38 Movies Like Past Lives (2023) (Page 3)

Staff & contributors

Chasing the feel of watching Past Lives ? Here are the movies we recommend you watch right after.

The concepts of roads not taken and domino effects have received plenty of cinematic attention in their showier forms by way of multiverse comic book movies and dimension-hopping films like Everything Everywhere All At Once. But, though there’s no hint of sci-fi in Past Lives, Celine Song’s gentle film can count itself as one of the best treatments of that universe-spawning question: “what if?”When her family moves from Seoul to Canada, teenage Na Young bids a loaded farewell to classmate Hae Sung and changes her name to Nora. Years later, they reconnect online and discover the spark still burns between them. This is no idealistic romance, though: Past Lives is told with sober candor. Song acknowledges real obstacles standing in the way of a relationship between the two — those pragmatic (distance) and, more painfully, personal (evolving personalities, American husbands).Those two threads — unrealized romance and the transmutation of identity that so often takes place after migrating — are expertly entwined in Past Lives to produce a sublime, aching meditation on memory and time, practical love and idealistic romance, and all the complex contradictions that exist in between. That Song communicates so much and so delicately in only her first film makes Past Lives all the more stunning.

While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

, 2023

Seven years after Zootopia, Pixar takes another crack at a racial prejudice metaphor — but, while the analogy is less creaky here, it’s still an awkward one, as diametrically opposed elements like fire and water stand in for human beings. The gaping flaws in its central concept aside, Elemental does wring something compelling out of its story: an exploration of second-generation immigrant guilt.

That might seem like an oddly specific and complex topic for what is ostensibly a kids’ film to grapple with, but this is the Pixar of Soul and Bao, not Finding Nemo and Toy Story. Ember (Leah Lewis) is an anthropomorphized young flame whose parents migrated from their home in Fireland to run a store in the NYC-like melting pot of Element City; she’s keenly aware of the sacrifices they made to give her a better life and believes the only way to repay them is to abandon her own dreams and run their store. This is the one part of Elemental’s metaphor that really lands, but it’s unfortunately sidelined to make way for an inter-elemental romance between Ember and a water-man that only pulls the focus back onto the film’s biggest weakness. Still, its emotional specificity and beautiful animation prevent it from being a total washout.

Genre: Animation, Comedy, Drama, Family, Fantasy, Romance

Actor: Alex Kapp, Catherine O'Hara, Joe Pera, Jonathan Adams, Leah Lewis, Mamoudou Athie, Mason Wertheimer, Matthew Yang King, P.L. Brown, Ronnie del Carmen, Ronobir Lahiri, Shila Ommi, Wendi McLendon-Covey, Wilma Bonet

Director: Peter Sohn

From the moment it begins, The Monkey King hardly pauses to take a breath. The characters are always frantically jumping into the next scene, the action is nonstop, and the jokes, though juvenile, arrive one after the other. This is okay if you’re looking for a brisk viewing experience, but not so if you’re prone to vertigo. It moves at a relentless pace, which doesn’t just make the film a dizzying watch; it also robs the animation’s beautiful details of the time it needs to be appreciated. The movie’s core message, too, is buried under all the film’s pizzaz, which is a shame considering its refreshing pragmatism. When all the other kids’ movies are promoting courage and confidence, The Monkey King actually warns against the dangers of an inflated ego. The Monkey King is passable entertainment for the family, but with a better pace, it could’ve been great. 

Genre: Adventure, Animation, Comedy, Family, Fantasy, Kids

Actor: Andrew Kishino, Andrew Pang, Artemis Snow, BD Wong, Bowen Yang, David Chen, Dee Bradley Baker, Hoon Lee, James Sie, Jimmy O. Yang, Jo Koy, Jodi Long, Jolie Hoang-Rappaport, Kaiji Tang, Mark Benninghoffen, Robert Wu, Ron Yuan, Sophie Wu, Stephanie Hsu, Vic Chao

Director: Anthony Stacchi

Rating: PG

As a growing number of horror movies are, Influencer is inspired by the fact that we’re increasingly spending our lives in the digital, rather than physical, world. Kurtis David Harder’s film makes some effort to highlight the tension between those two realms: its plot hinges on the idea that vapidly sunny influencer-speak often masks gloomier realities, and suggests that, if your existence is mainly validated through a screen, would anyone really know if something truly dark happened to you?

It’s an interesting premise, to be sure, but Influencer’s critique settles there. Instead of striving for social thriller status by exploring the paradox of social media with any real rigor, the rather broad writing here means it lands as a run-of-the-mill scary movie, one that verges on being a forgettable experience once the credits have rolled. One element saves it from that fate, though: Cassandra Naud, who gives an unnerving performance that brings intriguing psychological depths to the role of CW, the film’s villain. She can only do so much to elevate a script that is shallowly interested in her character, though, meaning Influencer can’t quite transcend its status as a middling social media horror.

Genre: Drama, Horror, Mystery, Thriller

Actor: Cassandra Naud, Emily Tennant, Justin Sams, Paul Spurrier, Rory J. Saper, Sara Canning

Director: Kurtis David Harder

The big ideas swirling at the center of The Creator are about human heartlessness versus AI compassion, man’s coldness versus robot warmth. Unfortunately, the movie winds up being an unwitting example of the former: visual effects take precedence over emotion here, meaning you rarely feel any of the intended poignancy of this story about a soldier driven between warring sides by love.

Part of that effect might be because the premise is an iffy one to swallow, as The Creator drops during a time when the once-theoretical threats posed by AI start to become disconcertingly real. But mostly, the sterile feeling of the film is a product of the writing, as a shallow script prevents most of the cast from ever making their characters compelling. Though its lifelike effects are something to marvel at, The Creator never quite convinces us that any of its humans are real — a pretty gaping flaw for a movie that wants to sell us on the idea that robots might one day be sentient.

Genre: Action, Adventure, Drama, Science Fiction

Actor: Allison Janney, Amar Chadha-Patel, Anjana Ghogar, Brett Bartholomew, Brett Parks, Chananticha Chaipa, Charlie McElveen, Dana Blouin, Eoin O'Brien, Gemma Chan, Ian Verdun, Jeb Kreager, John David Washington, Karen Aldridge, Ken Watanabe, Leanna Chea, Mackenzie Lansing, Madeleine Yuna Voyles, Marc Menchaca, Mariam Khummaung, Mav Kang, Michael Esper, Monthatip Suksopha, Natthaphong Chaiyawong, Niko Rusakov, Pat Skelton, Pongsanart Vinsiri, Rad Pereira, Ralph Ineson, Robbie Tann, Sahatchai Chumrum, Sawanee Utoomma, Scott Thomas, Sturgill Simpson, Syd Skidmore, Teerawat Mulvilai, Veronica Ngo

Director: Gareth Edwards

Rating: PG-13

Beat for beat, word for word, Love is in the Air moves just like any other romantic comedy. Within that genre, it slots easily into the category of romcoms that follow a city guy who falls in love with a country girl, eventually learning and preferring the ways of small-town living. But Love in Air is even more improbable than usual because of how eerily perfect the two leads are. Goodrem, in particular, is always manicured to perfection, which makes her role as a down-to-earth no-nonsense go-getter very hard to believe. Still, the movie isn’t entirely unwatchable. There are pockets of humor to be found, and the stunning visuals almost make it worth the watch. Almost.  

Genre: Comedy, Drama, Romance

Actor: Craig Walker, Delta Goodrem, Hugh Parker, Joshua Sasse, Mia Grunwald, Roy Billing, Simon McLachlan, Steph Tisdell

Director: Adrian Powers

Rating: PG-13

With a boring wedding, attended by a guarded woman and a spontaneous man, starting a series of shared recollections of past heartbreak, Which Brings Me to You has all the elements needed for an early aughts romcom, releasing at a time when Y2K is trending. The original novel’s epistolary format is interestingly translated into flashbacks told in one whole day, with Will and Jane visually popping within the sequences as the two get to know each other through their past heartbreaks. It’s a unique idea, but the execution feels lackluster, with the dialogue and direction that can’t be saved through Lucy Hale’s or Nat Wolff’s efforts. There’s certainly something here about romance being a possible avenue to open up, but Which Brings Me to You doesn’t build the chemistry to get there.

Genre: Comedy, Drama, Romance

Actor: Alexander Hodge, Avery Cole, Britne Oldford, Chase Liefeld, Genevieve Angelson, Jamie McRae, John Gallagher Jr., Laura Kai Chen, Lucy Hale, Marceline Hugot, Michael Mulheren, Mitzi Akaha, Nat Wolff, Ward Horton

Director: Peter Hutchings

Rating: PG-13

Christmas is a common setting for romance stories, because it’s obviously the best time to warm up… if you know what we mean. (Warm drinks, sweet treats, and snuggling with loved ones, of course.) Christmas as Usual seems to go along that vein, as Thea brings home her fiancé Jashan to meet the parents, and he tries to impress her family, as these family Christmas romances tend to go. This obviously brings about the relatable romantic troubles that anyone can empathize with, so it’s a bit of a shock when Thea’s Norwegian family treats Jashan so badly that it seems more insidious than good ol’ concern over their daughter. Had the story been approached with more sensitivity, Christmas as Usual would have been outstanding, but its current version never really questions the racism of the Norwegian family, or the passive way Thea just lets it all happen.

Genre: Comedy, Drama, Romance

Actor: Erik Follestad, Ida Ursin-Holm, Jonas Strand Gravli, Kanan Gill, Mads Sjogard Pettersen, Marit Andreassen, Veslemøy Mørkrid

Director: Petter Holmsen