21 Movies Like Priscilla (2023) (Page 2)

Staff & contributors

Chasing the feel of watching Priscilla ? Here are the movies we recommend you watch right after.

There are a striking number of similarities between Priscilla and director Sofia Coppola’s earlier offering, Marie Antoinette: both revolve around 14-year-old girls hand-picked to be partners to more powerful men in long-unconsummated relationships, and both girls are emotionally cut adrift and forced to live in gilded cages. But where Coppola’s Barbie-pink historical biopic is punkily anachronistic and riotous, Priscilla is a far more muted affair. There are no wild parties at Graceland as there were at Versailles; instead, Priscilla’s emotional isolation, thousands of miles away from her family, is made disconcertingly clear in shots of the infatuated teenager (played by Cailee Spaeny) anxiously ruminating alone in endless lavish rooms while the decade-older King (Jacob Elordi) plays away. Elvis’ emotional manipulation of Priscilla is conveyed subtly but inescapably — and the full sickening, insidious effect comes to the fore thanks to Spaeny’s astonishing performance. Based on Priscilla Presley’s own memoir, this is a bubble-bursting biopic, and it’s so compelling and painfully immersive that we never feel, even for a moment, like we’re watching the B side — instead, Spaeny and Coppola convincingly assert that this was the real story all along.

Time travelling movies tend to be flashy with its sci-fi wonder, but Aporia takes a more grounded approach to the time altering genre. Instead of time travelling, the protagonists have a mundane, almost lo-fi machine, that almost seems disappointing, but is no less life-altering. Of course, to the grieving Sophie, who lost her husband, it’s easy to understand why she would take the chance to get her husband back again. But the film takes a grounded and realistic approach as Sophie spirals into an unrelenting series of regret and trolley problems, each time she chooses to use the machine. While the pacing may be a tad slow, and the events can feel a bit mundane, Aporia is a startlingly poignant reminder of how each ordinary moment, if changed, can be completely life altering.

Genre: Drama, Science Fiction

Actor: Edi Gathegi, Faithe Herman, Judy Greer, Payman Maadi, Whitney Morgan Cox

Director: Jared Moshé

Rating: R

Between Air, Pinball, Blackberry, and Tetris (is nothing sacred anymore?), 2023 has seen its fair share of business biopics. Unfortunately for The Beanie Bubble, it’s coming at the tail end of a trend that has overstayed its welcome in theaters. The Beanie Bubble isn’t very different from its predecessors in that it depicts its product as revolutionary and game-changing for the industry (it’s really not) and attempts to simplify the business phenom via cute graphics and quirky dialogue. Those aspects of the film are fine, if a bit forgettable, but The Beanie Bubble deserves some praise for exploring the power imbalance between Warner and his female partners, whose ideas he milked to no end. Robbie (Elizabeth Banks), Sheila (Sarah Snook), and Maya (Geraldine Viswanathan) are the ones telling this story, and even though the constant time hopping can get irritating, there are times when it feels inspired, like when Robbie starts one sentence and Maya ends her thought. They may be years apart but they’re all falling victim to the same greedy man who has a pattern of exploiting the talented women around him. 

Genre: Comedy, Drama

Actor: Adelle Drahos, Ajay Friese, Brian Troxell, Callie Johnson, Carl Clemons-Hopkins, Chris Mayers, Delaney Quinn, Elizabeth Banks, Geraldine Viswanathan, Hari Dhillon, Jason Burkey, Javier Vazquez Jr., Jeff Schine, Julia Farino, Kurt Yaeger, Laura Palka, Laura Whyte, Madison Johnson, Mariana Novak, Myke Holmes, Nils Onsager, Paul Kim, Paul Ryden, Robert Mello, Sam Salary, Sarah Snook, Scott Hanson, Stephanie Hong, Sweta Keswani, Tatyana White, Toru Shimoji, Tracey Bonner, Veanna Black, Vince Pisani, Zach Galifianakis

Director: Damian Kulash, Kristin Gore

Rating: R

Miranda’s Victim often feels like two different movies smushed into one. On the one hand, it tells the story of how Trish finds the courage to speak up against her abuser, who happens to be a person of color. On the other hand, it shows us the legal intricacies that led to the founding of what we now know as Miranda Rights. In better hands, these two stories (one emotional and one technical) could’ve worked well together, and they would’ve spoken to the intersectionality at the heart of this complicated case. But instead of going for nuance, instead of exploring the complex racial and gender politics that inform this case, Director Michelle Danner goes in all sorts of odd directions as if herself confused about what the focus should be. 

Breslin is heartbreaking and powerful as Trish, but she’s only given so much to act with. Despite being based on a real person, her character is reduced to trauma and tears—a caricature of abuse—and nothing more. The movie is at its strongest when it converts into pure courtroom drama by the third act. Suddenly, it’s brisk and intelligent, bolstered by the compelling one-two punches of the judge (a commanding Donald Sutherland) and the two lawyers (Ryan Philippe, a revelation, and Luke Wilson, only slightly better here than in his earlier turn in Legally Blonde). As a story about violation and abuse, there’s surprisingly little compassion to be found, despite the title. But as a legal drama, it’s as informative as it can be. 

Genre: Drama, History

Actor: Abigail Breslin, Andy Garcia, Brent Sexton, Brian Colin Foley, Dan Lauria, Donald Sutherland, Emily VanCamp, Enrique Murciano, James Healy Jr., Jann Ellis, Josephine Hies, Joshua Bowman, Kyle MacLachlan, Luke Wilson, Michael Mulheren, Mireille Enos, Najah Bradley, Nolan Gould, Ryan Phillippe, Sheilagh Weymouth, Taryn Manning

Director: Michelle Danner

An unsung hero of the civil rights movement gets the customary Oscar bait treatment in this biopic. Though he was instrumental in organizing the historic March on Washington — which helped force the US government to enshrine civil rights — gay Black activist Bayard Rustin isn’t the household name his peers are. In an inversion of that narrative, figures like Martin Luther King appear here as supporting characters to Colman Domingo’s Bayard.

Domingo’s energetic, commanding performance holds the center of the film, but he’s ill-served by the formulaic approach to storytelling that unfolds around him. More than a few scenes feel like they were written, directed, and performed with an eye to making awards ceremony clips, giving the film a disjointed, self-aware air. And yet, for all the limits of its by-the-numbers approach, Rustin does manage to pack in glints of insight. By virtue of who he was, Bayard will never not make for a compelling central figure — so even lackluster filmmaking can’t sap this inherently radical material of all its power. Though not without its flaws, then, the film is valuable for the light it sheds on the polarising effect Bayard's identity as a gay Black man had within the movement and the intersectional depths he nevertheless brought to it. 

Genre: Drama, History

Actor: Adrienne Warren, Aml Ameen, Audra McDonald, Ayana Workman, Bill Irwin, Carra Patterson, CCH Pounder, Chanel Minnifield, Chris Rock, Collin Antrim Miller, Colman Domingo, Cotter Smith, Da'Vine Joy Randolph, Dan Sauer, Daniel Johnson, Frank Harts, Glynn Turman, Grantham Coleman, Gus Halper, Hope Clarke, Ivan Moore, Jeff Hochendoner, Jeffrey Wright, Johanna McGinley, Johnny Ramey, Jordan Aaron Hall, Jules Latimer, Kevin Mambo, Lilli Kay, Maxwell Whittington-Cooper, Michael Potts, Rashad Edwards, Robert F. Kennedy, Scott Deal, Zuri Starks

Director: George C. Wolfe

Rating: PG-13

True crime stories set in the world of crypto are still relatively unexplored and therefore have a real contemporary edge to them; they feel more relatable because these criminals share the same online spaces we do. Bitconned taps into this with a more casual, carefree energy, but it also brings up the same concerns—namely: how helpful is it, really, to give this much attention to a con artist currently running free? The film spends most of its time explaining how its main characters built their scam then failed spectacularly at covering their tracks, but after a while even the entertainment of others' mistakes needs to be supported by more thorough analysis, which this documentary doesn't provide.

Genre: Crime, Documentary

Actor: Damian Williams, Ray Trapani, Robert Farkas, Sam Bankman-Fried, Sohrab Sharma

Director: Bryan Storkel

Rating: R

For almost the entirety of its runtime, Old Dads feels like it has something it's desperately trying to prove. But while the millennial generation and a newfound popular interest in political correctness are ripe for satire, this film chooses the lowest hanging fruit possible to make jokes about—inventing one senseless situation after another in order to laugh at people's "sensitivity" with little energy or wit. The main cast has tried and tested talent, but the material they're working with feels more artificial and whiny than truly perceptive of today's generational clashes. The movie tries to manufacture some sort of dramatic realization by the end, but it hardly changes the protagonists anyway. A film need not be PC to be good, of course, but it should at least stand for something instead of simply standing against so much.

Genre: Comedy, Drama

Actor: Abbie Cobb, Angela Gulner, Bill Burr, Bobby Cannavale, Bokeem Woodbine, Bruce Dern, C. Thomas Howell, Cameron Kelly, Carl Tart, Chelsea Marie Davis, Cody Renee Cameron, Dash McCloud, Erin Wu, Jackie Tohn, Josh Brener, Justene Alpert, Justin Miles, Katie Aselton, Katrina Bowden, Leland Heflin, Miles Robbins, Natasha Leggero, Paul Walter Hauser, Rachael Harris, Reign Edwards, Rick Glassman, Rory Scovel, Steph Tolev, Tom Allen

Director: Bill Burr

Rating: R