87 Movies Like Parasite (2019) On Cineplex Canada (Page 2)

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After 2019's The Souvenir—a drama about a toxic, suffocating relationship—director Joanna Hogg brings back her protagonist (played by a superb Honor Swinton Byrne) and sees her attempting to communicate the experience of this failed romance through her thesis film. Anybody with an interest in the production process of cinema should glean a ton of useful advice from The Souvenir Part II's mundane on-set interactions and difficult conversations about the line between compromise and practicality. And through increasingly surreal images of stages within stages and reflections within reflections, Hogg paints a complex, intelligent portrait of cinema as a place of ultimate self-examination.

Genre: Drama

Actor: Alice McMillan, Amber Anderson, Amrou Al-Kadhi, Anna Calvi, Ariane Labed, Ben Hecking, Byron Broadbent, Charlie Heaton, Chris Dickens, Crispin Buxton, Davide Albonetti, Erik Wilson, Frankie Wilson, Gala Botero, Harris Dickinson, Honor Swinton Byrne, Inès Rau, Jack McMullen, James Fox, Jaygann Ayeh, Joe Alwyn, Lydia Fox, Richard Ayoade, Tilda Swinton, Tom Burke, Tosin Cole, Yasmin Paige

Director: Joanna Hogg

Barry Jenkins’ follow up to his award-winning film Moonlight, If Beale Street Could Talk is a highly compelling tale that explores the extent of the emotional consequences of racial injustices through the lens of a young couple torn apart by the judicial system. Staying faithful to James Baldwin’s original novel while adopting Jenkins’ signature melancholic style, it fails to reach the brilliance of Moonlight, but still stands strong enough on its own and successfully tugs on your heartstrings.

Genre: Drama, Romance

Actor: Aunjanue Ellis, Aunjanue Ellis-Taylor, Brian Tyree Henry, Colman Domingo, Dave Franco, Diego Luna, Dominique Thorne, Ebony Obsidian, Ed Skrein, Emily Rios, Ethan Barrett, Finn Wittrock, KiKi Layne, Marcia Jean Kurtz, Michael Beach, Milanni Mines, Pedro Pascal, Regina King, Stephan James, Teyonah Parris

Director: Barry Jenkins

Before the late 2010s push for more Asian American and lesbian cinema, there were movies already making strides toward better representation. One of the first to achieve this was Saving Face. Despite this film being the first feature for writer-director Alice Wu and actress Lynn Chen, and the first lead role for Michelle Krusiec, the three women lead the film with ease. Wu’s clear mastery of rom-com and family drama tropes directs us through some predictable moves, but with unpredictable twists. Krusiec and Chen’s Wil and Vivian are easy to root for with their striking chemistry, but at the heart of this film is Wil’s relationship with her mom Hwei-Lan (Joan Chen). Their dynamic—expressed through passive-aggression, bilingual bickering, and their need for the other’s honesty—turns this easygoing rom-com into a light yet cathartic family drama.

Genre: Comedy, Drama, Romance

Actor: Ato Essandoh, Brian Yang, Brittany Perrineau, David Shih, Hoon Lee, Jessica Hecht, Joan Chen, Lynn Chen, Mao Zhao, Michelle Krusiec, Pamela Payton-Wright, Saidah Arrika Ekulona, Twinkle Burke

Director: Alice Wu

Rating: R

Keira Knightley stars in this incredible true story of an Iraq War whistleblower who remains relatively little-known in the U.S. Katharine Gun was working for the communications office for the British government when she received a memo in the months leading to the war that showed that the U.S. requested illegal wiretapping assistance from the U.K. on U.N. diplomats. In a heroic act, she chooses to share this memo, hoping that it would stop her government (then led by Tony Blair) from going to war. Spoiler alert: didn't happen, but this decision, which first seemed like a personal sacrifice, has severe implications on her family as the government finds out that she was behind the leak. A compelling political mystery of a case that deserves much more attention than it once got.

Genre: Drama, History, Thriller

Actor: Adam Bakri, Andrew Marr, Angus Wright, Brett Allen, Chris Larkin, Chris Reilly, Clive Francis, Conleth Hill, David Maybrick, Fiona Skinner, George W. Bush, Hanako Footman, Hattie Morahan, Indira Varma, Jack Farthing, Janie Dee, Jeremy Northam, Jessica Fostekew, Jodie McNee, John Heffernan, Katherine Kelly, Keira Knightley, Kenneth Cranham, Lindy Whiteford, Matt Smith, Matthew Goode, Michael James, Monica Dolan, MyAnna Buring, Niccy Lin, Peter Guinness, Raad Rawi, Ralph Fiennes, Raquel Cassidy, Ray Panthaki, Rhys Ifans, Shaun Dooley, Sophie Duval, Tamsin Greig, Tony Blair, Vinta Morgan, Will Barton

Director: Gavin Hood

Rating: R

, 2019

This crazy adventure thriller was Colombia's nomination for the 2020 Oscars. "Monos" translates to monkeys, the nom de guerre of a group of teenagers holding an American hostage in an isolated bunker. Other than the occasional visit from their supervisor, they're left to their devices, forming relationships, smoking weed, drinking, and eating psychedelic mushrooms. One day, on top of the hostage, they're also trusted with a milk cow, named Shakira. A party goes wrong and one of the Monos accidentally kills Shakira, triggering a series of events that sends them deep into the jungle, and deep into despair. 

Monos is not an action movie, it's more of a character study. It was loosely based on The Lord of the Flies.

Genre: Adventure, Drama, Thriller, War

Actor: Deibi Rueda, Jorge Román, Julián Giraldo, Julián Giraldo, Julianne Nicholson, Karen Quintero, Laura Castrillón, Moisés Arias, Moises Arias, Paul Cubides, Sneider Castro, Sofía Buenaventura, Sofia Buenaventura, Wilson Salazar

Director: Alejandro Landes

Rating: R

It wouldn't be too far of a reach to evoke Kids (1995) while diving into Mid90s. But instead of taking on the HIV crisis, Mid90s is a much more tender, poignant reflection on coming of age in 90's skate culture. Jonah Hill, writer and director, examines the complexities of trying to fit in and the difficult choices one has to embrace individualism. From an opening of physical abuse to scenes of drug usage and traumatic experiences, Mid90s is a meditation not only on culture, but also a subtle examination of what it means to be human, to reach emotional and physical limitations, and to seek acceptance. Filmed in a 4:3 aspect ratio, Mid90s doesn't concern itself with grandiose filmography, but instead the aspect ratio almost reflects the tonal and metaphorical aspects played out on screen. With a smaller dynamic range of color and the familiar dust/scratches, the 16mm film compliments gritty and emotional moments of Mid90s. The emotional range of the film will take the audience from the depths of empathy to laughing out loud, but there is no compromise to the weight of each moment. Jonah Hill's directorial debut is beautiful in every sense of the word.

Genre: Comedy, Drama

Actor: Alexa Demie, Ama Elsesser, Aramis Hudson, Chad Muska, Chico Brenes, Donny Barley, Fig Camila Abner, Gio Galicia, Harmony Korine, Jahmin Assa, Jax Malcolm, Jerrod Carmichael, Jonah Hill, Judah Estrella Borunda, Kasey Elise, Katherine Waterston, Kevin White, Liana Perlich, Lucas Hedge, Lucas Hedges, Na-kel Smith, Olan Prenatt, Ryder McLaughlin, Sunny Suljic, Teren Delvon Jones

Director: Jonah Hill

Rating: R

How to Change the World is an insightful and candid documentary about the formation of Greenpeace in 1971 by a small group of environmentalists and activists in Vancouver, British Columbia. Beginning with their attempt to disrupt U.S. nuclear testing in Amchitka, Alaska, the film follows their subsequent efforts to thwart commercial whaling in the Pacific, their anti-sealing campaign in Newfoundland, and their ongoing efforts to defend the natural world against what they perceive as excessive human intervention and abuse. How to Change the World is as much a poignant tale of inspired activism as it is an interesting study of the organization’s early tribulations: idealism vs. anarchy, social movement vs. organizational structure (or lack thereof) and leadership vs. disunity. The voice of co-founder Robert Hunter (de facto leader of Greenpeace from inception) is heard posthumously throughout via narrator Barry Pepper, and it adds an impassioned air of gravitas to the film, detailing the many complexities Greenpeace experienced over the course of its early years of growth and development. A compelling and educational viewing experience.

Genre: Documentary, History

Actor: Bill Darnell, Bobbi Hunter, David Garrick, Emily Hunter, Jerry Rothwell, Paul Watson, Rex Weyler

Director: Jerry Rothwell

Rating: Not Rated

The question mark in the title represents the central idea of this fascinating documentary: what if worshipping Satan is the only way of ensuring religious freedom for everyone?

That's what a group of young members known as The Satanic Temple believe, led by a determined and well-spoken Harvard graduate. They embark on a journey across the U.S. to challenge corrupt officials and the prevalence of religious biases in government agencies. They always request that their belief system (Satanism) is given the same favorable treatment as Christianity, effectively proving that authorities will really only accept a show of religion if it's one religion: Christianity.

But their intoxicating energy comes with costs: divisions within the organization and growing pains. This documentary perfectly illustrates not only a misunderstood religion (in the documentary it's referred to as "post-religion") but the difficulties of establishing grassroots movements in general.

Genre: Documentary

Actor: Anton LaVey, Bill O'Reilly, Billy Graham, Cecil B. DeMille, Chalice Blythe, Charlton Heston, Chris Hayes, Dwight D. Eisenhower, Geraldo Rivera, Greta Van Susteren, Jex Blackmore, Lucien Greaves, Malcolm Jarry, Mamie Eisenhower, Megyn Kelly, Mike Pence, Nicholas Crowe, Penny Lane, Rick Scott, Sal De Ciccio

Director: Penny Lane

Rating: R

Frybread Face and Me is a little indie gem: though rough around the edges, it’s full of charm and heart. Drawn from its director's own childhood experiences, the movie charts a formative moment in the life of Benny, a city boy of Navajo, Hopi, and Laguna Pueblo heritage who’s carted off to his grandmother’s ranch on a Navajo reservation for a summer. It's suffused with all the specificity of real memories in a way that never distances us from it, only enfolding us closer into its nostalgic embrace. That effect largely comes from the tender bonds between Benny and his cousin Dawn (unsympathetically nicknamed Frybread Face and played by newcomer Charley Hogan), who acts as translator between him and their non-English-speaking grandmother (Sarah H. Natani, also a non-professional actor). Though he’s constantly berated by male family members for not being “masculine” enough, Benny finds unconditional acceptance from his grandmother and misfit camaraderie with Frybread, who also gives the film a dry comedic edge — a welcome touch in a usually saccharine genre. Ultimately, though, it’s the movie’s soft sweetness and intimate depths that are most distinctive: it’s so gently told, and with such genuine feeling behind it, that it’s impossible not to be swept away by its charms.

Genre: Comedy, Drama

Actor: Charley Hogan, Jeremiah Bitsui, Kahara Hodges, Keir Tallman, Leilani Taliaferro, Martin Sensmeier, MorningStar Angeline, Nasheen Sleuth, Sarah H. Natani

Director: Billy Luther

Rating: R

It’s always fun to watch something that makes you second guess each move, that shifts seamlessly from one thing to another. Frantz is that kind of film, and as the deceptively simple premise unfolds—a widow befriends her late husband’s friend—you’re never really sure if what you’re watching is a romance, a mystery, or a sly combination of both. 

It helps that Frantz is also more than just a period piece, packed as it is with tiny but thoughtful details. When it is filled with color, for example, it does so in the muted palette of 1900s portraits, making each shot look like a picture come to life. When it talks about love, it goes beyond heterosexual norms and hints at something more potent and, at times, political. And when it takes a swing at melodrama, its actors ground the moment with enough restraint and reserve so that it never teeters on excess. All this results in a well-executed, gripping, and overall lovely film to watch.

 

Genre: Drama, History, Romance, War

Actor: Alice de Lencquesaing, Anton von Lucke, Axel Wandtke, Camille Grandville, Claire Martin, Cyrielle Clair, Eliott Margueron, Elizabeth Mazev, Ernst Stötzner, Étienne Ménard, Jean-Claude Bolle-Reddat, Jean-Paul Dubois, Jean-Pol Brissart, Jeanne Ferron, Johann von Bülow, Johannes Silberschneider, Laurent Borel, Louis-Charles Sirjacq, Lutz Blochberger, Marie Gruber, Merlin Rose, Michael Witte, Nicolas Bonnefoy, Paula Beer, Pierre Niney, Rainer Egger, Ralf Dittrich, Torsten Michaelis, Zimsky

Director: François Ozon

Rating: PG-13

Mark Ruffalo, Anne Hathaway, and Tim Robbins star in this well-executed and eye-opening drama based on a true story. Robert Bilott (Ruffalo) is a successful corporate lawyer in New York. He is visited by a distressed farmer from his hometown in Cincinnati whose cows have been developing strange behaviors and diseases. Robert decides to take on this case in what will become one of the biggest class-action lawsuits in the country: the use of cancerous chemicals by the company that commercializes Teflon (the stuff in pans). Excellent acting in an incredibly frustrating but necessary story that will trouble you more than any other legal thriller you have watched in the past: prepare to be outraged (and throw away your pans).

Genre: Drama, History, Thriller

Actor: Abi Van Andel, Aidan Brogan, Amy Morse, Amy Warner, Angel Kerns, Anita Farmer Bergman, Anne Hathaway, Barry G. Bernson, Barry Mulholland, Bill Camp, Bill Pullman, Bret Aaron Knower, Brian Gallagher, Buz Davis, Caleb Dwayne Tucker, Carly Tamborski, Chaney Morrow, Clara Harris, Courtney DeCosky, Daniel R. Hill, David Fultz, David Myers Gregory, Denise Dal Vera, Elizabeth Marvel, Geoff Falk, Glen Yrigoyen, Greg Violand, Jason M. Griggs, Jeffrey Grover, Jim Laprelle, Joanne Popolin, John Newberg, John W. Harden, Jon Osbeck, Karen Koester, Kathleen Ellerman, Keating P. Sharp, Kelly Mengelkoch, Kevin Crowley, Lea Hutton Beasmore, Louisa Krause, Lyman Chen, Marcia Dangerfield, Mare Winningham, Mark Ruffalo, Matt Hudson, Michael Joseph Thomas Ward, Michael King, Mike Seely, Ming Wang, Ramona Schwalbach, Richard Hagerman, Robert Gerding, Scarlett Hicks, Sheryl Annette Colley, Steven Schraub, Teri Clark, Tim Robbins, Victor Garber, William "Bucky" Bailey, William Jackson Harper, Wynn Reichert

Director: Todd Haynes

Rating: PG-13

On the one hand, American Fiction is a razor-sharp satire that pokes fun at the hypocrisy of the literary and entertainment industry. It's only when Monk (Wright), a genius but esoteric writer, decides to pander and give in to what publishers have come to expect from Black authors (that is: trauma porn) that he is finally celebrated for his work. But on the other hand, the film is also a tender family drama. Monk sells out, as it were, partly because he’s fascinated by the stupidity of decision-makers and supposed intellectuals, but mostly because he needs to pay for his ailing mother’s care. His relationship with his siblings and deceased father likewise informs much of his character, and they complicate what could’ve been just an intellectual approach to a social issue. This is an educational and entertaining film, yes, one that looks at the complex intersection between identity, craft, and profit. But it’s also an empathetic film, told with a big heart and a surprisingly light touch.

Genre: Comedy, Drama

Actor: Adam Brody, Alexander Pobutsky, Bates Wilder, Celeste Oliva, David De Beck, Dustin Tucker, Erika Alexander, Greta Quispe, Issa Rae, J. C. MacKenzie, Jeffrey Wright, Jenn Harris, John Ales, John Ortiz, Kate Avallone, Keith David, Leslie Uggams, Michael Cyril Creighton, Michael Jibrin, Michael Malvesti, Miriam Shor, Myra Lucretia Taylor, Neal Lerner, Okieriete Onaodowan, Patrick Fischler, Raymond Anthony Thomas, Skyler Wright, Sterling K. Brown, Tracee Ellis Ross

Director: Cord Jefferson

Rating: R

The Grand Seduction, a remake of 2003 French-Canadian film La Grande Séduction (2003), is a lighthearted comedy about the residents of the small fishing village of Tickle Head, Newfoudland attempting to convince a young doctor to become its long-term caregiver in order to secure a contract for a new petrochemical facility. Desperate to guide the town out of its impoverished conditions and lack of employment opportunities, the citizens band together to pull ever bit out of deceit and chicanery out of their hats (in often laugh-out-loud fashion) in order to sway the young doctor Paul (Taylor Kitsch) into believing that Tickle Head is where he belongs. It’s a lighthearted and funny story, despite undeniably familiar shades of The Shipping News, Doc Hollywood and Funny Farm. Brendan Gleeson is particularly good as the new mayor of town and Paul’s head “seducer”. He gives the film that extra bit of humanity and wry humor that lifts it above the familiar plot points and into “notable recommendation” territory.

Genre: Comedy

Actor: Brendan Gleeson, Cathy Jones, Gordon Pinsent, Janelle Hickey, Kevin Lewis, Lawrence Barry, Liane Balaban, Margaret Killingbeck, Mark Critch, Mary Walsh, Matt Watts, Michael Therriault, Natalia Hennelly, Percy Hynes White, Pete Soucy, Peter Keleghan, Sean Panting, Steve O'Connell, Taylor Kitsch

Director: Don McKellar

Rating: PG-13

Snowpiercer is an under-the-rader post-apocalyptic thriller that offers the grittiness that many times only Asian cinema may achieve. South Korean director Joon-ho Bong forces audiences to forget that Chris Evans was ever a Marvel superhero, as he leads a revolt of his fellow “low-class” citizens against the self-appointed gentry in a train that contains all remaining members of the planet. With immersive environments and a layered script, this film melds together social commentary and moral discourse in a visually arresting and vastly entertaining package.

Genre: Action, Drama, Mystery, Science Fiction

Actor: Adnan Haskovic, Alison Pill, Chris Evans, Clark Middleton, Dana Green, Ed Harris, Emma Levie, Ewen Bremner, Go A-sung, Go Ah-sung, Griffin Seymour, Jamie Bell, Jim High, John Hurt, Joseph Bertót, Kendrick Roger Ong, Kenny Doughty, Ko A-sung, Ko Asung, Luke Pasqualino, Luna Sophia Bar-Cohen, Magda Weigertová, Marcanthonee Reis, Octavia Spencer, Parry Shen, Paul Lazar, Peter Hallin, Robert Russell, Sean Connor Renwick, Seisuke Tsukahara, Song Kang-ho, Stephen Park, Steve Park, Tilda Swinton, Tomáš Dianiška, Tómas Lemarquis, Tyler John Williams, Vlad Ivanov

Director: Bong Joon-ho

Rating: R

Only a writer of Albert Brooks’ comedic and perceptive talents could turn the premise of an insecure middle-aged man having romantic trouble into something genuinely funny and poignant. Brooks appears as his signature brand of self-loathing boomer here: he plays John Henderson, a middling novelist who's recently gone through a second divorce. When he finds himself in the unenviable position of having to start afresh in his forties, John first decides he needs to get to the bottom of his recurring failures with women. In keeping with the neurotic preoccupations of his characters, Brooks has John take the psychoanalytic approach by going back to the source: his mother. 

To better get to the root of his hang-ups, John temporarily moves back in with Mrs Henderson, whom Debbie Reynolds plays as a hilariously blithe foil to her manic, insecure son. Brooks and Reynolds’ fractious rapport is tortuously true to life: John finds her petty habits maddening, while she doesn’t seem to understand his life or his work — an obliviousness that, it turns out, might run the other way, too. Cleverly turning the self-obsessions of its lead character on its head, Mother is a wry comedy full of insight and unexpected sweetness.

Genre: Comedy, Drama

Actor: Albert Brooks, Anne Haney, Billye Ree Wallace, Debbie Reynolds, Ernie Brown, Greg Bronson, Harry Hutchinson, Isabel Glasser, James Gleason, Joey Naber, John C. McGinley, Kimiko Gelman, Lisa Kudrow, Matt Nolan, Michael Moertl, Paul Collins, Peter White, Richard Assad, Rob Morrow, Rosalind Allen, Spencer Klein, Vanessa Williams

Director: Albert Brooks

Rating: PG-13