thanks to its final moments — which rank among cinema’s most stunning — but mostly because Rivière, who improvised much of her incisive dialogue, puts into words things that so many have felt but few would admit. In that sense, The Green Ray feels as much like a miracle as its last shot does.

Genre: Drama, Romance

Actor: Béatrice Romand, Carita Holmström, María Luisa García, Marie Rivière, Rosette, Vincent Gauthier

Director: Éric Rohmer

, 2003

It has become increasingly rare to find films made in Afghanistan, so when a movie like Osama comes along, it becomes nothing short of essential viewing. This is a profoundly depressing but beautifully crafted story of a young girl made to look like a boy so as to go unnoticed by Taliban forces while trying to help her family. It's a simple film wherein this character's budding awareness of her girlhood is set against a terrifying backdrop of violence, abuse, and fundamentalist extremism—all of which director Siddiq Barmak keeps off the screen.

Barmak knows exactly what to point his camera at, covering multiple angles of life in Taliban-controlled Afghanistan without calling attention to himself, and still finding ways to show the smallest shreds of sympathy and support hiding within this society. And in the lead role, a teenage Marina Golbahari delivers a towering, heartbreaking performance that never registers as anything but authentic. The fear that she embodies is almost too real to watch without becoming afraid yourself. Osama is incredibly difficult viewing, but it's a truly valuable work of art that deserves to be preserved.

Genre: Drama

Actor: Arif Herati, Malik Akhlaqi, Marina Golbahari, Zabih ullah Frotan, Zubaida Sahar, مالک اخلاقی

Director: Siddiq Barmak

The movie opens with a guy called Tarzan, saying in a Russian accent: “I called my friend Michel, and I said can I buy a submarine, a used one?” Apparently, two days later he called him back asking: “With, or without missiles?” This should give you a decent idea of how the protagonists of this Tiller-Russell-directed documentary roll. Operation Odessa is the crazy true story of how the FBI, Pablo Escobar, and the Russian Mafia were played by three criminal outsiders in a $35 million submarine deal. Strictly speaking, it belongs in the true crime documentary genre, but it can also be treated as a real-life black comedy. The protagonists are so audacious, it is hard to believe that most of this story is true. The submarine deal story is only the tip of the iceberg here. Crazy, funny, and just really well done!

Genre: Documentary

Actor: Juan Almeida, Kristy Galeota, Ludwig Fainberg, Nelson Tony Yester, Richard Gregorie, Tony Galeota

Director: Tiller Russell

Rating: TV-MA

This tender, autobiographical coming-of-age story about a working class family in post-war Liverpool is Terence Davies’ masterpiece—evoking memories through a series of loosely connected scenes that highlight the joys and woes of growing up. It is comprised of two films shot two years apart. The first details the tribulations of a young family surviving an abusive father in the ‘40s. The second part follows the kids grown up and finding their way in the ‘50s, and the influence of music and cinema on their lives. Davies uses a series of beautifully composed tableaux to tell the tale, which bring the setting and the characters intimately to life. Distant Voices, Still Lives is regarded as one of the greatest British films of all-time.

Genre: Drama, Music

Actor: Alan Bird, Andrew Schofield, Angela Walsh, Anne Dyson, Bill Moores, Carl Chase, Chris Darwin, Dean Williams, Freda Dowie, Ina Clough, Jean Boht, John Michie, Lorraine Ashbourne, Matthew Long, Michael Starke, Nathan Walsh, Pauline Quirke, Pete Postlethwaite, Roy Ford, Sally Davies, Susan Flanagan

Director: Terence Davies

The last work by legendary American director John Huston is this exquisitely rendered adaptation of a James Joyce short story. The Dead is nestled inside an intimate festive dinner shared by the family and close friends of the Morkan sisters, two well-to-do elderly spinsters living in Dublin in 1904. The film is a family affair in more ways than just that, too: for Huston’s final feature, son Tony wrote the script and daughter Anjelica (as Gretta) was its star.

As with so many end-of-year gatherings, the prevailing mood of the dinner is one of sentimental nostalgia, as the hosts and their guests swap memories, toast each other, and tearily reminisce about the way things were. Anjelica Huston’s performance is also a quiet architect of that atmosphere, as Gretta slips in and out of dreamy reveries throughout the evening to the puzzlement of her husband Gabriel (Donal McCann) — something that surges to the fore in an astonishingly moving final revelation. Huston directed the film on his proverbial deathbed, which infuses it with significance — but, even if it wasn’t the capstone to his illustrious career, The Dead would still stand as one of the finest treatments of mortality and longing ever committed to the screen.

Genre: Drama

Actor: Anjelica Huston, Bairbre Dowling, Brendan Dillon, Cathleen Delany, Colm Meaney, Dan O'Herlihy, Donal Donnelly, Donal McCann, Helena Carroll, Ingrid Craigie, Kate O'Toole, Maria McDermottroe, Marie Kean, Paul Grant, Rachael Dowling, Sean McClory

Director: John Huston

Many films have tried to decipher the indecipherable bond between mothers and daughters. Lady Bird, Everything Everywhere All at Once, and Turning Red, to name a few, center on this particular relationship, which to outsiders may seem strange at best and dysfunctional at worst. How can mothers yell at their daughters one second and coddle them the next? How can daughters treat mothers like their best friend and enemy all at once? One of the best films to explore this complexity is Petite Maman, a fantasy-like film that brings together mother and daughter in a unique situation, forcing them both to regard the other in otherwise impossible ways. It succeeds where others haven’t precisely because it accepts that this relationship is beyond dissecting, and the only way to honor it is in the poignant, poetic, and otherworldly way that it does. It’s a quiet film that manages to say a lot, not least of which is that it’s okay to feel and love and hurt as much as one does.

Genre: Drama, Family, Fantasy

Actor: Gabrielle Sanz, Joséphine Sanz, Margot Abascal, Nina Meurisse, Stéphane Varupenne

Director: Céline Sciamma

Like all great documentaries, Angry Inuk is about way more than its tagline. At first glance, it's about how anti-sealing activism has been harming Inuit communities since the 1980s, to the point of instituting the highest rates of hunger and suicide anywhere in the "developed" world. But beyond, it's about the complicity of the government of Canada. A crushed seal-based economy means that the Inuit have to agree to oil and uranium mining in the Arctic.

Angry Inuk is also about the corrupt behavior of animal rights organizations like Greenpeace: seals are actually not on the endangered animal list but NGOs focus on them because they make them money.

It's an infuriating but incredibly important documentary. One that is not about how Canada has a bad history, but about how Canada is harming the Inuit right now.

Genre: Documentary

Actor: Aaju Peter, Alethea Arnaquq-Baril

Director: Alethea Arnaquq-Baril

, 2019

A beautifully shot movie about a high-schooler who's pushed by his father to always work and exercise the hardest. He aces his exams and always wins at wrestling, but nothing is ever good enough for the father and there is no margin for error. When things with both his body and his relationship start going wrong, his existence comes crashing down. This movie has two parts, and it takes a lot of narrative risks, but the beautiful camera work and believable characters land every single risk. It's an incredible achievement and a movie that should have gotten much more attention than it did.

Genre: Drama, Romance

Actor: Alexa Demie, Avis-Marie Barnes, Bill Wise, Carter Harcek, Clifton Collins Jr., David Garelik, David Payton, Ellen Marguerite Cullivan, Harlan Drum, Harmony Korine, Holland Hayes, Joshua Brockington, Kelvin Harrison Jr., Krisha Fairchild, Kristin Wollett, Lucas Hedges, Neal Huff, Nicholas Ryan Hernandez, Renée Elise Goldsberry, Renée Elise Goldsberry, Sterling K. Brown, Taylor Russell, Vivi Pineda

Director: Trey Edward Shults

Rating: R