683 Movies Like Parasite (2019) (Page 45)

From Turkish comedian Cem Yilmaz, Do Not Disturb feels like it was meant to be a wholesome slice-of-life comedy-drama where a hotel manager has meaningful interactions with his fellow co-workers and his guests at night. It’s not quite like the Grand Budapest Hotel, though the film shares its fondness of bright, vivid colors and old-style aesthetics. As the film deals with a character hoping for a new start post-pandemic, there is something here about loneliness and coping mechanisms, as Ayzek relies on an Instagram influencer for all his life wisdom. However, the film makes it hard to make it care about its characters, as everyone but the main character seem one dimensional. When the film makes a surprising shift two-thirds of the way through, it feels like it came by too late.

Genre: Comedy, Drama

Actor: Ahsen Eroğlu, Bülent Şakrak, Can Yılmaz, Celal Kadri Kınoğlu, Cem Yılmaz, Diren Polatoğulları, Mustafa Kirantepe, Nilperi Şahinkaya, Özge Özberk, Seda Akman, Tilbe Saran, Zafer Algöz

Director: Cem Yılmaz

Rating: R

Built entirely around the star power of its lead performers, A Very Good Girl does, indeed, provide ample opportunities for both Kathryn Bernardo and Dolly de Leon to chew the scenery with wild abandon. But even their most campily delivered one-liners are only entertaining in the moment, as the film twists itself into increasingly complicated (and still oddly sanitized) knots to keep its thrills going. It ends with an incredibly muddled view of the kinds of violence perpetrated by the wealthy and the less fortunate, as if the studio funding the movie prevented it from becoming the bolder, edgier story it seems to want to be.

Genre: Comedy, Drama, Thriller

Actor: Althea Ruedas, Ana Abad-Santos, Angel Aquino, Chie Filomeno, Dolly de Leon, Donna Cariaga, Gabby Padilla, Gillian Vicencio, Iwa Moto, Jake Ejercito, Joji Vitug, Kaori Oinuma, Kathryn Bernardo

Director: Petersen Vargas

Rating: NR

It's smart that If You Were the Last takes what's usually an overused romcom/fan-fiction scenario (two attractive people stuck in one place), acknowledges it, and uses it to fuel an entire a story. Unfortunately, the film also doesn't quite know where to go with it, insisting on having its cake and eating it too: that is, it wants to be annoyingly quirky and dead-serious about the consequences of infidelity at once, without the tonal balance to sell these contrasting sides. It's hard to feel for the central characters and their respective spouses still living on Earth because the film does so little to sketch out any of these people beyond surface-level feelings of desire and guilt. As much as it tries to convince us that big changes are happening within these protagonists, the film doesn't seem to be willing to enter any truly messy territory.

Genre: Comedy, Drama, Romance, Science Fiction

Actor: Andrew Farrier, Anthony Mackie, Bernard Hocke, Geoff Stults, Jason Bayle, Kaleka, Langston Fishburne, Missi Pyle, Natalie Morales, Sarah Voigt, Taylor Shurte, Zoë Chao

Director: Kristian Mercado Figueroa

Rating: R

As documentaries go, They Called Him Mostly Harmless is pretty standard, if not forgettable, fare. There isn’t a lot of information regarding the case it focuses on, so it relies heavily on interviews with related persons and “internet sleuths” who have taken it upon themselves to solve the mystery of this hiker’s identity. It moves slowly, bogged even further down by unnecessary backstories that do nothing to get us closer to cracking the case. To be sure, it’s impressive that the missing man in question was able to scrub all evidence of his existence in this digital age, but the documentary fails to build on that intrigue and instead gives us something that sputters till the end.

Genre: Documentary

Director: Patricia E. Gillespie

Amid energetic lights and obnoxious airhorns, Katt Williams makes his way to the stage and quickly greets you with the gospel of crass. His descriptions and premises aren’t anything to write home about as his style is more a boisterous NSFW style that resembles a night of gossip. But for most of this set, you’ll just be thinking about how his performer voice sounds like a cartoon grandma, a southern Spongebob, and “Macho Man” Randy Savage preaching to you all at once. The set had a touchy mental health bit that sucked the life out the room for a moment, but would take an empowering turn in its final third as Williams talks about racism in 2024. It’s a mess, but it finishes strong, at least.

Genre: Comedy, Documentary, TV Movie

Actor: Katt Williams

Director: Troy Miller

Rating: R

Girl in the Closet is a low-budget TV movie that gives us a peek into the lives of trafficked children, but nothing more beyond that. There is no compelling story or drama; no suspense as to how the children might possibly escape, or rousing speeches about how the system failed these kids. Instead of a real plot, the movie strings together one shocking abuse after the other and constantly jumps forward in time (one year later, five years later, nine months after) in an attempt to rush towards its predictable ending. It would’ve been thoroughly unwatchable if it weren’t for some dedicated performances, namely by Peters and Roman, who give much more than what the flimsy script and loose editing deserve. 

Genre: Drama, TV Movie

Actor: Daijah Peters, Danielle LaRoach, Remy Ma, Stevie Baggs Jr., Tami Roman, Teisha Speight

Director: Jaira Thomas

In TV and cinema, meeting your partner’s parents is a tried-and-tested formula that’s bound to generate relatable laughs. Meet the Parents, The Proposal, and Happiest Season are some modern classics that come to mind. Yet, French Girl fumbles this opportunity by peddling cliche after cliche with zero charm. Braff’s character is supposed to possess at least an inkling of likeability for us to root for him, but he can’t even manage that. His rival Ruby (Vanessa Hudgens) is so much more inviting that the film has to create a whole new evil arc for her in the third act to convince us to turn on her. This is all too bad because, beneath the rubble that is the film’s characters and plot lines, there is something true and endearing in the form of Sophie’s family. I wish we had more of those scenes because their interactions feel real and intimate. Unrestricted by formula and pressures to be funny, they soar.

Genre: Comedy, Romance

Actor: Alex Woods, Antoine-Olivier Pilon, Catherine De Sève, Chanelle Ouellette, Charlotte Aubin, Christian Paul, Ed Weeks, Evelyne Brochu, Georges St-Pierre, Isabelle Vincent, Jeanne Roux-Coté, Karl Farah, Luc Picard, Luc-Martial Dagenais, Marc Larrivée, Melia Charlotte Cressaty, Muriel Dutil, Olivier Gervais-Courchesne, Ralph Prosper, Rémi Goulet, Sylvie Potvin, Vanessa Hudgens, William Fichtner, Zach Braff

Director: James A. Woods, Nicolas Wright

Rating: R

All the little twists in the case of Mirna Salihin's murder are intriguing enough to speculate over, so Ice Cold is definitely a true-crime case worth revisiting. The problem is in how the documentary indulges sensationalist arguments and pure speculation with the same level of urgency as it does with expert counsel. A large part of the film has to do with how this trial started to become such a fixture in Indonesian public life, but it feels as if the movie would rather provoke even more baseless conspiracies through its gossipy tone than provide smarter analysis. There's an appeal to how simple this case is relative to other true-crime stories, but this shouldn't be an excuse to haphazardly throw opposing perspectives at each other for the sake of drama.

Genre: Crime, Documentary

Actor: Edi Darmawan Salihin, Jessica Wongso, Marcella Zalianty, Mirna Salihin, Otto Hasibuan

Director: Rob Sixsmith

Rating: PG-13

There's a novel idea at the center of World's First Christmas, but the film's unfortunately takes it through the least interesting route available. There's a rich opportunity here to unpack what the holiday season really means to people, or to poke fun at how this occasion for togetherness and celebration has been co-opted by corporations trying to make a buck. But the film never gets there, running through a series of occasionally funny scenarios only to end up becoming an unconvincing advertisement for Christmas as a consumer holiday. The main gag here is that everyone has been left miserable by the absence of Christmas, which is an idea that falls apart immediately once you start asking even the simplest questions about it.

Genre: Comedy, Drama, Family, Fantasy

Actor: Fabiana Karla, Ígor Jansen, Ingrid Guimarães, Lázaro Ramos, Rafael Infante, Theo Mattos, Wilson Rabelo

Director: Gigi Soares, Susana Garcia

The idea of a true-crime documentary being narrated mostly by the very person who did it should be appealing to fans of the genre, especially those who would rather stay away from non-violent crimes. And Vjeran Tomic is a compelling thief, with his own perspective on the people he tends to steal from and the kind of life he thinks he's owed. But by fixating so intensely on the method to the crime, it eventually loses its appeal—eventually becoming clear that there are so many potentially interesting (and more emotional) perspectives to the story that are being left out. Tomic may be a somewhat morally ambiguous criminal, but his testimonials alone, which are accompanied by mostly corny reenactments, can't carry an entire movie that teases but never fully delves into shady dealings in the world of the fine arts.

Genre: Crime, Documentary

Actor: Vjeran Tomic

Director: Jamie Roberts

Rating: NR

Even if it knows to keep its ambitions modest, Holiday in the Vineyards still doesn't find much to do for its small cast. The actors do what they can and certainly seem like they're having fun play-acting a warm Christmas romcom, but when all is said and done there simply isn't anything particularly striking about the collection of romcom-isms assembled for this movie. Even the film's premise—which seems to promise a unique clashing of values between a small town and big capitalist business—resolves things with little more than a pat on the back. It's certainly sweet on the surface, but these people we're asked to to spend 107 minutes with still feel like strangers to us by the end.

Genre: Drama, Romance

Actor: Alan Toy, Annika Noelle, Carlos Solórzano, Cullen Douglas, Eileen Davidson, Gregory Zarian, Josh Swickard, Julian Rangel, Kaleina Cordova, Manuel Rafael Lozano, Omar Gooding, Paul Witten, Sol Rodríguez

Director: Alex Ranarivelo

Rating: PG

There's no doubt that this documentary on Jolly Joseph ought to be more interesting to those who are closer to the actual events of the case; it definitely has enough mystery and intrigue to be a good story. But the way it's been presented here is just too tedious for its own good, sticking to the same-old true crime devices and eventually devolving into discussion that sounds more like gossip. It's understandable that the primary suspect isn't in this film to be able to provide some sort of counter perspective, but the interviewees who do get to say their piece don't add particularly memorable insight into the circumstances surrounding these details, which can just be read up online.

Genre: Crime, Documentary

Actor: Jolly Joseph, M. S. Mathew, Remo Roy, Renji Wilson, Rojo Thomas

Director: Christo Tomy