255 Movies Like Parasite (2019) On Itunes (Page 4)

To Hollywood's shame, it wasn’t until 1998 that a major feature made by Native American filmmakers was released. It was this charming indie gem that belatedly broke that new ground: based on author Sherman Alexie’s The Lone Ranger and Tonto Fistfight in Heaven, Smoke Signals retains the irreverent humor hinted at in its source material’s title while also being a genuinely heartfelt drama. Set across two cleverly interweaving timelines, it follows the fraught relationship between Victor and Thomas, two young men living on Idaho’s Coeur d’Alene Reservation who are forever linked by tragedy: as a baby, Thomas was saved from the house fire that killed his parents by Victor’s father Arnold (a great Gary Farmer), who soon spiraled into alcoholism and abandoned his young son. When Arnold dies suddenly, then, the duo embark on a perspective-changing road trip to collect his ashes.

Thomas’ nerdy earnestness and happy-go-lucky personality have always gotten on the nerves of the stoic Victor — who’s eaten up by resentment at his father for leaving — but the trip brings the disparate duo together. Though the movie honors their meaningful journey with a serious dramatic focus, it’s also shot through with sharp humor satirizing clichés about Native American people — a tonal complexity that makes it uncommonly accomplished, even without the added value of its all-too-rare perspective.

Genre: Comedy, Drama

Actor: Adam Beach, Cody Lightning, Cynthia Geary, Elaine Miles, Evan Adams, Gary Farmer, Irene Bedard, John Trudell, Michael Greyeyes, Molly Cheek, Perrey Reeves, Robert Miano, Simon Baker, Tantoo Cardinal, Tom Skerritt

Director: Chris Eyre

Rating: PG-13

This unique romance is set during a time when a man would be sent the painting of the woman he was to marry before the wedding could take place. Héloïse, secluded with her mother and a maid on a remote island, doesn't approve of her upcoming wedding and refuses to be painted. Her mother sends for a new painter, Marianne, to try to paint her without her noticing. Marianne has to take on this near-impossible task when she starts having feelings for Héloïse. This makes for a riveting romance where Marianne has to choose between her heart and her art while keeping a huge secret from her love interest.

Genre: Drama, History, Romance

Actor: Adèle Haenel, Adèle Haenel, Armande Boulanger, Christel Baras, Clément Bouyssou, Clément Bouyssou, Guy Delamarche, Luàna Bajrami, Luàna Bajrami, Michèle Clément, Noémie Merlant, Noémie Merlant, Valeria Golino

Director: Céline Sciamma, Céline Sciamma

Rating: R

Satoshi Kon’s Perfect Blue is a chilling psychological thriller and a fantastic next step for those looking to explore anime’s dark side. Kon animates with Hitchcockian flair and is so successful at memorable compositions that Darren Aronofsky even lifted a scene from this into Requiem for a Dream. 

Mima is a pop idol who abandons her singing career to become an actress. Shaken by a series of murders, and a stalker who knows her every move, she begins to lose her grip on reality. The rest is a riveting ride into Mima’s unraveling psyche in the vein of Mulholland Drive or Black Swan. This 1996 film not only anticipates the reality busting thrillers of the early aughts but also presages the way our identities are splintered across the internet.

Genre: Animation, Drama, Thriller

Actor: Akio Suyama, Emi Motoi, Emi Shinohara, Emiko Furukawa, Hideyuki Hori, Jin Yamanoi, Junko Iwao, Kaori Minami, Kishō Taniyama, Kiyoyuki Yanada, Kōichi Tōchika, Makoto Kitano, Masaaki Okura, Masashi Ebara, Megumi Tano, Osamu Hosoi, Rica Matsumoto, Rofuto Purasu Wan Burazâzu, Shiho Niiyama, Shin-ichiro Miki, Shin'ichirō Miki, Shinpachi Tsuji, Shokkâ Ôno, Soichiro Hoshi, Takashi Nagasako, Teiya Ichiryusai, Tōru Furusawa, Yoku Shioya, Yosuke Akimoto, Yousuke Akimoto

Director: Kou Matsuo, Satoshi Kon

Rating: R

Surreal, strange, yet wondrous, Penguin Highway never takes a straightforward approach to its story. Penguins pop up out of nowhere, leading the nerdy and precocious Aoyama to study them via empirical observation and logical deduction. These studies don’t end up with a feasible explanation– in fact, by the final act, the film abandons all laws of physics. But the journey to that act feels intuitively right. This journey feels like an indescribable formative experience. Aoyama may be obsessed with growing up and committing to the reasonable adult mindset, but he is still a child. From fending off bullies to forming connections with others, his childhood imagination served him better than science could. The film reveres this discovery as well as it should.

Genre: Adventure, Animation, Comedy, Drama, Fantasy

Actor: Hidetoshi Nishijima, Kana Kita, Landen Beattie, Mamiko Noto, Megumi Han, Miki Fukui, Misaki Kuno, Naoto Takenaka, Rie Kugimiya, Winston Bromhead, Yu Aoi

Director: Hiroyasu Ishida

Rating: Not Rated

Whether or not you're a fan of Nick Cave's contemplative, idiosyncratic style of music, This Much I Know to Be True still works on a purely experiential level. There's confusion, then a rush of euphoria, then an overwhelming sense of peace when listening to Cave's (and musical collaborator Warren Ellis's) cryptic lyrics and delicate compositions—shot with breathtaking use of studio lights by director Andrew Dominik and cinematographer Robbie Ryan.

And things only get more emotional when you consider how far Cave has come, that these performances are happening several rough years from the untimely death of his son. And suddenly even all the unrelated B-roll footage included in the film—of Cave talking about his sculptures, talking to Ellis, answering profound fan emails—takes on a greater urgency. This sounds like music for mourning, but in its own way it's music for celebration, too, and gratitude despite everything.

Genre: Documentary, Drama, Music

Actor: Andrew Dominik, Earl Cave, Marianne Faithfull, Nick Cave, Warren Ellis

Director: Andrew Dominik

It’s hard not to watch The Unknown Country and think of Nomadland: along with similarities in their Terrence Malick-inspired visuals, both films follow lone women seeking catharsis on the road as they grieve profound losses. But Morrisa Maltz’s debut feature is a decidedly lower-key, more spiritual affair — and is all the better for it.

The film is light on plot exposition, but it’s clear from her soft melancholy that Tana (Lily Gladstone) has set off on this road trip following a personal loss, a meandering journey that takes her from freezing Minnesota to Oglala Lakota reservations in South Dakota and down through Texas. Along the way, she reunites with loved ones and crosses paths with total strangers, all of whom are played by charismatic non-professional actors whose real life stories earn as much of the spotlight as Tana’s impressionistically shot journey. These moments of documentary, Gladstone’s naturalistic performance, Andrew Hajek’s contemplative images of lush American landscapes, and the film’s aversion to outright drama enrich the fictional elements by grounding them in earthy reality. There aren’t many more emotionally rewarding ways to spend 80-ish minutes than watching this poignant meditation on the tangled richness of human lives and the land we live on.

Genre: Drama

Actor: Devin Shangreaux, Lainey Bearkiller Shangreaux, Lily Gladstone, Raymond Lee, Richard Ray Whitman

Director: Morrisa Maltz

Rating: NR

After 2019's The Souvenir—a drama about a toxic, suffocating relationship—director Joanna Hogg brings back her protagonist (played by a superb Honor Swinton Byrne) and sees her attempting to communicate the experience of this failed romance through her thesis film. Anybody with an interest in the production process of cinema should glean a ton of useful advice from The Souvenir Part II's mundane on-set interactions and difficult conversations about the line between compromise and practicality. And through increasingly surreal images of stages within stages and reflections within reflections, Hogg paints a complex, intelligent portrait of cinema as a place of ultimate self-examination.

Genre: Drama

Actor: Alice McMillan, Amber Anderson, Amrou Al-Kadhi, Anna Calvi, Ariane Labed, Ben Hecking, Byron Broadbent, Charlie Heaton, Chris Dickens, Crispin Buxton, Davide Albonetti, Erik Wilson, Frankie Wilson, Gala Botero, Harris Dickinson, Honor Swinton Byrne, Inès Rau, Jack McMullen, James Fox, Jaygann Ayeh, Joe Alwyn, Lydia Fox, Richard Ayoade, Tilda Swinton, Tom Burke, Tosin Cole, Yasmin Paige

Director: Joanna Hogg

To plenty of countries around the globe, democracy has become so ubiquitous that we forget it’s relatively new, at least relative to the rest of human history. Bhutan is one of the last countries that became a democracy, and writer-director Pawo Choyning Dorji chose to depict a slice of how they made the shift in The Monk and the Gun. As Tashi sets out to obtain two weapons for his mentor, and Ron seeks a specific antique gun, Dorji presents slice-of-life moments of the beautiful Bhutan countryside, intercut with the subtle ways tradition still persists amidst modernity, and the funny ways change can clash with culture. It’s no wonder The Monk and the Gun was chosen as the Bhutanese entry for the Best International Feature at the 96th Academy Awards.

Genre: Drama

Actor: Choeying Jatsho, Deki Lhamo, Pema Zangmo Sherpa, Tandin Sonam, Tandin Wangchuk

Director: Pawo Choyning Dorji

There's a degree of removal in Perpetrator which some viewers may find jarring: most visibly, in the performances, whose heightened sensitivity can seem unlikely for a horror film. That said, director Jennifer Reeder's main conceit here is to entertain and make you think, and she doesn't want you to get too comfortable. In the central concept of "Forevering," a family curse spell that Jonny goes through, Reeder vests her character with metamorphic potential, and with that, ignites hope for a future that is better for women and for horror cinema as a whole. But the film is not overly intellectual. It's rather intuitive in its world-building and celebrates horror's final girl trope in a well-deserved way. A little gore, some slasher tropes, LGBTQ+ themes, and strong central characters make it a perfect pre-Halloween treat.

Genre: Horror

Actor: Alicia Silverstone, Casimere Jollette, ​Christopher Lowell, Ireon Roach, Kiah McKirnan, Melanie Liburd, Sasha Kuznetsov, Tim Hopper

Director: Jennifer Reeder

Francois Cluzet, who you may remember from The Intouchable, plays a man whose wife is killed and is accused of murdering her. To make matters even more confusing, signs that his wife is actually still alive surface. This well thought out thriller is at all times the furthest thing from boring and has, among other great components, well crafted chase scenes as the protagonist looks for 8 years of unanswered questions.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexandra Mercouroff, André Dussollier, Anne Marivin, Brigitte Catillon, Christof Veillon, Danièle Ajoret, Dorothée Brière, Éric Naggar, Eric Savin, Florence Thomassin, François Berléand, François Cluzet, Gilles Lellouche, Guillaume Canet, Hugo Sélignac, Jalil Lespert, Jean Rochefort, Jean-Noël Brouté, Jean-Pierre Lorit, Joël Dupuch, Kristin Scott Thomas, Laurent Lafitte, Ludovic Bergery, Marie-Josée Croze, Marina Hands, Martine Chevallier, Mikaela Fisher, Nathalie Baye, Olivier Marchal, Philippe Lefebvre, Samir Guesmi, Sara Martins, Thierry Neuvic

Director: Guillaume Canet

Rating: Unrated

Barry Jenkins’ follow up to his award-winning film Moonlight, If Beale Street Could Talk is a highly compelling tale that explores the extent of the emotional consequences of racial injustices through the lens of a young couple torn apart by the judicial system. Staying faithful to James Baldwin’s original novel while adopting Jenkins’ signature melancholic style, it fails to reach the brilliance of Moonlight, but still stands strong enough on its own and successfully tugs on your heartstrings.

Genre: Drama, Romance

Actor: Aunjanue Ellis, Aunjanue Ellis-Taylor, Bobby Conte Thornton, Brian Tyree Henry, Colman Domingo, Dave Franco, Diego Luna, Dominique Thorne, Ebony Obsidian, Ed Skrein, Emily Rios, Ethan Barrett, Finn Wittrock, KiKi Layne, Marcia Jean Kurtz, Michael Beach, Milanni Mines, Pedro Pascal, Regina King, Stephan James, Teyonah Parris

Director: Barry Jenkins