75 Movies Like Perfect Strangers (2016) (Page 2)

By remaining totally committed to its quiet, drama-free, observational style of documentary filmmaking, Mr. Bachmann and His Class ends up teaching us a whole lot about the way we view educational spaces and difficult students as well. While the titular German teacher is mainly there to teach language, the way he patiently handles disagreement and conflict—reorienting the immature or harmful beliefs they may have learned from home or from elsewhere—is truly inspiring to witness. We never see these home lives and the film's director, Maria Speth, knows better than to romanticize anybody in this classroom. But over the film's lengthy runtime, it really begins to feel like we get to know and understand each of these kids, and to root for their ability to change their views and become more open and appreciative towards one another.

Genre: Documentary

Director: Maria Speth

At times looking and sounding like a real Filipino action film from 50 years ago, while painstakingly edited to juggle storylines across several realities, Leonor Will Never Die is worth seeing for its originality and ambition alone. Among so many other films that function as sanitized "love letters to cinema," this one bears the distinction of still feeling charmingly scrappy and improvised even with how meticulously it's crafted. It doesn't simply pine for a bygone era of movies, but it actively explores what purpose movies serve to us as individuals and as communities. Where it arrives with regard to healing and acceptance and bringing people together feels entirely earned, even if it might not always be easy to understand.

Genre: Action, Comedy, Drama, Fantasy

Actor: Anthony Falcon, Bong Cabrera, Martika Ramirez Escobar, Miguel Almendras, Rea Molina, Rocky Salumbides, Ryan Eigenmann, Sheila Francisco, Victor Villanueva

Director: Martika Ramirez Escobar

This incredible documentary is about the elusive Iranian artist Bahman Mohassess, whose work has the uniqueness of a Picasso or a Salvador Dalí.

But unlike his European counterparts, most of Mohassess’ work has been destroyed. Some in the aftermath of the Islamic Revolution in Iran but most, interestingly, by the artist himself.

After the revolution, he went into exile. For 40 years his whereabouts remained unknown — until an Iranian filmmaker based in Paris tracked him in a hotel in Rome.

Very early in the film, director Mitra Farahani points out that Mohassess died half an hour after one of their filming sessions.

The urgency of their conversations, the genius of Mohassess and his relationship to his art, and the uniqueness of the untold story of his life, all make this more than just another documentary. It’s a work of immeasurable historic value.

Genre: Documentary

Director: Mitra Farahani

Rating: Unrated

If you’ve ever seen a movie by kings of social realism Ken Loach or the Dardenne brothers, you’ll recognize the cinematic tradition The Measure of a Man is coming from, but if you haven’t, don’t fear. The filmmaking here isn’t complicated, academic, or laden with references — in fact, the opposite is true. Stylistically pared back, the intensely modern and human story at the movie’s center expands to fill the frame so we have nowhere else to look.

With a disabled son to provide for, middle-aged Thierry (Vincent Lindon) desperately searches for a job, undergoing several state-required indignities — such as practice interview sessions in which fellow jobseekers critique everything from his body language to his tone of voice — just for a shot at being able to pay his bills. So many scenes and conversations here are palpably laden with the anxieties of real life, both economic and personal. And yet, for all the dehumanization and desperation clouding its edges, Measure of a Man isn’t a hopeless movie. We’re reminded by happy scenes at home just how rich Thierry’s life is, unemployed or not — but it's perhaps his moral compass, which begins to twitch when he takes a security job with an unscrupulous corporate employer, that’s most heartening of all.

Genre: Drama

Actor: Christophe Rossignon, Karine de Mirbeck, Mathieu Schaller, Soufiane Guerrab, Vincent Lindon, Xavier Mathieu, Yves Ory

Director: Stéphane Brizé

This small-scale but incredibly fun 88-minute drama from 2003 is about a group of Latino teenagers who grow up in New York’s Lower East Side.

Victor lives with his eccentric grandmother, which sometimes gets in the way of him pursuing Judy, his dream girl.

The actor who plays Victor is called Victor Rasuk, the one who plays Judy is called Judy Marte. This is a film so personal that both main characters needed to be named after the actors who play them.

Genre: Drama, Romance

Actor: Donna Maldonado, Jeff Knite, Joe Rosario, Judy Marte, Kevin Rivera, Melonie Diaz, Silvestre Rasuk, Victor Rasuk, Wilfree Vasquez

Director: Peter Sollett

Rating: R

The title of Paweł Pawlikowski’s sophomore feature has a double meaning: it’s not only about the extraordinary lengths a Russian mother goes to remain in the UK, but it’s also set in the last seaside resort anyone would ever want to visit. While travelling to meet her English fiancé, Tanya (Dina Korzun) and son Artyom (Artyom Strelnikov) are detained at customs after failing to satisfy the immigration officer’s queries. With her fiancé refusing to answer her calls, Tanya panics and claims political asylum, not knowing that doing so means she’ll have to wait for over a year in a grim coastal town requisitioned as an asylum-seeker “holding area.”

Pawlikowski uses realism to highlight the crushing bureaucracy, dehumanizing conditions, and threats of exploitation that come with being an asylum seeker, but remarkably, bleakness isn’t the overriding tone. Local arcade worker Alfie (Paddy Considine) takes a shine to the duo and does what he can to brighten their gloomy situation — and, in the cruel limbo they find themselves in, his warm generosity and fondness for them imbues the film with an undeniable sense of hopefulness. It never detracts from the film’s realism (see: its bittersweet ending) but neither does Pawlikowski allow the precious gift of someone who genuinely cares to go ignored.

Genre: Drama, Romance

Actor: Adrian Scarborough, Bruce Byron, Dave Bean, David Auker, Dina Korzun, Paddy Considine, Perry Benson

Director: Paweł Pawlikowski

Millennium Actress, from famed animation director Satoshi Kon, is about lives lived and unlived. It follows Chiyoko Fujiwara, an actress from Japan’s golden age of cinema, as she recounts her life to two documentarians making a film about the history of the now-defunct Ginei Studios. Kon employs a metafilm narrative approach, framing Chiyoko’s lifelong search for her great love through the movie roles she has played, all interweaved through Kon’s stunning genre switches and signature match cuts. Millennium Actress poignantly explores the bittersweet irony of “larger-than-life” cinema, how it can contain a multitude of lifetimes and still be lacking, and how films serve as extensions of memories and yearning.

Genre: Animation, Drama, Fantasy, Romance

Actor: Fumiko Orikasa, Hisako Kyoda, Koichi Yamadera, Mami Koyama, Masane Tsukayama, Masaya Onosaka, Minagawa Junko, Miyoko Shoji, Showko Tsuda, Shozo Iizuka, Tomie Kataoka

Director: Kou Matsuo, Satoshi Kon

Rating: PG

Human Capital is a rich and absorbing tale of two families tied together by love, money and a hit-and-run accident. One family is wealthy, the other struggling to get by in the days after the 2008 economic meltdown. Human Capital dexterously contrasts the social calculations the characters make about who can afford to step outside the lines of law and morality. The story is told from different perspectives, a device that serves to give the tale and the characters greater depth. In Italian with English subtitles.

Genre: Drama

Actor: Alessandro Betti, Bebo Storti, Elettra Dallimore-Mallaby, Fabrizio Bentivoglio, Fabrizio Gifuni, Federica Fracassi, Franco Pinelli, Gigio Alberti, Giovanni Anzaldo, Guglielmo Pinelli, Isabelle Tanakil, Luca Toracca, Luigi Lo Cascio, Matilde Gioli, Paolo Pierobon, Pia Engleberth, Saman Anthony, Silvia Cohen, Silvia Degrandi, Stella Maris, Valeria Bruni Tedeschi, Valeria Bruni‑Tedeschi, Valeria Golino, Vincent Nemeth

Director: Paolo Virzì

Rating: Not Rated

Bill Forsyth, an acclaimed Scottish director best known for his films Local Hero and Gregory’s Girl, directs an underrated masterpiece with the 1987 drama Housekeeping. Adapted from Marilynne Robinson’s outstanding novel, Housekeeping is the story of two sisters, Ruthie and Lucille, who are orphaned and raised by their peculiar Aunt Sylvie. 

As the young sisters grow apart, Ruthie gravitates toward her transient aunt. This is a movie about not quite fitting in—about feeling like your life exists just outside of modern time, somewhere off to the side of railroad tracks running over frozen water. Sylvie shows Ruthie that there is more to life than their small, cold town of Fingerbone. In fact, there is a whole world out there, calling to misfits like them.

Housekeeping is deftly directed, balancing both humor and tragedy. Christine Lahti’s performance is also, with no exaggeration, one of the greatest of all times, as she conveys so much of Sylvie’s yearning to go, go, go with as little as a glance toward the beckoning horizon.

Genre: Comedy, Drama

Actor: Andrea Burchill, Anne Pitoniak, Betty Phillips, Bill Smillie, Bob Hughes, Brian Linds, Christine Lahti, Dolores Drake, Georgie Collins, Karen Elizabeth Austin, Margot Pinvidic, Sara Walker, Sheila Paterson, Wayne Robson

Director: Bill Forsyth

Rating: PG